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› Find signed collectible books: 'ABZ : More Alphabets and Other Signs'
Delightfully unpredictable, ABZ is a wonderbook of typography, graphics, and symbols. Julian Rothenstein (creator of our Gift divisions popular Redstone line of cards and calendars) turns his idiosyncratic eye towards eccentric alphabets, emblems, and logos discovered in avant-garde modernist publications and other curious sources. Hundreds of examples of graphic ephemera sit side-by-side in inimitable Redstone fashion, mixing peculiar charm with useful reference in one stunning package. Special features include an amazing alphabet, circa 1926, created from photographs of a dancing woman; original test-types for opticians charts; pages from sign artists manuals; and coolly elegant designs from fin de sicle French, German, Italian, and Czech journals. Nearly all of this rare and beautiful material is reproduced here for the first time since its original publication. An art book like no other, ABZ is a collection of typographic oddities taken to the next level of appreciation. [via]
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› Find signed collectible books: 'Alphabet: The Story of One of Civilization's Greatest Inventions'
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› Find signed collectible books: 'The Alphabet Abecedarium: Some Notes on Letters'
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› Find signed collectible books: 'The Alphabetic Labyrinth: The Letters in History and Imagination'
The letters of the alphabet have been the object of speculation since their invention almost 4000 years ago. The symbols represent sounds, yet they exist in their own right, often invested with quasi-magical power. This book examines the many imaginative, often idiosyncratic ways in which the letters of the alphabet have been assigned value in political, spiritual, or religious belief systems over two millennia. The birth of writing was linked to religion and cosmology and was endowed with semi-divine status. Plato saw letter-forms as reflecting ideas, while the Pythagoreans assimilated them to number-theory. The Greeks employed letters for occult and divinatory purposes, while the Romans used them in more practical ways, such as the invention of shorthand. The Middle Ages saw the rise of further theories about letters in Christian philosophy, alchemy and Kabbalah. Theories of their divine origin and mystical significance continued into the 18th and 19th centuries, becoming involved with nationalism and revolutionary political theory. In our own day letters of the alphabet are the subject of scholarly research, and inspiration to graphic artists and a fertile field for mystical speculation. This book explores this realm, and should be of interest to cultural historians, art historians, and anyone interested in the history of typography. [via]
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› Find signed collectible books: 'Anatomy of a Typeface'

› Find signed collectible books: 'Better Type'
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What can we say? This weighty tome is the essential reference for all who work with words--writers, editors, proofreaders, indexers, copywriters, designers, publishers, and students. Discover who Ibid is, how to deftly avoid the split infinitive, and how to format your manuscripts to impress any professor or editor (no, putting it in a blue plastic folder is just not enough). [via]
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› Find signed collectible books: 'The Chicago Manual of Style: For Authors, Editors, and Copywriters'
Writers Style Manual Grammar Check Guide- For English Majors and Wordsmith's this book is the magic spell put on an author's works. Here's your Charm- it weighs only 3lbs. [via]
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› Find signed collectible books: 'The Complete Manual of Typography: A Guide to Setting Perfect Type'
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› Find signed collectible books: 'The Design of Books'
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› Find signed collectible books: 'Design with Type'
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› Find signed collectible books: 'Digital Typography'
› Find signed collectible books: 'The Elements of Typographic Style'
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› Find signed collectible books: 'The Elements Of Typographic Style: Version 3.1'
This lovely, well-written book is concerned foremost with creating beautiful typography and is essential for professionals who regularly work with typographic designs. Author Robert Bringhurst writes about designing with the correct typeface; striving for rhythm, proportion, and harmony; choosing and combining type; designing pages; using section heads, subheads, footnotes, and tables; applying kerning and other type adjustments to improve legibility; and adding special characters, including punctuation and diacritical marks. The Elements of Typographic Style teaches the history of and the artistic and practical perspectives on a variety of type families that are available in Europe and America today.
The last section of the book classifies and displays many type families, offers a glossary of typography terms, and lists type designers and type foundries. The book briefly mentions digital typography, but otherwise ignores it, focusing instead on general typography and page- and type-design issues. Its examples include text in a variety of languages--including English, Russian, German, and Greek--which is particularly helpful if your work has a multinational focus. [via]
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› Find signed collectible books: 'The End of Print: The Grafik Design of David Carson'
He was the enfant terrible of graphic design in the nineties. His tortured typography prompted a vocal camp of critics to accuse him of being flippant and of destroying the communicative basis of design. But now the techniques of David Carson (and those of his countless imitators) dominate advertising, design, the Web, and even motion pictures. With 35,000 copies of the original sold, this revised edition of The End of Print includes a striking new cover and first chapter that puts Carson's work in context. The rest is vintage Carsoncutting edge and explosive. The End of Print tracks his career from skateboard and surf magazines, to the landmark Beach Culture magazine and his groundbreaking grid-breaking work for Ray Gun, and finally to handling major corporate identity accounts. The End of Print marks a turning point in design that ushered in the look of today. [via]
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› Find signed collectible books: 'The End of Print: The Graphic Design of David Carson'
A collection featuring one of the most innovative and controversial of contemporary graphic designers. Carson's career is documented with emphasis on his desire to forge a new aesthetic. This extended edition includes new illustrations and a discussion of the concept of the end of print. [via]
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› Find signed collectible books: 'An Essay on Typography'
An Essay on Typography was first published in 1931, instantly recognized as a classic, and has long been unavailable. It represents Gill at his best opinionated, fustian, and consistently humane. It is his only major work on typography and remains indispensable for anyone interested in the art of letter forms and the presentation of graphic information.
This manifesto, however, is not only about letters their form, fit, and function but also about man's role in an industrial society. As Gill wrote later, it was his chief object "to describe two worlds that of industrialism and that of the human workman & to define their limits."
His thinking about type is still provocative. Here are the seeds of modern advertising unjustified lines, tight word and letter spacing, ample leading. Here, too, is vintage Gill, as polemical as he is practical, as much concerned about the soul of man as the work of man; as much obsessed by the ends as by the means. [via]

› Find signed collectible books: 'Fine Print on Type: The Best of Fine Print Magazine on Type and Typography'
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› Find signed collectible books: 'Fine Print on Type: The Best of Fine Print Magazine on Type and Typography'
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› Find signed collectible books: 'Fine Print on Type: The Best of Fine Print on Type and Typography, 1977-1988'
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› Find signed collectible books: 'Finer Points in the Spacing and Arrangement of Type'
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› Find signed collectible books: 'The Form of the Book: Essays on the Morality of Good Design'
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› Find signed collectible books: 'Indesign Type: Professional Typography With Adobe Indesign Cs2'
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› Find signed collectible books: 'Jan Tschichold : A Life in Typography'
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› Find signed collectible books: 'Jan Tschichold: Typographer'
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› Find signed collectible books: 'The Latex Companion'
LaTeX is an accessible and effective tool for typesetting written documents. Users at all levels of experience, however, sometimes require help not readily available: techniques for defining new commands, styles for producing tables or graphics, explanations for changing fonts. This book, The LaTeX Companion, is packed with information needed to use LaTeX even more productively. It is a true companion to Leslie Lamport's original user's guide book, LaTeX: A Document Preparation System, now in its second edition, and indeed, it is a valuable complement to any LaTeX introduction. It is designed to enhance, not to replace, your basic documentation. Coinciding with the publication of The LaTeX Companion is the availability of a revised LaTeX standard LaTeX2e. This new release incorporates important LaTeX developments over the past several years and provides a common basis for all LaTeX enhancements. Some new styles, improved font handling, and a facility to produce PostScript graphics are included in the release. As part of the broad and unique coverage of this book you will find a complete documentation for all these added features. Highlights *Covers all versions of LaTeX now in use, including LaTeX2e. *Describes over 150 convenient styles for floats, graphics, tables, and much more. *Shows how to define new commands and environments. *Explains the use of PostScript. *Covers the latest extensions and programs producing pictures, indexes, bibliographies, and advanced mathematics. *Includes techniques for multi-language support. *Describes the New Font Selection Scheme. For even more information about how to illustrate documents with TeX and PostScript, see The LaTeX Graphics Companion and the Tools and Techniques for Computer Typesetting Series. All three authors have for years been involved in the support and development of LaTeX applications. Michel Goossens and Alexander Samarin, developed ideas for The LaTeX Companion while supporting hundreds of LaTeX users at CERN, and Frank Mittelbach, at the University of Mainz and Electronic Data Systems. The questions most frequently posed to them became the questions answered in this book. Mittelbach is partly responsible for the current maintenance of LaTeX and is the author or coauthor of many widespread LaTeX extension packages, such as AMS-LaTeX, doc, multicol, and the New Font Selection Scheme. He is also the manager, principal architect of the longer-term LaTeX3 project, to which half the royalties from this book are paid. 0201541998B04062001 [via]
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› Find signed collectible books: 'Letters of Credit: A View of Type Design'
THE REVOLUTION in typesetting - a revolution that over the past two decades has eliminated a five-hundred-year-old system of hot metal production and replaced it with one of photo-generated and computer-driven composition - shows no sign of winding down. This book, more than any other we know, traces the steps that went into that revolution and simultaneously makes the argument that the letter forms themselves are in process of evolution. Tracy argues that, whether they are of the sixteenth or the twentieth century, the forms that comprise our alphabet are subject to the same rules of good taste, proportion, and clarity that have always obtained. But what we face today is vastly different from fifty years ago. For the first time, new technology has made the proliferation (and, as some would maintain, debasement) of letter forms fast and easy (or quick and dirty.)
With fifty years of professional experience on both sides of the Atlantic (including thirty years as head of type design for the British Linotype Company), Tracy is in a unique position to make this argument and arrive at his sad conclusion: the design of distinguished, contemporary typefaces is far outnumbered by the mediocre and downright bad. Part of the reason for this deplorable deterioration is a lack of critical analysis of the particular esthetics involved. This step-by-step examination of type-design esthetics is precisely what Tracy provides here, while avoiding both the promoter's hype and the manufacturer's claims. Here are the gut issues of what makes type good or bad, legible or unreadable. Extensively illustrated with both typefaces and line drawings, this book belongs on the shelf of anyone interested in thehistory of letters or in the artistry and peculiar problems that lie behind their production. [via]
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› Find signed collectible books: 'Logo Font & Lettering Bible: A Comprehensive Guide to the Design, Construction and Usage of Alphabets and Symbols'
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› Find signed collectible books: 'The Mac Is Not a Typewriter'
One of the most popular Macintosh books ever published (over 300,000 now in print), The Mac is not a typewritercovers the top twenty things you need to know to make your documents look clean and professional: em dashes, curly quotes, spaces and indents, white space, etc. It's a primer that novices can pick up quickly, and that pros can keep going back to. Winner of the 1991 Benjamin Franklin Award, Computer Book Category. [via]
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› Find signed collectible books: 'The Mac Is Not a Typewriter: A Style Manual for Creating Professional-Level Type on Your Macintosh'
One of the most popular Macintosh books ever written, The Mac is not a typewriter has been called the "Strunk and White of typography." Best-selling author Robin Williams's simple, logical principles for using type to produce beautiful, professional documents are as true now as they were when the original edition was published in 1989. This updated edition includes new examples and expanded information dedicated to the practical advice that made the first edition an enduring bestseller. Throughout, Robin shows you the small details that separate the pros from the amateurs: typographer versus typewriter quotation marks, en and em dashes, tabs and indents, kerning, leading, white space, widows and orphans, and hanging punctuation. If you prepare documents, you'll find The Mac is not a typewriter, Second Edition an indispensable guide. And those who read your documents will recognize the work of a pro, even if they don't know a curly quote from curly fries.
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› Find signed collectible books: 'The Metafont Book'
METAFONT, created by author Donald E. Knuth, is a computer language that allows you to produce professional quality typefaces using mathematical type design. "The METAFONTbook," a user's guide and reference manual, enables readers with only minimal computer science or word processing experience to master the basic as well as the more advanced areas of METAFONT programming.
Readers will learn how to write a program for each letter or symbol of a typeface. Using METAFONT, it is possible to customize a type design that already exists, or even to create an entire alphabet from scratch. It is particularly easy to create logos or special symbols. Advanced users will enjoy the freedom and artistry that METAFONT allows in creating original typefaces.
Knuth's familiar wit, and illustrations specially drawn by Duane Bibby, add a light touch to an unusually readable software manual. [via]

› Find signed collectible books: 'Metafont: The Program'
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› Find signed collectible books: 'The New Typography: A Handbook for Modern Designers'
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› Find signed collectible books: 'The Non-Designer's Design Book: Design and Typographic Principles for the Visual Novice'
So you have a great concept and all the fancy digital tools you could possibly require¿what¿s stopping you from creating beautiful pages? Namely the training to pull all of these elements together into a cohesive design that effectively communicates your message. Not to worry: This book is the one place you can turn to find quick, non-intimidating, excellent design help.
In The Non-Designer¿s Design Book, 2nd Edition, best-selling author Robin Williams turns her attention to the basic principles of good design and typography. All you have to do is follow her clearly explained concepts, and you¿ll begin producing more sophisticated, professional, and interesting pages immediately. Humor-infused, jargon-free prose interspersed with design exercises, quizzes, illustrations, and dozens of examples make learning a snap¿which is just what audiences have come to expect from this best-selling author. [via]More editions of The Non-Designer's Design Book: Design and Typographic Principles for the Visual Novice:
› Find signed collectible books: 'The Non-Designer's Type Book: Insights and Techniques for Creating Professional-Level Type'
This latest addition to Robin Williams' Non-Designers line of books not only defines the principles governing type but explains the logic behind them so readers can understand and see what looks best and why. Armed with this knowledge, and putting into practice the secrets Robin reveals for making type readable and artistic, readers can then go on to create beautiful, sophisticated, professional-looking pages on their computers for output as hard copy or for use on Web pages.
Each short chapter explores a different type secret including use of evocative typography, tailoring typeface to project, working with spacing, punctuation marks, special characters, fonts, justification, and much more. It is written in the lively, engaging style that has made Williams one of the most popular computer authors today. And it uses numerous examples to illustrate the subtle details that make the difference between good and sophisticated use of type. The non-platform specific, non-software specific approach to the book makes this a must-have for any designer's bookshelf - from type novices to more experienced graphic designers and typesetters.
Please note! If you've read Beyond the Mac is not a typewriter then you don't need this book. This book is almost exactly the same as Beyond the Mac is not a typewriter. [via]
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› Find signed collectible books: 'The PC Is Not a Typewriter: A Style Manual for Creating Professional-Level Type on Your Personal Computer'
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› Find signed collectible books: 'Printing Types: Their History, Forms and Use'
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› Find signed collectible books: 'Revival of the Fittest: Digital Versions of Classic Typefaces'
Revival of the Fittest: Digital Versions of Classical Typefaces [via]
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› Find signed collectible books: 'Signs and Symbols: Their Design and Meaning'
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› Find signed collectible books: 'Stop Stealing Sheep & Find Out How Type Works'
Frederic Goudy, American type designer, once said, "Anyone who would letterspace lower case would steal sheep." To most people, this comment only adds to the perception that type inhabits a mysterious world with intricate terminology and elaborate rules; added to this are thouasands of type faces out there that all seem to look alike. Until now, Spiekerman and Ginger shepherd their decades of typograhpic experience into a unique and lively guidebook which shows that type is easy to use, easy to understand, and in the hands of a savvy user, a powerful communications tool. You need no previous knowledge of typography to enjoy Stop Stealing Sheep. It makes no difference what kind of computer you work on, what type of software you use, or what you do for a living, because as the authors show- type, good type -reaches across all boundaries, computer platforms, and professional distinctions. [via]
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› Find signed collectible books: 'A Tally of Types'
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› Find signed collectible books: 'A Tally of Types, With Additions by Several Hands'
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› Find signed collectible books: 'The Texbook'
Here is the definitive guide to the use of TeX, written by the system's creator, Donald E. Knuth. TeX represents the state of the art in computer typesetting. It is particularly valuable where the document, article, or book to be produced contains a lot of mathematics, and where the user is concerned about typographic quality. TeX software offers both writers and publishers the opportunity to produce technical text of all kinds, in an attractive form, with the speed and efficiency of a computer system. Novice and expert users alike will gain from The TeXbook the level of information they seek. Knuth warns newcomers away from the more difficult areas, while he entices experienced users with new challenges. The novice need not learn much about TeX to prepare a simple manuscript with it. But for the preparation of more complex documents, The TeXbook contains all the detail required. Knuth's familiar wit, and illustrations specially drawn by Duane Bibby, add a light touch to an unusually readable software manual. The TeXbook is the first in a five-volume series on Computers and Typesetting, all authored by Knuth. 0201134470B04062001 [via]
› Find signed collectible books: 'Texts on Type: Critical Writings on Typography'
Spanning the 20th century, with emphasis on the 1940s to the present, this collection will be necessary reading for all design students and faculty.
Students and teachers of graphic design will enrich their understanding of 20th century type design and typography with this unique anthology. Contained in this volume are more than 50 important, known and rare texts by critics, historians, and type designers about the history, aesthetics, and practice of type design and typography. An invaluable addition to any school course on type theory and practice, the book contains heretofore unprinted essays by major type masters, including W.A. Dwiggins, Hermann Zapf, and Paul Rand, as well as critical analyses of vintage and contemporary type and type design. A supplement to the successful Looking Closer series, the book specifically pinpoints those texts that will increase the common knowledge of typographic history and criticism. 25 B&W Illustrations [via]More editions of Texts on Type: Critical Writings on Typography:

› Find signed collectible books: 'The Thames and Hudson Manual of Typography'
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› Find signed collectible books: 'Thinking With Type: A Critical Guide for Designers, Writers, Editors, & Students'
The organization of letters on a blank sheetor screenis the most basic challenge facing anyone who practices design. What type of font to use? How big? How should those letters, words, and paragraphs be aligned, spaced, ordered, shaped, and otherwise manipulated? In this groundbreaking new primer, leading design educator and historian Ellen Lupton provides clear and concise guidance for anyone learning or brushing up on their typographic skills.
Thinking with Type is divided into three sections: letter, text, and grid. Each section begins with an easy-to-grasp essay that reviews historical, technological, and theoretical concepts, and is then followed by a set of practical exercises that bring the material covered to life. Sections conclude with examples of work by leading practitioners that demonstrate creative possibilities (along with some classic no-no's to avoid). [via]
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› Find signed collectible books: 'Treasury of Alphabets and Lettering: A Source Book of the Best Letter Forms of Past and Present for Sign Painters, Graphic Artists, Commercial Artis'
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› Find signed collectible books: 'Type & Typography'
" Includes 2 extensive timecharts, one on type designers, one on the evolution of writing and printingreference at a glance
" Newly revised and expanded
" Hundreds of remarkable photographs
and illustrations
From the history of language and writing systems, to the development of letterforms and movable type, to the evolution of todays digital systems, Type and Typography offers an overview of the typefaces available today and a practical guide to using type as a meaningful element of design in all mediums. Newly expanded with fifty additional pages of text and eighty-five new illustrations, this second edition reflects the exciting developments in typography since the first edition was published in 2002. [via]
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› Find signed collectible books: 'Type And Typography'
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› Find signed collectible books: 'Type: The Secret History Of Letters'
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› Find signed collectible books: 'Typefaces for Books'

› Find signed collectible books: 'Typographers on Type: An Illustrated Anthology from William Morris to the Present Day'
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› Find signed collectible books: 'A Typographic Workbook: A Primer To History, Techniques, And Artistry'
Lavishly illustrated with more than 450 images, A Typographic Workbook, Second Edition explains the process successful designers use to select, space, and creatively integrate fonts. This essential text demonstrates the use of type as a dynamic and expressive communication tool. This edition provides new and updated coverage of a broad range of topicsfrom a logical, clear historical overview of the craft to the latest digital technologies. Known for its highly interactive format, this Second Edition continues to include helpful review questions and multiple-choice quizzes, as well as many new projects and skill-building exercises that help readers immediately apply what they have learned. A Typographic Workbook, Second Edition is a valuable professional resource for working designers and an indispensable training tool for graphic design students. [via]
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› Find signed collectible books: 'A Typographic Workbook: A Primer To History, Techniques, And Artistry'
Quickly master the concepts and skills you need to successfully design with type
a typographic WORKBOOK
To help you gain a deeper understanding of the effects produced by various fonts and typographic techniques, designer Kate Clair takes you on a fascinating tour of the innovative potential of type. Extensive visual examples illustrate the use of type as an expressive communication tool. From selecting the right font, to spacing it, to the creative integration of fonts, she explains the decisions made by successful designers. At the same time, she provides step-by-step guidance and numerous practice exercises that help you develop the confidence and skills needed to put that knowledge to work in your own designs. In addition, a detailed history of type is included.
A valuable professional resource for working designers and an indispensable training tool for graphic design students, A Typographic Workbook features:
* A historical overview of type and typographic technologies
* In-depth explanations of the formal qualities of different typefaces
* Skill-building exercises and projects to sharpen your skills
* Quizzes and review questions that help you gauge your progress
* An overview of computer terms and principles [via]
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› Find signed collectible books: 'Typography Now : The Next Wave'
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› Find signed collectible books: 'Typography Workbook: A Real-world Guide to Using Type in Graphic Design'
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› Find signed collectible books: 'Typography, When, Who, How'
Text dt., engl. und franz. - Das Nachschlagewerk "Typographie - wann wer wie" bietet eine detaillierte und umfassende Übersicht über die gesamte alphabetische Kultur. Es schildert ausführlich die Geschichte der typographischen Stile und Moden -ausgehend von der unmittelbaren Gegenwart bis zurück zu ihren Ursprüngen. Im Hauptteil werden über 700 Typographen, Schriftentwerfer, Kalligraphen, Gestalter und Künstler - aber auch Schulen, Institutionen, Lehrer und Theoretiker - vorgestellt, die unser Schriftbild prägen. Im Schlußkapitel wird die Entwicklung der Werkzeuge - vom Faustkeil zum Computer - im Hinblick auf die verschiedenen typographischen Techniken beschrieben. Das Werk zeigt anschaulich in über 2.000 Abbildungen, daß Typographie ein einflußreicher Bestandteil unserer Kultur ist, und macht es zum Lexikon des gestalteten Wortes. The reference book "Typography - when who how" provides a comprehensive survey of the entire alphabetic culture. It chronicles in detail the story of typographic style and mode - starting with the present day and going back to the origins. The main section presents over 700 typographers, type designers, calligraphers, designers and artists, as well as schools, institutions, teachers and theorists, who have left their distinctive mark on typography. The final chapter describes the development of the tools - from the hand-ax to the Computer - in the context of diverse typographical techniques. Over 2,000 illustrations in this book graphically show that typography plays an influential role in society and make it a dictionary of the designed word. [via]
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› Find signed collectible books: 'Typograpie: A Manual of Design'
Emil Ruder's Typography is the timeless textbook from which generations of typographer and graphic designers have learned their fundamentals. Ruder, one of the great twentieth-century typographers was a pioneer who abandoned the conventional rules of his discipline and replaced them with new rules that satisfied the requirements of his new typography. Now in its sixth printing, this book has a hallowed place on the bookshelves of both students and accomplished designers. Dimension: 83/4 x 11 inches, over 500 examples, English, German & French text. [via]
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› Find signed collectible books: 'Typology : Type Design from the Victorian Era to the Digital Age'
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› Find signed collectible books: 'The Visible Word: Experimental Typography and Modern Art, 1909-1923'
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› Find signed collectible books: 'The Visual Display of Quantitative Information'
A timeless classic in how complex information should be presented graphically. The Strunk & White of visual design. Should occupy a place of honor--within arm's reach--of everyone attempting to understand or depict numerical data graphically. The design of the book is an exemplar of the principles it espouses: elegant typography and layout, and seamless integration of lucid text and perfectly chosen graphical examples. Very Highly Recommended. [via]
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› Find signed collectible books: 'Wordplay: Ambigrams and Reflections on the Art of Ambigrams'
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› Find signed collectible books: 'Wordplay: The Philosophy, Art, & Science Of Ambigrams'
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› Find signed collectible books: 'Writing Systems of the World'
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› Find signed collectible books: 'Writing Systems of the World: Alphabets, Syllabaries, Pictograms'
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› Find signed collectible books: 'Typography: An Encyclopedic Survey of Type Design and Techniques Throughout History'
An Encyclopedic Survey of Type Design and Techniques Throughout History. The most detailed and comprehensive survey and history of typography and alphabets ever undertaken, packed with 2,000 illustrations. [via]
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› Find signed collectible books: 'Der Mensch Und Seine Zeichen'
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