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› Find signed collectible books: 'Beloved'
Toni Morrison gently reads her own Pulitzer Prize-winning work in the unabridged version of this riveting tale of ex-slave Sethe and the beloved ghost that haunts her. While Morrison makes occasional odd pauses in her reading, what is lost in smoothness is more than made up for in quiet intensity as the author reads words obviously deeply felt. Her intimate knowledge of the characters and their motivations lends this reading an authority that helps the listener sort out the breaks in time and dialogue in this complex story of a woman coming to terms with her enslaved past and the loss of her husband and baby daughter. (Running time: 12 hours, eight cassettes) --Kimberly Heinrichs [via]
› Find signed collectible books: 'Bitch: In Praise of Difficult Women'
Elizabeth Wurtzel, an ex-rock critic for The New Yorker, won controversial fame with her bestselling 1994 memoir Prozac Nation: Young and Depressed in America, which described how Prozac saved the precocious Harvard grad from suicide. Her second book, Bitch is a celebration of the defiant, rock-and-roll spirit of self-destructive women through the ages: Delilah, Amy Fisher, Princess Di, and hundreds more (including the awesomely reckless Wurtzel). There is no comprehensible central line of argument, perhaps because the author did her exhaustive research and writing on a speedy Kerouacesque drug binge that, by her own admission, sent her to rehab upon the book's conclusion. But Wurtzel has the remains of a fine mind: her insights are often sharp, sometimes bitchy, and always shameless as she zooms in a very few pages from The Oresteia to O.J. to her first crush on a fictional character Heathcliff) to Jim Thompson's The Killer Inside Me, Richard Pryor, Chrissie Hynde, Leaving Las Vegas, Gone with the Wind, Sylvia Plath's "Daddy," Schindler's List, Oliver! Carousel, and Andrea Dworkin. Most pop culture pundits incline to grandiose blather, but Wurtzel is punchy, and her quotes are more often apt than pretentious. Bitch is like a Mr. Toad's Wild Ride in a library, with frequent rampages through the film and music archives. Like rock music, Wurtzel's prose style lives for the moment. She glories in breaking rules to bits, is never giddier than when she's saying something shocking, and apparently has no moral code except self-expression--with the attitude volume knob cranked up to 11. --Tim Appelo [via]
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› Find signed collectible books: 'The Bust Guide to the New Girl Order'
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› Find signed collectible books: 'Edith Wharton'
Age of Innocence House of Mirth Ethan Frome [via]
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› Find signed collectible books: 'Emma Bovary'
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› Find signed collectible books: 'Founding Mothers: The Women Who Raised Our Nation'
Cokie Roberts's number one New York Times bestseller, We Are Our Mothers' Daughters, examined the nature of women's roles throughout history and led USA Today to praise her as a "custodian of time-honored values." Her second bestseller, From This Day Forward, written with her husband, Steve Roberts, described American marriages throughout history, including the romance of John and Abigail Adams. Now Roberts returns with Founding Mothers, an intimate and illuminating look at the fervently patriotic and passionate women whose tireless pursuits on behalf of their families -- and their country -- proved just as crucial to the forging of a new nation as the rebellion that established it.
While much has been written about the men who signed the Declaration of Independence, battled the British, and framed the Constitution, the wives, mothers, sisters, and daughters they left behind have been little noticed by history. Roberts brings us the women who fought the Revolution as valiantly as the men, often defending their very doorsteps. While the men went off to war or to Congress, the women managed their businesses, raised their children, provided them with political advice, and made it possible for the men to do what they did. The behind-the-scenes influence of these women -- and their sometimes very public activities -- was intelligent and pervasive.
Drawing upon personal correspondence, private journals, and even favored recipes, Roberts reveals the often surprising stories of these fascinating women, bringing to life the everyday trials and extraordinary triumphs of individuals like Abigail Adams, Mercy Otis Warren, Deborah Read Franklin, Eliza Pinckney, Catherine Littlefield Green, Esther DeBerdt Reed, and Martha Washington -- proving that without our exemplary women, the new country might never have survived.
Social history at its best, Founding Mothers unveils the drive, determination, creative insight, and passion of the other patriots, the women who raised our nation. Roberts proves beyond a doubt that like every generation of American women that has followed, the founding mothers used the unique gifts of their gender -- courage, pluck, sadness, joy, energy, grace, sensitivity, and humor -- to do what women do best, put one foot in front of the other in remarkable circumstances and carry on.
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› Find signed collectible books: 'The House of Mirth'
An impulse of curiosity made him turn out of his direct line to the door, and stroll past her. He knew that if she did not wish to be seen she would contrive to elude him; and it amused him to think of putting her skill to the test. [via]
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› Find signed collectible books: 'The House of Mirth'
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.
One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.
Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak [via]
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› Find signed collectible books: 'Madame Bovary'
Provided in Spanish only. [via]
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› Find signed collectible books: 'Madame Bovary'
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› Find signed collectible books: 'Madame Bovary'
Emma Bovary is the beautiful wife of Charles Bovary and one of the great heroines of literature. Emma attempts to escape her tedious marriage by entering into romantic fantasies, but her longing for a lover has disastrous results. A portrait of French bourgeois life, Madame Bovary is a masterpiece of world literature. [via]
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› Find signed collectible books: 'A Midwife's Tale : The Life of Martha Ballard Based O'
Drawing on the diaries of a midwife and healer in eighteenth-century Maine, this intimate history illuminates the medical practices, household economies, religious rivalries, and sexual mores of the New England frontier.
From the Trade Paperback edition. [via]
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› Find signed collectible books: 'A Midwife's Tale: The Life of Martha Ballard, Based on Her Diary, 1785-1812'
Drawing on the diaries of a midwife and healer in eighteenth-century Maine, this intimate history illuminates the medical practices, household economies, religious rivalries, and sexual mores of the New England frontier. [via]
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› Find signed collectible books: 'My Antonia'
It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.
Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.
As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak [via]
› Find signed collectible books: 'No. 1 Ladies' Detective Agency'
Penzler Pick, July 2001: Working in a mystery tradition that will cause genre aficionados to think of such classic sleuths as Melville Davisson Post's Uncle Abner or Robert van Gulik's Judge Dee, Alexander McCall Smith creates an African detective, Precious Ramotswe, who's their full-fledged heir.
It's the detective as folk hero, solving crimes through an innate, self-possessed wisdom that, combined with an understanding of human nature, invariably penetrates into the heart of a puzzle. If Miss Marple were fat and jolly and lived in Botswana--and decided to go against any conventional notion of what an unmarried woman should do, spending the money she got from selling her late father's cattle to set up a Ladies' Detective Agency--then you have an idea of how Precious sets herself up as her country's first female detective. Once the clients start showing up on her doorstep, Precious enjoys a pleasingly successful series of cases.
But the edge of the Kalahari is not St. Mary Mead, and the sign Precious orders, painted in brilliant colors, is anything but discreet. Pointing in the direction of the small building she had purchased to house her new business, it reads "THE NO. 1 LADIES DETECTIVE AGENCY. FOR ALL CONFIDENTIAL MATTERS AND ENQUIRIES. SATISFACTION GUARANTEED FOR ALL PARTIES. UNDER PERSONAL MANAGEMENT."
The solutions she comes up with, whether in the case of the clinic doctor with two quite different personalities (depending on the day of the week), or the man who had joined a Christian sect and seemingly vanished, or the kidnapped boy whose bones may or may not be those in a witch doctor's magic kit, are all sensible, logical, and satisfying. Smith's gently ironic tone is full of good humor towards his lively, intelligent heroine and towards her fellow Africans, who live their lives with dignity and with cautious acceptance of the confusions to which the world submits them. Precious Ramotswe is a remarkable creation, and The No. 1 Ladies' Detective Agency well deserves the praise it received from London's Times Literary Supplement. I look forward with great eagerness to the upcoming books featuring the memorable Miss Ramotswe, Tears of the Giraffe and Morality for Beautiful Girls, soon to be available in the U.S. --Otto Penzler [via]
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› Find signed collectible books: 'The No. 1 Ladies' Detective Agency'
Penzler Pick, July 2001: Working in a mystery tradition that will cause genre aficionados to think of such classic sleuths as Melville Davisson Post's Uncle Abner or Robert van Gulik's Judge Dee, Alexander McCall Smith creates an African detective, Precious Ramotswe, who's their full-fledged heir.
It's the detective as folk hero, solving crimes through an innate, self-possessed wisdom that, combined with an understanding of human nature, invariably penetrates into the heart of a puzzle. If Miss Marple were fat and jolly and lived in Botswana--and decided to go against any conventional notion of what an unmarried woman should do, spending the money she got from selling her late father's cattle to set up a Ladies' Detective Agency--then you have an idea of how Precious sets herself up as her country's first female detective. Once the clients start showing up on her doorstep, Precious enjoys a pleasingly successful series of cases.
But the edge of the Kalahari is not St. Mary Mead, and the sign Precious orders, painted in brilliant colors, is anything but discreet. Pointing in the direction of the small building she had purchased to house her new business, it reads "THE NO. 1 LADIES DETECTIVE AGENCY. FOR ALL CONFIDENTIAL MATTERS AND ENQUIRIES. SATISFACTION GUARANTEED FOR ALL PARTIES. UNDER PERSONAL MANAGEMENT."
The solutions she comes up with, whether in the case of the clinic doctor with two quite different personalities (depending on the day of the week), or the man who had joined a Christian sect and seemingly vanished, or the kidnapped boy whose bones may or may not be those in a witch doctor's magic kit, are all sensible, logical, and satisfying. Smith's gently ironic tone is full of good humor towards his lively, intelligent heroine and towards her fellow Africans, who live their lives with dignity and with cautious acceptance of the confusions to which the world submits them. Precious Ramotswe is a remarkable creation, and The No. 1 Ladies' Detective Agency well deserves the praise it received from London's Times Literary Supplement. I look forward with great eagerness to the upcoming books featuring the memorable Miss Ramotswe, Tears of the Giraffe and Morality for Beautiful Girls, soon to be available in the U.S. --Otto Penzler [via]
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› Find signed collectible books: 'The Poisonwood Bible: A Novel'
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber [via]
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Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
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› Find signed collectible books: 'Madame Bovary Level 4'
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› Find signed collectible books: 'LA Primera Detective De Botsuana'
En Botswana nunca había habido una mujer detective... hasta el día en que Mma Ramotswe decide abrir su pequeña oficina al pie del monte Kgale, cerca del desierto de Kalahari. Le basta con unas sillas, dos mesas, un teléfono y una secretaria... además de unas tazas para invitar a los clientes a tomar un té. ¿Qué otra cosa se requiere para resolver misterios? Al fin y al cabo, ¿no se han dedicado siempre las mujeres a escuchar y a intentar solucionar los problemas de los demás frente a una taza de té?
Mma Ramotswe no es una irónica intelectual ni una aguerrida ex policía, sino una mujer alegre y rolliza, cargada de sentido común y con un firme deseo de ayudar al prójimo. En su opinión, muchas personas no saben distinguir el bien del mal, y hay que enseñarles la diferencia. Huérfana, superviviente de un matrimonio infernal y madre por sólo cinco días, esta Miss Marple africana sabe reconocer el dolor ajeno, y quiere contribuir a aliviarlo. Sus métodos son tal vez poco ortodoxos, pero también lo son sus casos, así como sus atribulados clientes.
Con sus acertadas descripciones y sus sensatos comentarios, la protagonista de esta novela nos introduce paso a paso en la realidad de un país lejano y desconocido, donde la teconología convive con las tradiciones mágicas, y donde resulta más fácil conocer las noticias de boca de las vecinas que leyendo la prensa. [via]
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