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› Find signed collectible books: '70 Challenging Cryptics from the Henry Hook Archives'
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› Find signed collectible books: 'All the Greek Verbs'
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› Find signed collectible books: 'The Alphabet Tree'
When a fierce wind threatens to blow all the little letters out of the alphabet tree, they must band together in wordsand then sentencesto create a message that's even stronger than the wind: peace on earth. With their newfound knowledge, there's nothing the letters can't do in this gentle parable about the power of the written word. [via]
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› Find signed collectible books: 'The Annotated Lolita'
In 1954 Vladimir Nabokov asked one American publisher to consider "a firebomb that I have just finished putting together." The explosive device: Lolita, his morality play about a middle-aged European's obsession with a 12-year-old American girl. Two years later, the New York Times called it "great art." Other reviewers staked a higher moral ground (the editor of the London Sunday Express declaring it "the filthiest book I've ever read"). Since then, the sinuous novel has never ceased to astound. Even Nabokov was astonished by its place in the popular imagination. One biographer writes that "he was quite shocked when a little girl of eight or nine came to his door for candy on Halloween, dressed up by her parents as Lolita." And when it came time to casting the film, Nabokov declared, "Let them find a dwarfess!"
The character Lolita's power now exists almost separately from the endlessly inventive novel. If only it were read as often as it is alluded to. Alfred Appel Jr., editor of the annotated edition, has appended some 900 notes, an exhaustive, good-humored introduction, and a recent preface in which he admits that the "reader familiar with Lolita can approach the apparatus as a separate unit, but the perspicacious student who keeps turning back and forth from text to Notes risks vertigo." No matter. The notes range from translations to the anatomical to the complex textual. Appel is also happy to point out the Great Punster's supposedly unintended word play: he defends the phrase "Beaver Eaters" as "a portmanteau of 'Beefeaters' (the yeoman of the British royal guard) and their beaver hats." [via]
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› Find signed collectible books: 'Arthur's Reading Race'
Arthur promises to buy ice cream for his little sister, D.W., if she can read ten words. The twosome race to the park, where D.W. is quick to recognize signs such as ZOO, DON'T WALK, POLICE, and ICE CREAM. When she reads WET PAINT before her big brother does, Arthur is in for a colorful surprise! [via]

› Find signed collectible books: 'Arthur's Really Helpful Word Book'
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› Find signed collectible books: 'Arthur's Really Helpful Word Book'
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› Find signed collectible books: 'The Associated Press Stylebook and Briefing on Media Law'
Whether you're a student struggling through Composition 101 or a professional writer on a quest for perfection, The Associated Press Stylebook and Briefing on Media Law is always ready to fill the role of trusted advisor to your creative genius. Revised and updated in 2000, this version contains a 40-page section on media law, guides for punctuation and bibliographies, and specialized glossaries for business and sports writing, all in addition to its 280-page generalized stylebook.
Within each section, entries are alphabetized, and searching for an answer is a fairly simple process. Tricky words--those that can be hyphenated (know-how) or not (jukebox), homonyms, nonstandard spellings (mo-ped)--are given their own short entries. Larger categories, such as religions, military titles, the Internet, and datelines, have multiple pages devoted to their explanations, but detail and clarity are brought nicely together in each listing. Many entries concern brand names and trademarks--never again will you question whetherpingpong or Ping-Pong should be used in the flier for your table-tennis tournament.
While a few sections of this book--the ones concerning media law, photo captions, filing the wire, and proofreading marks--will most likely be used by professional and student journalists and editors, the majority of this book is an excellent tool for anyone who ever has to write for the public. Whether it's a newsletter for your badminton league, a training manual for your employees, or a press release detailing your company's quarterly earnings, this stylebook will help you turn out well-written copy that gains the approval of every English teacher you've ever had. --Jill Lightner [via]
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› Find signed collectible books: 'The Associated Press Stylebook and Briefing on Media Law: With Internet Guide and Glossary'
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› Find signed collectible books: 'The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger'
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› Find signed collectible books: 'C D B!'
William Steig--The New Yorker cartoonist and revered creator of the Caldecott Medalist Sylvester and the Magic Pebble, Abel's Island, and dozens of other magnificent books--first wrote and illustrated the original, black-and-white edition of CDB! more than 30 years ago. Adding splashes of watercolor on larger, broader pages (and an answer key in the back!), Steig brings new life to his well-loved favorite. For the uninitiated, "C D B!" translates to "See the bee!" Other letter codes are more challenging, such as the boy leaning on a tree saying "I F-N N-E N-R-G" or a droopy decrepit man slouching in a chair labeled "O-L H." Once you get used to this abbreviated Steig-speak, all (or at least most) will become clear--"X" sometimes means "eggs," "D" is sometimes "the," and "S" can be "is" or "has," for example. Or, you can just read the letters out loud over and over until the proper phrase emerges plain as day. (The pictures help, too, of course!) Those who crave more wordplay will want to explore CDC? This book is nothing less than X-L-N, and no home where words are celebrated should be without it. (Ages 5 to 105) --Karin Snelson [via]

› Find signed collectible books: 'A Cache of Jewels and Other Collective Nouns'
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› Find signed collectible books: 'The Careful Writer: A Modern Guide to English Usage'
The definitive writers handbook of alphabetized entries that provides answers to questions of use, meaning, grammar, punctuation, precision, logical structure, and color.The Careful Writer is a concise yet thorough handbook, covering in more than 2,000 alphabetized entries the problems that give (or should give) writers pause before they set words to paper. It is perhaps the liveliest and most entertaining reference work for writers of our timedelighting while it instructs and amusing even as it scolds and cajoles the reader into skillful, persuasive, and vivid writing. The Careful Writer, Mr. Bernsteins major work on usage, is an indispensible desk reference, and a perennial source of continuing reading pleasure. [via]
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› Find signed collectible books: 'The Careful Writer; A Modern Guide to English Usage'
The definitive writers handbook of alphabetized entries that provides answers to questions of use, meaning, grammar, punctuation, precision, logical structure, and color.The Careful Writer is a concise yet thorough handbook, covering in more than 2,000 alphabetized entries the problems that give (or should give) writers pause before they set words to paper. It is perhaps the liveliest and most entertaining reference work for writers of our timedelighting while it instructs and amusing even as it scolds and cajoles the reader into skillful, persuasive, and vivid writing. The Careful Writer, Mr. Bernsteins major work on usage, is an indispensible desk reference, and a perennial source of continuing reading pleasure. [via]
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› Find signed collectible books: 'A Chocolate Moose For Dinner'
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› Find signed collectible books: 'Clear and Effective Legal Writing'
In its Fourth Edition, <b>Clear and Effective Legal Writing</b> continues to give students a classic introduction to legal analysis and legal writing. Concise and accessible, the text focuses on memo and brief writing while reinforcing key writing skills. This proven teaching tool provides the student with excellent examples and numerous skill-honing exercises.<p class=copymedium> <b>Offering comprehensive coverage from case synthesis and case briefing to preparing Supreme Court briefs, this text:</b> <li class=copymedium>starts with an overview of legal analysis, and then walks students through the writing process: understanding context, organizing effectively, writing clearly and effectively, and reviewing and editing <li class=copymedium>describes differences between legal language and ordinary discourse, and the linguistic theory underlying the origins of legal language <li class=copymedium>seamlessly combines legal reasoning with legal writing and helps the student understand the relationship between the two <li class=copymedium>provides straightforward rules for writing effective legal documents, with scores of examples of the good, the bad, and the humorous <li class=copymedium>includes numerous exercises throughout the book to help students reinforce their skills <li class=copymedium>dissects and annotates actual trial court memoranda and Supreme Court briefs highlighting the strengths and weaknesses of each example <li class=copymedium>provides an insightful interview with the Clerk of the Supreme Court of the United States on what the Court expects to see in brief and the assistance that his office provides to all litigants appearing before the Court <li class=copymedium>shows how to transform a memorandum into an advocacy document <li class=copymedium>provides guidance for writing well in an appendix with overview of English sentence structure</ul> <p class=copymedium><b>New to the Fourth Edition:</b> <li class=copymedium>updated examples throughout <li class=copymedium>an updated legal process portion taking into account changes in law and updating examples <li class=copymedium>a new set of Supreme Court briefs with annotations <li class=copymedium>additional material addressing how the Internet is affecting court filings and formatting</ul> [via]
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› Find signed collectible books: 'Conceptual Blockbusting: A Guide to Better Ideas'
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› Find signed collectible books: 'A Dictionary of Catch Phrases: British and American, from the Sixteenth Century to the Present Day'
A catch phrase is a well-known, frequently-used phrase or saying that has `caught on' or become popular over along period of time. It is often witty or philosophical and this Dictionary gathers together over 7,000 such phrases. [via]
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› Find signed collectible books: 'Dictionary of Contemporary Slang'
From A to Z:
Aim archie at the armitage brownie hound cassava dingleberries el ropo four-by-two get Chinese have the painters in idiot dancing jam sandwich kangaroo it lip service meathooks necktie party Ozzie and Harriet pearl diver quiche out rough end of the pineapple surfboard tray-bits under velcrohead write one's name on the lawn x-rated yodel in the canyon zippersniffer.
There is a linguistic riot going on the English-speaking world over, in the form of energetic, informal speech, extraordinary for its wit, quirkiness, and biting satire. The Dictionary of Contemporary Slang, the most comprehensive guide to slang, gathers more than 5,000 colloquialisms, puns, similes, metaphors, and double entendres -- from sex, drugs, and rock'n'roll; to fads, fashion, and cults; to taboos, obscenities, and euphemisms -- that have enriched our language for the past forty years. Most entries have multiple definitions that are enlivened by examples of usage. [via]
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› Find signed collectible books: 'A Dictionary of English Plant Names (and Some Products of Plants)'
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› Find signed collectible books: 'A Dictionary of the Underworld: British & American, Being the Vocabularies of Crooks, Criminals, Racketeers, Beggars and Tramps, Convicts, the Commercial Underworld, the Drug Traffic, the White Slave Traffic, Spivs'
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› Find signed collectible books: 'Dr Johnson's Dictionary: The Extraordinary Story of the Book That Defined the World'
By 1700, France and Italy already had dictionaries of their own, and it became a matter of national pride that England should rival them. Dr Johnson rose to the challenge, turning over the garret of his London home to the creation of his Dictionary. He imagined it would take three years. Eight years later it was finally published, full of idiosyncrasies, but complete nevertheless. It would become the most important British cultural monument of the eighteenth century. This is the story of Johnson's attempt to define each and every word. In wonderfully engaging chapters, Hitchings describes Johnson's adventure -- his ambition and vision, his moments of despair, the mistakes he made along the way and his ultimate triumph. [via]
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› Find signed collectible books: 'Fooling With Words: A Celebration of Poets and Their Craft'
The biennial Geraldine R. Dodge Poetry Festival in Waterloo, New Jersey, has been called the Woodstock of poetry. Taking place over the course of several (often hot and sticky) summer days, the festival comprises readings and workshops and performances. Audiences under the big top can reach a couple thousand. It is stunning to see so many lovers of poetry gathered in one place.
For Fooling with Words, Moyers interviews 11 of the poets on the festival's 1998 roster. "Talking to poets about their lives," he says, "makes their poetry more accessible to me." And what a variety of poets and lives he has come up with! The youngest is New Yorker senior editor Deborah Garrison (A Working Girl Can't Win), then 32; the eldest, Stanley Kunitz, 93 years old and wearing a lime-green jacket. In between are Coleman Barks, Robert Pinsky, Lorna Dee Cervantes, Paul Muldoon, Marge Piercy, Mark Doty, Jane Hirshfield, Kurtis Lamkin, and Shirley Geok-Lin Lim. These conversations are dotted with poems. "I like to know about the experiences that produced the poet," says Moyers, and the intermingling of conversation and poetry is a wonderful, casual way to be introduced to a poet's sensibility. Doty discusses the pain of "writing about the hardest things in the world." Hirshfield talks about her Zen practice and the notion that ideas "can graze inside us like animals who reshape the landscape with their grazing." Throughout, there is the sense of lives that would not be bearable without poetry. "Poetry is what has saved me," says one poet here; "You never know when your poem will come to someone's rescue," chimes another. --Jane Steinberg [via]
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› Find signed collectible books: 'Grapefruit:a Book of Instructions: A Book of Instructions'
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› Find signed collectible books: 'Great Books: My Adventures With Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
At the age of forty-eight, film critic David Denby, dissatisfied with his life within the media bubble, went back to Columbia University and took again the two famous courses in Western classics Literature Humanities and Contemporary Civilization required of all students--courses he first took in 1961. In recent years, collections of literary and philosophical masterpieces such as those taught in these courses have been reviled by the left as oppressive and exclusionary and adored by the right as bulwarks of patriotism. Denby, the film critic for "New York magazine, wanted to dispel these cliches and to confront the books in their naked power; he wanted to find the self he had lost in a daze of media images. In "Great Books, Denby lives the common adult fantasy of returning to school with some worldly knowledge and experience of life. A gifted storyteller, he leads us on a glorious tour--by turns eloquent, witty, and moving--through the works themselves and through his experiences as a middle-aged man among freshmen. He recounts his failures and triumphs as a reader and student taking an exam led to a hilarious near-breakdown . He celebrates his rediscovery or new appreciation of such authors as Homer, Plato, the biblical writers, Augustine, Boccaccio, Hegel, Austen, Marx, Nietzsche, and Virginia Woolf. He re-creates the atmosphere of the classroom--the strategies used by a remarkable group of teachers and the strengths and weaknesses of media-age students as they grapple with these difficult, sometimes frightening works. And all year long he watches the students grow and his own life and memories break out of hiding. The result is an extraordinarily engaging blend ofcriticism, reporting, autobiography, and cultural commentary, a book about self-discovery. Denby offers a nonprofessor's look at life on campus; he addresses the vexing questions of political correctness and relativism, and he suggests that a larger crisis surrounds the teaching of the humanities. [via]
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› Find signed collectible books: 'A Heartbreaking Work of Staggering Genius : A Memoir Based on a True Story'
Dave Eggers is a terrifically talented writer; don't hold his cleverness against him. What to make of a book called A Heartbreaking Work of Staggering Genius: Based on a True Story? For starters, there's a good bit of staggering genius before you even get to the true story, including a preface, a list of "Rules and Suggestions for Enjoyment of This Book," and a 20-page acknowledgements section complete with special mail-in offer, flow chart of the book's themes, and a lovely pen-and-ink drawing of a stapler (helpfully labeled "Here is a drawing of a stapler:").
But on to the true story. At the age of 22, Eggers became both an orphan and a "single mother" when his parents died within five months of one another of unrelated cancers. In the ensuing sibling division of labor, Dave is appointed unofficial guardian of his 8-year-old brother, Christopher. The two live together in semi-squalor, decaying food and sports equipment scattered about, while Eggers worries obsessively about child-welfare authorities, molesting babysitters, and his own health. His child-rearing strategy swings between making his brother's upbringing manically fun and performing bizarre developmental experiments on him. (Case in point: his idea of suitable bedtime reading is John Hersey's Hiroshima.)
The book is also, perhaps less successfully, about being young and hip and out to conquer the world (in an ironic, media-savvy, Gen-X way, naturally). In the early '90s, Eggers was one of the founders of the very funny Might Magazine, and he spends a fair amount of time here on Might, the hipster culture of San Francisco's South Park, and his own efforts to get on to MTV's Real World. This sort of thing doesn't age very well--but then, Eggers knows that. There's no criticism you can come up with that he hasn't put into A.H.W.O.S.G. already. "The book thereafter is kind of uneven," he tells us regarding the contents after page 109, and while that's true, it's still uneven in a way that is funny and heartfelt and interesting.
All this self-consciousness could have become unbearably arch. It's a testament to Eggers's skill as a writer--and to the heartbreaking particulars of his story--that it doesn't. Currently the editor of the footnote-and-marginalia-intensive journal McSweeney's (the last issue featured an entire story by David Foster Wallace printed tinily on its spine), Eggers comes from the most media-saturated generation in history--so much so that he can't feel an emotion without the sense that it's already been felt for him. What may seem like postmodern noodling is really just Eggers writing about pain in the only honest way available to him. Oddly enough, the effect is one of complete sincerity, and--especially in its concluding pages--this memoir as metafiction is affecting beyond all rational explanation. --Mary Park [via]
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› Find signed collectible books: 'Hey! I'm Reading!'
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› Find signed collectible books: 'Hey! I'm Reading!: An Exciting New Way to Get Started'
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› Find signed collectible books: 'How to Read and Why'
Harold Bloom's urgency in How to Read and Why may have much to do with his age. He brackets his combative, inspiring manual with the news that he is nearing 70 and hasn't time for the mediocre. (One doubts that he ever did.) Nor will he countenance such fashionable notions as the death of the author or abide "the vagaries of our current counter-Puritanism" let alone "ideological cheerleading." Successively exploring the short story, poetry, the novel, and drama, Bloom illuminates both the how and why of his title and points us in all the right directions: toward the Romantics because they "startle us out of our sleep-of-death into a more capacious sense of life"; toward Austen, James, Proust; toward Thomas Mann, Toni Morrison, and Cormac McCarthy; toward Cervantes and Shakespeare (but of course!), Ibsen and Oscar Wilde.
How should we read? Slowly, with love, openness, and with our inner ear cocked. Then we should reread, reread, reread, and do so aloud as often as possible. "As a boy of eight," he tells us, "I would walk about chanting Housman's and William Blake's lyrics to myself, and I still do, less frequently yet with undiminished fervor." And why should we engage in this apparently solitary activity? To increase our wit and imagination, our sense of intimacy--in short, our entire consciousness--and also to heal our pain. "Until you become yourself," Bloom avers, "what benefit can you be to others." So much for reading as an escape from the self!
Still, many of this volume's pleasures may indeed be selfish. The author is at his best when he is thinking aloud and anew, and his material offers him--and therefore us--endless opportunities for discovery. Bloom cherishes poetry because it is "a prophetic mode" and fiction for its wisdom. Intriguingly, he fears more for the fate of the latter: "Novels require more readers than poems do, a statement so odd that it puzzles me, even as I agree with it." We must, he adjures, crusade against its possible extinction and read novels "in the coming years of the third millennium, as they were read in the eighteenth and nineteenth century: for aesthetic pleasure and for spiritual insight."
Bloom is never heavy, since his vision quest contains a healthy love of irony--Jedediah Purdy, take note: "Strip irony away from reading, and it loses at once all discipline and all surprise." And this supreme critic makes us want to equal his reading prowess because he writes as well as he reads; his epigrams are equal to his opinions. He is also a master allusionist and quoter. His section on Hedda Gabler is preceded by three extraordinary statements, two from Ibsen, who insists, "There must be a troll in what I write." Who would not want to proceed? Of course, Bloom can also accomplish his goal by sheer obstinacy. As far as he is concerned, Don Quixote may have been the first novel but it remains to this day the best one. Is he perhaps tweaking us into reading this gigantic masterwork by such bald overstatement? Bloom knows full well that a prophet should stop at nothing to get his belief and love across, and throughout How to Read and Why he is as unstinting as the visionary company he adores. --Kerry Fried [via]
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› Find signed collectible books: 'How to Solve Cryptic Crosswords'
Kevin Skinner explains cryptic crosswords and discusses the principles of 'double straight' clues, word exchanging, how to spot anagrams and a host of other stratagems which feature in every wily compiler's repertoire. [via]
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› Find signed collectible books: 'How to Speak, How to Listen'
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› Find signed collectible books: 'Idiom's Delight: Fascinating Phrases and Linguistic Eccentricities Spanish-French-Italian-Latin'
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› Find signed collectible books: 'Inversions'
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› Find signed collectible books: 'The Language of Names'
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› Find signed collectible books: 'The Language of Names : What We Call Ourselves and Why It Matters'
To name a thing is to have power over it. Justin Kaplan and Anne Bernays explore the history and social significance of names in this intriguing and thoughtful book. They trace the growing trend in the United States away from traditional naming conventions toward creative and individually meaningful personal names. They also illustrate how national character shows itself in the names people give in different countries, and they discuss naming lore from Adam and Eve to Ellis Island. [via]
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› Find signed collectible books: 'The Languages of China'
"In producing a book on China as a linguistic area, the ideal is a comprehensive and accurate account that places China's linguistic diversity in a meaningful historical, geographical, and social context. Ramsey has succeeded admirably in achieving this end."--Jerome L. Packard, The Journal of Asian Studies ". . . a unique and brilliant work. . . . Ramsey integrates nearly all of the gains of modern research on the Chinese language and skillfully presents the results in a concise, interesting, and comprehensible manner."--Charles N. Li, American Anthropologist ". . . I find The Languages of China a pleasure in virtually all respects. It is extremely easy to read, full of useful information, and beautifully produced."--Victor H. Mair, Pacific Affairs [via]
› Find signed collectible books: 'Le Mot Juste: A Dictionary of Classical & Foreign Words & Phrases'
Does the continual influx of foreign words and phrases into the English language make you feel like a dummkopf? Does the proliferation of Greek and Latin leave you completely non compos mentis? Ça ne fait rien. Slough off that angst and stop that kvetching--this is no casus belli. With the assistance of Le Mot Juste, soon you, too, will be spewing mots justes ad hoc and sans souci. All it takes is a little chutzpah. Nota bene: next time you meet someone with a lapsus memoriae for sounds foreign, refrain from schadenfreude. We can't all be so au courant. --Jane Steinberg [via]
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› Find signed collectible books: 'Lolita'
Awe and exhileration - along with heartbreak and mordant wit - abound in Lolita The authors most famos novel, a story of obsession and passion. [via]
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› Find signed collectible books: 'The Lorax'
When Dr. Seuss gets serious, you know it must be important. Published in 1971, and perhaps inspired by the "save our planet" mindset of the 1960s, The Lorax is an ecological warning that still rings true today amidst the dangers of clear-cutting, pollution, and disregard for the earth's environment. In The Lorax, we find what we've come to expect from the illustrious doctor: brilliantly whimsical rhymes, delightfully original creatures, and weirdly undulating illustrations. But here there is also something more--a powerful message that Seuss implores both adults and children to heed.
The now remorseful Once-ler--our faceless, bodiless narrator--tells the story himself. Long ago this enterprising villain chances upon a place filled with wondrous Truffula Trees, Swomee-Swans, Brown Bar-ba- loots, and Humming-Fishes. Bewitched by the beauty of the Truffula Tree tufts, he greedily chops them down to produce and mass-market Thneeds. ("It's a shirt. It's a sock. It's a glove. It's a hat.") As the trees swiftly disappear and the denizens leave for greener pastures, the fuzzy yellow Lorax (who speaks for the trees "for the trees have no tongues") repeatedly warns the Once-ler, but his words of wisdom are for naught. Finally the Lorax extricates himself from the scorched earth (by the seat of his own furry pants), leaving only a rock engraved "UNLESS." Thus, with his own colorful version of a compelling morality play, Dr. Seuss teaches readers not to fool with Mother Nature. But as you might expect from Seuss, all hope is not lost--the Once-ler has saved a single Truffula Tree seed! Our fate now rests in the hands of a caring child, who becomes our last chance for a clean, green future. (Ages 4 to 8) [via]
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› Find signed collectible books: 'More Joy of Lex'
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› Find signed collectible books: 'More Joy of Lex: An Amazing and Amusing Z to A and A to Z of Words'
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› Find signed collectible books: 'Mrs Dalloway'
As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.
As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.
Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland [via]
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› Find signed collectible books: 'Mythologies'
L'Antiquité avait son Oedipe, le Grand Siècle son roi Soleil, et voilà que Barthes donne à la France de l'après-guerre ses nouveaux emblèmes : la DS Citroën, le Tour de France, le steak frites... Tous objets d'un culte bourgeois, ils deviennent de véritables mythes pour une société qui finit par se penser à travers eux. Mais si Barthes se penche avec la rigueur de l'ethnologue sur ces nouveaux mythes, c'est pour mieux en dénoncer les mécanismes : l'idéologie dominante ne s'inventerait ainsi des valeurs que pour légitimer des "normes bourgeoises" qui en manquent singulièrement...
Écrites quotidiennement de 1954 à 1956, ces mythologies déploient une écriture fine, cultivée et juste, à lire comme autant de petites chroniques savoureuses. Toutefois, on les retiendra avant tout pour l'actualité de leurs propos : sur le même modèle, on trouverait sans peine de nouvelles mythologies, qui ne seraient sans doute pas très éloignées de celles que Barthes, en son temps, mettait en évidence. --Karla Manuele [via]
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› Find signed collectible books: 'The New Lexicon Webster's Dictionary of the English Language'
BACK OF BOOK HAD SOMETHING STUCK TO IT. HAS BEEN CLEANED. INSIDE PAGES CLEAN. [via]
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› Find signed collectible books: 'The New Lexicon Websters Dictionary of the English Language'
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› Find signed collectible books: 'On My Beach There Are Many Pebbles'
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› Find signed collectible books: 'The Other 637 Best Things Anybody Ever Said'
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› Find signed collectible books: 'The Princeton Review: Word Smart Building an Educated Vocabulary'
1) Do you know that to peruse a book is not to skim it?
2) Do you know the difference between enormous and enormity?
3) Do you know the adjective form of admonish, or the noun form of dubious?
If you answered no to any of these questions, you need Word Smart.
Improving your vocabulary is important, but where do you start? The English language has hundreds of thousands of words. To find out which words you absolutely need to know, The Princeton Review researched the vocabularies of educated adults. It analyzed newspapers from The New York Times to The Wall Street Journal, magazines from Time to Scientific American and books from current bestsellers to classics. It threw out the words that most people know and focused on the words that people misunderstand or misuse. From these, it selected 823 words that appeared most frequently.
And for students, The Princeton Review did the same thing. It analyzed the PSAT, the SAT, and GRE to determine which words are tested more frequently. Word Smart is the only vocabulary book you'll ever need.
(Answers:
1) Despite what most people think, peruse means to read carefully.
2) Enormity can refer to the state of being large, but it also means a wicked or depraved act.
3) Admonitory, dubiety.) [via]
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› Find signed collectible books: 'Random House Dictionary of Popular Proverbs & Sayings'
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› Find signed collectible books: 'The Random House Thesaurus'
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› Find signed collectible books: 'Sail Away'
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› Find signed collectible books: 'Shakespeare's Bawdy: A Literary & Psychological Essay and a Comprehensive Glossary'
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› Find signed collectible books: 'The Spell of the Sensuous: Perception and Language in a More-Than-Human World'
A stunningly original work of ecological philosophy documenting the historical and current effects of language on our perception of and interaction with nature. Utne Magazine recently voted Abram one of "The 100 People Who Will Change the World." And if this book is read as widely as it deserves, that prediction may come to pass. Very Highly Recommended. [via]
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› Find signed collectible books: 'Startup: A Silicon Valley Adventure'
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› Find signed collectible books: 'The Story of Art'
"The Story of Art", one of the best-known and best-loved books on art ever written, has been a world bestseller for over half a century. Professor Gombrich's clear and engaging text combines with hundreds of full-colour illustrations to trace the history of art in an unfolding narrative, from primitive cave paintings to controversial art works of the present day. [via]
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› Find signed collectible books: 'Teach Us Amelia Bedelia'
Amelia Bedelia hits the classroom.
Imagine Amelia Bedelia
in your homeroom!
Everyone's favorite zany lady
finds herself teacher for a day --
and what a day it turns out to be!
[via]
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› Find signed collectible books: 'Things That Are Most in the World'
Want to know what are the quietest, silliest, smelliest, wiggliest things in the world? Look no further for imaginative answers to these and other questions about superlatives. An ice-skating snake and a dragon eating pepperoni pizza are just two of the amazing "mosts" to ponder in this book that will stretch the imagination and send readers young and old into fits of laughter. [via]
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› Find signed collectible books: 'Trucks Trucks Trucks'
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› Find signed collectible books: 'Websters' First Intergalactic Wickedary of the English Language'
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› Find signed collectible books: 'Why We Buy: The Science of Shopping'
In an effort to determine why people buy, Paco Underhill and his detailed-oriented band of retail researchers have camped out in stores over the course of 20 years, dedicating their lives to the "science of shopping." Armed with an array of video equipment, store maps, and customer-profile sheets, Underhill and his consulting firm, Envirosell, have observed over 900 aspects of interaction between shopper and store. They've discovered that men who take jeans into fitting rooms are more likely to buy than females (65 percent vs. 25 percent). They've learned how the "butt-brush factor" (bumped from behind, shoppers become irritated and move elsewhere) makes women avoid narrow aisles. They've quantified the importance of shopping baskets; contact between employees and shoppers; the "transition zone" (the area just inside the store's entrance); and "circulation patterns" (how shoppers move throughout a store). And they've explored the relationship between a customer's amenability and profitability, learning how good stores capitalize on a shopper's unspoken inclinations and desires.
Underhill, whose clients include McDonald's, Starbucks, Estée Lauder, and Blockbuster, stocks Why We Buy with a wealth of retail insights, showing how men are beginning to shop like women, and how women have changed the way supermarkets are laid out. He also looks to the future, projecting massive retail opportunities with an aging baby-boom population and predicting how online retailing will affect shopping malls. This lighthearted look at shopping is highly recommended to anyone who buys or sells. --Rob McDonald [via]
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› Find signed collectible books: 'Will's Mammoth'
Though his parents explain there have been no mammoths for over 10,000 years, Will goes out in the snow one day, certain he will meet some. [via]
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› Find signed collectible books: 'Word Lover's Book of Unfamiliar Quotations'
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› Find signed collectible books: 'Zen and the Art of Motorcycle Maintenance'
In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.
Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.
In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]
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› Find signed collectible books: 'Zen and the Art of Motorcycle Maintenance: An Inquiry into Values'
In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.
Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.
In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]
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