Victorian: books tagged “victorian” (10/117) @ BookFinder.com

ISBN 9780307278104 (0-307-27810-7, 0307278107)

by Jane Austen, David M. Shapard

ISBN 0307278107 (0-307-27810-7)
Softcover, Random House Inc

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Book summary:

This first-ever fully annotated edition of one of the most beloved novels in the world is a sheer delight for Jane Austen fans. Here is the complete text of Pride and Prejudice with more than 2,300 annotations on facing pages, including:

" Explanations of historical context

Rules of etiquette, class differences, the position of women, legal and economic realities, leisure activities, and more.

" Citations from Austens life, letters, and other writings

Parallels between the novel and Austens experience are revealed, along with writings that illuminate her beliefs and opinions.

" Definitions and clarifications

Archaic words, words still in use whose meanings have changed, and obscure passages are explained.

" Literary comments and analyses

Insightful notes highlight Austens artistry and point out the subtle ways she develops her characters and themes.

" Maps and illustrations

of places and objects mentioned in the novel.

" An introduction, a bibliography, and a detailed chronology of events

Of course, one can enjoy the novel without knowing the precise definition of a gentleman, or what it signifies that a character drives a coach rather than a hack chaise, or the rules governing social interaction at a ball, but readers of The Annotated Pride and Prejudice will find that these kinds of details add immeasurably to understanding and enjoying the intricate psychological interplay of Austens immortal characters.

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The Annotated Pride and Prejudice: ISBN 0307278107 (0-307-27810-7)
Softcover, Random House Inc

ISBN 9781888957006 (1-888957-00-X, 188895700X)

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Charles Dickens' a Christmas Carol

by Charles Dickens, Gustave Dore

ISBN 188895700X (1-888957-00-X)
Hardcover, McE Pub

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Book summary:

Dust jacket notes: "This is the first book edition of a remarkable set of 45 lost wood engravings from 1861 by Gustave Dore, the great French illustrator. Recently discovered in an obscure old French magazine, they somehow eluded the grasp of scholars for the last 135 years. Apparently, even Charles Dickens did not know of their existence. They are by far the largest set of Victorian engravings for the story, and they include the first drawing ever made of Tiny Tim! But this beautiful Christmas gift book is much more than that. It also contains the full text of A Christmas Carol, plus all the other early sets of illustrations for the story (by Leech, Phiz, Abbey, Barnard, etc.) making a total of nearly 200 Victorian engravings! The dust jacket front cover features several of the lost engravings, colorized by artist Mike Nicastre. A scholarly introduction by Dan Malan, who discovered this set of lost engravings while writing a major reference work on Dore, explores the significance of the lost engravings and the relationship between Dickens and Dore, with lists of their illustrated editions...." [via]

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Charles Dickens' a Christmas Carol: ISBN 188895700X (1-888957-00-X)
Hardcover, McE Pub

ISBN 9781840023992 (1-84002-399-6, 1840023996)

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A Christmas Carol

by Charles Dickens, Neil Bartlett

ISBN 1840023996 (1-84002-399-6)
Softcover, Oberon Books Ltd

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Book summary:

- Beautifully illustrated in colour by well-known artists such as Quentin Blake and Michael Foreman.- Complete and unabridged editions.- Available individually at only $6.95 in paperback. [via]

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ISBN 9781841953236 (1-84195-323-7, 1841953237)

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The Crimson Petal and the White

by Michel Faber

ISBN 1841953237 (1-84195-323-7)
Hardcover, Canongate

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Book summary:

Although it's billed as "the first great 19th-century novel of the 21st century," The Crimson Petal and the White is anything but Victorian. It's the story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men. Michel Faber's dazzling second novel dares to go where George Eliot's The Mill on the Floss and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favour, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself.

When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar's life (and the even harder "honest" life she would have led as a factory worker) contrast--yet not entirely--with the medical mistreatment of her benefactor's wife, Agnes, and beautifully underscore Faber's emphasis on class and sexual politics.

In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber's own--brisk and elastic--and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, "she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board." Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. --Regina Marler, Amazon.com [via]

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ISBN 9780517118290 (0-517-11829-7, 0517118297)

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Jane Austen

by Jane Austen

ISBN 0517118297 (0-517-11829-7)
Hardcover, Grammercy

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Book summary:

Collected together in one volume, The Complete Novels show the development of Austen as a writer and social commentator. From the early optimism and youthful energy of Northanger Abbey to the quiet and subtle art of Persuasion, this collection reveals the breadth of one of the best loved novelists of all time. [via]

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Jane Austen: ISBN 0517118297 (0-517-11829-7)
Hardcover, Grammercy

ISBN 9780321105073 (0-321-10507-9, 0321105079)

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Jane Austen's Pride and Prejudice

by Jane Austen, Susan J. Wolfson, Claudia L. Johnson

ISBN 0321105079 (0-321-10507-9)
Softcover, Longman Pub Group

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Book summary:

From Longman's Cultural Editions series, Jane Austen's Pride and Prejudice , edited by Claudia Johnson and Susan Wolfson, offers the text of the first edition and is extensively annotated in several contexts, from Austen's views, to cultural issues, to first reviews and critical reception. [via]

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Jane Austen's Pride and Prejudice: ISBN 0321105079 (0-321-10507-9)
Softcover, Longman Pub Group

ISBN 9780553211917 (0-553-21191-9, 0553211919)

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Jude

by Thomas Hardy

ISBN 0553211919 (0-553-21191-9)
Softcover, Bantam Classic & Loveswept

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Book summary:

In 1895 Hardys final novel, the great tale of Jude the Obscure, sent shock waves of indignation rolling across Victorian England. Hardy had dared to write frankly about sexuality and to indict the institutions of marriage, education, and religion. But he had, in fact, created a deeply moral work. The stonemason Jude Fawley is a dreamer; his is a tragedy of unfulfilled aims. With his tantalizing cousin Sue Bridehead, the last and most extraordinary of Hardys heroines, Jude takes on the worldand discovers, tragically, its brutal indifference.

The most powerful expression of Hardys philosophy, and a profound exploration of mans essential loneliness, Jude the Obscure is a great and beautiful book. His style touches sublimity. T. S. Eliot [via]

More editions of Jude:

Jude: ISBN 0553211919 (0-553-21191-9)
Softcover, Bantam Classic & Loveswept

ISBN 9780140435382 (0-14-043538-7, 0140435387)

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Jude the Obscure

by Thomas Hardy, Dennis Taylor

ISBN 0140435387 (0-14-043538-7)
Softcover, Penguin Group USA

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Book summary:

Hardy's last and most controversial novel, Jude the Obscure caused much outrage when it was published in 1895. Jude Fawley, poor and working-class, longs to study at the University of Christminster, but his ambitions to go to university are thwarted by class prejudice and his entrapment in a loveless marriage. He falls in love with his unconventional cousin, Sue Bridehead, and their refusal to marry when free to do so confirms their rejection of and by the world around them. The shocking fate that overtakes them is an indictment of a rigid and uncaring society. This is the first truly critical edition, taking account of the changes that Hardy made over twenty-five years. Hardy's last, and most controversial novel, this revised edition has the first truly critical text, a new chronology and bibliography, and substantially revised notes. [via]

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ISBN 9781853260933 (1-85326-093-2, 1853260932)

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North and South

by Elizabeth Cleghorn Gaskell

ISBN 1853260932 (1-85326-093-2)
Softcover, Lb May & Assoc Inc

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Book summary:

"How am I to dress up in my finery, and go off and away to smart parties, after the sorrow I have seen today?"

When her father leaves the Church in a crisis of conscience, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the north of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction. In North and South, Elizabeth Gaskell skillfully fused individual feeling with social concern, and in Margaret Hale created one of the most original heroines of Victorian literature.

In her introduction Patricia Ingham examines geographical, economic and class differences, and male and female roles in North and South. This edition also includes a list for further reading, notes and a glossary.

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ISBN 9780393979084 (0-393-97908-3, 0393979083)

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North and South

by Alan Shelston, Elizabeth Cleghorn Gaskell

ISBN 0393979083 (0-393-97908-3)
Softcover, W W Norton & Co Inc

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Book summary:

A revolutionary social and political commentary, North and South solidified Gaskells place in the company of Victorian Englands finest novelists.

This Norton Critical Edition of her best-selling novel is annotated and edited by preeminent Gaskell scholar Alan Shelston. "Contexts" includes contemporary reviews and correspondence related to North and South, along with the full text of Gaskells 1850 short story "Lizzie Leigh," which, like North and South, is set in industrial Manchester and deals with strong working women. This topic is further addressed in Bessie Rayner Parkess essay on Victorian working women. "Criticism" collects eleven assessments of the novel, among them Louis Cazamians 1904 study of industrial fiction and Hilary Schors recent study of North and South in the context of discourse analysis. A Chronology and Selected Bibliography are also included. [via]

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North and South: ISBN 0393979083 (0-393-97908-3)
Softcover, W W Norton & Co Inc

ISBN 9780192831941 (0-19-283194-1, 0192831941)

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North and South

by Angus Easson, Elizabeth Cleghorn Gaskell, Sally Shuttleworth

ISBN 0192831941 (0-19-283194-1)
Softcover, Oxford Univ Pr

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Book summary:

Mary Gaskell's North and South examines the nature of social authority and obedience and provides an insightful description of the role of middle class women in nineteenth century society. Through the story of Margaret Hale, a southerner who moves to the northern industrial town of Milton, Gaskell skillfully explores issues of class and gender, as Margaret's sympathy for the town mill workers conflicts with her growing attraction to the mill owner, John Thornton. This new and revised expanded edition sets the novel in the context of Victorian social and medical debate. [via]

More editions of North and South:

North and South: ISBN 0192831941 (0-19-283194-1)
Softcover, Oxford Univ Pr

ISBN 9780460872577 (0-460-87257-5, 0460872575)

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North and South

by Elizabeth Gaskell, Jenny Uglow

ISBN 0460872575 (0-460-87257-5)
Softcover, Dent & Sons (Canada), Limited, J. M.

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Book summary:

Part of the "Everyman" series, which includes a themed introduction, a chronology of the author, a plot summary and selected criticism. This is a novel of hardship, passion and hard-won wisdom among the conflicts of the Industrial Revolution. [via]

More editions of North and South:

North and South: ISBN 0460872575 (0-460-87257-5)
Softcover, Dent & Sons (Canada), Limited, J. M.

ISBN 9780194227100 (0-19-422710-3, 0194227103)

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Pride & Prejudice

by Unk

ISBN 0194227103 (0-19-422710-3)
Softcover, Oxford Univ Pr

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Book summary:

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."

Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]

More editions of Pride & Prejudice:

Pride & Prejudice: ISBN 0194227103 (0-19-422710-3)
Softcover, Oxford Univ Pr

ISBN 9780060933258 (0-06-093325-9, 0060933259)

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Pride and Prejudice

by Jane Austen

ISBN 0060933259 (0-06-093325-9)
Softcover, HarperCollins Canada, Limited

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Book summary:

When Elizabeth Bennet first meets eligible bachelor Fitzwilliam Darcy, she thinks him arrogant and conceited; he is indifferent to her good looks and lively mind. When she later discovers that Darcy has involved himself in the troubled relationship between his friend Bingley and her beloved sister Jane, she is determined to dislike him more than ever. In the sparkling comedy of manners that follows, Jane Austen shows the folly of judging by first impressions and superbly evokes the friendships,gossip and snobberies of provincial middle-class life.

Get the complete set of Penguin Classics designed by Coralie Bickford-Smith, including the other titles:

Cranford by Elizabeth Gaskell

Great Expectations by Charles Dickens

Jane Eyre by Charlotte Brontë

Pride and Prejudice by Jane Austen

Sense and Sensibility by Jane Austen

Tess of the DUrbervilles by Thomas Hardy

The Picture of Dorian Gray by Oscar Wilde

@FirstThoughtBestThought Usually a man wills his home to his wife or kids. But sometimes, he wills it to a distant relative, so when he dies, youre out on your ass.

And then, and THEN, that distant, meddlesome priest of a relative tries to seduce one of your sisters.

Unsure why anyone would want my sisters. All they want is to hit it with the officers what war are they even fighting in the countryside?

Though my older sisterJaneis nice. How could she not be? Jane is such a good name. I would like anybody named Jane.

From Twitterature: The World's Greatest Books in Twenty Tweets or Less

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More editions of Pride and Prejudice:

ISBN 9780395051016 (0-395-05101-0, 0395051010)

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Pride and Prejudice

by Mark Schorer, Jane Austen

ISBN 0395051010 (0-395-05101-0)
Softcover, Houghton Mifflin College Div

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Book summary:

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."

Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]

More editions of Pride and Prejudice:

Pride and Prejudice: ISBN 0395051010 (0-395-05101-0)
Softcover, Houghton Mifflin College Div

ISBN 9780517415122 (0-517-41512-7, 0517415127)

via

Pride and Prejudice

by Outlet Book Company Staff, Random House Value Publishing Staff

ISBN 0517415127 (0-517-41512-7)
Hardcover, Random House Value Publishing

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Book summary:

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."

Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]

More editions of Pride and Prejudice:

Pride and Prejudice: ISBN 0517415127 (0-517-41512-7)
Hardcover, Random House Value Publishing

ISBN 9780517606094 (0-517-60609-7, 0517606097)

via

Pride and Prejudice : Oxford World Classics

by Outlet Book Company Staff, Random House Value Publishing Staff

ISBN 0517606097 (0-517-60609-7)
Hardcover, Random House Value Publishing

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Book summary:

"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."

Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]

More editions of Pride and Prejudice : Oxford World Classics:

Pride and Prejudice : Oxford World Classics: ISBN 0517606097 (0-517-60609-7)
Hardcover, Random House Value Publishing

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