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› Find signed collectible books: 'The Charterhouse of Parma'
Officer, diplomat, spy, journalist, and intermittent genius, Marie Henri Beyle employed more than 200 aliases in the course of his crowded career. His most famous moniker, however, was Stendhal, which he affixed to his greatest work, The Charterhouse of Parma. The author spent a mere seven weeks cranking out this marvel in 1838, setting the fictional equivalent of a land-speed record. To be honest, there are occasional signs of haste, during which he clearly bypassed le mot juste in favor of narrative zing. So what? Stendhal at his sloppiest is still wittier, and wiser about human behavior, than just about any writer you could name. No wonder so meticulous a stylist as Paul Valéry was happy to forgive his sins against French grammar: "We should never be finished with Stendhal. I can think of no greater praise than that."
The plot of The Charterhouse of Parma suggests a run-of-the-mill potboiler, complete with court intrigue, military derring-do, and more romance than you can shake a saber at. But Stendhal had an amazing, pre-Freudian grasp of psychology (at least the Gallic variant). More than most of his contemporaries, he understood the incessant jostling of love, sex, fear, and ambition, not to mention our endless capacity for self-deception. No wonder his hero, Fabrizio de Dongo, seems to know everything and nothing about himself. Even under fire at the Battle of Waterloo, the young Fabrizio has a tendency to lose himself in Napoleonic reverie:
Suddenly everyone galloped off. A few moments later Fabrizio saw, twenty paces ahead, a ploughed field that seemed to be strangely in motion; the furrows were filled with water, and the wet ground that formed their crests was exploding into tiny black fragments flung three or four feet into the air. Fabrizio noticed this odd effect as he passed; then his mind returned to daydreams of the Marshal's glory. He heard a sharp cry beside him: two hussars had fallen, riddled by bullets; and when he turned to look at them, they were already twenty paces behind the escort.The quote above, a famous one, captures something of Stendhal's headlong style. Until now, most English-speaking readers have experienced it via C.K. Scott-Moncrieff's superb 1925 translation. But now Richard Howard has modernized his predecessor's period touches, streamlined some of the fussier locutions, and generally given Stendhal his high-velocity due. The result is a timely version of a timeless masterpiece, which shouldn't need to be updated again until, oh, 2050. Crammed with life, lust, and verbal fireworks, The Charterhouse of Parma demonstrates the real truth of its creator's self-composed epitaph: "He lived. He wrote. He loved." --James Marcus [via]
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› Find signed collectible books: 'The Charterhouse of Parma'
More editions of The Charterhouse of Parma:

› Find signed collectible books: 'The Charterhouse of Parma'
› Find signed collectible books: 'The Charterhouse of Parma'
Officer, diplomat, spy, journalist, and intermittent genius, Marie Henri Beyle employed more than 200 aliases in the course of his crowded career. His most famous moniker, however, was Stendhal, which he affixed to his greatest work, The Charterhouse of Parma. The author spent a mere seven weeks cranking out this marvel in 1838, setting the fictional equivalent of a land-speed record. To be honest, there are occasional signs of haste, during which he clearly bypassed le mot juste in favor of narrative zing. So what? Stendhal at his sloppiest is still wittier, and wiser about human behavior, than just about any writer you could name. No wonder so meticulous a stylist as Paul Valéry was happy to forgive his sins against French grammar: "We should never be finished with Stendhal. I can think of no greater praise than that."
The plot of The Charterhouse of Parma suggests a run-of-the-mill potboiler, complete with court intrigue, military derring-do, and more romance than you can shake a saber at. But Stendhal had an amazing, pre-Freudian grasp of psychology (at least the Gallic variant). More than most of his contemporaries, he understood the incessant jostling of love, sex, fear, and ambition, not to mention our endless capacity for self-deception. No wonder his hero, Fabrizio de Dongo, seems to know everything and nothing about himself. Even under fire at the Battle of Waterloo, the young Fabrizio has a tendency to lose himself in Napoleonic reverie:
Suddenly everyone galloped off. A few moments later Fabrizio saw, twenty paces ahead, a ploughed field that seemed to be strangely in motion; the furrows were filled with water, and the wet ground that formed their crests was exploding into tiny black fragments flung three or four feet into the air. Fabrizio noticed this odd effect as he passed; then his mind returned to daydreams of the Marshal's glory. He heard a sharp cry beside him: two hussars had fallen, riddled by bullets; and when he turned to look at them, they were already twenty paces behind the escort.The quote above, a famous one, captures something of Stendhal's headlong style. Until now, most English-speaking readers have experienced it via C.K. Scott-Moncrieff's superb 1925 translation. But now Richard Howard has modernized his predecessor's period touches, streamlined some of the fussier locutions, and generally given Stendhal his high-velocity due. The result is a timely version of a timeless masterpiece, which shouldn't need to be updated again until, oh, 2050. Crammed with life, lust, and verbal fireworks, The Charterhouse of Parma demonstrates the real truth of its creator's self-composed epitaph: "He lived. He wrote. He loved." --James Marcus [via]
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› Find signed collectible books: 'From the Uncollected Edmund Wilson'
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› Find signed collectible books: 'LA Cartuja De Parma / The Chartreuse Of Parma'
La preferencia entre Rojo y negro (L 5586) y LA CARTUJA DE PARMA suele ser tema de discusion entre los lectores y criticos admiradores de STENDHAL (1783-1842). Escrita en pocas semanas despues de ocho anos de falta de tension creeadora en el destierro de Civitavecchia, la historia protagonizada por Fabricio del Dongo y Clelia Conti, el conde Mosca y la duquesa Sanseverina, es una afortunadisima sintesis literaria de recuerdos, experiencias decantadas, vida asimilada y genio creador. La presente edicion va precedida de un esclarecedor prologo de Consuelo Berges -traductora asimismo de la obra- y se cierra con el estudio clasico de Balzac sobre esta gran novela. [via]
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› Find signed collectible books: 'Le Rouge Et Le Noir'
Au rouge des armes, Julien Sorel préfèrera le noir des ordres. Au cours de son ascension sociale, deux femmes se singularisent, comme pour figurer les deux penchants de son caractère : Madame de Rênal - le rêve, l'aspiration à un bonheur pur et simple - et Mathilde de La Mole - l'énergie, l'action brillante et fébrile. A ces composantes stendhaliennes (conception de la vie qui dépasse la stratégie narrative pour s'étendre à l'existence de l'auteur) correspondent deux facettes stylistiques : la sobriété et la restriction du champ de vision. Dans cette Chronique de 1830, bien avant l'existence du cinéma donc, Stendhal alterne les prises de vue pour concilier réalisme et romantisme. Le Rouge et le Noir, portrait social, est également un roman de l'individualité où le regard des personnages sert de philtre au narrateur et où la cristallisation stendhalienne, cette phase irisée De l'amour, trouve un formidable support dans les champs, contrechamps, plongées et contre-plongées. Cette écriture visuelle ajoute à l'analyse une intelligence psychologique profonde. Inversement, le ton dépouillé permet au romantisme d'éviter le lyrisme abusif et de demeurer ironique envers la société sclérosée de la France de la Restauration. --Sana Tang-Léopold Wauters [via]

› Find signed collectible books: 'The Life of Henry Brulard'
"The Life of Henry Brulard" is the autobiography of one of France's greatest writers. In this book, written with such frankness that it remained unpublishable for more than a century after its composition, the author of "The Charterhouse of Parma" and "The Red and the Black" tells the story of his unhappy childhood in a stuffy provincial town and uncovers the roots of his rebellious and skeptical temperament. Stendhal conjures up the elusive presence of his beloved mother, who died when he was only seven, while castigating the smug complacency and social climbing of his father, and the cruelty of the aunt whose care blighted his early years. At the same time he recalls the sights, sounds, places, and people of his youth, its pleasures and sorrows, with an almost preternatural clarity and immediacy. A book of brilliant images and burning emotions, "The Life of Henry Brulard", like Nabokov's "Speak, Memory", is not only a vivid literary memoir but an extraordinary work of the imagination. [via]
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› Find signed collectible books: 'Life of Rossini'
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› Find signed collectible books: 'Love'
A timeless treatise on the unique power of human emotion, Stendhal's "Love" is translated by Gilbert and Suzanne Sale with an introduction by Jean Stewart and B.C.J.G. "Knight" in "Penguin Classics". In 1818, when he was in his mid-thirties, Stendhal met and fell passionately in love with the beautiful Mathilde Dembowski. She, however, was quick to make it clear that she did not return his affections, and in his despair he turned to the written word to exorcise his love and explain his feelings. The result is an intensely personal dissection of the process of falling - and being - in love: a unique blend of poetry, anecdote, philosophy, psychology and social observation. Bringing together the conflicting sides of his nature, the deeply emotional and the coolly analytical, Stendhal created a work that is both acutely personal and universally applicable. This translation retains all the colour and passion of the original and is accompanied buy the author's original prefaces and appendices. In their introduction, Jean Stewart and B.C.J.G. "Knight" discuss the relationship between Stendhal and his beloved and explore his views on feminism, education and society. Stendhal (1783-1842) was the pseudonym of Henri Marie Beyle, born and raised in Grenoble. Offered a post in the Ministry of War, from 1800 onwards he followed Napoleon's campaigns throughout Europe before retiring to Italy. Here, as 'Stendhal', he began writing on art, music and travel. Though not well-received during his lifetime, his work, including "The Red and the Black" (1830) and "The Charterhouse of Parma" (1839), now places him among the pioneers of nineteenth-century literary realism. If you enjoyed "Love", you might like Gustave Flaubert's "Sentimental Education", also available in "Penguin Classics". "The single most insightful book on the role of imagination on love". (John Armstrong, author of "Conditions of Love: The Philosophy of Intimacy"). [via]
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› Find signed collectible books: 'Lucien Leuwen'
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› Find signed collectible books: 'Memoirs of an Egotist'
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› Find signed collectible books: 'Memoirs of Egotism: Souvenirs D'egotisme'
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› Find signed collectible books: 'The Nature of Love: Courtly and Romantic'
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› Find signed collectible books: 'Novelists And Novels'
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› Find signed collectible books: 'On Love'
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› Find signed collectible books: 'The Order of Mimesis: Balzac, Stendhal, Nerval, Flaubert'
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› Find signed collectible books: 'Reading for the Plot'

› Find signed collectible books: 'The Realists: Portraits of Eight Novelists Stendhal, Balzac, Dickens, Dostoevsky, Tolstoy, Galdos, Henry James, Proust'
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› Find signed collectible books: 'The Red and the Black'
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› Find signed collectible books: 'The Red and the Black : A Chronicle of 1830'
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› Find signed collectible books: 'The Red and the Black: A Chronicle of 1830'
A Major New Translation
The Red and the Black, Stendhals masterpiece, is the story of Julien Sorel, a young dreamer from the provinces, fueled by Napoleonic ideals, whose desire to make his fortune sets in motion events both mesmerizing and tragic. Sorels quest to find himself, and the doomed love he encounters along the way, are delineated with an unprecedented psychological depth and realism. At the same time, Stendhal weaves together the social life and fraught political intrigues of postNapoleonic France, bringing that world to unforgettable, full-color life. His portrait of Julien and early-nineteenth-century France remains an unsurpassed creation, one that brilliantly anticipates modern literature.
Neglected during its time, The Red and the Black has assumed its rightful place as one of the worlds great books, and Burton Raffels extraordinary new translation, coupled with an enlightening Introduction by Diane Johnson, helps it shine more brightly than ever before. [via]
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› Find signed collectible books: 'The Red And the Black: A chronicle of the Nineteenth Century'
In December 1827, a French newspaper ran a story about a young man charged with the attempted murder of a married woman. The article fired the imagination of Marie Henri Beyle, and under the pen name Stendhal, he set to writing what was to become one of the great psychological novels of all time. I will be famous around 1880, he predicted in one of his many diaries. I shall not go out of style, nor my glory go out of style.
Set in a provincial French town and in Paris, The Red and the Black tells the story of Julien Sorel, a handsome and brilliant young tutor who is both hero and villain. Cold, opportunistic, and uncompromising with othersincluding his influential mistresshe follows his lust for power and wealth. At the same time, he is tortured by his uncontrollable passions, and by the military and religious forcesthe enigmatic Red and Blackthat dominate French society in the years following the Revolution.
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› Find signed collectible books: 'The Red and the Black : A Chronicle of the Nineteenth Century'
One of the great novels of the century, The Red and the Black is a powerful character study of Julien Sorel, a clever and idealistic young opportunist who attempts to rise above his station through a combination of talent, deception, and hypocrisy. He uses his powers of seduction and charm to secure advancement, only to find himself betrayed by his own passions and outwitted by the larger political and social intrigues of post-Napoleonic France. His doomed quest for fortune and love is both heroic and satirical, reflecting the inner tensions and outer pretensions that result from desiring what is not ours. Stendhal's complex portrayal of his characters' thoughts and feelings was far ahead of his time, earning The Red and the Black recognition as the first modern psychological novel, with Julien as his most brilliant creation and one of the greatest characters in all of literature. [via]
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› Find signed collectible books: 'The Red and the Black: Mimetic Desire and the Myth of Celebrity'
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› Find signed collectible books: 'Rojo Y Negro / Red And Black'
Some consider this novel as a contrast between two ages, others say that it refers to luck in the roulette or even to the difference between military and religious life. The certain thing is that its protagonist fights against a society that does not understand him. [via]
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› Find signed collectible books: 'Scarlet and Black'
In this account of a disillusioned soul failing to come to terms with reality, the novelist recreates the Byronic anti-hero in the context of post-revolutionary France where the church, politics and society itself are in upheaval. [via]
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› Find signed collectible books: 'Scarlet and Black'
It mirrors, rather than paints, mobile and revealing glimpses of life as it was whiled away in the climate of fear and greedy drawing-room conformity that followed Waterloo. Julien Sorel, the novel's restless, ambitious hero, rebels against his circumstances and wills himself to make something of his life by adopting a code of hypocrisy. On the road to the surprising crime he commits (out of passion, principle or insanity), he turns into Stendhal's greatest and most completely human creation. [via]
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› Find signed collectible books: 'Scarlet and Black : A Chronicle of 1830'
Through the stifling society in which wealth and rank triumph over merit moves the impoverished tutor, Julien Sorel. Handsome, sensitive and proud, his shy manner belies a driving ambition to escape the provincial town of Verrieres and forge a way into the drawing-rooms of the Parisian nobility. [via]
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› Find signed collectible books: 'Stendhal or the Pursuit of Happiness'
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› Find signed collectible books: 'LA Chartreuse De Parme: Chronologie, Presentation, Notes, Dossier'
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› Find signed collectible books: 'Rojo Y Negro / Red And Black'
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