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Alexander Solzhenitsyn's One Day in the Life of Ivan Denisovich
by Alexander Solzhenitsyn

ISBN 0671009761 (0-671-00976-1)
Softcover, Monarch Notes

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- Alexander Solzhenitsyn's One Day in the Life of Ivan Denisovich: ISBN 0671009761 (0-671-00976-1)
  Softcover, Monarch Notes
Alexander Solzhenitsyn's One Day in the Life of Ivan Denisovich: A Screenplay
by Aleksandr Isaevich Solzhenitsyn, Ronald Harwood, Gillon R. Aitken

ISBN 0722180217 (0-7221-8021-7)
Hardcover, Sphere

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- Alexander Solzhenitsyn's One Day in the Life of Ivan Denisovich: A Screenplay: ISBN 0722180217 (0-7221-8021-7)
  Hardcover, Sphere
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Animal Farm
by George Orwell

ISBN 1595404295 (1-59540-429-5)
Softcover, 1st World Library

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Book summary:
Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
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Animal Farm
by Ian Woodldridge, George Orwell

ISBN 1854597892 (1-85459-789-2)
Softcover, Hern Books, Limited, Nick

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Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
More editions of Animal Farm:
- Animal Farm: ISBN 1854597892 (1-85459-789-2)
  Softcover, Hern Books, Limited, Nick
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Animal Farm
by Naura Hayden

ISBN 0582530083 (0-582-53008-3)
Softcover, Longman Group United Kingdom

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Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
More editions of Animal Farm:
- Animal Farm: ISBN 0582530083 (0-582-53008-3)
  Softcover, Longman Group United Kingdom
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Animal Farm With Connections
by George Orwell

ISBN 0030554349 (0-03-055434-9)
Hardcover, Harcourt School

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Book summary:
Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
More editions of Animal Farm With Connections:
- Animal Farm With Connections: ISBN 0030554349 (0-03-055434-9)
  Hardcover, Harcourt School
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Archangel
by Robert Harris

ISBN 0091801370 (0-09-180137-0)
Softcover, Hutchinson

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Book summary:
Before political journalist Robert Harris turned to fiction and resurrected Hitler for his best selling novel Fatherland, he also wrote a hugely entertaining account of the farce surrounding the publication of the hoax Hitler diaries. Archangel, with the obvious exception of substituting Hitler for that other 20th-century ogre Josef Stalin, can be seen as something of a combination of these previous projects. The novel opens in present-day Russia where a louche Oxford academic, Christopher "Fluke" Kelso, is attending a conference on the newly available Stalin archives. Kelso quickly becomes embroiled in a quest for some of Uncle Joe's still secret papers--and also a quest to make his own academic reputation--but soon uncovers more than he bargains for. The ghosts of the old authoritarian past exert a peculiar and all too powerful tug on Yeltsin's fragile capitalist democracy and as Kelso is drawn ever nearer to the secret that lies in the remote White Sea port of Archangel so the tragedies of the past become hideously more plausible in the present. Harris is historically sound, politically astute and his acute insight into the apparatus of state repression and minds of despots is unnerving. But most of all he tells a terrific yarn and Archangel sees him on top form. This is his best yet.--Nick Wroe [via]
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Conversations With Stalin
by Milovan Djilas

ISBN 0156225913 (0-15-622591-3)
Softcover, Harcourt

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- Conversations With Stalin: ISBN 0156225913 (0-15-622591-3)
  Softcover, Harcourt
Darkness at Noon
by Arthur Koestler, Daphne Hardy

ISBN 1416540261 (1-4165-4026-1)
Softcover, Simon & Schuster

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Book summary:
Darkness At Noon stands as an unequaled fictional portrayal of the nightmare politics of our time. Its hero is an aging revolutionary, imprisoned and psychologically tortured by the Party to which he has dedicated his life. As the pressure to confess preposterous crimes increases, he re-lives a career that embodies the terrible ironies and human betrayals of a totalitarian movement masking itself as an instrument of deliverance. Almost unbearably vivid in its depiction of one man's solitary agony, Darkness At Noon asks questions about ends and means that have relevance not only for the past but for the perilous present. It isas the Times Literary Supplement has declared"A remarkable book, a grimly fascinating interpretation of the logic of the Russian Revolution, indeed of all revolutionary dictatorships, and at the same time a tense and subtly intellectualized drama..." [via]
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El Hijo De Stalin
by Robert Harris, Random House Mondadori

ISBN 849793833X (84-9793-833-X)
Softcover, Debolsillo

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- El Hijo De Stalin: ISBN 849793833X (84-9793-833-X)
  Softcover, Debolsillo
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The First Circle
by Alexander Solzhenitsyn

ISBN 0060916834 (0-06-091683-4)
Softcover, Harpercollins

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A major literary event 50 years in the making:In the First Circle is the first complete English translation of Nobel Prizewinner Aleksandr Solzhenitsyns best novel (Washington Post). With an introduction by Edward Erickson, this work by the author of The Gulag Archipelago is the story of a brilliant mathematician who finds himself locked in a Moscow prison filled with the countrys brightest minds and must decide whether to aid Stalins repressive state. [via]
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George Orwell Complete & Unabridged

ISBN 0905712048 (0-905712-04-8)
Hardcover, Brill Academic Pub

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- George Orwell Complete & Unabridged: ISBN 0905712048 (0-905712-04-8)
  Hardcover, Brill Academic Pub
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Gulag: A History
by Anne Applebaum

ISBN 1400034094 (1-4000-3409-4)
Softcover, Random House Inc

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Book summary:
Gulag: A History, by Washington Post columnist Anne Applebaum, is a cogent, meticulously researched exposé of the Soviet system of institutionalized terror, repression, and punishment that, over the course of the 20th century, turned the world's largest nation into a vast concentration camp and mass grave. Applebaum investigates the gulag from its origins just after the Russian Revolution through its expansion under Stalin's reign to its collapse during the period of glasnost and the fall of communism. She draws on original research, as well as recently released archival material and memoirs by both "ordinary" survivors and those who would become literary giants, like Alexander Solzhenitsyn, author of The Gulag Archipelago and One Day in the Life of Ivan Denisovich, and Polish novelist Gustav Herling-Grudzinski, who wrote A World Apart based on his experiences in the camps. She describes the categories of prisoner--an estimated 18 million between 1929 and 1953, the year Stalin died--who from "the very earliest days of the new Soviet state&were to be sentenced not for what they had done, but for who they were": old Bolsheviks, deportees from Soviet-occupied Eastern Europe during World War II, repatriated Soviet POWs, foreign communists, dissidents, the man, woman or child on the street--political prisoners mixed with common criminals. Anyone who could be perceived as a threat or traitor or simply a needed body was arrested, tortured, and used as slave labor to extract natural resources from remote corners of Siberia, work on absurdly ambitious transportation and energy projects, and build the Soviet economy. The reasons for incarceration; the journeys to the outposts; the strategies for survival of prisoners subjected to cold, starvation, rape; the types of heavy labor; the conditions for women and children; the political structure within the camp--these are just some of the broad themes that Applebaum tackles.
Deftly melding generality with specificity, Applebaum allows the individual to speak for the many and, in the process, paints a horrifying portrait of a nation forged from paranoia and the terror invoked by the arbitrary exercise of power that tore apart families and enslaved, brutalized, and murdered millions. By giving voice to the millions who disappeared into unmarked graves in an eight-decade-long episode in human history that rivaled the atrocities committed during the Holocaust, Applebaum makes an invaluable contribution to a growing body of re-evaluative literature that will, hopefully, inspire a thoughtful consideration of our collective past, and a more critical awareness our present. --Diana Kuprel [via]
More editions of Gulag: A History:
- Gulag: A History: ISBN 0767900561 (0-7679-0056-1)
  Hardcover, Bantam Dell Pub Group
- Gulag: A History: ISBN 1400034094 (1-4000-3409-4)
  Softcover, Random House Inc
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Gulag / Gulag: Historia de los Campos de Concentracion Sovieticos / History of the Soviet Concentration Camps
by Anne Applebaum

ISBN 8497937708 (84-9793-770-8)
Softcover, Debolsillo

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- Gulag / Gulag: Historia de los Campos de Concentracion Sovieticos / History of the Soviet Concentration Camps: ISBN 8497937708 (84-9793-770-8)
  Softcover, Debolsillo
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Gulag Archipelago
by Alexander Solzhenitsyn

ISBN 006080503X (0-06-080503-X)
Softcover, Harpercollins

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Book summary:
The Gulag Archipelago is Solzhenitsyn's masterwork, a vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators and also of heroism, a Stalinist anti-world at the heart of the Soviet Union where the key to survival lay not in hope but in despair. The work is based on the testimony of some two hundred survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile. It is both a thoroughly researched document and a feat of literary and imaginative power. This edition has been abridged into one volume at the author's wish and with his full co-operation. [via]
More editions of Gulag Archipelago:
- Gulag Archipelago: ISBN 006080503X (0-06-080503-X)
  Softcover, Harpercollins
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Gulag Archipelago 1918-1956

ISBN 186046632X (1-86046-632-X)
Softcover, Harvill Pr

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[This is the MP3CD audiobook format of VOLUME 2 in vinyl case.]

**Time Magazine's Best Nonfiction Book of the 20th Century**

In this masterpiece, Solzhenitsyn has orchestrated thousands of incidents and individual histories into one narrative of unflagging power and momentum. Written in a tone that encompasses Olympian wrath, bitter calm, savage irony, and sheer comedy, it combines history, autobiography, documentary, and political analysis as it examines in its totality the Soviet apparatus of repression from its inception following the October Revolution of 1917.

This second volume in Solzhenitsyn's narrative chronicles the appalling inhumanity of the Soviets' ''destructive-labor camps'' and the fate of prisoners in them--felling timber, building canals and railroads, and mining gold without equipment or adequate food and clothing, and subject always to the caprices of the camp authorities. Most tragic of all is the life of the women prisoners and the luckless children they bear.

Once again, this chronicle of appalling inhumanity is made endurable by the vitality and emotional range of the writing. In one truly remarkable chapter, a parody of an anthropological treatise, Solzhenitsyn achieves new heights of sardonic wit. In the final section the music changes, and he provides a magnificent coda on the possibilities of redemption and purification through suffering. [via]
More editions of Gulag Archipelago 1918-1956:
- Gulag Archipelago 1918-1956: ISBN 186046632X (1-86046-632-X)
  Softcover, Harvill Pr
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Gulag Archipelago 1918-1956 an Experiment in Liter
by Alexander Solzhenitsyn

ISBN 0060139110 (0-06-013911-0)
Hardcover, Harpercollins

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- Gulag Archipelago 1918-1956 an Experiment in Liter: ISBN 0060139110 (0-06-013911-0)
  Hardcover, Harpercollins
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The Gulag Archipelago 1918-1956: An Experiment in Literary Investigation
by Aleksandr I. Solzhenitsyn

ISBN 0060007761 (0-06-000776-1)
Softcover, Harpercollins

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Book summary:
The Gulag Archipelago is Solzhenitsyns attempt to compile a literary-historical record of the vast system of prisons and labor camps that came into being shortly after the Bolsheviks seized power in Russia in 1917 and that underwent an enormous expansion during the rule of Stalin from 1924 to 1953. Various sections of the three volumes describe the arrest, interrogation, conviction, transportation, and imprisonment of the Gulags victims by Soviet authorities over four decades. The work mingles historical exposition and Solzhenitsyns own autobiographical accounts with the voluminous personal testimony of other inmates that he collected and committed to memory during his imprisonment.Upon publication of the first volume of The Gulag Archipelago, Solzhenitsyn was immediately attacked in the Soviet press. Despite the intense interest in his fate that was shown in the West, he was arrested and charged with treason on February 12, 1974, and was exiled from the Soviet Union the following day.
[via]
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Gulag Archipelago: 1918-1956, Parts I-VII
by Aleksandr I. Solzhenitsyn

ISBN 0060912804 (0-06-091280-4)
Softcover, Harpercollins

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Book summary:
[This is the MP3CD audiobook format of VOLUME 2 in vinyl case.]

**Time Magazine's Best Nonfiction Book of the 20th Century**

In this masterpiece, Solzhenitsyn has orchestrated thousands of incidents and individual histories into one narrative of unflagging power and momentum. Written in a tone that encompasses Olympian wrath, bitter calm, savage irony, and sheer comedy, it combines history, autobiography, documentary, and political analysis as it examines in its totality the Soviet apparatus of repression from its inception following the October Revolution of 1917.

This second volume in Solzhenitsyn's narrative chronicles the appalling inhumanity of the Soviets' ''destructive-labor camps'' and the fate of prisoners in them--felling timber, building canals and railroads, and mining gold without equipment or adequate food and clothing, and subject always to the caprices of the camp authorities. Most tragic of all is the life of the women prisoners and the luckless children they bear.

Once again, this chronicle of appalling inhumanity is made endurable by the vitality and emotional range of the writing. In one truly remarkable chapter, a parody of an anthropological treatise, Solzhenitsyn achieves new heights of sardonic wit. In the final section the music changes, and he provides a magnificent coda on the possibilities of redemption and purification through suffering. [via]
More editions of Gulag Archipelago: 1918-1956, Parts I-VII:
- Gulag Archipelago: 1918-1956, Parts I-VII: ISBN 0060912804 (0-06-091280-4)
  Softcover, Harpercollins
via
The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, I-II
by Aleksandr Isaevich Solzhenitsyn

ISBN 000262253X (0-00-262253-X)
Hardcover, Collins : Harvill Press

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Book summary:
[This is the MP3CD audiobook format of VOLUME 2 in vinyl case.]

**Time Magazine's Best Nonfiction Book of the 20th Century**

In this masterpiece, Solzhenitsyn has orchestrated thousands of incidents and individual histories into one narrative of unflagging power and momentum. Written in a tone that encompasses Olympian wrath, bitter calm, savage irony, and sheer comedy, it combines history, autobiography, documentary, and political analysis as it examines in its totality the Soviet apparatus of repression from its inception following the October Revolution of 1917.

This second volume in Solzhenitsyn's narrative chronicles the appalling inhumanity of the Soviets' ''destructive-labor camps'' and the fate of prisoners in them--felling timber, building canals and railroads, and mining gold without equipment or adequate food and clothing, and subject always to the caprices of the camp authorities. Most tragic of all is the life of the women prisoners and the luckless children they bear.

Once again, this chronicle of appalling inhumanity is made endurable by the vitality and emotional range of the writing. In one truly remarkable chapter, a parody of an anthropological treatise, Solzhenitsyn achieves new heights of sardonic wit. In the final section the music changes, and he provides a magnificent coda on the possibilities of redemption and purification through suffering. [via]
More editions of The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, I-II:
- The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation, I-II: ISBN 000262253X (0-00-262253-X)
  Hardcover, Collins : Harvill Press
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The Gulag Archipelago, Part 1 & 2, Book 1
by Alexander Solzhenitsyn

ISBN 0060803320 (0-06-080332-0)
Softcover, Harpercollins

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Book summary:
The Soviet Union had the largest secret political prison system of its time, scattered into the most remote corners of Eastern Europe and Asia. When Solzhenitsyn came out, he told the stories of shattered lives in a shattered nation. [via]
More editions of The Gulag Archipelago, Part 1 & 2, Book 1:
- The Gulag Archipelago, Part 1 & 2, Book 1: ISBN 0060803320 (0-06-080332-0)
  Softcover, Harpercollins
Hitler and Stalin: Parallel Lives
by Alan Bullock

ISBN 0679729941 (0-679-72994-1)
Softcover, Random House Inc

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Book summary:
Alan Bullock's bestselling and monumental masterpiece, now in a revised Second Edition 'It is practically unprecedented to take two such monsters as Hitler and Stalin, who never met, and interweave their lives chronologically, chapter by chapter, often paragraph by paragraph, as Bullock has done...a triumph of organization, lucidity and perspective.' John Campbell, The Times 'Compulsive reading. The sweep is broad and the information concisely conveyed without any sign of pedantry...a titanic narrative history.' Zara Steiner, Financial Times 'An astonishing feat of organization, brilliantly illuminating the tragic history of the twentieth century.' Philip Ziegler, Daily Telegraph Books of the Year 'If you knew nothing about the twentieth century and were allowed one book to bone up on it, this would have to be it.' Alex Campbell, Daily Mail [via]
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Koba the Dread: Laughter and the Twenty Million
by Martin Amis

ISBN 1400032202 (1-4000-3220-2)
Softcover, Vintage Books

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Koba the Dread is the successor to Martin Amis's celebrated memoir, Experience. It is largely political while remaining personal. It addresses itself to the central lacuna of twentieth-century thought: the indulgence of communism by intellectuals of the West. In between the personal beginning and the personal ending, Amis gives us perhaps the best "short course" ever in Stalin: Koba the Dread, losif the Terrible. The author's father, Kingsley Amis, though later reactionary in tendency, was "a Comintern dogsbody" (as he would later come to put it) from 1941 to 1956. His second-closest, and then closest friend (after the death of the poet Philip Larkin) was Robert Conquest, our leading Sovietologist, whose book of 1968, The Great Terror, was second only to Solzhenitsyn's The Gulag Archipelago in undermining the USSR. Amis's remarkable memoir explores these connections. Stalin said that the death of one person was tragic, the death of a million a mere "statistic." Koba the Dread, during whose course the author absorbs a particular, a familial death, is a rebuttal of Stalin's aphorism. [via]
More editions of Koba the Dread: Laughter and the Twenty Million:
- Koba the Dread: Laughter and the Twenty Million: ISBN 0786868767 (0-7868-6876-7)
  Hardcover, Miramax
- Koba the Dread: Laughter and the Twenty Million: ISBN 1400032202 (1-4000-3220-2)
  Softcover, Vintage Books
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Master And Margarita
by Mikhail Bulgakov, Michael Karpelson

ISBN 1411683056 (1-4116-8305-6)
Softcover, Lulu.Com

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Book summary:
A mysterious stranger and his retinue have astonished the locals of Stalins Moscow with the magic show to end all magic shows and have quite literally set the town alight. But whats the real purpose behind their visit?
[via]
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Master And Margarita
by Michael Glenny, Mikhail Bulgakov

ISBN 0679410465 (0-679-41046-5)
Hardcover, Random House Inc

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Book summary:
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
More editions of Master And Margarita:
- MASTER AND MARGARITA: ISBN 0679410465 (0-679-41046-5)
  Hardcover, Random House Inc
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The Master and Margarita
by Mikhail Afanasevich Bulgakov

ISBN 0452008999 (0-452-00899-9)
Softcover, Penguin Group (USA) Incorporated

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Book summary:
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
More editions of The Master and Margarita:
- The Master and Margarita: ISBN 0452008999 (0-452-00899-9)
  Softcover, Penguin Group (USA) Incorporated
Master I Margarita
by Mikhail Bulgakov

ISBN 0882333453 (0-88233-345-3)
Hardcover, Ardis

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More editions of Master I Margarita:
- Master I Margarita: ISBN 5897090033 (5-89709-003-3)
  Hardcover, Kulturno-prosvetitelskii fond imeni narodnogo artista Sergeia Stoliarova
- Master I Margarita: ISBN 0882333453 (0-88233-345-3)
  Hardcover, Ardis
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One Day In The Life Of Ivan Denisovich
by Alexander Solzhenitsyn

ISBN 0451527097 (0-451-52709-7)
Softcover, New Amer Library Classics

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Book summary:
Solzhenitsyn's first book, this economical, relentless novel is one of the most forceful artistic indictments of political oppression in the Stalin-era Soviet Union. The simply told story of a typical, grueling day of the titular character's life in a labor camp in Siberia, is a modern classic of Russian literature and quickly cemented Solzhenitsyn's international reputation upon publication in 1962. It is painfully apparent that Solzhenitsyn himself spent time in the gulags--he was imprisoned for nearly a decade as punishment for making derogatory statements about Stalin in a letter to a friend. [via]
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One Day In The Life Of Ivan Denisovich
by H.T. Willetts, Alexander Solzhenitsyn

ISBN 0374529523 (0-374-52952-3)
Softcover, Farrar Straus & Giroux

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Book summary:
The only English translation authorized by Aleksandr Solzhenitsyn First published in the Soviet journal Novy Mir in 1962, One Day in the Life of Ivan Denisovich stands as a classic of contemporary literature. The story of labor-camp inmate Ivan Denisovich Shukhov, it graphically describes his struggle to maintain his dignity in the face of communist oppression. An unforgettable portrait of the entire world of Stalin's forced work camps, One Day in the Life of Ivan Denisovich is one of the most extraordinary literary documents to have emerged from the Soviet Union and confirms Solzhenitsyn's stature as "a literary genius whose talent matches that of Dosotevsky, Turgenev, Tolstoy"--Harrison Salisbury This unexpurgated 1991 translation by H. T. Willetts is the only authorized edition available and fully captures the power and beauty of the original Russian. [via]
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- One Day In The Life Of Ivan Denisovich: ISBN 0374529523 (0-374-52952-3)
  Softcover, Farrar Straus & Giroux
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One Day In The Life Of Ivan Denisovich
by Ralph Parker, Alexander Solzhenitsyn

ISBN 0451523105 (0-451-52310-5)
Softcover, New Amer Library Classics

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Book summary:
A graphic picture of life in a Stalinist work camp. [via]
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- One Day In The Life Of Ivan Denisovich: ISBN 0451523105 (0-451-52310-5)
  Softcover, New Amer Library Classics
One Day in the Life of Ivan Denisovich: A Critical Companion
by Alexis Klimoff

ISBN 0810112140 (0-8101-1214-0)
Softcover, Northwestern Univ Pr

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- One Day in the Life of Ivan Denisovich: A Critical Companion: ISBN 0810112140 (0-8101-1214-0)
  Softcover, Northwestern Univ Pr
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Readings on One Day in the Life of Ivan Denisovich
by Loreta Medina

ISBN 0737705639 (0-7377-0563-9)
Softcover, Greenhaven Pr

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- Readings on One Day in the Life of Ivan Denisovich: ISBN 0737705639 (0-7377-0563-9)
  Softcover, Greenhaven Pr
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Rebelion en la granja / Animal Farm
by George Orwell

ISBN 8423337332 (84-233-3733-2)
Softcover, Planeta Pub Corp

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Book summary:
Esta es una fabula en la que la adjudicacion de las aflicciones y las necesidades humanas a los animales protagonistas vencio la resistencia nacional de los primeros lectores a mirar lo que no querian mirar. Lo que nos cuenta el autor ya estaba en los periodicos: la historia sobre los crimenes estalinistas en la Union Sovietica. [via]
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Stalin: The Court Of The Red Tsar
by Simon Sebag Montefiore

ISBN 1400076781 (1-4000-7678-1)
Softcover, Vintage Books

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Book summary:
Fifty years after his death, Stalin remains a figure of powerful and dark fascination. The almost unfathomable scale of his crimesas many as 20 million Soviets died in his purges and infamous Gulaghas given him the lasting distinction as a personification of evil in the twentieth century. But though the facts of Stalins reign are well known, this remarkable biography reveals a Stalin we have never seen before as it illuminates the vast foundationhuman, psychological and physicalthat supported and encouraged him, the men and women who did his bidding, lived in fear of him and, more often than not, were betrayed by him.

In a seamless meshing of exhaustive research, brilliant synthesis and narrative élan, Simon Sebag Montefiore chronicles the life and lives of Stalins court from the time of his acclamation as leader in 1929, five years after Lenins death, until his own death in 1953 at the age of seventy-three. Through the lens of personalityStalins as well as those of his most notorious henchmen, Molotov, Beria and Yezhov among themthe author sheds new light on the oligarchy that attempted to create a new world by exterminating the old. He gives us the details of their quotidian and monstrous lives: Stalins favorites in music, movies, literature (Hemmingway, The Forsyte Saga and The Last of the Mohicans were at the top of his list), food and history (he took Ivan the Terrible as his role model and swore by Lenins dictum, A revolution without firing squads is meaningless). We see him among his courtiers, his informal but deadly game of power played out at dinners and parties at Black Sea villas and in the apartments of the Kremlin. We see the debauchery, paranoia and cravenness that ruled the lives of Stalins inner court, and we see how the dictator played them one against the other in order to hone the awful efficiency of his killing machine.

With stunning attention to detail, Montefiore documents the crimes, small and large, of all the members of Stalins court. And he traces the intricate and shifting web of their relationships as the relative warmth of Stalins rule in the early 1930s gives way to the Great Terror of the late 1930s, the upheaval of World War II (there has never been as acute an account of Stalins meeting at Yalta with Churchill and Roosevelt) and the horrific postwar years when he terrorized his closest associates as unrelentingly as he did the rest of his country.

Stalin: The Court of the Red Tsar gives an unprecedented understanding of Stalins dictatorship, and, as well, a Stalin as human and complicated as he is brutal. It is a galvanizing portrait: razor-sharp, sensitive and unforgiving. [via]
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Stalin: Triumph and Tragedy
by Dmitri Volkogonov, Harold Shukman

ISBN 0802111653 (0-8021-1165-3)
Hardcover, Grove Pr

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- Stalin: Triumph and Tragedy: ISBN 0802111653 (0-8021-1165-3)
  Hardcover, Grove Pr
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Workplay: Playing to Learn and Learning to Play
by Carmine Consalvo

ISBN 0925652121 (0-925652-12-1)
Hardcover, Human Resource Development

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Book summary:
WorkPlay offers you some of the most enjoyable and educational games and exercises you'll find anywhere. More than "just another" collection of structured activities, this reproducible volume includes a provocative discussion of the serious impact of fun and games on the adult learner.
WorkPlay provides training in: Leadership, team building, change, problem solving, creativity, decision making, goal setting, trust, risk taking, and more!
WorkPlay is designed to provide program designers, workshop presenters, facilitators, and consultants with creative, structured learning experiences and detailed guidance on how to use them for effective training, conferences, and workshops. It is a practical handbook containing 27 varied and versatile activities that cover a comprehensive range of learning themes. Although these activities are particularly well-suited to team building, group problem solving, and leadership training, they can be used for communication, decision making, creativity, resource management, and a multitude of other learning purposes. Each activity can serve a range of training needs and agendas. Each activity has applicability to a variety of learning themes, some of which can be explored in depth using the activity alone or in conjunction with suggested companion exercises. They can be implemented either at different times for different purposes or used singularly to accomplish a variety of related learning objectives.
WorkPlay includes:
27 reproducible activities in a convenient 3-ring binder.
Exercises include icebreakers, energizers and closing activities, scenario-based activities, and general activities for multiple objectives.
Observer/judge sheets for participants to learn by observing
Guidelines for ensuring that physically challenged participants can safely and enjoyably take part in the activities
Requirements for set-up, time, group size, materials, constraints, and safety considerations.
Development
Experiential activities can transform learning into adventure for adults in conference, academic, and work training settings. Learning is an emotional, physical and cognitive experience. Movement and feelings affect learning. Play can engage the mind and body and provoke a positive, emotional response during exercises that are designed to enhance skills and elucidate concepts and theories. Almost any topic can be explored through gaming. Learning that involves skill building and behavioral change, such as group dynamics, communication, leadership, problem solving, teamwork, and decision making are particularly well-suited to gaming.
Playing games for the serious purpose of learning creates a paradoxical situation in which participants are simultaneously involved in serious play and playful seriousness. The object of gaming is knowledge, not fun. However, the process is enjoyable and thus conducive to learning. This type of play entails the lighthearted yet earnest pursuit of educational aims within a fun-and-games context. The paradoxical nature of gaming to learn allows players freedom to experiment with new approaches, change old approaches, and even fail with impunity. After all, learning is a risky business. Safety is ensured in the imaginative realm of play.
Conducting the Activities
Each activity provides all the information necessary to conduct the experience, including directions and other handouts that can be easily copied for the participants. Some of the games do not require these handouts for participants or may have handouts to be used by the facilitator as a guide. These handouts contain all the pertinent information necessary for the group considerations. They also ensure that the group cannot project responsibility for its performance on faulty facilitator instructions, insulating the facilitator from being unwittingly drawn into authority issues that properly belong in the group.
Many of the activities are designed to accommodat [via]
More editions of Workplay: Playing to Learn and Learning to Play:
- Workplay: Playing to Learn and Learning to Play: ISBN 0925652121 (0-925652-12-1)
  Hardcover, Human Resource Development