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› Find signed collectible books: 'Arcadia'
› Find signed collectible books: 'Faust'
Goethe's Faust is a classic of European literature. Based on the fable of the man who traded his soul for superhuman powers and knowledge, it became the life's work of Germany's greatest poet. Beginning with an intriguing wager between God and Satan, it charts the life of a deeply flawed individual, his struggle against the nihilism of his diabolical companion Mephistopheles. Part One presents Faust's pact with the Devil and the harrowing tragedy of his love affair with the young Gretchen. Part Two shows Faust's experience in the world of public affairs, including his encounter with Helen of Troy, the emblem of classical beauty and culture. The whole is a symbolic and panoramic commentary on the human condition and on modern European history and civilisation. This new translation of both parts of Faust preserves the poetic character of the original, its tragic pathos and hilarious comedy. In addition, John Williams has translated the Urfaust, a fascinating glimpse into the young Goethe's imagination, and a selection from the draft scenarios for the Walpurgis Night witches' sabbath - material so ribald and blasphemous that Goethe did not dare publish it. [via]
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As much poem as it is play, Goethe's Faust is the spiritual quest of a soul determined to explore the very nature of Reality, a revolutionary work that refuses to accept limitations, but, like Romanticism itself, embraces all, the Natural World of everyday life, as well as the Great World of universal experience, the macrocosm as well as the microcosm. The Faust character, the Faustian soul, has become a universal concern. As multifarious as Hamlet and as mythic as Oedipus, he takes us on a journey to the depths and heights of experience and leaves us not the person we were before we met him. It is in Part One of Goethe's masterpiece that we discover Faust as the hero in whose being two contradictory forces collide. He is self-alienated man struggling to expand beyond the limitations of intellect and the known world, desperate to achieve a state, indeed mystical, where the opposites of Knowledge and Sensuality are One. Part One of Faust records that attempt in the context of earthly existence. Goethe's Faust has rightly been called the most audacious work in Western Civilization. [via]
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Perhaps some apology ought to be given to English scholars, that is, those who do not know German, (to those, at least, who do not know what sort of a thing Faust is in the original,) for offering another translation to the public, of a poem which has been already translated, not only in a literal prose form, but also, twenty or thirty times, in metre, and sometimes with great spirit, beauty, and power.
The author of the present version, then, has no knowledge that a rendering of this wonderful poem into the exact and ever-changing metre of the original has, until now, been so much as attempted. To name only one defect, the very best versions which he has seen neglect to follow the exquisite artist in the evidently planned and orderly intermixing of male and female rhymes, i.e. rhymes which fall on the last syllable and those which fall on the last but one. Now, every careful student of the versification of Faust must feel and see that Goethe did not intersperse the one kind of rhyme with the other, at random, as those translators do; who, also, give the female rhyme (on which the vivacity of dialogue and description often so much depends,) in so small a proportion.
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› Find signed collectible books: 'Faust Part 1'
Goethes masterpiece and perhaps the greatest work in German literature, Faust has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience, or knowledge can lead him to a moment he would wish to last forever. Here, in Faust, Part I, the tremendous versatility of Goethes genius creates some of the most beautiful passages in literature. Here too we experience Goethes characteristic humor, the excitement and eroticism of the witches Walpurgis Night, and the moving emotion of Gretchens tragic fate.
This authoritative edition, which offers Peter Salms wonderfully readable translation as well as the original German on facing pages, brings us Faust in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethes words. [via]
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› Find signed collectible books: 'Faust I and II'
Perhaps some apology ought to be given to English scholars, that is, those who do not know German, (to those, at least, who do not know what sort of a thing Faust is in the original,) for offering another translation to the public, of a poem which has been already translated, not only in a literal prose form, but also, twenty or thirty times, in metre, and sometimes with great spirit, beauty, and power.
The author of the present version, then, has no knowledge that a rendering of this wonderful poem into the exact and ever-changing metre of the original has, until now, been so much as attempted. To name only one defect, the very best versions which he has seen neglect to follow the exquisite artist in the evidently planned and orderly intermixing of male and female rhymes, i.e. rhymes which fall on the last syllable and those which fall on the last but one. Now, every careful student of the versification of Faust must feel and see that Goethe did not intersperse the one kind of rhyme with the other, at random, as those translators do; who, also, give the female rhyme (on which the vivacity of dialogue and description often so much depends,) in so small a proportion.
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› Find signed collectible books: 'Faust:Parts 1 & 2'
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› Find signed collectible books: 'Faust, Part Two'
This is a new translation of Faust, Part Two by David Luke, whose translation of Faust, Part I was the winner of the European Poetry Translation Prize. Here, Luke expertly imitates the varied verse-forms of the original, and provides a highly readable and actable translation which includes an introduction, full notes, and an index of classical mythology. [via]
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› Find signed collectible books: 'Faust, Parts One and Two'
Goethe's masterpiece and perhaps the greatest work in German literature, "Faust" has made the legendary German alchemist one of the central myths of the Western world. Here indeed is a monumental Faust, an audacious man boldly wagering with the devil, Mephistopheles, that no magic, sensuality, experience or knowledge can lead him to a moment he would wish to last forever. Here, in "Faust," "Part 1," the tremendous versatility of Goethe's genius creates some of the most beautiful passages in literature. Here too we experience Goethe's characteristic humor, the excitement and eroticism of the witches' Walpurgis Night, and the moving emotion of Gretchen's tragic fate.
This newly revised edition, which offers Peter Salm's wonderfully readable translation as well as the original German on facing pages, brings us "Faust" in a vital, rhythmic American idiom that carefully preserves the grandeur, integrity, and poetic immediacy of Goethe's words. [via]
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› Find signed collectible books: 'Goethe's Faust'
The best translation of Faust available, this volume provides the original German text and its English counterpart on facing pages. Walter Kaufmann's translation conveys the poetic beauty and rhythm as well as the complex depth of Goethe's language. Includes Part One and selections from Part Two. [via]
› Find signed collectible books: 'Goethe's Faust: Part 1 A New American Version'
Goethe said that all his works were "one long confession," and certainly into Faust, this greatest masterwork of German literature, on which he worked sixty years, he welded his own search for meaning of existence and of the soul.
From the wager between God and Mephistopheles and the pact Faust makes with the latterthat this genial, urbane devil could have his soul if ever Faust became satisfied with any experience or knowledge Mephistopheles could show himthe drama unfolds in scenes that are human and compelling, that hold the reader by their despair and ecstasy, their tender love, passionate desire and wisdom, but also by their gaiety, humor, and irony. As Faust proceeds with his devilish guide, it is his striving for understanding that becomes important, not the attainment, and in fact this is what saves him in the end.More editions of Goethe's Faust: Part 1 A New American Version:
› Find signed collectible books: 'Great Books of the Western World'
The Iliad (Ancient Greek ?????, Ilias) is, together with the Odyssey, one of two ancient Greek epic poems attributed to Homer, a supposedly blind Ionian poet. The epics are considered by most modern scholars to be the oldest literature in the Greek language. The Iliad concerns events during the tenth and final year in the siege of the city of Ilion, or Troy, by the Greeks. The Odyssey (Greek: ????????, Odusseia)is commonly dated circa 800 to 600 BC. The poem is, in part, a sequel to Homer's Iliad and mainly concerns the events that befall the Greek hero Odysseus (or Ulysses) in his long journeys after the fall of Troy and when he at last returns to his native land of Ithaca. [via]
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› Find signed collectible books: 'Johann Wolfgang Von Goethe: Faust, Parts 1 and 2'
Goethe's masterpiece translated by the eminent English poet and translator Louis MacNeice. [via]
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› Find signed collectible books: 'King Richard III: The Tragedy of'
William Shakespeare's "King Richard III" is one of the playwright's classic English historical dramas. It the story of Richard's murderous and deceitful plans to ascend to the thrown. A classic and popular play for performance, "King Richard III" is one of Shakespeare's great historical dramas. [via]
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"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. --Jerry Brotton [via]
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› Find signed collectible books: 'The Merchant of Venice'
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› Find signed collectible books: 'Monarch Notes on Goethe's Faust'
This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1903 Excerpt: ... the proper company for his Cadaverousness. In a letter of 1780, Goethe playfully applies the name £rad)e to his friend Merck, who was also a gaunt man. 5671. iBJnrlcrlol', 'wooden cross'; in sarcastic allusion to the Lean Person's appearance. 5678. bctUCflt, 'excitedly'; adv. with entfctltett. 5681. llmfrfjiipytc = befcfjupte, 'scaly.' 5685-6. J)o6cn... fycrnitiictraticn. The dragons (without hands, hence the marvel) take the box, with Mephistopheles sitting on it, out of the chariot and bring it to (heron) where Faust is standing. 5691. ft!) fief lit, 'motley.' 56g6. jur GtnfomfeU. Cf. the words of the Poet in the Prelude, 11. 59 ff. 5706. ticrrnftjcu. Poetry is self-revelation, i.e., self-betrayal. Cf. the lines in the West-Ostlicher Divan, IX, 19: ®rft ficfi im fflefjetmnifs toteflcn, £mn ter)I(mtetn friif) unb fpatl SUcfjter ift umfonft Berf(6wieflen, Sidjten fel&ft ift fdjott Serratfj. 5712. (loltmcnt SBlitte; figurative for the red-golden liquid which rises in the pots and threatens to dissolve the jewels. 5717. ftJimeljen fid), 'are melting,' i.e.,' are on the point of melting,'--whence the need of seizing them quickly. 5718. ©emiinte SRoHcn, 'minted rolls,' i.e., coins. 5719. $u!aten... gepragt = OotbftiidCe tote getorfigte £ufatcn, 'pieces like genuine ducats.' But Schroer says tote geprtigt = hrie lieu ge« torogt. 573-©olb unb 2Bertfy; i.e., roerthtjolle? (roirfltd)e«) ©olb. 5735-6. The meaning is: What 's the use of truth for such as you, ever the ready victims of stupid illusion?--9ln alien 3tyfeltt patfctl, 'to lay hold of by every tag,' i.e., to lay hold of with all one's might. 5753-Oil' UltS all', 'all together,' 'every one of us.' Cf. Sltt OTe in 1. 8483+. 5761-2. Plutus as magician draws an... [via]
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› Find signed collectible books: 'Mother Courage and Her Children'
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› Find signed collectible books: 'Mother Courage and Her Children: A Chronicle of the Thirty Years' War'
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› Find signed collectible books: 'Mutter Courage Und Ihre Kinder'
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› Find signed collectible books: 'Mutter Courage Und Ihre Kinder: Eine Chronik Aus Dem Dreissigjahrigen Krieg'
Mutter Courage und ihre Kinder : e. Chronik aus d. dreissigjährigen Krieg. (Broschiert) von Bertolt Brecht (Autor) Verlag: Berlin: Aufbau-Verl., (1961) [via]
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› Find signed collectible books: 'No Exit and Three Other Plays'
4 plays about an existential portrayal of Hell, the reworking of the Electra-Orestes story, the conflict of a young intellectual torn between theory and conflict and an arresting attack on American racism. [via]
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› Find signed collectible books: 'Pygmalion'
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› Find signed collectible books: 'Pygmalion: A Romance in Five Acts'
When George Bernard Shaw wrote Pygmalion more than a half century ago, no one could have predicted his play would eventually be converted into one of the great musicals of our time -- My Fair Lady -- and an Academy Award³-winning motion picture. Generations of readers and theatergoers have found relevance in Shaw's story of speech therapist Henry Higgins, who successfully transforms Liza Doolittle, a "draggle-tailed guttersnipe," into a darling of high society who momentarily upsets his hard-edged reserve. The extraordinary wit of this master dramatist of the twentieth century cuts away at the artificiality of class distinctions to reveal that human clay can be molded into wondrous shapes.
Washington Square Press' Enriched Classics present the great works of world literature enhanced for the contemporary reader. This edition of Pygmalion includes the analysis of Eric Bentley from his book Bernard Shaw. Essential biographical and historical background is provided, together with notes, critical excerpts, and suggestions for further reading. A unique visual essay of period illustrations and photographs helps bring the play to life. [via]
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› Find signed collectible books: 'Richard III'
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And with everything covered--context; plot overview; character lists; themes, motifs, and symbols; summary and analysis, key facts; study questions and essay topics; and reviews and resources--you don't have to go anywhere else!
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› Find signed collectible books: 'The Tragedy of King Richard the Third'
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. Hesperides Press are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. [via]
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Richard III is one of Shakespeare's most popular plays on the stage and has been adapted successfully for film. This new and innovative edition recognizes the play's pre-eminence as a performance work: a perspective that informs every aspect of the editing. challenging traditional practice, the text is based on the 1597 Quarto which, it is argued, brings us closest to the play as it would have been staged in Shakespeare's theatre. The introduction, which is illustrated, explores the long performance history from Shakespeare's time to the present. Its critical engagement with the play responds to recent historicist and gender-based approaches. The commentary gives detailed explication of matters of language, staging, text, and historical and cultural contexts, providing coverage that is both carefully balanced and alert to nuance of meaning.
Documentation of the extensive textual variants is organized for maximum clarity: the readings of the Folio and the Quarto are presented in separate banks, and more specialist information is given at the back of the book. Appendices also include selected passages from the main source and a special index of actors and other theatrical personnel. [via]
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› Find signed collectible books: 'The Tragedy of Richard the Third: With the Landing of Earle Richmond, and the Battel at Bosworth Field'
Featuring a new overview of Shakespeare's works by Sylvan Barnet, former Chairman of the English Department at Tufts University, this Signet classic also includes a comprehensive stage and screen history, dramatic criticism from the past and present, and sources from which Shakespeare derived this great work.
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› Find signed collectible books: 'Who's Afraid of Virginia Woolf?'
Twelve times a week, answered Uta Hagen when asked how often shed like to play Martha in Whos Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albees masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evenings end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With the plays razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Whos Afraid of Virginia Woolf? as a brilliantly original work of artan excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come.
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Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
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› Find signed collectible books: 'Fausto / Faust'
Fausto. Provided in Spanish only. [via]
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› Find signed collectible books: 'Ricardo III / Richard III'
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