| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||
› Find signed collectible books: 'About Face 2.0: The Essentials of Interaction Design'
"The following description is for the second edition of About Face. The 3rd Edtion, About Face 3 (ISBN 0470084111), is now available."
First published seven years ago-just before the World Wide Web exploded into dominance in the software world-About Face rapidly became a bestseller. While the ideas and principles in the original book remain as relevant as ever, the examples in About Face 2.0 are updated to reflect the evolution of the Web.
Interaction Design professionals are constantly seeking to ensure that software and software-enabled products are developed with the end-user's goals in mind, that is, to make them more powerful and enjoyable for people who use them. About Face 2.0 ensures that these objectives are met with the utmost ease and efficiency.
Alan Cooper (Palo Alto, CA) has spent a decade making high-tech products easier to use and less expensive to build-a practice known as "Interaction Design." Cooper is now the leader in this growing field. Mr. Cooper is also the author of two bestselling books that are widely considered indispensable texts. About Face: The Essentials of User Interface Design, intro-duced the first comprehensive set of practical design principles. The Inmates Are Running the Asylum explains how talented people and companies continually create aggravating high-tech products that fail to meet customer expectations.
Robert Reimann has spent the past 15 years pushing the boundaries of digital products as a designer, writer, lecturer, and consultant. He has led dozens of interaction design projects in domains including e-commerce, portals, desktop productivity, authoring environments, medical and scientific instrumentation, wireless, and handheld devices for startups and Fortune 500 clients alike. Joining Cooper in 1996, Reimann led the development and refinement of many goal-directed design methods described in About Face 2.0. He has lectured on these methods at major universities and to international industry audiences. He is a member of the advisory board of the UC Berkeley Institute of Design. [via]
More editions of About Face 2.0: The Essentials of Interaction Design:
› Find signed collectible books: 'About Face: The Essentials of User Interface Design'
An excellent book for anyone who wants to understand why so much software is so poorly designed -- and an even better book for anyone who wants to DO something about the problem. Must reading (and doing!) for programmers of any level. [via]
More editions of About Face: The Essentials of User Interface Design:
› Find signed collectible books: 'Banksy Wall and Piece'
More editions of Banksy Wall and Piece:
› Find signed collectible books: 'Beautiful Evidence'
no marks, almost as new [via]
More editions of Beautiful Evidence:
› Find signed collectible books: 'The Cognitive Style of Power Point'
A booklet that examines the type of thinking/cognition that Powerpoint encourages. [via]
More editions of The Cognitive Style of Power Point:
› Find signed collectible books: 'Cognitive Style of Powerpoint: Pitching Out Corrupts Within'
In corporate and government bureaucracies, the standard method for making a presentation is to talk about a list of points organized onto slides projected up on the wall. For many years, overhead projectors lit up transparencies, and slide projectors showed high-resolution 35mm slides. Now "slideware" computer programs for presentations are nearly everywhere. Early in the 21st century, several hundred million copies of Microsoft PowerPoint were turning out trillions of slides each year. Alas, slideware often reduces the analytical quality of presentations. In particular, the popular PowerPoint templates (ready-made designs) usually weaken verbal and spatial reasoning, and almost always corrupt statistical analysis. What is the problem with PowerPoint? And how can we improve our presentations? [via]
More editions of Cognitive Style of Powerpoint: Pitching Out Corrupts Within:

› Find signed collectible books: 'Cultivating Picturacy: Visual Art And Verbal Interventions'
More editions of Cultivating Picturacy: Visual Art And Verbal Interventions:
› Find signed collectible books: 'Data Analysis for Politics and Policy'
Used Book [via]
More editions of Data Analysis for Politics and Policy:
› Find signed collectible books: 'Envisioning Information'
This book celebrates escapes from the flatlands of both paper and computer screen, showing superb displays of high-dimensional complex data. The most design-oriented of Edward Tufte's books, Envisioning Information shows maps, charts, scientific presentations, diagrams, computer interfaces, statistical graphics and tables, stereo photographs, guidebooks, courtroom exhibits, timetables, use of color, a pop-up, and many other wonderful displays of information. The book provides practical advice about how to explain complex material by visual means, with extraordinary examples to illustrate the fundamental principles of information displays. Topics include escaping flatland, color and information, micro/macro designs, layering and separation, small multiples, and narratives. Winner of 17 awards for design and content. 400 illustrations with exquisite 6- to 12-color printing throughout. Highest quality design and production. [via]
More editions of Envisioning Information:

› Find signed collectible books: 'Exploring the Invisible: Art, Science, And the Spiritual'
More editions of Exploring the Invisible: Art, Science, And the Spiritual:

› Find signed collectible books: 'How to Use Your Eyes'
More editions of How to Use Your Eyes:
› Find signed collectible books: 'Information Architects'
Frankly, I have found most books about graphics in the information age to be riddled with hyperbole, poorly designed, and vastly overpriced. After looking at many of these books, I typically pull out my dog-eared copy of Edward Tufte's Visual Display of Quantitative Information to clear my visual and conceptual palettes. However, Information Architects, edited by Richard Saul Wurman with contributions by 20 masters in the visual display of information deserves to be on the same shelf as Tufte's masterpieces. Nor does this book shout a simplistic "Cyberspace über alles!": there's great material in here about the importance of informational design in physical spaces and virtual interfaces, and train tracks and track balls. Very highly recommended. [via]
More editions of Information Architects:
› Find signed collectible books: 'Information Dashboard Design: The Effective Visual Communication Of Data'
Dashboards have become popular in recent years as uniquely powerful tools for communicating important information at a glance. Although dashboards are potentially powerful, this potential is rarely realized. The greatest display technology in the world won't solve this if you fail to use effective visual design. And if a dashboard fails to tell you precisely what you need to know in an instant, you'll never use it, even if it's filled with cute gauges, meters, and traffic lights. Don't let your investment in dashboard technology go to waste.
This book will teach you the visual design skills you need to create dashboards that communicate clearly, rapidly, and compellingly. Information Dashboard Design will explain how to:
Stephen Few has over 20 years of experience as an IT innovator, consultant, and educator. As Principal of the consultancy Perceptual Edge, Stephen focuses on data visualization for analyzing and communicating quantitative business information. He provides consulting and training services, speaks frequently at conferences, and teaches in the MBA program at the University of California in Berkeley. He is also the author of Show Me the Numbers: Designing Tables and Graphs to Enlighten.
[via]More editions of Information Dashboard Design: The Effective Visual Communication Of Data:

› Find signed collectible books: 'The Invention of Chic: Therese Bonney and Paris Moderne'
More editions of The Invention of Chic: Therese Bonney and Paris Moderne:

› Find signed collectible books: 'Left to Right: The Cultural Shift from Words to Pictures'
More editions of Left to Right: The Cultural Shift from Words to Pictures:

› Find signed collectible books: 'The Object Stares Back: On the Nature of Seeing'
More editions of The Object Stares Back: On the Nature of Seeing:
› Find signed collectible books: 'Political Control of the Economy'
More editions of Political Control of the Economy:

› Find signed collectible books: 'Rua/Tv?: Heidegger and the Televisual'
More editions of Rua/Tv?: Heidegger and the Televisual:

› Find signed collectible books: 'Say It with Charts: The Executive's Guide to Successful Presentations'
More editions of Say It with Charts: The Executive's Guide to Successful Presentations:

› Find signed collectible books: 'Say It With Charts: The Executive's Guide to Visual Communication'
More editions of Say It With Charts: The Executive's Guide to Visual Communication:
› Find signed collectible books: 'Scrolling Forward: Making Sense of Documents in the Digital Age'
What's up, doc? Information scientist David M Levy wants us to look at the documents that fill our lives, and his book Scrolling Forward is a thoughtful reflection on their near-omnipresence. Levy has the perfect resumé for this job--after getting his Ph.D. in Computer Science in 1981, he moved to England to pursue the study of calligraphy and bookbinding. His love of books shows in his writing, which is rich with references and anecdotes from Walt Whitman to Woody Allen.
Drawing on examples as disparate as grocery store receipts, greeting cards, identity papers and (of course) e-mail, Levy finds the common threads binding them together and explores how and why we use them in daily life. He looks at digitisation closely, considering how speed, ease of editing, and potentially perfect copying changes our traditional considerations of documentation. Though he insists that he's looking at the present, not speculating about the future, it's hard to see how to avoid looking ahead after reading Scrolling Forward. --Rob Lightner [via]
More editions of Scrolling Forward: Making Sense of Documents in the Digital Age:

› Find signed collectible books: 'The Thames & Hudson Dictionary of Graphic Design and Designers'
More editions of The Thames & Hudson Dictionary of Graphic Design and Designers:

› Find signed collectible books: 'Visual Communication: Images With Messages'
This book helps readers analyze visual messages using a technique similar to the one used to evaluate words. It offers physiological and theoretical background on visual perception, then moves to discussion of various media (including typography, graphic design, informational graphics, photography, television, video, and interactive media) and the very visible role they play in our lives. [via]
More editions of Visual Communication: Images With Messages:

› Find signed collectible books: 'Visual Communication with Infotrac: Images With Messages'
More editions of Visual Communication with Infotrac: Images With Messages:
› Find signed collectible books: 'The Visual Display of Quantitative Information'
A timeless classic in how complex information should be presented graphically. The Strunk & White of visual design. Should occupy a place of honor--within arm's reach--of everyone attempting to understand or depict numerical data graphically. The design of the book is an exemplar of the principles it espouses: elegant typography and layout, and seamless integration of lucid text and perfectly chosen graphical examples. Very Highly Recommended. [via]
More editions of The Visual Display of Quantitative Information:
› Find signed collectible books: 'Visual Explanations: Images and Quantities, Evidence and Narrative'
With Visual Explanations, Edward R. Tufte adds a third volume to his indispensable series on information display. The first, The Visual Display of Quantitative Information, which focuses on charts and graphs that display numerical information, virtually defined the field. The second, Envisioning Information, explores similar territory but with an emphasis on maps and cartography. Visual Explanations centers on dynamic data--information that changes over time. (Tufte has described the three books as being about, respectively, "pictures of numbers, pictures of nouns, and pictures of verbs.")
Like its predecessors, Visual Explanations is both intellectually stimulating and beautiful to behold. Tufte, a self-publisher, takes extraordinary pains with design and production. The book ranges through a variety of topics, including the explosion of the space shuttle Challenger (which could have been prevented, Tufte argues, by better information display on the part of the rocket's engineers), magic tricks, a cholera epidemic in 19th-century London, and the principle of using "the smallest effective difference" to display distinctions in data. Throughout, Tufte presents ideas with crystalline clarity and illustrates them in exquisitely rendered samples. [via]
More editions of Visual Explanations: Images and Quantities, Evidence and Narrative:

› Find signed collectible books: 'Visual Intelligence: Perception, Image, and Manipulation in Visual Communication'
More editions of Visual Intelligence: Perception, Image, and Manipulation in Visual Communication:
› Find signed collectible books: 'Wall And Piece'
More editions of Wall And Piece:
› Find signed collectible books: 'Why Art Cannot Be Taught: A Handbook for Art Students'
In this smart survival guide for students and teachers - the only book of its kind - James Elkins examines the "curious endeavor to teach the unteachable" that is generally known as college-level art instruction. This singular project is organized around a series of conflicting claims about art: Art can be taught, but nobody knows quite how; Art can be taught, but it seems as if it can't be since so few students become outstanding artists; Art cannot be taught, but it can be fostered or helped along; Art cannot be taught or even nourished, but it is possible to teach right up to the beginnings of art so that students are ready to make art the moment they graduate; and, Great art cannot be taught, but more run-of-the-mill art can be. Elkins traces the development (or invention) of the modern art school and considers how issues such as the question of core curriculum and the intellectual isolation of art schools affect the teaching and learning of art. He also addresses the phenomenon of art critiques as a microcosm for teaching art as a whole and dissects real-life critiques, highlighting presuppositions and dynamics that make them confusing and suggesting ways to make them more helpful. Elkins' no-nonsense approach clears away the assumptions about art instruction that are not borne out by classroom practice. For example, he notes that despite much talk about instilling visual acuity and teaching technique, in practice neither teachers nor students behave as if those were their principal goals. He addresses the absurdity of pretending that sexual issues are absent from life-drawing classes and questions the practice of holding up great masters and masterpieces as models for students capable of producing only mediocre art. He also discusses types of art - including art that takes time to complete and art that isn't serious - that cannot be learned in studio art classes. "Why Art Cannot Be Taught" is a response to Elkins' observation that "we know very little about what we do" in the art classroom. His incisive commentary illuminates the experience of learning art for those involved in it, while opening an intriguing window for those outside the discipline. [via]
More editions of Why Art Cannot Be Taught: A Handbook for Art Students:

› Find signed collectible books: 'Los Logos'
More editions of Los Logos:

› Find signed collectible books: 'Visuel Kommunikation'
More editions of Visuel Kommunikation:
