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› Find signed collectible books: 'Anne of Avonlea'
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - A tall, slim girl, "half-past sixteen," with serious gray eyes and hair which her friends called auburn, had sat down on the broad red sandstone doorstep of a Prince Edward Island farmhouse one ripe afternoon in August, firmly resolved to construe so many lines of Virgil. But an August afternoon, with blue hazes scarfing the harvest slopes, little winds whispering elfishly in the poplars, and a dancing slendor of red poppies outflaming against the dark coppice of young firs in a corner of the cherry orchard, was fitter for dreams than dead languages. The Virgil soon slipped unheeded to the ground, and Anne, her chin propped on her clasped hands, and her eyes on the splendid mass of fluffy clouds that were heaping up just over Mr. J. A. Harrison's house like a great white mountain, was far away in a delicious world where a certain school-teacher was doing a wonderful work, shaping the destinies of future statesmen, and inspiring youthful minds and hearts with high and lofty ambitions. [via]
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› Find signed collectible books: 'Anne of Green Gables'
When Marilla Cuthbert's brother, Matthew, returns home to Green Gables with a chatty redheaded orphan girl, Marilla exclaims, "But we asked for a boy. We have no use for a girl." It's not long, though, before the Cuthberts can't imagine how they could ever do without young Anne of Green Gables--but not for the original reasons they sought an orphan. Somewhere between the time Anne "confesses" to losing Marilla's amethyst pin (which she never took) in hopes of being allowed to go to a picnic, and when Anne accidentally dyes her hated carrot-red hair green, Marilla says to Matthew, "One thing's for certain, no house that Anne's in will ever be dull." And no book that she's in will be, either. This adapted version of the classic, Anne of Green Gables, introduces younger readers to the irrepressible heroine of L.M. Montgomery's many stories. Adapter M.C. Helldorfer includes only a few of Anne's mirthful and poignant adventures, yet manages to capture the freshness of one of children's literature's spunkiest, most beloved characters. There's just enough to make beginning readers want more--luckily, there's a lot more in the originals! Illustrator Ellen Beier creates vibrant pictures to portray the beauty of the land around Green Gables and the spirited nature of Anne herself. (Ages 5 to 8) --Emilie Coulter [via]
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› Find signed collectible books: 'Anne of Green Gables'
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› Find signed collectible books: 'Anne Of Green Gables'
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› Find signed collectible books: 'Anne of Green Gables'
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› Find signed collectible books: 'Anne of the Island'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Anne Shirley leaves Avonlea to study to become a teacher at Redmond College and when she returns for her first summer, she finds life in Green Gables subtly changed. [via]
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› Find signed collectible books: 'Arabella'
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› Find signed collectible books: 'The Awakening'
She looked into the distance, and the old terror flamed up for an instant, then sank again. Edna heard her father's voice and her sister Margaret's. She heard the barking of an old dog that was chained to the sycamore tree. The spurs of the cavalry officer clanged as he walked across the porch. There was the hum of bees, and the musky odor of pinks filled the air. [via]

› Find signed collectible books: 'The Biographer's Tale'
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› Find signed collectible books: 'Cecilia, or Memoirs of an Heiress'
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› Find signed collectible books: 'The Collector's Edition of the Lost Erotic Novels'
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› Find signed collectible books: 'The Color Purple'
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› Find signed collectible books: 'Dancing at the Edge of the World: Thoughts on Words, Women, Places'
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› Find signed collectible books: 'Eight Cousins'
Rose sat all alone in the big best parlor, with her little handkerchief laid ready to catch the first tear, for she was thinking of her troubles, and a shower was expected. She had retired to this room as a good place in which to be miserable; for it was dark and still, full of ancient furniture, sombre curtains, and hung all around with portraits of solemn old gentlemen in wigs, severe-nosed ladies in top-heavy caps, and staring children in little bob-tailed coats or short-waisted frocks. It was an excellent place for woe; and the fitful spring rain that pattered on the window-pane seemed to sob, "Cry away: I'm with you." Rose really did have some cause to be sad; for she had no mother, and had lately lost her father also, which left her no home but this with her great-aunts. She had been with them only a week, and, though the dear old ladies had tried their best to make her happy, they had not succeeded very well, for she was unlike any child they had ever seen, and they felt very much as if they had the care of a low-spirited butterfly. [via]
› Find signed collectible books: 'Eight Cousins or the Aunt Hill'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Orphaned Rose Campbell finds it difficult to fit in when she goes to live with her six aunts and seven mischievous boy cousins. Puffin Classic edition. [via]
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› Find signed collectible books: 'Ethan Frome'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. A New England farmer must choose between his duty to care for his invalid wife and his love for her cousin, in a new edition of Wharton's classic novel. [via]
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› Find signed collectible books: 'The Foundling'
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› Find signed collectible books: 'Gathering Blue'
Lois Lowry's magnificent novel of the distant future, The Giver, is set in a highly technical and emotionally repressed society. This eagerly awaited companion volume, by contrast, takes place in a village with only the most rudimentary technology, where anger, greed, envy, and casual cruelty make ordinary people's lives short and brutish. This society, like the one portrayed in The Giver, is controlled by merciless authorities with their own complex agendas and secrets. And at the center of both stories there is a young person who is given the responsibility of preserving the memory of the culture--and who finds the vision to transform it.
Kira, newly orphaned and lame from birth, is taken from the turmoil of the village to live in the grand Council Edifice because of her skill at embroidery. There she is given the task of restoring the historical pictures sewn on the robe worn at the annual Ruin Song Gathering, a solemn day-long performance of the story of their world's past. Down the hall lives Thomas the Carver, a young boy who works on the intricate symbols carved on the Singer's staff, and a tiny girl who is being trained as the next Singer. Over the three artists hovers the menace of authority, seemingly kind but suffocating to their creativity, and the dark secret at the heart of the Ruin Song.
With the help of a cheerful waif called Matt and his little dog, Kira at last finds the way to the plant that will allow her to create the missing color--blue--and, symbolically, to find the courage to shape the future by following her art wherever it may lead. With astonishing originality, Lowry has again created a vivid and unforgettable setting for this thrilling story that raises profound questions about the mystery of art, the importance of memory, and the centrality of love. (Ages 10 and older) --Patty Campbell [via]
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› Find signed collectible books: 'Guided Tours of Hell'
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› Find signed collectible books: 'Haunting of Hill House'
Shirley Jackson's The Haunting of Hill House has unnerved readers since its original publication in 1959. A tale of subtle, psychological terror, it has earned its place as one of the significant haunted house stories of the ages.
Eleanor Vance has always been a loner--shy, vulnerable, and bitterly resentful of the 11 years she lost while nursing her dying mother. "She had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words." Eleanor has always sensed that one day something big would happen, and one day it does. She receives an unusual invitation from Dr. John Montague, a man fascinated by "supernatural manifestations." He organizes a ghost watch, inviting people who have been touched by otherworldly events. A paranormal incident from Eleanor's childhood qualifies her to be a part of Montague's bizarre study--along with headstrong Theodora, his assistant, and Luke, a well-to-do aristocrat. They meet at Hill House--a notorious estate in New England.
Hill House is a foreboding structure of towers, buttresses, Gothic spires, gargoyles, strange angles, and rooms within rooms--a place "without kindness, never meant to be lived in...."
Although Eleanor's initial reaction is to flee, the house has a mesmerizing effect, and she begins to feel a strange kind of bliss that entices her to stay. Eleanor is a magnet for the supernatural--she hears deathly wails, feels terrible chills, and sees ghostly apparitions. Once again she feels isolated and alone--neither Theo nor Luke attract so much eerie company. But the physical horror of Hill House is always subtle; more disturbing is the emotional torment Eleanor endures. Intense, literary, and harrowing, The Haunting of Hill House belongs in the same dark league as Henry James's classic ghost story, The Turn of the Screw. --Naomi Gesinger [via]
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› Find signed collectible books: 'Herland'
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - This is written from memory, unfortunately. If I could have brought with me the material I so carefully prepared, this would be a very different story. Whole books full of notes, carefully copied records, firsthand descriptions, and the pictures - that's the worst loss. We had some bird's-eyes of the cities and parks; a lot of lovely views of streets, of buildings, outside and in, and some of those gorgeous gardens, and, most important of all, of the women themselves. Nobody will ever believe how they looked. Descriptions aren't any good when it comes to women, and I never was good at descriptions anyhow. But it's got to be done somehow; the rest of the world needs to know about that country. I haven't said where it was for fear some self-appointed missionaries, or traders, or land-greedy expansionists, will take it upon themselves to push in. They will not be wanted, I can tell them that, and will fare worse than we did if they do find it. [via]
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› Find signed collectible books: 'The House of Mirth'
An impulse of curiosity made him turn out of his direct line to the door, and stroll past her. He knew that if she did not wish to be seen she would contrive to elude him; and it amused him to think of putting her skill to the test. [via]
› Find signed collectible books: 'The House of Mirth'
"The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth," warns Ecclesiastes 7:4, and so does the novel by Edith Wharton that takes its title from this call to heed. New York at the turn of the century was a time of opulence and frivolity for those who could afford it. But for those who couldn't and yet wanted desperately to keep up with the whirlwind, like Wharton's charming Lily Bart, it was something else altogether: a gilded cage rather than the Gilded Age.
One of Wharton's earliest descriptions of her heroine, in the library of her bachelor friend and sometime suitor Lawrence Selden, indicates that she appears "as though she were a captured dryad subdued to the conventions of the drawing room." Indeed, herein lies Lily's problem. She has, we're told, "been brought up to be ornamental," and yet her spirit is larger than what this ancillary role requires. By today's standards she would be nothing more than a mild rebel, but in the era into which Wharton drops her unmercifully, this tiny spark of character, combined with numerous assaults by vicious society women and bad luck, ultimately renders Lily persona non grata. Her own ambivalence about her position serves to open the door to disaster: several times she is on the verge of "good" marriage and squanders it at the last moment, unwilling to play by the rules of a society that produces, as she calls them, "poor, miserable, marriageable girls.
Lily's rather violent tumble down the social ladder provides a thumbnail sketch of the general injustices of the upper classes (which, incidentally, Wharton never quite manages to condemn entirely, clearly believing that such life is cruel but without alternative). From her start as a beautiful woman at the height of her powers to her sad finale as a recently fired milliner's assistant addicted to sleeping drugs, Lily Bart is heroic, not least for her final admission of her own role in her downfall. "Once--twice--you gave me the chance to escape from my life and I refused it: refused it because I was a coward," she tells Selden as the book draws to a close. All manner of hideous socialite beasts--some of whose treatment by Wharton, such as the token social-climbing Jew, Simon Rosedale, date the book unfortunately--wander through the novel while Lily plummets. As her tale winds down to nothing more than the remnants of social grace and cold hard cash, it's hard not to agree with Lily's own assessment of herself: "I have tried hard--but life is difficult, and I am a very useless person. I can hardly be said to have an independent existence. I was just a screw or a cog in the great machine I called life, and when I dropped out of it I found I was of no use anywhere else." Nevertheless, it's even harder not to believe that she deserved better, which is why The House of Mirth remains so timely and so vital in spite of its crushing end and its unflattering portrait of what life offers up. --Melanie Rehak [via]
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› Find signed collectible books: 'The Kitchen God's Wife'
"Tan is one of the prime storytellers writing fiction today."
NEWSWEEK
Winnie and Helen have kept each other's worst secrets for more than fifty years. Now, because she believes she is dying, Helen wants to expose everything. And Winnie angrily determines that she must be the one to tell her daughter, Pearl, about the past--including the terible truth even Helen does not know. And so begins Winnie's story of her life on a small island outside Shanghai in the 1920s, and other places in China during World War II, and traces the happy and desperate events tha led to Winnie's coming to America in 1949.
"The kind of novel that can be read and reread with enormous pleasure."
CHICAGO TRIBUNE [via]
› Find signed collectible books: 'Lady Audley's Secret'
Lady Audley's Secret (1862) was one of the most widely read novels in the Victorian period. The novel exemplifies "sensation fiction" in featuring a beautiful criminal heroine, an amateur detective, blackmail, arson, violence, and plenty of suspenseful action. To its contemporary readers, it also offered the thrill of uncovering blackmail and criminal violence within the homes of the upper class. The novel makes trenchant critiques of Victorian gender roles and social stereotypes, and it creates significant sympathy for the heroine, despite her criminal acts, as she suffers from the injustices of the "marriage market" and rebels against them. This Broadview edition includes a critical introduction and a broad selection of primary source material, including reproductions of the twenty-two woodcut illustrations from the London Journal serialization of the novel, extracts from two Victorian dramatizations of the work, satirical commentaries, and contemporary reviews. [via]
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› Find signed collectible books: 'The Lovely Bones'
On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.
As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com [via]
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› Find signed collectible books: 'Mary Barton'
Mary Barton first appeared in 1848, and has since become one of the best known novels on the 'condition of England,' part of a nineteenth-century British trend to understand the enormous cultural, economic and social changes wrought by industrialization. Gaskell's work had great importance to the labour and reform movements, and it influenced writers such as Charles Dickens, Thomas Carlyle and Charlotte Brontë. The plot of Mary Barton concerns the poverty and desperation of England's industrial workers. Fundamentally, however, it revolves around Mary's personal conflicts. She is already divided between an affection for an industrialist's son, Henry Carson, and for a man of her own class, Jem Wilson. But Mary's conflict escalates when her father, a committed trade unionist, is asked to assassinate Henry, who is the son of his unjust employer. [via]

› Find signed collectible books: 'The Masqueraders'
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› Find signed collectible books: 'The Meaning of Treason'
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› Find signed collectible books: 'The Mill on the Floss'
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› Find signed collectible books: 'Mrs Dalloway'
As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.
As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.
Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland [via]
› Find signed collectible books: 'Murder Must Advertise'
When advertising executive Victor Dean dies from a fall down the stairs at Pym's Publicity, Lord Peter Wimsey is asked to investigate. It seems that, before he died, Dean had begun a letter to Mr. Pym suggesting some very unethical dealings at the posh London ad agency. Wimsey goes undercover and discovers that Dean was part of the fast crowd at Pym's, a group taken to partying and doing drugs. Wimsey and his brother-in-law, Chief-Inspector Parker, rush to discover who is running London's cocaine trade and how Pym's fits into the picture--all before Wimsey's cover is blown. [via]
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› Find signed collectible books: 'The Nine Tailors'
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› Find signed collectible books: 'The Nonesuch'
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› Find signed collectible books: 'Oranges Are Not the Only Fruit'
Jeanette, the protagonist of Oranges Are Not The Only Fruit and the author's namesake, has issues--"unnatural" ones: her adopted mam thinks she's the Chosen one from God; she's beginning to fancy girls; and an orange demon keeps popping into her psyche. Already Jeanette Winterson's semi-autobiographical first novel is not your typical coming-of-age tale.
Brought up in a working-class Pentecostal family, up North, Jeanette follows the path her Mam has set for her. This involves Bible quizzes, a stint as a tambourine-playing Sally Army officer and a future as a missionary in Africa, or some other "heathen state". When Jeanette starts going to school ("The Breeding Ground") and confides in her mother about her feelings for another girl ("Unnatural Passions"), she's swept up in a feverish frenzy for her tainted soul. Confused, angry and alone, Jeanette strikes out on her own path, that involves a funeral parlour and an ice-cream van. Mixed in with the so-called reality of Jeanette's existence growing up are unconventional fairy tales that transcend the everyday world, subverting the traditional preconceptions of the damsel in distress.
In Oranges Are Not the Only Fruit, Winterson knits a complicated picture of teenage angst through a series of layered narratives, incorporating and subverting fairytales and myths, to present a coherent whole, within which her stories can stand independently. Imaginative and mischievous, she is a born storyteller, teasing and taunting the reader to reconsider their worldview. --Nicola Perry [via]
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› Find signed collectible books: 'The Queen's Man : A Medieval Mystery'
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› Find signed collectible books: 'Rendezvous at the Straits: Fur Trade And Military Activities at Fort de Buade And Fort Michilimackinac, 1669v1781'
First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers-and soon it will choose one of them to make its own. [via]
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› Find signed collectible books: 'Strange Devices of the Sun and Moon'
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› Find signed collectible books: 'Strong Poison'
› Find signed collectible books: 'Tea from an Empty Cup'
Two-time Arthur C. Clarke Award winner for Best Novel, Pat Cadigan is the Queen of Cyberpunk for the brilliance of her ideas, the genius of her near-future extrapolations, and the beauty of her writing. No one else has explored and illuminated the mind-machine interface with the keen and relentless intelligence she demonstrates in her novels Mindplayers, Synners, Fools, and the long-awaited Tea from an Empty Cup. Her fourth novel is a perceptive, fascinating, witty SF mystery of artificial reality, whose paradoxical name perfectly defines its nature: an immaterial world of pure sensation, where, by legal mandate, everything is permitted and nothing is forbidden.
The hazards of Artificial Reality are spilling into the real world--people vanish and solitary gamers are found slain in sealed AR booths. The young woman Yuki, child of a Japan destroyed before her birth, enters AR as the new assistant to the mysterious celebrity Joy Flower, but with her own agenda: to find Tom Iguchi, her missing beloved, who never was her lover but had been one of Joy's Boyz. The hard-boiled homicide detective Dore Konstantin stalks the virtual streets of post-Apocalyptic Noo Yawk Sitty seeking a serial killer who may have murdered eight gamers from inside AR itself. But how do you find missing or hidden persons in a world where nothing is as it seems? The two plot lines subtly converge as fact and fantasy, murderer and victim, as well as understanding and identity invert in a virtual universe where the dangers are real and ever-present, and you can be anything or anyone but yourself. --Cynthia Ward [via]
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› Find signed collectible books: 'The Tenant of Wildfell Hall'
This work is a sometimes violent and brutal tale of love and betrayal, separation and reconciliation, set in the familiar Bronte landscape of bleak houses in moorland settings. [via]
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› Find signed collectible books: 'Thousand Acres'
Aging Larry Cook announces his intention to turn over his 1,000-acre farm--one of the largest in Zebulon County, Iowa--to his three daughters, Caroline, Ginny and Rose. A man of harsh sensibilities, he carves Caroline out of the deal because she has the nerve to be less than enthusiastic about her father's generosity. While Larry Cook deteriorates into a pathetic drunk, his daughters are left to cope with the often grim realities of life on a family farm--from battering husbands to cutthroat lenders. In this winner of the 1991 National Book Critics Circle Award for Fiction, Smiley captures the essence of such a life with stark, painful detail. [via]
› Find signed collectible books: 'The Time Traveler's Wife'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Passionately in love, Clare and Henry vow to hold onto each other and their marriage as they struggle with the effects of Chrono-Displacement Disorder, a condition that casts Henry involuntarily into the world of time travel. [via]
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› Find signed collectible books: 'To the Lighthouse'
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› Find signed collectible books: 'To the Lighthouse'
Mrs Woolf first became known to the wider reading public with the publication of A Room of One's Own in 1929. But the year before that, her novel To the Lighthouse had been awarded the Northcliffe and Femina Vie Heureuse prizes. It has since been translated into many languages, including French, German, Spanish, and Italian. Virginia Woolf's technique was all her own. In the words of Naomi Royde-Smith: 'Mrs Woolf is illuminated, analytic, and radiant with a personal quality that increases with every book she writes, and has in To the Lighthouse reached a pitch unsounded by any English writer of her school.' [via]
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› Find signed collectible books: 'Whose Body?'
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› Find signed collectible books: 'Wizard of Earthsea'
Often compared to Tolkien's Middle-earth or Lewis's Narnia, Ursula K. Le Guin's Earthsea is a stunning fantasy world that grabs quickly at our hearts, pulling us deeply into its imaginary realms. Four books (A Wizard of Earthsea, The Tombs of Atuan, The Farthest Shore, and Tehanu) tell the whole Earthsea cycle--a tale about a reckless, awkward boy named Sparrowhawk who becomes a wizard's apprentice after the wizard reveals Sparrowhawk's true name. The boy comes to realize that his fate may be far more important than he ever dreamed possible. Le Guin challenges her readers to think about the power of language, how in the act of naming the world around us we actually create that world. Teens, especially, will be inspired by the way Le Guin allows her characters to evolve and grow into their own powers.
In this first book, A Wizard of Earthsea readers will witness Sparrowhawk's moving rite of passage--when he discovers his true name and becomes a young man. Great challenges await Sparrowhawk, including an almost deadly battle with a sinister creature, a monster that may be his own shadow. [via]
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› Find signed collectible books: 'The Yellow Wall-Paper: A Sourcebook and Critical Edition'
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› Find signed collectible books: 'The Yellow Wall-Paper by Charlotte Perkins Gilman: A Dual-Text Critical Edition'
Scholars have argued for decades over which constitutes the best possible version of Charlotte Perkins Gilman's much-anthologized story The Yellow Wall-Paper. Most editions have been based on the1892 New England Magazine publication rather than the handwritten manuscript at Radcliffe College. Publication of the unedited manuscript in 1994 sparked controversy over which of the two was definitive. Since then, scholars have discovered half a dozen parent texts for later twentieth-century printings, including William Dean Howells' version from 1920 and the 1933 Golden Book version. While traditional critical editions gather evidence and make an argument for adopting one text as preferable to others, "This volume offers both Gilman scholars and scholars of textual studies a unique and helpful means of engaging with a work that exists in multiple forms, and includes some insightful new readings of this much-analyzed story," saus Charlotte Rich, editor of the Charlotte Perkins Gilman Newsletter. Shawn St. Jean's The Yellow Wall-Paper by Charlotte Perkins Gilman: A Dual-Text Critical Edition offers instead both manuscript and magazine, critically edited and printed in parallel for the first time. When viewed as part of a process beginning with writing and ending with bibliographic coding, new significance appears in such facets as the magazine's accompanying illustrations, its lineation and paragraphing, Gilman's choice of minor pronouns, and her original handwritten ending. This critical edition of The Yellow Wall-Paper by Charlotte Perkins Gilman includes a full and nontraditional apparatus for ease of use by students and scholars to study the more than 400 variants between the two. Four new essays, written especially for this volume, explore the implications of this multitext model. Shawn St.Jean, an independent scholar in Brockport, New York, has previously published on Charlotte Perkins Gilman in Studies in Bibliography, Feminist Studies, and Studies in Short Fiction. He is the author of Pagan Dreiser: Songs from American Mythology. [via]
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› Find signed collectible books: 'The Yellow Wallpaper and Selected Stories of Charlotte Perkins Gilman'
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› Find signed collectible books: 'Anne, la Maison aux Pignons Verts'
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› Find signed collectible books: 'Desde Mi Cielo'
From her vantage point in heaven, Susie Salmon describes how she was confronted by a murderer one December afternoon on her way home from school. Lured into an underground hiding place, she was raped and killed. But what the reader knows, her family does not. Anxiously,we keep vigil with Susie, aching for her grieving family, desperate for the killer to be found and punished. Sebold creates a heaven that's calm and comforting, a place whose residents can have whatever they enjoyed when they were alive and then some.
But Susie isn't ready to release her hold on life just yet, and she intensely watches her family and friends as they struggle to cope with a reality in which she is no longer a part. [via]
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