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› Find signed collectible books: 'Acting is Believing'
Emphasizing that "an actor must believe to make his audience believe," ACTING IS BELIEVING remains one of the classic texts in the field of acting. Charles McGaw's and Larry D. Clark's earlier editions influenced generations of actors, and the book has been completely updated by Kenneth Stilson with the hope of inspiring today's future professionals. The Ninth Edition has an expanded theoretical grounding, while providing numerous new and revised exercises to help today's acting student apply the key concepts of a Stanislavski-based training program as interpreted through the eyes of twenty-first century artists. [via]
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› Find signed collectible books: 'Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own Words'
Redesigned with a contemporary new cover, this is a comprehensive consideration of all aspects of the actor's art and craft, as told by the theater's greatest practitioners, from ancient Greece to the 20th century. [via]
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› Find signed collectible books: 'American Vaudeville: Its Life and Times'
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› Find signed collectible books: 'Anarchism, and Other Essays'
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› Find signed collectible books: 'Anna Christie'
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› Find signed collectible books: 'The Antitheatrical Prejudice'
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› Find signed collectible books: 'Astaire Dancing: The Musical Films'
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› Find signed collectible books: 'The Awakening'
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› Find signed collectible books: 'Best American Plays: Fourth Series, 1952-1957'
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› Find signed collectible books: 'Best Plays of the Modern American Theatre'
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› Find signed collectible books: 'Beyond The Horizon'
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› Find signed collectible books: 'Birds'
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› Find signed collectible books: 'Bottom: On Shakespeare'
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› Find signed collectible books: 'By Means of Performance: Intercultural Studies of Theatre and Ritual'
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› Find signed collectible books: 'Candide'
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› Find signed collectible books: 'The Cat Who Went Bananas'
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› Find signed collectible books: 'Catharsis in Healing, Ritual and Drama'
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› Find signed collectible books: 'Complete Sonnets'
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› Find signed collectible books: 'Costume and Fashion: A Concise History'
"They don't make paperbacks more attractive and more colorful than this one."Philadelphia Inquirer
From the momentous invention of the needle some 40,000 years ago to the development of blue denim; from Neolithic weavers to the biggest names in the fashion industry todaythis classic guide covers the landmarks of costume history, the forms and materials used through the ages, as well as the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. The concluding chapter by Amy de la Haye, covering the second half of the twentieth century, has now been updated by Andrew Tucker. He discusses the reinvention in the 1990s of the luxury label Gucci, the rise of houses such as Prada and Tommy Hilfiger, and the appointments of relatively avant-garde British, American, and European designers to head classic French houses. All the late-twentieth-century and turn-of-the-century style innovations are included, such as the appropriation of utility clothing by designers like Helmut Langwho spearheaded the predominantly unisex urban sportswear lookand the impact of workplace dressing down on masculine fashion. The phenomenon of the must-have accessorythe pashmina shawl and the Fendi baguette, for exampleis also considered. 345 illustrations, 80 in color [via]More editions of Costume and Fashion: A Concise History:
› Find signed collectible books: 'A Dictionary of Stage Directions in English Drama, 1580-1642'
This dictionary, the first of its kind, defines and explains over 900 terms found in the stage directions of plays for the professional stage written by Shakespeare and his contemporaries. The authors draw on a database of over 22,000 stage directions drawn from around 500 plays. Each entry defines a term, gives examples of how it is used, cites additional instances, and gives cross-references to other relevant entries. This will be an indispensable work of reference for scholars, historians, directors and actors. [via]
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› Find signed collectible books: 'The Duchess of Malfi'
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› Find signed collectible books: 'The Edge'
Tor Kelsey, an undercover agent for the Jockey Club's security service is involved in the attempt to rid racing of one of its most notorious villains, Julius Apollo Filmer. The court however, does not go along with their beliefs, but Tor knows that to let Julius even suspect the service are still on his tail would mean certain death for a number of witnesses. Meanwhile, several racehorse owners have planned a luxurious train trip across Canada, with race meetings fixed for every major city. Julius Apollo Filmer and Tor are on the passenger list. The beautiful journey through the Rockies gets uglier by the minute and Tor finds himself pushed to dangerous limits to defeat Filmer's wily scheming. [via]
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› Find signed collectible books: 'The Emperor Jones'
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› Find signed collectible books: 'An Enemy of the People'
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› Find signed collectible books: 'Enter a Murderer'
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› Find signed collectible books: 'Erte's Theatrical Costumes in Full Color'
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› Find signed collectible books: 'Euripides'
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Everyman is the most durable of medieval morality plays, in which the central character, summoned by death, must face final judgment on the strength of his good deeds. The work is reprinted here along with 3 other medieval classics: the second shepherd's play, noah's flood, and hickscorner. All from standard texts [via]
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› Find signed collectible books: 'False Scent'
When the grande dame of the British stage is murdered, Inspector Roderick Alleyn investigates, using as his only clue the scent of perfume found on her corpse to lead him to her killer. Reissue. NYT. [via]
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› Find signed collectible books: 'Film: An Anthology'
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› Find signed collectible books: 'The First Part of King Henry VI'
The three plays that make up the Henry VI cycle are believed to be some of Shakespeare's very first plays. They certainly read as apprentice works, and are often neglected in favour of the more comical and dramatically assured plays Henry IV and Henry V. However, the Henry VI plays dramatise the inauspicious history of Henry V's son, Henry VI, who is only nine months old when his father dies. The play deals with the factions at court who quarrel for political control, led by the Duke of Gloucester and the Cardinal of Winchester. As political intrigue divides the English court, its army continues to fight in France in a desperate attempt to hold on to the gains made by Henry V, whose tradition is upheld by the ferocious figure of Lord Talbot, pitched against La Pucelle, better known as Joan of Arc. An uneasy peace is finally established following the execution of Joan and marriage of Henry VI to the French princess Margaret of Anjou. However, Margaret is revealed to be having an affair with the Earl of Suffolk, and it becomes clear that Henry's troubles are far from over. Criticised for their somewhat crude characterisation (especially in its portrayal of women), all three of the Henry VI plays remain fascinating as early examples of Shakespeare's dramatisation of English history. --Jerry Brotton [via]
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![[???]: Five Great Plays of Shakespeare [???]: Five Great Plays of Shakespeare](http://ecx.images-amazon.com/images/P/0486278921.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'Five Screenplays'
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› Find signed collectible books: 'Five Screenplays by Preston Sturges'
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› Find signed collectible books: 'The Gay Science'
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› Find signed collectible books: 'Ghosts'
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› Find signed collectible books: 'Gielgud: An Actor and His Time'
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› Find signed collectible books: 'Hedda Gabler'
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› Find signed collectible books: 'History of Costume'
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› Find signed collectible books: 'Ibsen's Women'
This is the first comprehensive study of the women in Ibsen's plays and their relationship to the women in the life and career of the playwright. Through close critical readings of the Ibsen texts, as well as the examination of such primary sources as letters and personal papers, Joan Templeton discovers how the important figures in his life (his family, wife, and the actresses themselves) influenced and informed the powerful and inspiring characters he created. Templeton also explores the importance of the early plays and their impact on the later works, and establishes some general patterns in Ibsen's general representation of women. [via]
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› Find signed collectible books: 'An Ideal Husband'
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› Find signed collectible books: 'The Imaginary Invalid'
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› Find signed collectible books: 'J. M. Barrie & the Lost Boys: The Love Story That Gave Birth to Peter Pan'
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› Find signed collectible books: 'Kabuki Costumes Paper Dolls'
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› Find signed collectible books: 'Killer Dolphin'
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› Find signed collectible books: 'The Life and Adventures of Nicholas'
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› Find signed collectible books: 'The Master Builder'
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› Find signed collectible books: 'Masters of the Drama'
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› Find signed collectible books: 'The Mediaeval Stage'
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› Find signed collectible books: 'Medieval Costume in England and France: The 13th, 14th and 15th Centuries'
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› Find signed collectible books: 'The Merry Wives of Windsor'
Written around 1597, critics believe that The Merry Wives of Windsor was written to capitalise on the popular success of the corpulent, knavish Sir John Falstaff in the two parts of Henry IV. Falstaff takes centre stage again in this play, hard up for money and planning to pay off his debts by seducing the wives of two rich citizens, Ford and Page. As in the earlier Henry IV plays, Falstaffs elaborate plans go awry, with disastrous and humiliating consequences. Ford is furious with Falstaff's attempt to woo his wife, whilst both Mistress Ford and Mistress Page have the measure of Falstaff, and repeatedly dupe him, first hiding him in a laundry basket and dumping him in the river, then tormenting him in the forest of Windsor with children disguised as fairies.
Often dismissed as a hasty and mechanical play lacking in depth, The Merry Wives of Windsor is in fact a wonderfully inventive farce. Falstaff is a ludicrous mock hero, dressed as a mythical hunter in the forest, declaiming "powerful love that in some respects makes a beast a man, in some others a man a beast!" Mistress Ford and Page are also great comic creations, witty and resilient women who drive the comedy, no longer "in the holiday time" of beauty, but wise and streetwise women who are always one step ahead of the absurd Falstaff. A greatly underrated play. --Jerry Brotton [via]
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› Find signed collectible books: 'The Merry Wives of Windsor'
Written around 1597, critics believe that The Merry Wives of Windsor was written to capitalise on the popular success of the corpulent, knavish Sir John Falstaff in the two parts of Henry IV. Falstaff takes centre stage again in this play, hard up for money and planning to pay off his debts by seducing the wives of two rich citizens, Ford and Page. As in the earlier Henry IV plays, Falstaffs elaborate plans go awry, with disastrous and humiliating consequences. Ford is furious with Falstaff's attempt to woo his wife, whilst both Mistress Ford and Mistress Page have the measure of Falstaff, and repeatedly dupe him, first hiding him in a laundry basket and dumping him in the river, then tormenting him in the forest of Windsor with children disguised as fairies.
Often dismissed as a hasty and mechanical play lacking in depth, The Merry Wives of Windsor is in fact a wonderfully inventive farce. Falstaff is a ludicrous mock hero, dressed as a mythical hunter in the forest, declaiming "powerful love that in some respects makes a beast a man, in some others a man a beast!" Mistress Ford and Page are also great comic creations, witty and resilient women who drive the comedy, no longer "in the holiday time" of beauty, but wise and streetwise women who are always one step ahead of the absurd Falstaff. A greatly underrated play. --Jerry Brotton [via]
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› Find signed collectible books: 'Minneapolis Rehearsals:Tyrone Guthrie Directs Hamlet: Tyrone Guthrie Directs Hamlet'
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› Find signed collectible books: 'The Mystery of Edwin Drood'
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› Find signed collectible books: 'Oedipus at Colonus: Sophocles'
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› Find signed collectible books: 'Players of Shakespeare: Essays in Shakespeare A Performance by Twelve Players With the Royal Shakespeare Company'
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› Find signed collectible books: 'Players of Shakespeare 1: Essays in Shakespearean Performance by Twelve Players W/Royal Company'
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› Find signed collectible books: 'Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players With the Royal Shakespeare Company'
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› Find signed collectible books: 'Popular Theater and Society in Tsarist Russia'
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› Find signed collectible books: 'The Portable Shakespeare: Seven Plays, the Songs, the Sonnets, Selections from the Other Plays'
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› Find signed collectible books: 'Prick Up Your Ears'
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› Find signed collectible books: 'Revenger's Tragedy'
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› Find signed collectible books: 'Samuel Beckett: Waiting for Godot'
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› Find signed collectible books: 'Samuel Beckett, Waiting for Godot'
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› Find signed collectible books: 'The Seagull'
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› Find signed collectible books: 'Seven Against Thebes'
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› Find signed collectible books: 'Shakespeare Lexicon and Quotation Dictionary'
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› Find signed collectible books: 'Shakespeare Lexicon and Quotation Dictionary: A Complete Dictionary of All the English Words, Phrases, and Constructions in the Works of the Poet'
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› Find signed collectible books: 'Shakespeare Without Tears: A Modern Guide for Directors, Actors and Playgoers'
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› Find signed collectible books: 'Shakespeare's Stagecraft'
For many years, critics and students of Shakespeare have tended to stress that his plays are poetic structures embodying 'themes', and these structures have been analysed in great detail. Professor Styan advocates another approach. The plays were written for acting, in a theatre of a particular type. If we ask what effects this kind of theatre encouraged and how Shakespeare exploited them, the plays are seen as a sequence of stage-effects, planned with great art so as to enrich, reinforce and modify each other. Professor Styan begins with the known facts about the Elizabethan theatre, stressing the effect of the size of the apron stage, and the degree in which the spectators situated all around are involved in the action. It was a theatre of movement and grouping, and above all speech. Shakespeare's verse is full of suggestions about how it is to be delivered; it is, in Professor Styan's word, 'gestic'. Professor Styan shows in very many examples, quoting the text and examining its dramatic implications, what the words suggest about movement over the stage, about the relationship between groups of players on the stage, and about the delivery and dramatic effect of the words themselves. Thus we build up a new sense of the whole play. This is a convenient and comprehensive introduction to the study of Shakespeare's dramatic craftsmanship, which also reopens that direction of enquiry which Granville-Barker first explored. [via]
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› Find signed collectible books: 'The Shoemaker's Holiday'
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› Find signed collectible books: 'The Sonnets'
Shakespeare's ever-popular love poems are illustrated with enchanting paintings by the noted Edwardian artist Charles Robinson. [via]
1961 Avenel 1st printing hardcover with dust jacket as shown. Tight spine, clear crisp pages, no writing, no tears, smokefree. Jacket in New condition too. [via]
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› Find signed collectible books: 'The Sonnets of William Shakespeare'
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› Find signed collectible books: 'The Spanish Tragedy'
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› Find signed collectible books: 'Tales from Shakespeare'
Shakespeare's fourteen comedies and six tragedies retold in prose. [via]
› Find signed collectible books: 'Tales from Shakespeare'
Shakespeare's fourteen comedies and six tragedies retold in prose. [via]
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› Find signed collectible books: 'Tamburlaine'
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› Find signed collectible books: 'Themes and Conventions of Elizabethan Tragedy'
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› Find signed collectible books: 'Three Great Plays: The Emperor Jones, Anna Christie And The Hairy Ape'
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› Find signed collectible books: 'The Tragedy of Mariam the Fair Queen of Jewry: With the Lady Falkland Her Life'
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› Find signed collectible books: 'The Way of the World'
pubOne.info present you this new edition. My Lord, Whether the world will arraign me of vanity or not, that I have presumed to dedicate this comedy to your lordship, I am yet in doubt; though, it may be, it is some degree of vanity even to doubt of it. One who has at any time had the honour of your lordship's conversation, cannot be supposed to think very meanly of that which he would prefer to your perusal. Yet it were to incur the imputation of too much sufficiency to pretend to such a merit as mi [via]

› Find signed collectible books: 'The Wild Duck'
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› Find signed collectible books: 'William Butler Yeats : Selected Poems'
William Butler Yeats was not only one of the most beloved and honored poets of this century. Playwright, essayist, theatrical impresario, occultist, politician, famously hapless lover--he was also one of the most colorful and complex. Astonishingly, no full biography of Yeats has appeared in many years. Now, Keith Alldritt gives us a lively telling of Yeats's story that puts the poet in the context of his times, from the high Victorian era to the modernism of the thirties.
Alldritt reveals that Yeats was not just "the sensitive introvert who began as the mooning dreamer and after a lifetime seeking philosophical and hermetic wisdom, ended as the learned sage" that Yeats himself and his biographers would have us believe. He shows us a less familiar man: "a dedicated careerist, an ambitious man of determined self-interest, a seeker after social standing, and a combative man with a violent temper that sustained him in many nasty quarrels." Confrontational, scrappy, driven, he was deeply involved in both the political and literary issues of his day. He was instrumental in overturning the English domination of Irish literature and in researching and publishing books on Irish lore and fairy tales. He was the founder, with George Bernard Shaw, of the Irish Institute of Arts and Letters as well as the Abbey Theatre, where he refused to close down Synge's inflammatory play The Playboy of the Western World, despite riots in the street. During his tenure as senator in the Irish Parliament, he fought the Catholic divorce laws. At every level, Alldritt shows us a poet engaged in the world.
Yeats's long, passionate, and physically unrequited love affair with the beautiful Irish nationalist Maud Gonne, which led to some of his most poignant poetry, is brought vividly to life. Also covered in some detail are Yeats's numerous love affairs in the years before his death. Though condoned by his wife, they have not been explored in previous biographies out of respect for her feelings.
Another aspect of Yeats not generally appreciated is his involvement with literary movements outside Ireland and England. He wrote reviews for the Boston Globe; lectured regularly throughout the United States; and spent much time in France, where he was influenced by the symbolist poets, and in Italy, where he joined the Rapallo group led by the quixotic Ezra Pound.
In his years of research, Alldritt visited libraries worldwide. He was given special access to Yeats's private papers in the National Library of Ireland and interviewed many people who knew or are knowledgeable about Yeats, most notably Yeats's daughter, Anne.
Yeats has been called "the greatest poetic imagination of our century." Now Keith Alldritt reveals another facet of his extraordinary persona.
William Butler Yeats was a master craftsman, and one of his most skillful constructs was his own image. He wished to be remembered, above all, as an Irishman and a poet; as a man whose nature had been determined by the almost magical qualities of his childhood in Sligo and whose character had been shaped by the influence of admirable men. There is truth in this depiction of himself, but it is a partial truth only.
In this account, I attempt to go beyond his interior world and to evoke and do justice to those individuals and external forces which in their turn made up part of the dialectic of Yeats's life. Yeats lived at a time of profound changes for the Western world from the high Victorianism of the late 1800s to the advent of modernism in the 1930s. I have attempted to offer a strong sense of Yeats in his social and historical context--to show that an important side of his genius was his deep and often manipulative relationship with the turbulent life around him as with his turbulent life within. [via]
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› Find signed collectible books: 'Worlds Apart : The Market and the Theater in Anglo-American Thought, 1550-1750'
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