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› Find signed collectible books: 'Bridget Jones's Diary'
In the course of the year recorded in Bridget Jones's Diary, Bridget confides her hopes, her dreams, and her monstrously fluctuating poundage, not to mention her consumption of 5277 cigarettes and "Fat units 3457 (approx.) (hideous in every way)." In 365 days, she gains 74 pounds. On the other hand, she loses 72! There is also the unspoken New Year's resolution--the quest for the right man. Alas, here Bridget goes severely off course when she has an affair with her charming cad of a boss. But who would be without their e-mail flirtation focused on a short black skirt? The boss even contends that it is so short as to be nonexistent.
At the beginning of Helen Fielding's exceptionally funny second novel, the thirtyish publishing puffette is suffering from postholiday stress syndrome but determined to find Inner Peace and poise. Bridget will, for instance, "get up straight away when wake up in mornings." Now if only she can survive the party her mother has tricked her into--a suburban fest full of "Smug Marrieds" professing concern for her and her fellow "Singletons"--she'll have made a good start. As far as she's concerned, "We wouldn't rush up to them and roar, 'How's your marriage going? Still having sex?'"
This is only the first of many disgraces Bridget will suffer in her year of performance anxiety (at work and at play, though less often in bed) and living through other people's "emotional fuckwittage." Her twin-set-wearing suburban mother, for instance, suddenly becomes a chat-show hostess and unrepentant adulteress, while our heroine herself spends half the time overdosing on Chardonnay and feeling like "a tragic freak." Bridget Jones's Diary began as a column in the London Independent and struck a chord with readers of all sexes and sizes. In strokes simultaneously broad and subtle, Helen Fielding reveals the lighter side of despair, self-doubt, and obsession, and also satirizes everything from self-help books (they don't sound half as sensible to Bridget when she's sober) to feng shui, Cosmopolitan-style. She is the Nancy Mitford of the 1990s, and it's impossible not to root for her endearing heroine. On the other hand, one can only hope that Bridget will continue to screw up and tell us all about it for years and books to come. --Kerry Fried [via]
› Find signed collectible books: 'Divine Secrets of the Ya-ya Sisterhood: A Novel'
a big, blowzy romp through the rainbow eccentricities of three generations of crazy bayou debutantes."-atlanta journal-constitution"a very entertaining and, ultimately, deeply moving novel about the complex bonds between mother and daughter."-washington post"mary mccarthy, anne rivers siddons, and a host of others have portrayed the power and value of female friendships, but no one has done it with more grace, charm, talent, and power than rebecca wells."-richmond times-dispatchthe incomparable #1 new york times bestseller-a book that reigned at the top of the list for an remarkable sixty-eight weeks-rebecca wells's divine secrets of the ya-ya sisterhood is a classic of southern women's fiction to be read and reread over and over again. A poignant, funny, outrageous, and wise novel about a lifetime friendship between four southern women, divine secrets of the ya-ya sisterhood brilliantly explores the bonds of female friendship, the often-rocky relationship between mothers and daughters, and the healing power of humor and love, in a story as fresh and uplifting as when it was first published a decade and a half ago. If you haven't yet met the ya-yas, what are you waiting for [via]
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› Find signed collectible books: 'El Diario De Bridget Jones / Bridget Jones's Diary'
Helen Fielding ha creado un personaje cómico, hilarante que hable sin tapujos sobre sus contemporaneos, Bridget Jones. El Diario de Bridget Jones es una sabia combinación de Anita Loos and Jane Austen y ha conseguido un éxito espectacular en todos los paises. [via]
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› Find signed collectible books: 'Emma'
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]
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› Find signed collectible books: 'Emma'
More editions of Emma:
› Find signed collectible books: 'Emma'
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]
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› Find signed collectible books: 'Jane Austen'
Collected together in one volume, The Complete Novels show the development of Austen as a writer and social commentator. From the early optimism and youthful energy of Northanger Abbey to the quiet and subtle art of Persuasion, this collection reveals the breadth of one of the best loved novelists of all time. [via]
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› Find signed collectible books: 'Jane Austen's Emma: A Longman Cultural Edition'
Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.
For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]
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› Find signed collectible books: 'Sense And Sensibility'
Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:
Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber [via]
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› Find signed collectible books: 'Sense And Sensibility'
Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:
Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber [via]
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› Find signed collectible books: 'Sense And Sensibility'
Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:
Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber [via]
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› Find signed collectible books: 'LA Autobiografia De Mi Madre'
Helen Fielding ha creado un personaje cómico, hilarante que hable sin tapujos sobre sus contemporaneos, Bridget Jones. El Diario de Bridget Jones es una sabia combinación de Anita Loos and Jane Austen y ha conseguido un éxito espectacular en todos los paises. [via]
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› Find signed collectible books: 'El Diario de Bridget Jones'
Helen Fielding ha creado un personaje cómico, hilarante que hable sin tapujos sobre sus contemporaneos, Bridget Jones. El Diario de Bridget Jones es una sabia combinación de Anita Loos and Jane Austen y ha conseguido un éxito espectacular en todos los paises. [via]
More editions of El Diario de Bridget Jones:
› Find signed collectible books: 'Emma'
Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. So begins Jane Austen's comic masterpiece Emma. In Emma, Austen's prose brilliantly elevates, in the words of Virginia Woolf, the trivialities of day-to-day existence, of parties, picnics, and country dances of early-nineteenth-century life in the English countryside to an unrivaled level of pleasure for the reader. At the center of this world is the inimitable Emma Woodhouse, a self-proclaimed matchmaker who, by the novel's conclusion, just may find herself the victim of her own best intentions. [via]
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› Find signed collectible books: 'Sentido y Sensibilidad'
More editions of Sentido y Sensibilidad:
› Find signed collectible books: 'Das Tagebuch Der Bridget Jones'
Bridget Jones ist knapp über 30, arbeitet als Lektorin in einem Verlag, hat einen aktiven großen Freundeskreis -- eine selbstbewusste junge Frau also. Aber ihr Lebenslauf weist ein großes Manko auf: Sie ist Single. Ein unhaltbarer Zustand, wie auch ihre Eltern, deren Freunde sowie ihre verheirateten Freundinnen finden. Die sie prompt immer wieder einladen, um ihr alleinstehende Männer vorzustellen. Dieses Weihnachten war Mark Darcy der auserwählte Kandidat ihrer Eltern -- ein unmöglicher Mensch, grauenhaft gekleidet, mit dem man keine zwei vernünftigen Worte wechseln kann. Außerdem flirtet sie wie wild mit Daniel, ihrem Chef. Und ihre Freundinnen sind stolz auf sie -- hat sie es doch geschafft, sich wieder anzuziehen und zu gehen, nachdem Daniel ihr erklärt hatte, nur weil er scharf auf sie sei, wolle er noch lange keine Beziehung mit ihr. Nebenbei kämpft sie noch mit ihren Gewichtsproblemen, einem langweiligen Job, dem Single-Dasein als solchem und mit der Tatsache, dass ihre Mutter nun nach all den Jahren plötzlich anfängt auf Männerpirsch zu gehen und ein rasantes Eigenleben entwickelt.
Ein Unterhaltungsroman im besten Sinne des Wortes. Singles um die 30, die schon mindestens eine Diät hinter sich haben, werden sicher vieles wieder erkennen. Die Krisensitzungen mit den besten Freundinnen zum Beispiel, die wohlmeinenden Ratschläge derer, die schon unter der Haube sind (und deren Männer fremdgehen). Und bekannt ist vielleicht auch das Kalorienzählen, die Ausreden vor sich selbst, warum es denn nun ausgerechnet Schokolade anstelle vollwertiger Ernährung sein musste -- und das schlechte Gewissen am Tag danach. Ich konnte auf alle Fälle herzlich lachen. --Daniela Ecker [via]
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› Find signed collectible books: 'Le Journal De Bridget Jones'
Il est vrai que les femmes modernes et célibataires ont également leurs soucis ! Helen Fielding a choisi de nous les narrer à travers le journal de Bridget Jones, 29 ans, célibataire sans enfant et de terribles angoisses. Exemples : son poids à surveiller chaque jour, le nombre de cigarettes fumées, les calories ingurgitées, les pensées négatives et par-dessus le marché une mère extravagante et adultère. Bref, dans un élan de machisme incontrôlable, on pourrait suggérer que ce livre est surtout destiné aux lectrices de Elle et à la rigueur - ce qui est nouveau - à ceux de Men's Health.
Seulement voilà, derrière l'humour pointe l'ironie ou les remarques acerbes sur la gent masculine. Car Miss Bridget, si tourmentée qu'elle soit par son aspect physique et ses carences affectives, est également une féministe, mais de son temps. Elle assume seule sa vie professionnelle et sociale et refuse catégoriquement que les hommes viennent dans son giron pour se faire consoler, la dominer ou l'embobiner.
Ce petit livre, rafraîchissant comme un bouquet de roses pleines d'épines, est pour les hommes un complément indispensable à la lecture de Haute fidélité de Nick Hornby, traitant des affres du célibat masculin. Pour les femmes, il viendra conforter quelques certitudes ou leur donnera des pistes à suivre. --Stellio Paris [via]
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› Find signed collectible books: 'Schokolade Zum Fruhstuck'
Bridget Jones ist knapp über 30, arbeitet als Lektorin in einem Verlag, hat einen aktiven großen Freundeskreis -- eine selbstbewusste junge Frau also. Aber ihr Lebenslauf weist ein großes Manko auf: Sie ist Single. Ein unhaltbarer Zustand, wie auch ihre Eltern, deren Freunde sowie ihre verheirateten Freundinnen finden. Die sie prompt immer wieder einladen, um ihr alleinstehende Männer vorzustellen. Dieses Weihnachten war Mark Darcy der auserwählte Kandidat ihrer Eltern -- ein unmöglicher Mensch, grauenhaft gekleidet, mit dem man keine zwei vernünftigen Worte wechseln kann. Außerdem flirtet sie wie wild mit Daniel, ihrem Chef. Und ihre Freundinnen sind stolz auf sie -- hat sie es doch geschafft, sich wieder anzuziehen und zu gehen, nachdem Daniel ihr erklärt hatte, nur weil er scharf auf sie sei, wolle er noch lange keine Beziehung mit ihr. Nebenbei kämpft sie noch mit ihren Gewichtsproblemen, einem langweiligen Job, dem Single-Dasein als solchem und mit der Tatsache, dass ihre Mutter nun nach all den Jahren plötzlich anfängt auf Männerpirsch zu gehen und ein rasantes Eigenleben entwickelt.
Ein Unterhaltungsroman im besten Sinne des Wortes. Singles um die 30, die schon mindestens eine Diät hinter sich haben, werden sicher vieles wieder erkennen. Die Krisensitzungen mit den besten Freundinnen zum Beispiel, die wohlmeinenden Ratschläge derer, die schon unter der Haube sind (und deren Männer fremdgehen). Und bekannt ist vielleicht auch das Kalorienzählen, die Ausreden vor sich selbst, warum es denn nun ausgerechnet Schokolade anstelle vollwertiger Ernährung sein musste -- und das schlechte Gewissen am Tag danach. Ich konnte auf alle Fälle herzlich lachen. --Daniela Ecker [via]
More editions of Schokolade Zum Fruhstuck:
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