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  • The Amateur Marriage: A Novel
    by Anne Tyler
    ISBN 0345470613 (0-345-47061-3)
    Softcover, Ballantine Books

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    Book summary:

    Anne Tyler's The Amateur Marriage is not so much a novel as a really long argument. Michael is a good boy from a Polish neighborhood in Baltimore; Pauline is a harum-scarum, bright-cheeked girl who blows into Michael's family's grocery store at the outset of World War II. She appears with a bloodied brow, supported by a gaggle of girlfriends. Michael patches her up, and neither of them are ever the same. Well, not the same as they were before, but pretty much the same as everyone else. After the war, they live over the shop with Michael's mother till they've saved enough to move to the suburbs. There they remain with their three children, until the onset of the sixties, when their eldest daughter runs away to San Francisco. Their marriage survives for a while, finally crumbling in the seventies. If this all sounds a tad generic, Tyler's case isn't helped by the characteristics she's given the two spouses. Him: repressed, censorious, quiet. Her: voluble, emotional, romantic. Mars, meet Venus. What marks this couple, though, and what makes them come alive, is their bitter, unproductive, tooth-and-nail fighting. Tyler is exploring the way that ordinary-seeming, prosperous people can survive in emotional poverty for years on end. She gets just right the tricks Michael and Pauline play on themselves in order to stay together: "How many times," Pauline asks herself, "when she was weary of dealing with Michael, had she forced herself to recall the way he'd looked that first day? The slant of his fine cheekbones, the firming of his lips as he pressed the adhesive tape in place on her forehead." Only in antogonism do Michael and Pauline find a way to express themselves. --Claire Dederer [via]

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  • The Ambassadors
    by Henry James, Christopher Butler
    ISBN 0192836471 (0-19-283647-1)
    Softcover, Oxford Univ Pr

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    The second of James's three late masterpieces, was, in its author's opinion, "the best, all round, of my productions".

    Lambert Strether, a mild middle-aged American of no particular achievements, is dispatched to Paris from the manufacturing empire of Woollett, Massachusetts. The mission conferred on him by his august patron, Mrs. Newsome, is to discover what, or who, is keeping her son Chad in the notorious city of pleasure, and to bring him home. But Strether finds Chad transformed by the influence of a remarkable woman; and as the Parisian spring advances, he himself succumbs to the allure of the 'vast bright Babylon' and to the mysterious charm of Madame de Vionnet. [via]

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  • The Bell Jar
    by Sylvia Plath, Diane W. Middlebrook
    ISBN 0375404635 (0-375-40463-5)
    Hardcover, Knopf Publishing Group

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    Plath was an excellent poet but is known to many for this largely autobiographical novel. The Bell Jar tells the story of a gifted young woman's mental breakdown beginning during a summer internship as a junior editor at a magazine in New York City in the early 1950s. The real Plath committed suicide in 1963 and left behind this scathingly sad, honest and perfectly-written book, which remains one of the best-told tales of a woman's descent into insanity. [via]

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  • Better Than Sex
    by Hunter S. Thompson
    ISBN 0345396359 (0-345-39635-9)
    Softcover, Ballantine Books

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    Since his 1972 trailblazing opus, Fear and Loathing on the Campaign Trail, Hunter S. Thompson has reported the election story in his truly inimitable, just-short-of-libel style. In Better Than Sex, Thompson hits the dusty trail again - without leaving home - yet manages to deliver a mind-bending view of the 1992 presidential campaign, in all its horror, sacrifice, lust, and dubious glory. Complete with faxes sent to and received from candidate Clinton's top aides, and 100 percent pure gonzo screeds on Richard Nixon, George Bush, and Oliver North, here is the most true-blue campaign tell-all ever penned by man, beast, or Thompson. [via]

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  • Chandler, Raymond: The Big Sleep
    The Big Sleep
    by Raymond Chandler
    ISBN 0194242218 (0-19-424221-8)
    Softcover, Oxford Univ Pr

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    "His thin, claw-like hands were folded loosely on the rug, purple-nailed. A few locks of dry white hair clung to his scalp, like wild flowers fighting for life on a bare rock." Published in 1939, when Raymond Chandler was 50, this is the first of the Philip Marlowe novels. Its bursts of sex, violence, and explosively direct prose changed detective fiction forever. "She was trouble. She was tall and rangy and strong-looking. Her hair was black and wiry and parted in the middle. She had a good mouth and a good chin. There was a sulky droop to her lips and the lower lip was full." [via]

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  • The Black Echo
    by Michael Connelly
    ISBN 0316153613 (0-316-15361-3)
    Hardcover, Little Brown & Co

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    For LAPD homicide cop Harry Bosch -- hero, maverick, nighthawk -- the body in the drainpipe at Mulholland Dam is more than another anonymous statistic. This one is personal.

    The dead man, Billy Meadows, was a fellow Vietnam "tunnel rat" who fought side by side with him in a nightmare underground war that brought them to the depths of hell. Now, Bosch is about to relive the horror of Nam. From a dangerous maze of blind alleys to a daring criminal heist beneath the city to the tortuous link that must be uncovered, his survival instincts will once again be tested to their limit.

    Joining with an enigmatic and seductive female FBI agent, pitted against enemies inside his own department, Bosch must make the agonizing choice between justice and vengeance, as he tracks down a killer whose true face will shock him. [via]

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  • Bluest Eye
    by Toni Morrison
    ISBN 0307278441 (0-307-27844-1)
    Softcover, Vintage Books

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    Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.

    Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:

    You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.
    There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.

    This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus [via]

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  • Currie, David P.: The Constitution In Congress: Democrats And Whigs, 1829-1861
    The Constitution In Congress: Democrats And Whigs, 1829-1861
    by David P. Currie
    ISBN 0226129004 (0-226-12900-4)
    Hardcover, Univ of Chicago Pr

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  • Currie, David P.: The Constitution In Congress: Descent Into The Maelstrom, 1829-1861
    The Constitution In Congress: Descent Into The Maelstrom, 1829-1861
    by David P. Currie
    ISBN 0226129160 (0-226-12916-0)
    Hardcover, Univ of Chicago Pr

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  • Currie, David P.: The Constitution in Congress: The Federalist Period 1789-1801
    The Constitution in Congress: The Federalist Period 1789-1801
    by David P. Currie
    ISBN 0226131157 (0-226-13115-7)
    Softcover, Univ of Chicago Pr

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    Book summary:

    In the most thorough examination to date, David P. Currie analyzes from a legal perspective the work of the first six congresses and of the executive branch during the Federalist era, with a view to its significance for constitutional interpretation. He concludes that the original understanding of the Constitution was forged not so much in the courts as in the legislative and executive branches, an argument of crucial importance for scholars in constitutional law, history, and government.

    "A joy to read."Appellate Practive Journal and Update

    "[A] patient and exemplary analysis of the work of the first six Congresses."Geoffrey Marshall, Times Literary Supplement
    [via]

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  • Currie, David P.: The Constitution in Congress: The Jeffersonians, 1801-1829
    The Constitution in Congress: The Jeffersonians, 1801-1829
    by David P. Currie
    ISBN 0226131173 (0-226-13117-3)
    Hardcover, Univ of Chicago Pr

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  • Desert Solitaire
    by Edward Abbey
    ISBN 0345326490 (0-345-32649-0)
    Softcover, Ballantine Books

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    Book summary:

    a passionately felt, deeply poetic book. It has philosophy. It has humor. It has its share of nerve-tingling adventures...set down in a lean, racing prose, in a close-knit style of power and beauty."the new york times bookreviewedward abbey lived for three seasons in the desert at moab, utah, and what he discovered about the land before him, the world around him, and the heart that beat within, is a fascinating, sometimes raucous, always personal account of a place that has already disappeared, but is worth remembering and living through again and again [via]

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  • The Devil Wears Prada
    by Lauren Weisberger
    ISBN 0307275558 (0-307-27555-8)
    Softcover, Bantam Books

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    Book summary:

    It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!"

    This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alix Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous Miranda Priestly, and she's an irresistible spectacle. --Claire Dederer [via]

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  • Eleven On Top
    by Janet Evanovich
    ISBN 0312985347 (0-312-98534-7)
    Softcover, St Martins Pr

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    Book summary:

    Stephanie Plum, Trenton's favorite bondswoman, is having a career crisis, which gives Janet Evanovich plenty of opportunities to showcase her series heroine in a variety of alternative vocations, from dry cleaner to factory worker. Most of them don't last a full working day, which is good for the reader, since it plunges Stephanie back into the always seedy, often dangerous, and always colorful world of fugitives who'd rather flee than face their day in court. She may be tired of having her life threatened, her cars torched or blown up, and her apartment broken into, but one thing she can say about her job is that it's never boring... and neither is she. Despite her intentions of going straight at a job with a little more security and a bit less excitement, an old client won't let her--he keeps leaving her threatening notes, stalking and scaring her, and making sure she needs the protection of the two men in her life--Joe Morelli, the sexy cop who's been bedding her since high school, and Ranger, the even sexier tough guy who can take down the meanest fugitive around but has a tender spot in his heart for the plucky Ms. Plum. All Evanovich fans' favorite characters people this sprightly caper novel, including Lula, the fast-food-chomping former hooker who's hot to take over Stephanie's job but really belongs in a WWE Takedown; Grandma Mazur, who'd rather go to a wake than a fancy-dress ball; Grandma Bella, the matriarch of the Corelli family whose evil eye frightens even the indomitable Stephanie; and Valerie, Stephanie's sister, who's about to embark on another trip to the altar. A great beach read, Eleven on Top is a guilty pleasure that will delight readers of the author's 10 earlier novels and should win her even more fans. --Jane Adams

    Amazon Exclusive Content


    Amazon's Significant Seven
    Janet Evanovich kindly agreed to take the life quiz we like to give to all our authors: the Amazon Significant Seven.

    Q: What book has had the most significant impact on your life?
    A: Uncle Scrooge adventures by Carl Barks. They gave me a lifelong love of the adventure story both in film and literature. And I wouldn't mind pushing my quarters around with a bulldozer in real life, either.

    Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
    A: Book: The Neiman Marcus holiday catalog (I can pretend I'm shopping.)
    CD: MTVs Grind, Volume 1 (Happy music and I love the samba.)
    DVD: Shrek 2 (Happy movie.)

    Q: What is the worst lie you've ever told?
    A: "No. Your butt doesn't look big in those pants." Said to myself.

    Q: Describe the perfect writing environment.
    A: No phone. Locked door. Room service. Silence. My cat (Gus) on my lap.

    Q: If you could write your own epitaph, what would it say?
    A: "Later, Dudes!"

    Q: Who is the one person living or dead that you would like to have dinner with?
    A: Jim Henson (creator of the Muppets)

    Q: If you could have one superpower, what would it be?
    A: The ability to eat Cheez Doodles and Krispy Kremes and never get fat.


    The Stephanie Plum Series


    One for the Money
    Two for the Dough
    Three to Get Deadly

    Four to Score
    High Five
    Hot Six

    [via]

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  • Everyman
    by Philip Roth
    ISBN 0307277712 (0-307-27771-2)
    Softcover, Vintage Books

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    Book summary:

    Philip Roth's new novel is a candidly intimate yet universal story of loss, regret, and stoicism. The bestselling author of The Plot Against America now turns his attention from "one family's harrowing encounter with history" (New York Times) to one man's lifelong skirmish with mortality.

    The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes.

    The terrain of this powerful novel is the human body. Its subject is the common experience that terrifies us all. [via]

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  • Fahrenheit 451
    by Ray Bradbury
    ISBN 0345342968 (0-345-34296-8)
    Softcover, Ballantine Books

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    In Fahrenheit 451, Ray Bradbury's classic, frightening vision of the future, firemen don't put out fires--they start them in order to burn books. Bradbury's vividly painted society holds up the appearance of happiness as the highest goal--a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, "Give the people contests they win by remembering the words to more popular songs.... Don't give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."

    Guy Montag is a book-burning fireman undergoing a crisis of faith. His wife spends all day with her television "family," imploring Montag to work harder so that they can afford a fourth TV wall. Their dull, empty life sharply contrasts with that of his next-door neighbor Clarisse, a young girl thrilled by the ideas in books, and more interested in what she can see in the world around her than in the mindless chatter of the tube. When Clarisse disappears mysteriously, Montag is moved to make some changes, and starts hiding books in his home. Eventually, his wife turns him in, and he must answer the call to burn his secret cache of books. After fleeing to avoid arrest, Montag winds up joining an outlaw band of scholars who keep the contents of books in their heads, waiting for the time society will once again need the wisdom of literature.

    Bradbury--the author of more than 500 short stories, novels, plays, and poems, including The Martian Chronicles and The Illustrated Man--is the winner of many awards, including the Grand Master Award from the Science Fiction Writers of America. Readers ages 13 to 93 will be swept up in the harrowing suspense of Fahrenheit 451, and no doubt will join the hordes of Bradbury fans worldwide. --Neil Roseman [via]

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  • Hemingway, Ernest: A Farewell to Arms
    A Farewell to Arms
    by Ernest Hemingway
    ISBN 0317562185 (0-317-56218-5)
    Softcover, Ingram Book Co

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  • Founding Brothers: The Revolutionary Generation
    by Joseph J. Ellis
    ISBN 0375705244 (0-375-70524-4)
    Softcover, Random House Inc

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    Book summary:

    In retrospect, it seems as if the American Revolution was inevitable. But was it? In Founding Brothers, Joseph J. Ellis reveals that many of those truths we hold to be self-evident were actually fiercely contested in the early days of the republic.

    Ellis focuses on six crucial moments in the life of the new nation, including a secret dinner at which the seat of the nation's capital was determined--in exchange for support of Hamilton's financial plan; Washington's precedent-setting Farewell Address; and the Hamilton and Burr duel. Most interesting, perhaps, is the debate (still dividing scholars today) over the meaning of the Revolution. In a fascinating chapter on the renewed friendship between John Adams and Thomas Jefferson at the end of their lives, Ellis points out the fundamental differences between the Republicans, who saw the Revolution as a liberating act and hold the Declaration of Independence most sacred, and the Federalists, who saw the revolution as a step in the building of American nationhood and hold the Constitution most dear. Throughout the text, Ellis explains the personal, face-to-face nature of early American politics--and notes that the members of the revolutionary generation were conscious of the fact that they were establishing precedents on which future generations would rely.

    In Founding Brothers, Ellis (whose American Sphinx won the National Book Award for nonfiction in 1997) has written an elegant and engaging narrative, sure to become a classic. Highly recommended. --Sunny Delaney [via]

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  • Four to Score
    by Janet Evanovich
    ISBN 0312966970 (0-312-96697-0)
    Softcover, St Martins Pr

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    Book summary:

    Stephanie Plum, the trash-talking New Jersey bail bondswoman of this popular series, is tracking Maxine Nowicki, who's wanted for skipping out on a car-theft charge lodged by her ex-boyfriend. Now the ex-boyfriend's very interested in getting back the love letters he supposedly wrote to Maxine. But what he's really looking for is the secret on which Evanovich hangs her screwball cast of colorful minor characters, including Sally Sweet, a cross-dressing drag queen; Lula, the 250-pound ex-hooker who works for Steph's boss; Cousin Vinnie, the bail bondsman; Grandma Mazur, who packs a Glock and is always looking for a little action; and Joyce, a wannabe bounty hunter who's been cramping Steph's style since she played pass the salami with Steph's ex-husband. The action doesn't get much farther from Trenton than the Jersey Shore, but when Steph's apartment and car are blown up by the others on Maxine's trail and she moves in with Joe Morelli, the handsome, arrogant cop she's been hung up on since high school, it gets hotter than the craps table in Atlantic City. Plum's fans won't be disappointed in this fourth outing in the series, and they're likely to be even more interested in the snappy patter and sexy shenanigans than in the mystery that holds it all together. --Jane Adams [via]

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  • Galapagos
    by Kurt Vonnegut
    ISBN 0224028472 (0-224-02847-2)
    Hardcover, Cape

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    Book summary:

    The human survivors of the "Nature Crisis of the Century", are quietly evolving into sleek, furry creatures with flippers and small brains. All other forms of humankind have ceased to exist, made redundant by their prized big brains. From the author of "Slaughterhouse 5". [via]

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  • Gilead
    by Marilynne Robinson
    ISBN 031242440X (0-312-42440-X)
    Softcover, St Martins Pr

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    Book summary:

    In 1981, Marilynne Robinson wrote Housekeeping, which won the PEN/Hemingway Award and became a modern classic. Since then, she has written two pieces of nonfiction: Mother Country and The Death of Adam. With Gilead, we have, at last, another work of fiction. As with The Great Fire, Shirley Hazzards's return, 22 years after The Transit of Venus, it was worth the long wait. Books such as these take time, and thought, and a certain kind of genius. There are no invidious comparisons to be made. Robinson's books are unalike in every way but one: the same incisive thought and careful prose illuminate both.

    The narrator, John Ames, is 76, a preacher who has lived almost all of his life in Gilead, Iowa. He is writing a letter to his almost seven-year-old son, the blessing of his second marriage. It is a summing-up, an apologia, a consideration of his life. Robinson takes the story away from being simply the reminiscences of one man and moves it into the realm of a meditation on fathers and children, particularly sons, on faith, and on the imperfectability of man.

    The reason for the letter is Ames's failing health. He wants to leave an account of himself for this son who will never really know him. His greatest regret is that he hasn't much to leave them, in worldly terms. "Your mother told you I'm writing your begats, and you seemed very pleased with the idea. Well, then. What should I record for you?" In the course of the narrative, John Ames records himself, inside and out, in a meditative style. Robinson's prose asks the reader to slow down to the pace of an old man in Gilead, Iowa, in 1956. Ames writes of his father and grandfather, estranged over his grandfather's departure for Kansas to march for abolition and his father's lifelong pacifism. The tension between them, their love for each other and their inability to bridge the chasm of their beliefs is a constant source of rumination for John Ames. Fathers and sons.

    The other constant in the book is Ames's friendship since childhood with "old Boughton," a Presbyterian minister. Boughton, father of many children, favors his son, named John Ames Boughton, above all others. Ames must constantly monitor his tendency to be envious of Boughton's bounteous family; his first wife died in childbirth and the baby died almost immediately after her. Jack Boughton is a ne'er-do-well, Ames knows it and strives to love him as he knows he should. Jack arrives in Gilead after a long absence, full of charm and mischief, causing Ames to wonder what influence he might have on Ames's young wife and son when Ames dies.

    These are the things that Ames tells his son about: his ancestors, the nature of love and friendship, the part that faith and prayer play in every life and an awareness of one's own culpability. There is also reconciliation without resignation, self-awareness without deprecation, abundant good humor, philosophical queries--Jack asks, "'Do you ever wonder why American Christianity seems to wait for the real thinking to be done elsewhere?'"--and an ongoing sense of childlike wonder at the beauty and variety of God's world.

    In Marilynne Robinson's hands, there is a balm in Gilead, as the old spiritual tells us. --Valerie Ryan [via]

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  • Middlekauff, Robert: The Glorious Cause: The American Revolution, 1763-1789
    The Glorious Cause: The American Revolution 1763-1789
    by Robert Middlekauff
    ISBN 019531588X (0-19-531588-X)
    Softcover, Oxford Univ Pr

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    Book summary:

    Many histories of the American Revolution are written as if on stained glass, with George Washington's forces of good battling King George III's redcoat devils. The actual events were, of course, far more complex than that, and Robert Middlekauff undertakes the difficult task of separating the real from the mythic with great success. From him we learn that England taxed the colonials so heavily in an attempt to retire the massive debt incurred in defending those very colonials against other powers, notably France; that the writing of the Constitution was delayed for two years while states argued among themselves in the face of massive military losses; and that demographic shifts during the Revolution did much to increase America's ethic diversity at an early and decisive time. Vividly told, this is a superb account of the nation's founding. [via]

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  • Hannibal
    by Thomas Harris, Jose Antonio Soriano
    ISBN 0307344703 (0-307-34470-3)
    Softcover, Grijalbo Mondadori

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    Book summary:

    Horror lit's head chef Harris serves up another course in his Hannibal "The Cannibal" Lecter trilogy, and it's a pièce de résistance for those with strong stomachs. In the first book, Red Dragon (filmed as Manhunter), Hannibal diabolically helps the FBI track a fascinating serial killer. (Takes one to know one.) In The Silence of the Lambs, he advises fledgling FBI manhunter Clarice Starling, then makes a bloody, brilliant escape.

    Years later, posing as scholarly Dr. Fell, curator of a grand family's palazzo, Hannibal lives the good life in Florence, playing lovely tunes by serial killer/composer Henry VIII and killing hardly anyone himself. Clarice is unluckier: in the novel's action-film-like opening scene, she survives an FBI shootout gone wrong, and her nemesis, Paul Krendler, makes her the fall guy. Clarice is suspended, so, unfortunately, the first cop who stumbles on Hannibal is an Italian named Pazzi, who takes after his ancestors, greedy betrayers depicted in Dante's Inferno.

    Pazzi is on the take from a character as scary as Hannibal: Mason Verger. When Verger was a young man busted for raping children, his vast wealth saved him from jail. All he needed was psychotherapy--with Dr. Lecter. Thanks to the treatment, Verger is now on a respirator, paralyzed except for one crablike hand, watching his enormous, brutal moray eel swim figure eights and devour fish. His obsession is to feed Lecter to some other brutal pets.

    What happens when the Italian cop gets alone with Hannibal? How does Clarice's reunion with Lecter go from macabre to worse? Suffice it to say that the plot is Harris's weirdest, but it still has his signature mastery of realistic detail. There are flaws: Hannibal's madness gets a motive, which is creepy but lessens his mystery. If you want an exact duplicate of The Silence of the Lambs's Clarice/Hannibal duel, you'll miss what's cool about this book--that Hannibal is actually upstaged at points by other monsters. And if you think it's all unprecedentedly horrible, you're right. But note that the horrors are described with exquisite taste. Harris's secret recipe for success is restraint. --Tim Appelo [via]

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  • High Five
    by Janet Evanovich
    ISBN 0312971346 (0-312-97134-6)
    Softcover, St Martins Pr

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    "Uncle Fred was someone I saw at weddings and funerals and once in a while at Giovichinni's Meat Market, ordering a quarter pound of olive loaf. Eddie Such, the butcher, would have the olive loaf on the scale and Uncle Fred would say, 'You've got the olive loaf on a piece of waxed paper. How much does that piece of waxed paper weigh? You're not gonna charge me for that waxed paper, are you? I want some money off for the waxed paper.'"

    The speaker is Stephanie Plum, the glamorous if slightly ditzy bounty hunter from Trenton, New Jersey, and one of the most original creations in recent mystery fiction.

    In this fifth entry in Janet Evanovich's increasingly popular series, Stephanie's problems are many and varied. She's not making enough money picking up FTAs (Failures to Appear) for her cousin Vinnie, of Vincent Plum Bail Bonds; her red-hot love affair with Detective Joe Morelli has cooled off; and her giant extended family is no help at all. For instance, Uncle Fred the cheapskate has disappeared, leaving behind some suspicious photographs of body parts in garbage bags and links to some really dangerous people.

    When Stephanie turns to her friend and mentor, Ranger, for financial advice, he gets her involved in a gang of toughs doing instant evictions for landlords. (She complains to Ranger about the job and its dangers, prompting one of the hired thug to say, "Man, you don't like to get shot. You don't like to get arrested. You don't know how to have fun at all.")

    Most of Stephanie's charm, of course, comes from her attitude--a combination of the brazen bravado that turns a failed lingerie model into a bounty hunter in the first place and the normal fears of a person in over her head.

    Other Plums in paperback, by the numbers: One for the Money, Two for the Dough, Three to Get Deadly, and Four to Score. --Dick Adler [via]

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  • Evanovich, Janet: Hot Six
    Hot Six
    by Janet Evanovich
    ISBN 0312976275 (0-312-97627-5)
    Softcover, St Martins Pr

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    Never mind who did the deed with New Jersey bounty hunter Stephanie Plum at the end of High Five. Five months later, that night's only a dim, cherished memory, and Stephanie's freezing her butt off on a Trenton bridge trying to keep her friend Carol--caught shoplifting some crotchless panties she was too embarrassed to buy--from committing suicide.

    Truth is, I didn't for a minute think she'd jump. For one thing, she was wearing a four-hundred-dollar jacket from Wilson Leather. You just don't jump off a bridge in a four-hundred-dollar jacket. It isn't done. The jacket would get ruined. Carol was from the Chambersburg section of Trenton, just like me, and in the Burg you gave the jacket to your sister, then you jumped off the bridge.
    When Stephanie finally talks Carol down and makes it in to work at Vincent Plum Bail Bonds, it's only to find that her libido-boosting pal Ranger, the professional bounty hunter and sometime hit man, has disappeared. A building owned by black-market arms dealer Alexander Ramos has burned down, with Ramos's son Homer lying inside, dead from a gunshot wound. Ranger, who was caught on film there by video cameras, is wanted for questioning. Stephanie's boss Vinnie wants her to find him, but Stephanie, who knows she won't find Ranger if he doesn't want to be found, refuses. Soon everyone, from her cop boyfriend Joe Morelli to the two Laurel and Hardy wannabes who suddenly start following her around Trenton in a badass black Lincoln, thinks she's hot on Ranger's trail.

    And Stephanie's got other things to worry about. For one thing, Grandma Mazur's moved in with her, and so has Bob, a golden retriever who's only partly house trained. Then Ranger starts popping up at odd times of the night, with instructions for Stephanie to keep an eye on another Ramos son, Hannibal. Add to that one homicidal maniac, a couple more dead bodies, Stephanie's usual bad car karma, and the zit from hell, and you've got yourself one fine Stephanie Plum adventure. Will Stephanie triumph? You can bet a jelly doughnut on it. And there's another great cliffhanger waiting at the end. --Barrie Trinkle [via]

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  • I Am Charlotte Simmons
    by Tom Wolfe
    ISBN 0312424442 (0-312-42444-2)
    Softcover, Picador USA

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    Dupont University--the Olympian halls of learning housing the cream of America's youth, the roseate Gothic spires and manicured lawns suffused with tradition . . . Or so it appears to beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina. But Charlotte soon learns, to her mounting dismay, that for the uppercrust coeds of Dupont, sex, Cool, and kegs trump academic achievement every time.As Charlotte encounters Dupont's privileged elite--her roommate, Beverly, a Groton-educated Brahmin in lusty pursuit of lacrosse players; Jojo Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennial Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus--she gains a new, revelatory sense of her own power, that of her difference and of her very innocence, but little does she realize that she will act as a catalyst in all of their lives.With his signature eye for detail, Tom Wolfe draws on extensive observation of campuses across the country to immortalize college life in the '00s. I Am Charlotte Simmons is the much-anticipated triumph of America's master chronicler. [via]

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  • The Jungle
    by Christopher Phelps, Upton Beall Sinclair
    ISBN 0312400373 (0-312-40037-3)
    Softcover, Bedford/st Martins

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    Upton Sinclairs novel The Jungle, which inspired passage in 1906 of the Pure Food and Drug Act and the Meat Inspection Act, stands as a classic of twentieth-century American literature and social protest. In this accessible and thorough edition by Christopher Phelps, a critical introduction addresses the wide range of issues raised by the text, including early twentieth-century working conditions, immigrant community, race and gender, political reform, and the continuing relevance of Sinclairs investigation. This edition uses the most widely recognized text of The Jungle  the Doubleday, Page edition published in 1906  and provides an illuminating supporting document: President Theodore Roosevelts delivery to Congress of the official report that confirmed The Jungles shocking allegations about the Chicago meatpacking industry. Questions for consideration, a chronology, and a selected bibliography help contextualize Sinclairs novel and provide students with resources for further study.
    [via]

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  • Barrett, James R.: The Jungle
    The Jungle
    by James R. Barrett, Upton Beall Sinclair
    ISBN 0252014944 (0-252-01494-4)
    Hardcover, Univ of Illinois Pr

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  • The Jungle
    by Upton Beall Sinclair
    ISBN 0252014804 (0-252-01480-4)
    Softcover, Univ of Illinois Pr

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    Upton Sinclair's The Jungle is a vivid portrait of life and death in a turn-of-the-century American meat-packing factory. A grim indictment that led to government regulations of the food industry, The Jungle is Sinclair's extraordinary contribution to literature and social reform. [via]

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  • The Jungle
    by Upton Sinclair, Jane Jacobs
    ISBN 0375759506 (0-375-75950-6)
    Softcover, Random House Publishing Group

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    Practically alone among the American writers of his generation, wrote Edmund Wilson, [Sinclair] put to the American public the fundamental questions raised by capitalism in such a way that they could not escape them. When it was first published in 1906, The Jungle exposed the inhumane conditions of Chicagos stockyards and the laborers struggle against industry and wage slavery. It was an immediate bestseller and led to new regulations that forever changed workers rights and the meatpacking industry. A direct descendant of Dickenss Hard Times, it remains the most influential workingmans novel in American literature. [via]

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  • A Man in Full Pt. 1: A Novel
    by Tom Wolfe
    ISBN 0374270325 (0-374-27032-5)
    Hardcover, Farrar, Straus & Giroux

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    Man in Full, A: A Novel, by Wolfe, Tom [via]

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  • Memoirs of a Geisha
    by Arthur Golden
    ISBN 0307275167 (0-307-27516-7)
    Softcover, Vintage Books

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    According to Arthur Golden's absorbing first novel, the word "geisha" does not mean "prostitute," as Westerners ignorantly assume--it means "artisan" or "artist." To capture the geisha experience in the art of fiction, Golden trained as long and hard as any geisha who must master the arts of music, dance, clever conversation, crafty battle with rival beauties, and cunning seduction of wealthy patrons. After earning degrees in Japanese art and history from Harvard and Columbia--and an M.A. in English--he met a man in Tokyo who was the illegitimate offspring of a renowned businessman and a geisha. This meeting inspired Golden to spend 10 years researching every detail of geisha culture, chiefly relying on the geisha Mineko Iwasaki, who spent years charming the very rich and famous.

    The result is a novel with the broad social canvas (and love of coincidence) of Charles Dickens and Jane Austen's intense attention to the nuances of erotic maneuvering. Readers experience the entire life of a geisha, from her origins as an orphaned fishing-village girl in 1929 to her triumphant auction of her mizuage (virginity) for a record price as a teenager to her reminiscent old age as the distinguished mistress of the powerful patron of her dreams. We discover that a geisha is more analogous to a Western "trophy wife" than to a prostitute--and, as in Austen, flat-out prostitution and early death is a woman's alternative to the repressive, arcane system of courtship. In simple, elegant prose, Golden puts us right in the tearoom with the geisha; we are there as she gracefully fights for her life in a social situation where careers are made or destroyed by a witticism, a too-revealing (or not revealing enough) glimpse of flesh under the kimono, or a vicious rumor spread by a rival "as cruel as a spider."

    Golden's web is finely woven, but his book has a serious flaw: the geisha's true romance rings hollow--the love of her life is a symbol, not a character. Her villainous geisha nemesis is sharply drawn, but she would be more so if we got a deeper peek into the cause of her motiveless malignity--the plight all geisha share. Still, Golden has won the triple crown of fiction: he has created a plausible female protagonist in a vivid, now-vanished world, and he gloriously captures Japanese culture by expressing his thoughts in authentic Eastern metaphors. [via]

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  • Memorias De Una Geisha / Memoirs of a Geisha
    by Arthur Golden, Pilar Vazquez
    ISBN 0307275302 (0-307-27530-2)
    Softcover, Random House Espanol

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    Una sensación literaria y bestseller internacional presenta con perfecta autenticidad y exquisito lirismo las fieles confesiones de una de las geishas más famosas de Japón.
     
    En Memorias de una geisha entramos a un mundo donde las apariencias son de suma importancia; donde la virginidad de una niña es subastada al mejor postor; donde las mujeres son entrenadas para seducir a los hombres más poderosos; y donde el amor es desdeñado como una mera ilusión. Es una obra de ficción única y triunfal al mismo tiempo romántica, erótica y de suspenso absolutamente inolvidable. [via]

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  • Theroux, Paul: The Mosquito Coast
    The Mosquito Coast
    by Paul Theroux
    ISBN 0241106885 (0-241-10688-5)
    Hardcover, Hamish Hamilton

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  • My Antonia
    by Willa Cather, Janet Sharistanian
    ISBN 019283200X (0-19-283200-X)
    Softcover, Oxford Univ Pr

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    It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.

    Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.

    As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak [via]

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  • Nine Stories
    by J. D. Salinger
    ISBN 0316767727 (0-316-76772-7)
    Softcover, Little Brown & Co

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    In the J.D. Salinger benchmark "A Perfect Day for Bananafish," Seymour Glass floats his beach mate Sybil on a raft and tells her about these creatures' tragic flaw. Though they seem normal, if one swims into a hole filled with bananas, it will overeat until it's too fat to escape. Meanwhile, Seymour's wife, Muriel, is back at their Florida hotel, assuring her mother not to worry--Seymour hasn't lost control. Mention of a book he sent her from Germany and several references to his psychiatrist lead the reader to believe that World War II has undone him.

    The war hangs over these wry stories of loss and occasionally unsuppressed rage. Salinger's children are fragile, odd, hypersmart, whereas his grown-ups (even the materially content) seem beaten down by circumstances--some neurasthenic, others (often female) deeply unsympathetic. The greatest piece in this disturbing book may be "The Laughing Man," which starts out as a man's recollection of the pleasures of storytelling and ends with the intersection between adult need and childish innocence. The narrator remembers how, at nine, he and his fellow Comanches would be picked up each afternoon by the Chief--a Staten Island law student paid to keep them busy. At the end of each day, the Chief winds them down with the saga of a hideously deformed, gentle, world-class criminal. With his stalwart companions, which include "a glib timber wolf" and "a lovable dwarf," the Laughing Man regularly crosses the Paris-China border in order to avoid capture by "the internationally famous detective" Marcel Dufarge and his daughter, "an exquisite girl, though something of a transvestite." The masked hero's luck comes to an end on the same day that things go awry between the Chief and his girlfriend, hardly a coincidence. "A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost. It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go straight to bed." [via]

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  • The Portrait of a Lady
    by Henry James, Nicola Bradbury
    ISBN 0192833693 (0-19-283369-3)
    Softcover, Oxford Univ Pr

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    One of the great heroines of American literature, Isabel Archer, journeys to Europe in order to, as Henry James writes in his 1908 Preface, affront her destiny. James began The Portrait of a Lady without a plot or subject, only the slim but provocative notion of a young woman taking control of her fate. The result is a richly imagined study of an American heiress who turns away her suitors in an effort to first establishand then protecther independence. But Isabels pursuit of spiritual freedom collapses when she meets the captivating Gilbert Osmond. Jamess formidable powers of observation, his stance as a kind of bachelor recorder of human doings in which he is not involved, writes Hortense Calisher, make him a first-class documentarian, joining him to that great body of storytellers who amass what formal history cannot. [via]

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  • The Right Stuff
    by Tom Wolfe
    ISBN 0374250324 (0-374-25032-4)
    Hardcover, Farrar, Straus & Giroux

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    Tom Wolfe began The Right Stuff at a time when it was unfashionable to contemplate American heroism. Nixon had left the White House in disgrace, the nation was reeling from the catastrophe of Vietnam, and in 1979--the year the book appeared--Americans were being held hostage by Iranian militants. Yet it was exactly the anachronistic courage of his subjects that captivated Wolfe. In his foreword, he notes that as late as 1970, almost one in four career Navy pilots died in accidents. "The Right Stuff," he explains, "became a story of why men were willing--willing?--delighted!--to take on such odds in this, an era literary people had long since characterized as the age of the anti-hero."

    Wolfe's roots in New Journalism were intertwined with the nonfiction novel that Truman Capote had pioneered with In Cold Blood. As Capote did, Wolfe tells his story from a limited omniscient perspective, dropping into the lives of his "characters" as each in turn becomes a major player in the space program. After an opening chapter on the terror of being a test pilot's wife, the story cuts back to the late 1940s, when Americans were first attempting to break the sound barrier. Test pilots, we discover, are people who live fast lives with dangerous machines, not all of them airborne.

    Wolfe traces Alan Shepard's suborbital flight and Gus Grissom's embarrassing panic on the high seas (making the controversial claim that Grissom flooded his Liberty capsule by blowing the escape hatch too soon). The author also produces an admiring portrait of John Glenn's apple-pie heroism and selfless dedication. By the time Wolfe concludes with a return to Yeager and his late-career exploits, the narrative's epic proportions and literary merits are secure. Certainly The Right Stuff is the best, the funniest, and the most vivid book ever written about America's manned space program. --Patrick O'Kelley [via]

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  • Slouching Towards Bethlehem
    by Joan Didion
    ISBN 0374521727 (0-374-52172-7)
    Softcover, Farrar Straus & Giroux

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    Universally acclaimed when it was first published in 1968, Slouching Towards Bethlehem has become a modern classic. More than any other book of its time, this collection captures the mood of 1960s America, especially the center of its counterculture, California. These essays, keynoted by an extraordinary report on San Francisco's Haight-Ashbury, all reflect that, in one way or another, things are falling apart, "the center cannot hold." An incisive look at contemporary American life, Slouching Towards Bethlehem has been admired for several decades as a stylistic masterpiece.

    Contents:

    I. LIFE STYLES IN THE GOLDEN LAND
    Some Dreamers of the Golden Dream
    John Wayne: A Love Song
    Where the Kissing Never Stops
    Comrade Laski, C.P.U.S.A. (M.-L.)
    7000 Romaine, Los Angeles 38
    California Dreaming
    Marrying Absurd
    Slouching Towards Bethlehem

    II. PERSONALS
    On Keeping a Notebook
    On Self-Respect
    I Can't Get That Monster out of My Mind
    On Morality
    On Going Home

    III. SEVEN PLACES OF THE MIND
    Notes from a Native Daughter
    Letter from Paradise, 21° 19' N., 157° 52' W
    Rock of Ages
    The Seacoast of Despair
    Guaymas, Sonora
    Los Angeles Notebook
    Goodbye to All That
    [via]

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  • The Souls of Black Folk
    by W. E. B. Du Bois, David W. Blight, Robert Gooding-Williams
    ISBN 0312091141 (0-312-09114-1)
    Softcover, Bedford/st Martins

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    William Edward Burghardt Du Bois (1868-1963) is the greatest of African American intellectuals--a sociologist, historian, novelist, and activist whose astounding career spanned the nation's history from Reconstruction to the civil rights movement. Born in Massachusetts and educated at Fisk, Harvard, and the University of Berlin, Du Bois penned his epochal masterpiece, The Souls of Black Folk, in 1903. It remains his most studied and popular work; its insights into Negro life at the turn of the 20th century still ring true.

    With a dash of the Victorian and Enlightenment influences that peppered his impassioned yet formal prose, the book's largely autobiographical chapters take the reader through the momentous and moody maze of Afro-American life after the Emancipation Proclamation: from poverty, the neoslavery of the sharecropper, illiteracy, miseducation, and lynching, to the heights of humanity reached by the spiritual "sorrow songs" that birthed gospel and the blues. The most memorable passages are contained in "On Booker T. Washington and Others," where Du Bois criticizes his famous contemporary's rejection of higher education and accommodationist stance toward white racism: "Mr. Washington's programme practically accepts the alleged inferiority of the Negro races," he writes, further complaining that Washington's thinking "withdraws many of the high demands of Negroes as men and American citizens." The capstone of The Souls of Black Folk, though, is Du Bois' haunting, eloquent description of the concept of the black psyche's "double consciousness," which he described as "a peculiar sensation.... One ever feels this twoness--an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder." Thanks to W.E.B. Du Bois' commitment and foresight--and the intellectual excellence expressed in this timeless literary gem--black Americans can today look in the mirror and rejoice in their beautiful black, brown, and beige reflections. --Eugene Holley Jr. [via]

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  • Ten Big Ones
    by Janet Evanovich
    ISBN 0312936222 (0-312-93622-2)
    Softcover, St Martins Pr

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    She's accidentally destroyed a dozen cars. She's a target for every psycho and miscreant this side of the Jersey Turnpike. He mother's convinced she'll end up dead...or worse, without a man. She's Stephanie Plum and she kicks butt for a living [via]

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  • Their Eyes Were Watching God
    by Zora Neale Hurston, Jerry Pinkney
    ISBN 0252017781 (0-252-01778-1)
    Hardcover, Univ of Illinois Pr

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    At the height of the Harlem Renaissance during the 1930s, Zora Neale Hurston was the preeminent black woman writer in the United States. She was a sometime-collaborator with Langston Hughes and a fierce rival of Richard Wright. Her stories appeared in major magazines, she consulted on Hollywood screenplays, and she penned four novels, an autobiography, countless essays, and two books on black mythology. Yet by the late 1950s, Hurston was living in obscurity, working as a maid in a Florida hotel. She died in 1960 in a Welfare home, was buried in an unmarked grave, and quickly faded from literary consciousness until 1975 when Alice Walker almost single-handedly revived interest in her work.

    Of Hurston's fiction, Their Eyes Were Watching God is arguably the best-known and perhaps the most controversial. The novel follows the fortunes of Janie Crawford, a woman living in the black town of Eaton, Florida. Hurston sets up her characters and her locale in the first chapter, which, along with the last, acts as a framing device for the story of Janie's life. Unlike Wright and Ralph Ellison, Hurston does not write explicitly about black people in the context of a white world--a fact that earned her scathing criticism from the social realists--but she doesn't ignore the impact of black-white relations either:

    It was the time for sitting on porches beside the road. It was the time to hear things and talk. These sitters had been tongueless, earless, eyeless conveniences all day long. Mules and other brutes had occupied their skins. But now, the sun and the bossman were gone, so the skins felt powerful and human. They became lords of sounds and lesser things. They passed nations through their mouths. They sat in judgment.
    One person the citizens of Eaton are inclined to judge is Janie Crawford, who has married three men and been tried for the murder of one of them. Janie feels no compulsion to justify herself to the town, but she does explain herself to her friend, Phoeby, with the implicit understanding that Phoeby can "tell 'em what Ah say if you wants to. Dat's just de same as me 'cause mah tongue is in mah friend's mouf."

    Hurston's use of dialect enraged other African American writers such as Wright, who accused her of pandering to white readers by giving them the black stereotypes they expected. Decades later, however, outrage has been replaced by admiration for her depictions of black life, and especially the lives of black women. In Their Eyes Were Watching God Zora Neale Hurston breathes humanity into both her men and women, and allows them to speak in their own voices. --Alix Wilber [via]

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  • To the Nines
    by Janet Evanovich
    ISBN 0312991460 (0-312-99146-0)
    Softcover, St. Martin's Press

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    The #1 New York Times Bestselling AuthorA Stephanie Plum NovelJanet Evanovich's novels are the hottest bestsellers in America!# 1 New York Times# 1 Wall Street Journal#1 Los Angeles Times#1 Entertainment Weekly#1 Publishers WeeklyStephanie Plum's got rent to pay, people shooting at her, and psychos wanting her dead every day of the week (much to the dismay of her mother, her family, the men in her life, the guy who slices meat at the deli . . . oh, the list goes on). An ordinary person would cave under the pressure.But hey, she's from Jersey.Stephanie Plum may not be the best bounty hunter in beautiful downtown Trenton, but she's pretty darn good at turning bad situations her way . . . and she always gets her man. In To the Nines, her cousin Vinnie (who's also her boss) has posted bail on Samuel Singh, an illegal immigrant. When the elusive Mr. Singh goes missing, Stephanie is on the case. But what she uncovers is far more sinister than anyone imagines and leads to a group of killers who give new meaning to the word hunter.In a race against time that takes her from the Jersey Turnpike to the Vegas Strip, Stephanie Plum is on the chase of her life. The unforgettable characters, nonstop action, high-stakes suspense, and sheer entertainment of To the Nines define Janet Evanovich as unique among today's writers. [via]

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  • Uncle Tom's Cabin
    by Harriet Beecher Stowe, Jean Fagan Yellin
    ISBN 0192827871 (0-19-282787-1)
    Softcover, Oxford Univ Pr

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    Book summary:

    Bedford College Editions reprint enduring literary works in a handsome, readable, and affordable format. The text of each work is lightly but helpfully annotated. Prepared by eminent scholars and teachers, the editorial matter in each volume includes a chronology of the life of the author; an illustrated introduction to the contexts and major issues of the text in its time and ours; an annotated bibliography for further reading (contexts, criticism, and Internet resources); and a concise glossary of literary terms.  This title is available in print or as a Bedford e-Book to Go.

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  • The Volcano Lover
    by Susan Sontag
    ISBN 0312420072 (0-312-42007-2)
    Softcover, St Martins Pr

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    A romance set in eighteenth-century Naples follows the fortunes of a British ambassador, the ravishing woman he marries, and the young British admiral with whom she falls in love. By the author of The Way We Live Now. 50,000 first printing. $50,000 ad/promo. [via]

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  • Irving, John: The Water-Method Man
    The Water-Method Man
    by John Irving
    ISBN 0345367421 (0-345-36742-1)
    Softcover, Ballantine Books

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    The main character of John Irving's second novel, written when the author was twenty-nine, is a perpetual graduate student with a birth defect in his urinary tract--and a man on the threshold of committing himself to a second marriage that bears remarkable resemblance to his first....
    "Three or four times as funny as most novels."
    THE NEW YORKER


    From the Paperback edition. [via]

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  • What I Loved
    by Siri Hustvedt
    ISBN 0312421192 (0-312-42119-2)
    Softcover, Picador USA

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    What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by an unknown artist in a SoHo gallery. He buys the work; tracks down the artist, Bill Wechsler; and the two men embark on a life-long friendship. Leo's story, which spans twenty-five years, follows the growing involvement between his family and Bill's--an intricate constellation of attachments that includes the two men, their wives, Erica and Violet, and their sons, Matthew and Mark.

    The families live in the same New York apartment building, rent a house together in the summers and keep up a lively exchange of ideas about life and art, but the bonds between them are tested, first by sudden tragedy, and then by a monstrous duplicity that slowly comes to the surface. A beautifully written novel that combines the intimacy of a family saga with the suspense of a thriller, What I Loved is a deeply moving story about art, love, loss, and betrayal.
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  • A Widow for One Year: A Novel
    by John Irving
    ISBN 0345424719 (0-345-42471-9)
    Softcover, Ballantine Books

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    Book summary:

    John Irving fans will not be startled to find that A Widow for One Year is a sprawling farce-tragedy crawling with characters who are writers. In the opening scene, 4-year-old Ruth Cole walks in on her melancholy mother, Marion, who is in flagrante with 16-year-old Eddie, the driver for drunken Ted (Ruth's dad and Marion's estranged, womanizing husband).

    Eddie spends the rest of his life obsessively writing novels like Sixty Times, his roman à clef about his 60 seductions by Marion. Ted is a failed novelist who gets rich and famous writing creepy children's stories based on tales he tells Ruth (such as The Mouse Crawling Between the Walls). Marion abandons Ruth, Ted, and Eddie and becomes a successful pseudonymous novelist. And Ruth becomes the most richly celebrated writer of them all because of her early training by Ted, who not only told her stories, but also helped her craft narratives to explain their home's many photographs of her brothers, who died in a gory car wreck the year before she was born. Grief over the boys is why Ruth's mother does not dare to love her.

    Ruth, Irving's first female main character, works brilliantly, first as an imaginative, almost Salingeresque child coming to terms with her bewildering family, then as a grownup striving to understand her mother's motives--or at least to track her down. Ted is a mordantly funny caricature, interestingly sinister and plausibly self-justifying when most inexcusable. Eddie is a lovable schlemiel, yet not too sentimentally drawn. And what set pieces Irving can write! The story of the boys' death is horrific and effective in dramatizing the character of Ted, who narrates it. Ted's attempted murder by a spurned lover is as hilarious as the VW-down-the-marble-stairway scene in A Prayer for Owen Meany (which has been adapted by Disney Studios), though not quite on a par with the celebrated "Pension Grillparzer" episode in The World According to Garp (reissued in a 20th anniversary edition by Modern Library).

    Irving has the effrontery to get away with practically any scene that comes into his head--Ruth winds up an eyewitness to a hooker's murder in Amsterdam, a Dutch detective starts tracking her down (just as Ruth is hunting Marion), and the multiple plot strands all converge in a finale that neatly echoes the opening scene. It's all done with the outrageously coincidental yet minutely realistic brio of Charles Dickens, with a sad, self-conscious jokiness like that of Irving's mentor, Kurt Vonnegut. --Tim Appelo [via]

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  • A Wrinkle in Time: Library Edition
    by Madeleine L'Engle
    ISBN 0312367546 (0-312-36754-6)
    Softcover, Feiwel & Friends

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    Book summary:

    Everyone in town thinks Meg is volatile and dull-witted and that her younger brother Charles Wallace is dumb. People are also saying that their father has run off and left their brilliant scientist mother. Spurred on by these rumors, Meg and Charles Wallace, along with their new friend Calvin, embark on a perilous quest through space to find their father. In doing so they must travel behind the shadow of an evil power that is darkening the cosmos, one planet at a time.

    Young people who have trouble finding their place in the world will connect with the "misfit" characters in this provocative story. This is no superhero tale, nor is it science fiction, although it shares elements of both. The travelers must rely on their individual and collective strengths, delving deep into their characters to find answers.

    A classic since 1962, Madeleine L'Engle's A Wrinkle in Time is sophisticated in concept yet warm in tone, with mystery and love coursing through its pages. Meg's shattering yet ultimately freeing discovery that her father is not omnipotent provides a satisfying coming-of-age element. Readers will feel a sense of power as they travel with these three children, challenging concepts of time, space, and the power of good over evil. (Ages 9 to 12) [via]

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