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› Find signed collectible books: 'Anybody Can Write: A Playful Approach'
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› Find signed collectible books: 'Anybody Can Write: A Playful Approach Ideas for the Aspiring Writer, the Beginner, and the Blocked Writer'
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› Find signed collectible books: 'Bryson's Dictionary of Troublesome Words'
One of the English languages most skilled and beloved writers guides us all toward precise, mistake-free usage.
As usual Bill Bryson says it best: English is a dazzlingly idiosyncratic tongue, full of quirks and irregularities that often seem willfully at odds with logic and common sense. This is a language where cleave can mean to cut in half or to hold two halves together; where the simple word set has 126 different meanings as a verb, 58 as a noun, and 10 as a participial adjective; where if you can run fast you are moving swiftly, but if you are stuck fast you are not moving at all; [and] where colonel, freight, once, and ache are strikingly at odds with their spellings. As a copy editor for the London Times in the early 1980s, Bill Bryson felt keenly the lack of an easy-to-consult, authoritative guide to avoiding the traps and snares in English, and so he brashly suggested to a publisher that he should write one. Surprisingly, the proposition was accepted, and for a sum of money carefully gauged not to cause embarrassment or feelings of overworth, he proceeded to write that bookhis first, inaugurating his stellar career.
Now, a decade and a half later, revised, updated, and thoroughly (but not overly) Americanized, it has become Brysons Dictionary of Troublesome Words, more than ever an essential guide to the wonderfully disordered thing that is the English language. With some one thousand entries, from a, an to zoom, that feature real-world examples of questionable usage from an international array of publications, and with a helpful glossary and guide to pronunciation, this precise, prescriptive, andbecause it is written by Bill Brysonoften witty book belongs on the desk of every person who cares enough about the language not to maul or misuse or distort it.
From the Hardcover edition. [via]
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› Find signed collectible books: 'Bryson's Dictionary of Troublesome Words: A Writer's Guide to Getting It Right'
One of the English languages most skilled and beloved writers guides us all toward precise, mistake-free usage.
As usual Bill Bryson says it best: English is a dazzlingly idiosyncratic tongue, full of quirks and irregularities that often seem willfully at odds with logic and common sense. This is a language where cleave can mean to cut in half or to hold two halves together; where the simple word set has 126 different meanings as a verb, 58 as a noun, and 10 as a participial adjective; where if you can run fast you are moving swiftly, but if you are stuck fast you are not moving at all; [and] where colonel, freight, once, and ache are strikingly at odds with their spellings. As a copy editor for the London Times in the early 1980s, Bill Bryson felt keenly the lack of an easy-to-consult, authoritative guide to avoiding the traps and snares in English, and so he brashly suggested to a publisher that he should write one. Surprisingly, the proposition was accepted, and for a sum of money carefully gauged not to cause embarrassment or feelings of overworth, he proceeded to write that bookhis first, inaugurating his stellar career.
Now, a decade and a half later, revised, updated, and thoroughly (but not overly) Americanized, it has become Brysons Dictionary of Troublesome Words, more than ever an essential guide to the wonderfully disordered thing that is the English language. With some one thousand entries, from a, an to zoom, that feature real-world examples of questionable usage from an international array of publications, and with a helpful glossary and guide to pronunciation, this precise, prescriptive, andbecause it is written by Bill Brysonoften witty book belongs on the desk of every person who cares enough about the language not to maul or misuse or distort it. [via]
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› Find signed collectible books: 'The Complete Idiot's Guide to Creative Writing'
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› Find signed collectible books: 'The Complete Plain Words'
Covers the issues in the choice and handling of words - will energise anyone with a writing job to do. Offers a checklist of words and phrases to be used with care - will save many a writer from committing embarrassing blunders by writing something unintended, misleading or downright foolish. [via]
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› Find signed collectible books: 'The Complete Plain Words'
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› Find signed collectible books: 'The Craft of Writing Science Fiction That Sells'
Ben Nova, best-selling novelist and former editor of Analog and Omni magazines, guides you through the major elements of science-fiction storytelling: character, background, conflict, and plot. Bova has received the Hugo Award for Best Professional Editor six times. [via]
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› Find signed collectible books: 'English Composition and Grammar: Comkplete Course'
English Composition and Grammar Complete course Benchmark edition copyright 1988. Author John E. Warriner [via]
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› Find signed collectible books: 'English Grammar & Composition: 3rd Course Grade 9'
3rd Course [via]
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› Find signed collectible books: 'English Grammar & Composition: Grade 12'
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› Find signed collectible books: 'English Grammar and Composition: First Course Grade 7'
Warriner's grammar IS the one, the ONLY text needed to learn or review grammar. The text presentation in simple black, white, and red keeps things simple with regard to importance, etc. Want to learn grammar?? Go to Warriner's! [via]
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› Find signed collectible books: 'English Grammar and Composition: Complete Course'
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› Find signed collectible books: 'English Grammar and Composition: Complete Course Grade 12'
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› Find signed collectible books: 'An Essential Guide to Writing Research Papers'
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› Find signed collectible books: 'The Facts on File Dictionary of Troublesome Words'
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› Find signed collectible books: 'Fondling Your Muse: Infallible Advice From a Publisherd Author to the Writerly Aspirant'
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› Find signed collectible books: 'Immediate Fiction'
Musicians and artists might need talent to succeed, but writers don't, says Jerry Cleaver in Immediate Fiction. Cleaver allows that talent is needed to win a National Book Award, say, but otherwise, any of us can do it. All we need is the ability to "develop and exercise sadistic license." The operative word is conflict. As Cleaver puts it, "Happy lives make lousy novels.... If the characters are having a good time, the reader is not." He takes the mystery out of fiction writing. You don't have to write about what you know, he says; write what you can imagine. Don't fret if you can't find large chunks of time to write. Start with five minutes on weekdays and 20 on weekends, and you'll have 100 to 300 pages by year's end. Perhaps most refreshing about Cleaver's approach is the lack of directives. Some writing instructors demand that you work with an outline; others forbid it. Cleaver claims that teachers who tell you to do it one way or the other are telling you not how you work best, but how they work best. --Jane Steinberg [via]
› Find signed collectible books: 'The Key'
"You don't begin with meaning," according to fiction writer Rick DeMarinis, "you end with it." A critic approaching a story from a mythological standpoint might find a mythological theme, but "there are as many themes in a story as there are critical theories." Hogwash, says James N. Frey. "Mythic structures, forms, motifs, and characters ... are 'The Key' to writing more-powerful fiction," and it is a fiction writer's job to imbue his or her work with them. In The Key, Frey describes each of the mythic qualities (ascribed to the mythic hero, the "Evil One," the "Call to Adventure," and the other elements of the mythic journey) and offers examples of how to use them in one's writing. Don't get the wrong idea. Frey is not interested in academic or overly intellectual writing. Sure, he invents a Proust-reading Nevada cowboy to illustrate the concept of "The Hero's Lover," but there are more references here to James Bond than to Homer. Frey advises using first-person journal writing to get to know one's characters. He emphasizes fiction's need for conflict at every turn. And he recommends working from a premise, as it helps one know what to leave out (everything in the story must work to further the premise). Frey defines every possible mythic character or situation, then insists one not feel confined by them all. "The mythic pattern is not a straitjacket," he says, "it's Play-Doh. Have fun with it." --Jane Steinberg [via]
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› Find signed collectible books: 'The Key: How to Write Damn Good Fiction Using the Power of Myth'
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› Find signed collectible books: 'The Mla Style Manual'
Now in its sixth printing, the Manual has become the standard guide for the scholar, graduate student, and professional writer for preparing theses, dissertations and manuscripts, or articles and books. The Manual discusses publishing procedures and presents all the information a writer needs to submit scholarly manuscripts. The Manual also explains the mechanics of documentation, addresses recent publishing innovations, and outlines modern typesetting and printing techniques. [via]
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› Find signed collectible books: 'Mla Style Manual and Guide to Scholarly Publishing'
...reviews basics, legal issues, MLA conventions, style for journals, thesis, dissertations, proper citation. [via]
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› Find signed collectible books: 'The Modern Researcher With Infotrac'
This classic introduction to the techniques of research and the art of expression is used widely in historiography courses in many departments other than history. This book thoroughly covers every aspect of research from the selection of a topic, through the methods of finding and verifying data, writing and revising, to preparing a manuscript for publication. It offers invaluable guidance on using all major research sources and effectively reporting the results of research. The Fifth Edition focuses on writing and critical thinking skills. Chapter 4 on sources includes the information on the new library cards and the various databases. Chapter 15 presents new material on techniques of presentation and an expanded discussion of the computer and its uses. [via]
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› Find signed collectible books: 'Pen on Fire: A Busy Woman's Guide to Igniting the Writer Within'
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› Find signed collectible books: 'The Penguin Dictionary of Troublesome Words'
It is nearly 20 years since Bill Bryson first penned his deliciously witty paean to precision Troublesome Words. Now he has revised it and 60 per cent of the content is new so it's well worth another browse and a place on the desk corner of anyone who likes words and who wants to get things right.
Once a sub-editor at The Times, Bryson is irresistibly drawn to knowing that "to flaunt" means to display ostentatiously but "to flout" means to treat with contempt. Or that a straitjacket may be straight but its name means that its occupant is confined and restricted--in straitened circumstances, perhaps. And can you explain the difference between a Creole and a Pidgin or between egoism and egotism? If not consult Bryson. Then you'll be able to. There's no pedantry or pomposity in Bryson's writing. But he argues: "Just as we all agree that clarity is better served if 'cup' represents a drinking vessel and 'cap' something you put on your head, so too I think the world is a fractionally better place if we agree to preserve a distinction between 'its' and 'it's', between 'I lay down the law' and 'I lie down to sleep', between 'imply' and 'infer' and countless others."
Bryson modestly jokes that this alphabetically arranged book could be subtitled "Even More Things in English Usage That the Author Wasn't Entirely Clear about Until Quite Recently". If only most of us were sure about a fraction of the things Bryson clearly understands very well we might all be more effective writers and speakers. --Susan Elkin [via]
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› Find signed collectible books: 'The Poetry Home Repair Manual: Practical Advice For Beginning Poets'
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› Find signed collectible books: 'A Rulebook for Arguments'
Updated examples, streamlined text, and the chapter on definition reworked in a rule-based format strengthen this already strong volume. Readers familiar with the previous edition will find a text that retains all the features that make Rulebook ideally suited for use as a supplementary course book -- including its modest price and compact size. Unlike most textbooks on argumentative writing, Rulebook is organised around specific rules, illustrated and explained soundly and briefly. It is not a textbook, but a rulebook, whose goal is to help students get on with writing a paper or assessing an argument. [via]
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› Find signed collectible books: 'The St. Martin's Guide to Writing'
The best-selling college rhetoric for nearly 25 years, The St. Martin's Guide has achieved an unparalleled record of success by providing practical innovations for the ever-changing composition course. Comprehensive yet flexible, The Guide's acclaimed step-by-step guides to each type of writing offer sure-fire invention strategies to get students started, combined with thorough advice on critical reading, working with sources, and careful revision. Axelrod and Cooper's class-tested guidance on visual rhetoric, online teaching and learning, and more is available for instructors who incorporate these topics into their courses - but not intrusive, for those who don't. The new edition has been re-engineered to reflect and build on the actual writing processes of students and does even more to prepare them for the writing they will do in other college courses. [via]
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› Find signed collectible books: 'The St. Martin's Guide to Writing: Short'
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› Find signed collectible books: 'The St. Martin's Guide to Writing: Shorter Version'
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› Find signed collectible books: 'Take Joy: The Writers Guide To Loving The Craft'
Are you a writer longing to rediscover the joy that you once had in the craft (or even find it for the first time)? In this inspiring guide, Jane Yolen, an author who has been called America's Hans Christian Andersen, shows writers how to focus on aspects of the craft that bring them joy.
She remarks in the first chapter, Save the blood and pain for real life, where tourniquets and ibuprofen can have some chance of helping. Do not be afraid to grab hold of the experience with both hands and take joy."
Addressing topics all writers struggle with, Yolen discusses the writer's voice, beginnings and endings, dealing with rejection, the technical aspects of writing, and the process of coming up with an ideaand deals with each of them in a way that focuses on the positive and eliminates the negative.
As Yolen says, "Be prepared as you write to be surprised by your own writing, surprised by what you find out about yourself and about your world. Be ready for the happy accident."
Get ready to take joy in your writing once again." [via]
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› Find signed collectible books: 'Troublesome Words'
This dictionary provides a straightforward guide to the pitfalls and hotly disputed issues in written English. The entries are discussed with wit and common sense, and illustrated with examples of questionable usage taken from leading British and American newspapers, plus occasional references to masters of the language such as Samuel Johnson and Shakespeare. No familiarity with English grammar is needed to learn from this book, although a glossary of grammatical terms is included and there is also an appendix on punctuation. [via]
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› Find signed collectible books: 'Warriner's English Grammar and Composition: Course 5-Liberty Edition'
BOOK [via]
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› Find signed collectible books: 'The Wave in the Mind: Talks and Essays on the Writer, the Reader, and the Imagination'
Join Ursula K. Le Guin as she explores a broad array of subjects, ranging from Tolstoy, Twain, and Tolkien to women's shoes, beauty, and family life. With her customary wit, intelligence, and literary craftsmanship, she offers a diverse and highly engaging set of readings. The Wave in the Mind includes some of Le Guin's finest literary criticism, rare autobiographical writings, performance art pieces, and, most centrally, her reflections on the arts of writing and reading. [via]
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› Find signed collectible books: 'The Well-Fed Writer: Financial Self-Sufficiency As a Freelance Writer in Six Months or Less'
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› Find signed collectible books: 'Write Great Fiction: Characters, Emotion & Viewpoint (Techniques and exercises for crafting dynamic characters and effective viewpoints)'
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› Find signed collectible books: 'Write to Learn'
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› Find signed collectible books: 'The Writer's Guide to Creating a Science Fiction Universe'
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› Find signed collectible books: 'The Writer's Handbook'
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› Find signed collectible books: 'The Writer's Handbook 1989'
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› Find signed collectible books: 'The Writer's Handbook 1998'
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› Find signed collectible books: 'The Writer's Handbook: 1998'
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› Find signed collectible books: 'The Writer's Handbook: 1999'
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› Find signed collectible books: 'The Writer's Handbook 2000'
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› Find signed collectible books: 'The Writer's Handbook 2001'
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› Find signed collectible books: 'The Writer's Handbook 2002 : International Edition'
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› Find signed collectible books: 'The Writer's Handbook 2003'
So you've written your article about sword dancing in Northumberland. You think it's publishable but have never published before and have no contacts. Where do you start? Enter The Writer's Handbook 2003 with its usual detailed listings and helpful advice about the marketing of words.
First published in 1998 the annual handbook includes long alphabetical lists of magazines and newspapers, contact details for book publishers, relevant website addresses and essays to entertain you even when they can't encourage. This year, for example, Mick Sinclair's contribution "Up, Up Away" tells you unequivocally that: "writers hoping to break into travel authorship by recounting a thrill-a-minute tale of death-defying adventure will probably find swimming the Atlantic with a pack of sharks or crossing Antarctic on a toboggan to be much easier than convincing a publisher to commission an account of the exploit."
Of course The Writer's Handbook isn't just for article writers. This is a book for writers in the widest sense so novelists, playwrights, screen writers, and radio "scripters" are all catered for. Neither is it a book just for beginners. There is plenty of useful information here for anyone active in the writing business whether he or she is an established practitioner, a raw recruit or somewhere in between.
Particularly useful are the contact details of festivals from The Round Festival in Wimborne to the well-known Cheltenham Festival of Literature. The organisation listings are good value too. They range from the Big Boys such as Society of Authors and Chartered Institute of Journalists to the Outdoor Writers' Guild and the Association of Christian Writers.
So, back to your sword dancers. Search the magazine and newspaper indexes in The Writer's Handbook for suitable titles, read the advice and try your luck.--Susan Elkin [via]
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› Find signed collectible books: 'The Writer's Handbook 2004: The Complete Guide for All Writers, Journalists, Publishers, Editors, Agents, Screenwriters, and Broadcasters'
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› Find signed collectible books: 'The Writer's Handbook 2005'
In the 17 years since its first appearance The Writer's Handbook has developed into a highly useful reference book for writers, journalists, publishers, editors, agents, screen writers and broadcasters. Every writer, established or aspiring, needs a contacts book and this--with its 700-plus pages of names, addresses, phone numbers, e-mail addresses, websites and advisory essays--is an excellent starting point.
Editor Barry Turner's damning but compelling indictment of the standard of English teaching in Britain forms the introduction to this new edition. From the 1960s onwards "teachers were encouraged to set standards by the lowest common denominator", he argues, and "the impact on English was catastrophic". Brian MacArthur, veteran journalist on and associate editor of The Times has contributed an interesting "insider" piece about book serialisations, new for the 2004 edition.
If you want to approach, say, Scottish Field, an Edinburgh-published magazine, or to access a photograph of an item in the Royal Collection, everything you need to know is here. So are the contact details for European publishers such as Standaard Uitgeverij in Antwerp and the annual Margate Poetry Festival. It's pretty eclectic and exhaustive stuff.
The Writer's Handbook is more narrowly focused than its older rival the Writers' and Artists' Yearbook because it doesn't try to cater for artists as well as writers. Perhaps that's why the handbook is more clearly laid out and somehow handier to use than the yearbook, although if you're serious about getting your work published you probably need both. --Susan Elkin [via]
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› Find signed collectible books: 'The Writer's Handbook 2006'
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› Find signed collectible books: 'The Writer's Handbook 2007'
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› Find signed collectible books: 'Writing Research Papers : A Complete Guide'
Up-to-date guidance on electronic research and writing. [via]
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› Find signed collectible books: 'Writing Research Papers: A Complete Guide, Tabbed'
Share your own customer images Publisher: learn how customers can search inside this book. Tell the Publisher! I'd like to read this book on Kindle Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App. Writing Research Papers 8ED [Spiral-Bound] James D Lester (Author) [via]
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