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› Find signed collectible books: 'Acqua Alta'
An American living near Venice, Donna Leon has crafted an imaginative series of mysteries set in the waterborne city, all starring police detective Guido Brunetti. In this, the fifth installment, Brunetti sets out to investigate an assault on an American archeologist who herself is investigating a museum exhibition of Chinese antiquities. The moods of Venice and the reflections of the canny, emotional detective are the most affecting qualities of the book. [via]
› Find signed collectible books: 'Blood from a Stone'
Guido Brunetti, the protagonist of Donna Leon's brilliant series about crime in high and low places in Venice, Italy, is back in a smart thriller about a murdered street vendor, one of the illegal immigrants who sell fake fashion accessories outside the tourist mecca's high-priced boutiques while trying to stay one step ahead of the law. Someone had a reason for wanting the nameless African man dead, and the search for the killers and the men who sent them to Brunetti's beloved and beautifully evoked city shortly before Christmas leads the thoughtful, multifaceted and uxorious Commissario to the unfamiliar Venetian milieu where the vu cumpra live. In the cramped, airless room where the Senegalese vendors manage to find shelter, Guido discovers a fortune in so-called "conflict diamonds" hidden among the murdered man's meager belongings. But finding the diamonds' provenance and the killers who were seeking them proves to be an exercise in bureaucratic misdirection. Warned off the case by his boss in the name of "national security," Guido nonetheless persists with his investigation, in the course of which he discovers what--and who--really matters to him. Leon depicts the city she also clearly loves with such skill the reader can almost hear the watter lapping at the edges of the canals and smell the espresso beans roasting in the crisp cold winter air. A tour de force from an author whose reputation for skillful plotting, extraordinary descriptive powers, and complex characters has earned her a loyal base of fans; if you haven't discovered her work before this, Blood from a Stone will only whet your appetite for her extensive backlist of titles featuring Brunetti and his colleagues. --Jane Adams [via]
› Find signed collectible books: 'The City of Falling Angels'
Past Midnight: John Berendt on the Mysteries of Venice
Just as John Berendt's first book, Midnight in the Garden of Good and Evil, was settling into its remarkable four-year run on The New York Times bestseller list, he discovered a new city whose local mysteries and traditions were more than a match for Savannah, whose hothouse eccentricities he had celebrated in the first book. The new city was Venice, and he spent much of the last decade wandering through its canals and palazzos, seeking to understand a place that any native will tell you is easy to visit but hard to know. For travelers to Venice, whether by armchair or vaporetto, he has selected his 10 (actually 11) Books to Read on Venice. And he took the time to answer a few of our questions about his charming new book, The City of Falling Angels:
Amazon.com: The lush, cloistered southern city of Savannah was the locale of Midnight in the Garden of Good and Evil. Venice, the setting for The City of Falling Angels, is vastly different. Was it the difference itself that drew you to Venice?
John Berendt: Savannah and Venice actually have quite a lot in common. Both are uniquely beautiful. Both are isolated geographically, culturally, and emotionally from the world outside. Venice sits in the middle of a lagoon; Savannah is surrounded by marshes, piney woods, and the ocean. Venetians think of themselves as Venetian first, Italian second; Savannahians rarely even venture forth as far as Atlanta or Charleston. So both cities offer a writer a rich context in which to set a story, and the stories provide readers a means of escape from their own environment into another world.
Amazon.com: I enjoyed your rather declarative author's note: that this is a work of nonfiction, and that you used everyone's real names. In your previous book you did use pseudonyms for some characters and you explained that you took a few small liberties in the service of the larger truth of the story. Why the change this time?
Berendt: When I wrote Midnight I thought I would do a few people the favor of changing their names for the sake of privacy. But when the book came out, several of the pseudonymous characters told me they wished I'd used their real names instead. So this time, no pseudonyms. As for the storytelling liberties I took in writing Midnight, they were minor and did not change the story, but my mention of it in the author's note caused some confusion, with the result that Midnight is sometimes referred to now as a novel, which it most certainly is not. Neither is The City of Falling Angels. In fact, I dispensed with the liberties this time and made it as close to the truth as I could get it.
Amazon.com: In The City of Falling Angels, a number of fascinating people serve as guides to the city, each with a different idea of the true nature of Venice. Who was your favorite?
Berendt: I don't have a favorite, but Count Girolamo Marcello is certainly a memorable, highly quotable commentator. "Everyone in Venice is acting," he told me. "Everyone plays a role, and the role changes. The key to understanding Venetians is rhythm, the rhythm of the lagoon, the water, the tides, the waves. It's like breathing. High water, high pressure: tense. Low water, low pressure: relaxed. The tide changes every six hours."
I nodded that I understood.
"How do you see a bridge?" he went on.
"Pardon me?" I asked, "A bridge?"
"Do you see a bridge as an obstacle--as just another set of steps to climb to get from one side of a canal to the other? We Venetians do not see bridges as obstacles. To us, bridges are transitions. We go over them very slowly. They are part of the rhythm. They are the links between two parts of a theater, like changes in scenery. Our role changes as we go over bridges. We cross from one reality ... to another reality. From one street ... to another street. From one setting ... to another setting."
Once I had absorbed that notion, Count Marcello continued: "Sunlight on a canal is reflected up through a window onto the ceiling, then from the ceiling onto a vase, and from the vase onto a glass. Which is the real sunlight? Which is the real reflection? What is true? What is not true? The answer is not so simple, because the truth can change. I can change. You can change. That is the Venice effect."
I was not terribly surprised when he later told me, "Venetians never tell the truth. We mean precisely the opposite of what we say."
Amazon.com: Now that you know Venice well enough to be a guide yourself, what would you say to a visitor looking for insight into the character of the city?
Berendt: Tourists generally shuffle along, on narrow streets so crowded as to be nearly impassable, between the major sights of St. Mark's Square, the Rialto Bridge, and the Accademia Museum. All you have to do is to step off these heavily traveled alleyways, and in a few moments you will find yourself in quiet, much emptier surroundings. This is more like the real Venice. Another thing to do is to go into the wine bars where Venetians stand around drinking and talking. They will very likely be speaking the Venetian dialect, so you won't be able to understand them, but you will get a sampling of the true Venetian ambiance enlivened by the pronounced sing-song rhythm of the language. I'd also suggest stopping someone in the street and asking for directions. Almost invariably, you will be rewarded with a genial smile and the instructions, Sempre diritto, meaning "Straight ahead." This will only leave you more confused, because when you attempt to follow a straight line, you will be confronted by more twists and turns and forks in the road than you thought possible, given the instructions. This is part of what Count Marcello described as "the Venice effect."
[via]More editions of The City of Falling Angels:
› Find signed collectible books: 'The City of falling angels: a venice story'
Past Midnight: John Berendt on the Mysteries of Venice
Just as John Berendt's first book, Midnight in the Garden of Good and Evil, was settling into its remarkable four-year run on The New York Times bestseller list, he discovered a new city whose local mysteries and traditions were more than a match for Savannah, whose hothouse eccentricities he had celebrated in the first book. The new city was Venice, and he spent much of the last decade wandering through its canals and palazzos, seeking to understand a place that any native will tell you is easy to visit but hard to know. For travelers to Venice, whether by armchair or vaporetto, he has selected his 10 (actually 11) Books to Read on Venice. And he took the time to answer a few of our questions about his charming new book, The City of Falling Angels:
Amazon.com: The lush, cloistered southern city of Savannah was the locale of Midnight in the Garden of Good and Evil. Venice, the setting for The City of Falling Angels, is vastly different. Was it the difference itself that drew you to Venice?
John Berendt: Savannah and Venice actually have quite a lot in common. Both are uniquely beautiful. Both are isolated geographically, culturally, and emotionally from the world outside. Venice sits in the middle of a lagoon; Savannah is surrounded by marshes, piney woods, and the ocean. Venetians think of themselves as Venetian first, Italian second; Savannahians rarely even venture forth as far as Atlanta or Charleston. So both cities offer a writer a rich context in which to set a story, and the stories provide readers a means of escape from their own environment into another world.
Amazon.com: I enjoyed your rather declarative author's note: that this is a work of nonfiction, and that you used everyone's real names. In your previous book you did use pseudonyms for some characters and you explained that you took a few small liberties in the service of the larger truth of the story. Why the change this time?
Berendt: When I wrote Midnight I thought I would do a few people the favor of changing their names for the sake of privacy. But when the book came out, several of the pseudonymous characters told me they wished I'd used their real names instead. So this time, no pseudonyms. As for the storytelling liberties I took in writing Midnight, they were minor and did not change the story, but my mention of it in the author's note caused some confusion, with the result that Midnight is sometimes referred to now as a novel, which it most certainly is not. Neither is The City of Falling Angels. In fact, I dispensed with the liberties this time and made it as close to the truth as I could get it.
Amazon.com: In The City of Falling Angels, a number of fascinating people serve as guides to the city, each with a different idea of the true nature of Venice. Who was your favorite?
Berendt: I don't have a favorite, but Count Girolamo Marcello is certainly a memorable, highly quotable commentator. "Everyone in Venice is acting," he told me. "Everyone plays a role, and the role changes. The key to understanding Venetians is rhythm, the rhythm of the lagoon, the water, the tides, the waves. It's like breathing. High water, high pressure: tense. Low water, low pressure: relaxed. The tide changes every six hours."
I nodded that I understood.
"How do you see a bridge?" he went on.
"Pardon me?" I asked, "A bridge?"
"Do you see a bridge as an obstacle--as just another set of steps to climb to get from one side of a canal to the other? We Venetians do not see bridges as obstacles. To us, bridges are transitions. We go over them very slowly. They are part of the rhythm. They are the links between two parts of a theater, like changes in scenery. Our role changes as we go over bridges. We cross from one reality ... to another reality. From one street ... to another street. From one setting ... to another setting."
Once I had absorbed that notion, Count Marcello continued: "Sunlight on a canal is reflected up through a window onto the ceiling, then from the ceiling onto a vase, and from the vase onto a glass. Which is the real sunlight? Which is the real reflection? What is true? What is not true? The answer is not so simple, because the truth can change. I can change. You can change. That is the Venice effect."
I was not terribly surprised when he later told me, "Venetians never tell the truth. We mean precisely the opposite of what we say."
Amazon.com: Now that you know Venice well enough to be a guide yourself, what would you say to a visitor looking for insight into the character of the city?
Berendt: Tourists generally shuffle along, on narrow streets so crowded as to be nearly impassable, between the major sights of St. Mark's Square, the Rialto Bridge, and the Accademia Museum. All you have to do is to step off these heavily traveled alleyways, and in a few moments you will find yourself in quiet, much emptier surroundings. This is more like the real Venice. Another thing to do is to go into the wine bars where Venetians stand around drinking and talking. They will very likely be speaking the Venetian dialect, so you won't be able to understand them, but you will get a sampling of the true Venetian ambiance enlivened by the pronounced sing-song rhythm of the language. I'd also suggest stopping someone in the street and asking for directions. Almost invariably, you will be rewarded with a genial smile and the instructions, Sempre diritto, meaning "Straight ahead." This will only leave you more confused, because when you attempt to follow a straight line, you will be confronted by more twists and turns and forks in the road than you thought possible, given the instructions. This is part of what Count Marcello described as "the Venice effect."
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› Find signed collectible books: 'Dead Lagoon'

› Find signed collectible books: 'Death And Judgment'
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› Find signed collectible books: 'Death at La Fenice'
Beautiful and serene Venice is a city almost devoid of crime. But that is little comfort to Maestro Helmut Wellauer, a world-renowned conductor whose intermission refreshment comes one night with a little something extra in it-cyanide. For Guido Brunetti, vice-commissario of police and detective genius, finding a suspect isn't a problem; narrowing the large and unconventional group of enemies down to one is. As the suave and pithy Brunetti pieces together clues, a shocking picture of depravity and revenge emerges, leaving him torn between what is and what should be right -- and questioning what the law can do, and what needs to be done.
[via]
› Find signed collectible books: 'Death In A Strange Country'
A Venice policeman investigating the murder of an American soldier comes up against the Mafia, the government, the U.S. Army, and toxic waste. By the author of Death at La Fenice. National ad/promo. [via]
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› Find signed collectible books: 'Death in Venice and Other Stories'
Thomas mann is widely acknowledged as the greatest german novelist of this century. His 1912 novella death in venice is the most frequently read example of mann's early work.clayton koelb's masterful translation improves upon its predecessors in two ways: it renders mann into american (not british) english, and it remains true to mann's original text without sacrificing fluency. For american readers, this is the translation of choice. "backgrounds and contexts" includes mann's working notes, which allow students to observe the author's creative process. The notes are available here for the first time in english. Illuminating selections from mann's essays and letters are also reprinted, as are period maps of munich, venice, and the lido. "criticism" includes six essays-by andre von gronicka, manfred dierks, t. J. Reed, dorrit cohn, david luke, and robert tobin-sure to stimulate classroom discussion. A chronology and selected bibliography are also included [via]
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› Find signed collectible books: 'Death in Venice and Other Tales'
"Death In Venice" tells the tragic story of a man who falls into foolish, forbidden love, only to reap his own ruin. While on holiday in Venice, a dignified older gentleman notices a teenage boy playing on the shore. The boy soon comes to represent the sleek perfection of youth, and the older man finds himself overwhelmed and obsessed with this ideal. Rich in imagery, and exploring the themes of beauty and decay, this book is a disturbing yet memorable work. Also included are seven of Mann's short stories, including "Tristan", "The Child Prodigy", and "Man and Dog". [via]
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› Find signed collectible books: 'Death in Venice and Other Tales'
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› Find signed collectible books: 'Death in Venice, and Seven Other Stories'
Eight complex stories illustrative of the author's belief that "a story must tell itself," highlighted by the high art style of the famous title novella. [via]
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› Find signed collectible books: 'DK Eyewitness Travel Guides Venice & the Veneto'
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› Find signed collectible books: 'Dk Eyewitness Travel Guides Venice and the Veneto'
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› Find signed collectible books: 'Doctored Evidence: A Commissario Brunetti Novel'
Donna Leon's riveting new novel, Doctored Evidence, follows Commissario Guido Brunetti down the winding streets of contemporary Venice as he throws open the doors of a case his superiors would rather leave closed. When a miserly spinster is found brutally murdered in her Venice apartment, police immediately suspect her Romanian housekeeper. They are certain their job is done after the immigrant dies while fleeing arrest, but weeks later; a neighbor comes forward to defend the innocence of the accused. The only investigator who believes the alibi is Brunetti, who will have to go behind the backs of his superiors to vindicate the Romanian and find her employer's actual killer. As always, the indispensable hacking skills of the ever-loyal Signorina Elettra are the perfect complement to Brunetti's meticulous detective work. She discovers mysterious deposits in the old woman's bank account, but who made them? As Brunetti investigates, his wife, at home, reads him teachings on the Seven Deadly Sins. In a modern world of intrigue and nebulous morality, how do they relate to the murder at hand? Doctored Evidence is charged with suspense and evokes a contemporary Venice with Donna Leon's masterful flair. [via]
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› Find signed collectible books: 'Dressed for Death'
› Find signed collectible books: 'El Mercader De Venecia / The Merchant of Venice: Noche De Reyes'
Readers will take pleasure in discovering the classics through these beautifully packaged and affordably priced editions of famous works of literature from all over the world. A variety of periods, themes, and authors are represented.
Los lectores tomarán un gran placer en descubrir los clásicos por estas bellas y económicas ediciones de literatura famosa y universal. Se representa una variedad de épocas, temas, y autores. [via]
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› Find signed collectible books: 'The Floating Book'
Venice, 1468. The beautiful yet heartless Sosia Simeon is making her mark on the city, driven by a dark compulsion to steal pleasure with men from all walks of life. Across the Grand Canal, Wendelin von Speyer has just arrived from Germany, bringing with him a cultural revolution: Gutenberg's movable type. Together with the young editor Bruno Uguccione and the seductive scribe Felice Feliciano, he starts the city's first printing press. Before long a love triangle develops between Sosia, Felice, and Bruno -- who has become entranced by the verse of Catullus, the Roman erotic poet. But a far greater scandal erupts when Wendelin tempts fate by publishing the poet -- and changes all of their lives forever.
Sosia, the heartless sensualist; Felice, a man who loves the crevices of the alphabet the way other men love the crevices of women; Lussieta, whose anguish gives the story its soulful heart: these and many other characters make The Floating Book an unforgettable experience for lovers of romance, history, and the printed word. [via]

› Find signed collectible books: 'Friends in High Places'
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› Find signed collectible books: 'A History of Venice'
Traces the rise ot empire of this city from its 5th century beginnings all the way through until 1797 when Napolean put an end to the thousand year-old Republic. 32 pages of black and white photos, 4 maps and charts. [via]
› Find signed collectible books: 'In the Company of the Courtesan: A Novel'
1527. While the Papal city of Rome burns - brutally sacked by an invading army including Protestant heretics - two of her most interesting and wily citizens slip away, their stomachs churning on the jewels they have swallowed as the enemy breaks down their doors. Though almost as damaged as their beloved city, Fiammetta Bianchini and Bucino Teodoldi - a fabulous courtesan and her dwarf companion - are already planning their future. They head for the shimmering beauty of Venice, a honey pot of wealth and trade where they start to rebuild their business. As a partnership they are invincible: Bucino, clever with a sharp eye and a wicked tongue and Fiammetta, beautiful and shrewd, trained from birth to charm, entertain and satisfy men who have the money to support her. Venice, however, is a city which holds its own temptations. From the admiring Turk in search of human novelties for his Sultan's court, to the searing passion of a young lover who wants more than his allotted nights. But the greatest challenge comes from a young blind woman, a purveyor of health and beauty, who insinuates her way into their lives with devastating consequences for them all. [via]
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› Find signed collectible books: 'The Merchant of Venice'
Edited, introduced and annotated by Cedric Watts, Professor of English Literature, University of Sussex The Merchant of Venice is one of Shakespeare's most popular comedies, but it remains deeply controversial. The text may well seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. He is a character so intense that he can dominate the play, challenging abrasively its romantic and lyrical affirmations. [via]
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› Find signed collectible books: 'Miss Garnet's Angel'

› Find signed collectible books: 'A Noble Radiance'
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› Find signed collectible books: 'Paradise Of Cities: Venice In The 19th Century'
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› Find signed collectible books: 'The Passion'
In 1985 Jeanette Winterson won the Whitbread Award for best first fiction for the semi-autobiographical Oranges Are Not the Only Fruit, an often wry exploration of lesbian possibility bumping up against evangelical fanaticism. She was 25. Two years later, The Passion, her third novel, appeared, the fantastical tale of Henri--Napoleon's cook--and Villanelle, a Venetian gondolier's daughter who has webbed feet (previously an all-male attribute), works as a croupier, picks pockets, cross-dresses, and literally loses her heart to a beautiful woman. Written in a lyrical and jolting combination of fairy tale diction and rhythm and the staccato, the book would be a risky proposition in lesser hands. Winterson has said that she wanted to look at people's need to worship and examine what happens to young men in militaristic societies. The question was, how to do so without being polemical and didactic? Only she could have come up with such an exquisite answer. In the end, Henri, incarcerated on an island of madmen, becomes aware that his passion, "even though she could never return it, showed me the difference between inventing a lover and falling in love. The one is about you, the other about someone else." [via]
› Find signed collectible books: 'Private Parts'
The #1 bestseller and fastest selling autobiography of all time, "Private Parts, " will be released on March 14 as a major motion picture from Paramount Pictures and Rysher Entertainment. This is the event Stern's millions of fans have been waiting for. Yes, The King of All Media is back, letting it all hang out in his outrageous new movie. And here is the book that tracks the odyssey. In "Private Parts" Stern spills his life story, from his dysfunctional beginnings to his unlikely, turbulent rise to super stardom. In the process, he shares his views on everything from foreign policy to fatherhood and Madonna to masturbation, with lots of lesbians in between. No matter whose side you're on -- Cher's "I hate him. He's just a creep, " or Stallone's "I love him. I really love him" -- Stern's brutally frank "Don't ask, I'll tell" tome spares no group or institution.
Studded throughout with Howard's favorite photos, pickings from the Hate-Mailbag and illustrations, this is the original, in-your-face manifesto complete with movie art that will once again have fans storming the bookstores...and everyone else running for cover. [via]
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› Find signed collectible books: 'Shakespeare's The Merchant Of Venice'
Harold Bloom on The Merchant of Venice: "Shylock's prose is Shakespeare's best before Falstaff's...His utterances manifest a spirit so potent, malign, and negative as to be unforgettable."
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› Find signed collectible books: 'The Stones of Venice'
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› Find signed collectible books: 'Thief Lord'
Imagine a Dickens story with a Venetian setting, and you'll have a good sense of Cornelia Funke's prizewinning novel The Thief Lord, first published in Germany in 2000. This suspenseful tale begins in a detective's office in Venice, as the entirely unpleasant Hartliebs request Victor Getz's services to search for two boys, Prosper and Bo, the sons of Esther Hartlieb's recently deceased sister. Twelve-year-old Prosper and 5-year-old Bo ran away when their aunt decided she wanted to adopt Bo, but not his brother. Refusing to split up, they escaped to Venice, a city their mother had always described reverently, in great detail. Right away they hook up with a long-haired runaway named Hornet and various other ruffians who hole up in an abandoned movie theater and worship the elusive Thief Lord, a young boy named Scipio who steals jewels from fancy Venetian homes so his new friends can get the warm clothes they need. Of course, the plot thickens when the owner of the pawn shop asks if the Thief Lord will carry out a special mission for a wealthy client: to steal a broken wooden wing that is the key to completing an age-old, magical merry-go-round. This winning cast of characters--especially the softhearted detective with his two pet turtles--will win the hearts of readers young and old, and the adventures are as labyrinthine and magical as the streets of Venice itself. (Ages 9 and older) --Karin Snelson [via]
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› Find signed collectible books: 'A Thousand Days in Venice : An Unexpected Romance'
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› Find signed collectible books: 'Through a Glass, Darkly'
The latest case in Donna Leon's bestselling Brunetti mystery series-"one of the most exquisite and subtle detective series ever" (The Washington Post) The Philadelphia Inquirer called Leon's incomparable creation Commissario Guido Brunetti "the most humane sleuth since Georges Simenon's Inspector Maigret." It's no wonder then that Leon's legion of fans continues to grow with each new book that's published. In Through a Glass, Darkly, Brunetti investigates the murder of a night watchman, whose body is found in front of a blazing furnace at Giovanni De Cal's glass factory along with an annotated copy of Dante's Inferno. Did the cantankerous De Cal kill him? Will Brunetti make the connection between the work of literature and the murderer in time? [via]
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› Find signed collectible books: 'Uniform Justice'
As Uniform Justice opens, Venetian detective Commissario Guido Brunetti is called to investigate a parent's worst nightmare. A young cadet has been found hanged, a presumed suicide, in Venice's elite military academy. Brunetti's sorrow for the boy, so close in age to his own son, is rivaled only by his contempt for a community that is more concerned with protecting the reputation of the school, and its privileged students, than understanding this tragedy. The young man is the son of a doctor and former politician, a man of an impeccable integrity all too rare in Italian politics. Dr. Moro is clearly and understandably devastated by his son's death; but while both he and his apparently estranged wife seem convinced that the boy's death could not have been suicide, neither appears eager to talk to the police or involve Brunetti in any investigation of the circumstances in which he died. As Brunetti pursues his inquiry, he is faced with a wall of silence. Is the military protecting its own? And what of the other witnesses? Is this the natural reluctance of Italians to involve themselves with the authorities, or is Brunetti facing a conspiracy far greater than this one death? [via]

› Find signed collectible books: 'Venetian Stories'
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› Find signed collectible books: 'A Venetian Affair'
It's hard to imagine a more romantic real-life story than the long, forbidden love affair of the 18th-century Venetian nobleman Andrea Memmo and a half-English beauty named Giustiniana Wynne. Andrea Di Robilant's A Venetian Affair is drawn in part from a cache of letters discovered by the author's father in his ancestral palazzo on the Grand Canal. In 1753, his ancestor Andrea Memmo had been introduced to a lovely girl of uncertain station (illegitimate, although her parents later married). The Wynnes's position was precarious enough in Venice's rigid society, and Giustiniana's mother took every step to prevent the young aristocrat from corrupting her daughter. But the two lovers began to meet in secret: exchanging letters through confederates and communicating in public through an elaborate code of nods and gestures. They even came within a few days of being married before further dark revelations about Giustiniana's family put a permanent end to their hopes. Although Memmo went on to have an illustrious career in the dying Venetian Republic, it is Giustiniana's astonishing later life that really captures the reader. A Venetian Affair provides both a rich picture of the times--including cameo appearances by that scamp, Casanova--and a convincing account of an enduring passion. --Regina Marler [via]
› Find signed collectible books: 'The Venetian Empire: A Sea Voyage'
For six centuries, the Republic of Venice was a maritime empire, its sovereign power extending throughout much of the eastern Mediterranean - an empire of coasts, islands and isolated fortresses by which, as Wordsworth wrote, the mercantile Venetians 'held the gorgeous east in fee'. Jan Morris reconstructs the whole of this glittering dominion in the form of a sea-voyage, travelling along the historic Venetian trade routes from Venice itself to Greece, Crete and Cyprus. It is a traveller's book, geographically arranged but wandering at will from the past to the present, evoking not only contemporary landscapes and sensations but also the characters, the emotions and the tumultuous events of the past. The first such work ever written about the Venetian 'Stato da Mar', it is an invaluable historical companion for visitors to Venice itself and for travellers through the lands the Doges once ruled. [via]
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› Find signed collectible books: 'Venice'
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› Find signed collectible books: 'Venice'
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› Find signed collectible books: 'Venice for Pleasure'

› Find signed collectible books: 'Venice, Lion City: The Religion of Empire'
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› Find signed collectible books: 'The World of Venice'
› Find signed collectible books: 'Herr Der Diebe'
Es gibt nicht nur in England mit Joanne K. Rowling exzellente Kinderbuchautorinnen. Cornelia Funke gehört unbestritten zu den besten Schriftstellerinnen auf diesem Sektor im deutschsprachigen Raum. Nach ihrem großen Erfolg mit Drachenreiter legt sie erneut einen dicken Schmöker vor. Ein außergewöhnliches Kinderbuch, das mit einer spannenden Geschichte aus Venedig aufwartet, der Stadt der geflügelten Löwen und verwunschenen Plätze, durchzogen von kleinen Kanälen und Wasserstraßen.
Nachdem ihre Mutter gestorben ist, haben sich die beiden Brüder Prosper, zwölf, und Bo, fünf Jahre in die Stadt der Gondeln geflüchtet. Sie wollen nicht getrennt werden, denn ihre Tante Esther möchte nur den kleinen niedlichen Bo aufnehmen. Umgehend beauftragt Tante Esther den besten Detektiv der Stadt, nach ihnen zu suchen. Zum Glück haben die beiden Jungs das praktische Mädchen Wespe und ihre drei Freunde getroffen. Alle vier hausen in einem alten, verlassenen Kino. Bei ihnen können Prosper und Bo zunächst unterschlüpfen.
Anführer der Kinder ist Scipio, der Herr der Diebe, wie er sich selbst nennt. Wenn er abends unangekündigt ins Kino schneit, mit seiner schwarzen Maske und den hochhackigen Stiefeln, verbreitet er eine Menge Respekt. Kaum einer merkt, dass Scipio kaum älter als zwölf ist. Von seinen Beutezügen versorgt er die Kinder mit Waren, die diese zu guten Preisen wieder verkaufen. Doch die Herkunft Scipios ist geheimnisvoll. Wo wohnt er wirklich?
Herr der Diebe ist eine fantasievolle Geschichte, die im Kinderbuchregal direkt neben Harry Potter einen adäquaten Platz findet. --Manuela Haselberger [via]
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