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› Find signed collectible books: 'Burning Chrome'
When "Burning Chrome," the title story in William Gibson's first short story collection, appeared, it grabbed readers by the collar and shook them up a bit. Science fiction in the late '70s had grown a little bit stale and, worse, safe. "Burning Chrome" offered a fresh look at a future that was gritty, real, and more than a little dangerous. These stories brought high tech out of antiseptic university laboratories and corporate boardrooms and put it in the streets and alleyways where people found their own uses for it. Sometimes those uses were even legal.
The philosophy of cyberpunk, the movement that Gibson's early books kicked off, is most explicitly stated in "The Gernsbach Continuum," with its rejection of the '30s ideal of a future of flying cars and shining cities. But the real meat of this collection is found in those stories where Gibson involves us with the people who inhabit his world. The technical boy of "Johnny Mnemonic" and the thief-turned-game-player of "Dogfight" (cowritten with Michael Swanwick) would be right at home on the same streets. Most intense and more enigmatic is the recording engineer of "The Winter Market," who is overwhelmingly attracted to and repulsed by the greatest artist he ever worked with. Still, "Burning Chrome," with its tale of vengeance and high-stakes theft, remains the centerpiece of this collection. Read it and you will know why William Gibson became and remains one of the top writers in science fiction. --Greg L. Johnson [via]

› Find signed collectible books: 'Chapterhouse Dune'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Fifteen thousand years after Leto II's death, the remnants of the Bene Gesserit contend with the ruthless leaders of an alien culture to forge a new civilization and preserve the best of the Old Empire. [via]
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› Find signed collectible books: 'El Senor De Los Anillos'
Minotauro 2002 edition. Printed in Spain. Book is in Spanish. Cover is same than the one shown in the listing. Very nice copy, pages clean and crisp. Paperback. Like new condition. [via]
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› Find signed collectible books: 'Elementary Swordplay and Broadsword-Play'
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› Find signed collectible books: 'The Essential Ellison'
"The best of Harlan Ellison has been assembled in a gorgeous volume of more than 1000 pages, encompassing fiction, essays, personal reminscences, reviews and a complete teleplay." From the dustcover blurb [via]
› Find signed collectible books: 'The Essential Ellison : A 50 Year Retrospective'
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› Find signed collectible books: 'Frankenstein'
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]
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› Find signed collectible books: 'Frankenstein or the Modern Prometheus With Connections'
After days and nights of incredible labour and fatigue, Isucceding in disco- vering the cause of generation and life I became myself capable of bestowing animation upon lifeless matter... [via]
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› Find signed collectible books: 'Harry Potter a L'ecole Des Sorciers / Harry Potter and the Sorcerer's Stone'
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› Find signed collectible books: 'The Hitchhiker's Guide to the Galaxy'
How shall we begin?
This is the story of a book called The Hitchhikers Guide to the Galaxynot an Earth book, never published on Earth and, until the terrible catastrophe occurred, never seen or even heard of by any Earthman. Nevertheless, a wholly remarkable book.
or
This is the story of The Hitchhikers Guide to the Galaxy, a number-one best seller in England, a weekly radio series with millions of fanatic listeners, and soon to be a television spectacle on both sides of the Atlantic Ocean.
or
This is the story of Arthur Dent, who, secnds before Earth is demolished to make way for a galactic freeway, is plucked off the planet by his friend, Ford Prefect, who has been posing as an out-of-work actor for the last fifteen years but is really a researcher for the revised edition of The Hitchhikers Guide to the Galaxy. Together they begin a journey through the galaxy aided by quotes from The Hitchhikers Guide to the Galaxy, with the words dont panic written on the front. (A towel is about the most massively useful thing an interstellar hitchhiker can have.)
In their travels they meet:
"Zaphod Beeblebroxthe two-headed, three-armed ex-hippie and totally out-to-lunch President of the Galaxy
"TrillianZaphods girl friend, formerly Tricia McMillan, whom Arthur once tried to pick up at a cocktail party
"Marvina paranoid android, a brilliant but chronically depressed robot
"Veet Voojagigformer graduate student obsessed with the disappearance of all the ballpoint pens he bought over the years
To find the answers to these burning questions: Why are we born? Why do we die? And why do we spend so much time in between wearing digital watches? read The Hitchhikers Guide to the Galaxy. But remember . . . dont panic, and dont forget to bring a towel. [via]
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› Find signed collectible books: 'The Home Storage Checklist'
TRADE PAPERBACK BOOK [via]
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› Find signed collectible books: 'The Illustrated Hitchhiker's Guide to the Galaxy'
State-of-the-art, digitally generated graphic images and tricky visual puns accompany the complete text of the cult classic story of one young man's zany adventures in outer space. 50,000 first printing. [via]
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› Find signed collectible books: 'Impossible Things'
eleven stories from the award-winning author of "The Doomsday Book" and "Fire Watch". John Jude Palencar cover. Foreword by Gardner Dozois. [via]
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› Find signed collectible books: 'The Lord of the Rings: Return of the King/Two Towers/Fellowship of the Ring'
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› Find signed collectible books: 'Magic for Beginners'
Best of the Decade: Salon, The A.V. Club
"If I had to pick the most powerfully original voice in fantasy today, it would be Kelly Link. Her stories begin in a world very much like our own, but then, following some mysterious alien geometry, they twist themselves into something fantastic and, frequently, horrific. You wont come out the same person you went in."Lev Grossman, The Week
"Highly original."Publishers Weekly (starred review)
"Dazzling."Entertainment Weekly (grade: A, Editors Choice)
"Darkly playful."Michael Chabon
Best of the Year: Time Magazine, Salon, Boldtype, PopMatters.
Kelly Links engaging and funny stories riff on haunted convenience stores, husbands and wives, rabbits, zombies, weekly apocalyptic poker parties, witches, and cannons. Includes Hugo, Nebula, and Locus award winners. A Best of the Year pick from TIME, Salon.com, and Book Sense. Illustrated by Shelley Jackson.
Kelly Link is the author of three collections of short fiction Stranger Things Happen, Magic for Beginners, and Pretty Monsters. Her short stories have won three Nebula, a Hugo, and a World Fantasy Award. She was born in Miami, Florida, and once won a free trip around the world by answering the question Why do you want to go through the world? (Because you cant go through it.)
Link lives in Northampton, Massachusetts, where she and her husband, Gavin J. Grant, run Small Beer Press, co-edit the fantasy half of The Years Best Fantasy and Horror, and play ping-pong. In 1996 they started the occasional zine Lady Churchills Rosebud Wristlet.
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› Find signed collectible books: 'The Man in the High Castle'
It's America in 1962. Slavery is legal once again. The few Jews who still survive hide under assumed names. In San Francisco the I Ching is as common as the Yellow Pages. All because some 20 years earlier the United States lost a war - and is now occupied jointly by Nazi Germany and Japan. This harrowing, Hugo Award-winning novel is the work that established Philip K. Dick as an innovator in science fiction while breaking the barrier between science fiction and the serious novel of ideas. In it Dick offers a haunting vision of history as a nightmare from which it may just be possible to awake. [via]
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› Find signed collectible books: 'Memory'
Miles turns 30, and--though he isn't slowing down just yet--he is starting to lose interest in the game of Wall: the one where he tries to climb the wall, fails, gets up, and tries again. Having finally reached a point in his life where he can look back and realize that he has managed to prove his courage and competence, he can move on to bigger and better things.
Depending on how you count it, this is the eighth, ninth, tenth, or eleventh book in a series--not all are about Miles or even his extended family. A good place to start is with the first Vorkosigan story, Shards of Honor. [via]
› Find signed collectible books: 'Pillars of Monarchy: An Outline of the Political and Social History of Royal Guards 1400-1984'
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› Find signed collectible books: 'Red Mars'
Red Mars opens with a tragic murder, an event that becomes the focal point for the surviving characters and the turning point in a long intrigue that pits idealistic Mars colonists against a desperately overpopulated Earth, radical political groups of all stripes against each other, and the interests of transnational corporations against the dreams of the pioneers.
This is a vast book: a chronicle of the exploration of Mars with some of the most engaging, vivid, and human characters in recent science fiction. Robinson fantasizes brilliantly about the science of terraforming a hostile world, analyzes the socio-economic forces that propel and attempt to control real interplanetary colonization, and imagines the diverse reactions that humanity would have to the dead, red planet.
Red Mars is so magnificent a story, you will want to move on to Blue Mars and Green Mars. But this first, most beautiful book is definitely the best of the three. Readers new to Robinson may want to follow up with some other books that take place in the colonized solar system of the future: either his earlier (less polished but more carefree) The Memory of Whiteness and Icehenge, or 1998's Antarctica. --L. Blunt Jackson [via]
› Find signed collectible books: 'The Return of the King'
Being the Third Part of The Lord of the Rings. As the Shadow of Mordor grows across the land, the Companions of the Ring have become involved in separate adventures. Aragorn, revealed as the hidden heir of the ancient Kings of the West, has joined with the Riders of Rohan against the forces of Isengard, and takes part in the desperate victory of the Hornburg. Merry and Pippin, captured by Orcs, escape into Fangorn Forest and there encounter the Ents. Gandalf has miraculously returned and defeated the evil wizard, Saruman. Sam has left his master for dead after a battle with the giant spider, Shelob; but Frodo is still alive - now in the foul hands of the Orcs. And all the while the armies of the Dark Lord are massing as the One Ring draws ever nearer to the Cracks of Doom. [via]
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› Find signed collectible books: 'Sandman 3: Dream Country'
The third book of the Sandman collection is a series of four short comic book stories. What's remarkable here (considering the publisher and the time that this was originally published) is that the main character of the book--the Sandman, King of Dreams--serves only as a minor character in each of these otherwise unrelated stories. (Actually, he's not even in the last story.) This signaled a couple of important things in the development of what is considered one of the great comics of the second half of the century. First, it marked a distinct move away from the horror genre and into a more fantasy-rich, classical mythology-laden environment. And secondly, it solidly cemented Neil Gaiman as a storyteller. One of the stories here, "A Midsummer Night's Dream," took home the World Fantasy Award for best short story--the first time a comic was given that honor. But for my money, another story in Dream Country has it beat hands down. "A Dream of a Thousand Cats" has such hope, beauty, and good old-fashioned chills that rereading it becomes a welcome pleasure. --Jim Pascoe [via]
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› Find signed collectible books: 'The Sandman : Dream Country'
The third book of the Sandman collection is a series of four short comic book stories. What's remarkable here (considering the publisher and the time that this was originally published) is that the main character of the book--the Sandman, King of Dreams--serves only as a minor character in each of these otherwise unrelated stories. (Actually, he's not even in the last story.) This signaled a couple of important things in the development of what is considered one of the great comics of the second half of the century. First, it marked a distinct move away from the horror genre and into a more fantasy-rich, classical mythology-laden environment. And secondly, it solidly cemented Neil Gaiman as a storyteller. One of the stories here, "A Midsummer Night's Dream," took home the World Fantasy Award for best short story--the first time a comic was given that honor. But for my money, another story in Dream Country has it beat hands down. "A Dream of a Thousand Cats" has such hope, beauty, and good old-fashioned chills that rereading it becomes a welcome pleasure. --Jim Pascoe [via]
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› Find signed collectible books: 'The Sandman Library'
The third book of the Sandman collection is a series of four short comic book stories. What's remarkable here (considering the publisher and the time that this was originally published) is that the main character of the book--the Sandman, King of Dreams--serves only as a minor character in each of these otherwise unrelated stories. (Actually, he's not even in the last story.) This signaled a couple of important things in the development of what is considered one of the great comics of the second half of the century. First, it marked a distinct move away from the horror genre and into a more fantasy-rich, classical mythology-laden environment. And secondly, it solidly cemented Neil Gaiman as a storyteller. One of the stories here, "A Midsummer Night's Dream," took home the World Fantasy Award for best short story--the first time a comic was given that honor. But for my money, another story in Dream Country has it beat hands down. "A Dream of a Thousand Cats" has such hope, beauty, and good old-fashioned chills that rereading it becomes a welcome pleasure. --Jim Pascoe [via]
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› Find signed collectible books: 'Strange Wine'
› Find signed collectible books: 'The Time Traveler's Wife'
Passionately in love, Clare and Henry vow to hold onto each other and their marriage as they struggle with the effects of Chrono-Displacement Disorder, a condition that casts Henry involuntarily into the world of time travel. [via]
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› Find signed collectible books: 'To Say Nothing of the Dog'
To Say Nothing of the Dog is a science-fiction fantasy in the guise of an old-fashioned Victorian novel, complete with epigraphs, brief outlines, and a rather ugly boxer in three-quarters profile at the start of each chapter. Or is it a Victorian novel in the guise of a time-traveling tale, or a highly comic romp, or a great, allusive literary game, complete with spry references to Dorothy L. Sayers, Wilkie Collins, and Arthur Conan Doyle? Its title is the subtitle of Jerome K. Jerome's singular, and hilarious, Three Men in a Boat. In one scene the hero, Ned Henry, and his friends come upon Jerome, two men, and the dog Montmorency in--you guessed it--a boat. Jerome will later immortalize Ned's fumbling. (Or, more accurately, Jerome will earlier immortalize Ned's fumbling, because Ned is from the 21st century and Jerome from the 19th.)
What Connie Willis soon makes clear is that genre can go to the dogs. To Say Nothing of the Dog is a fine, and fun, romance--an amused examination of conceptions and misconceptions about other eras, other people. When we first meet Ned, in 1940, he and five other time jumpers are searching bombed-out Coventry Cathedral for the bishop's bird stump, an object about which neither he nor the reader will be clear for hundreds of pages. All he knows is that if they don't find it, the powerful Lady Schrapnell will keep sending them back in time, again and again and again. Once he's been whisked through the rather quaint Net back to the Oxford future, Ned is in a state of super time-lag. (Willis is happily unconcerned with futuristic vraisemblance, though Ned makes some obligatory references to "vids," "interactives," and "headrigs.") The only way Ned can get the necessary two weeks' R and R is to perform one more drop and recuperate in the past, away from Lady Schrapnell. Once he returns something to someone (he's too exhausted to understand what or to whom) on June 7, 1888, he's free.
Willis is concerned, however, as is her confused character, with getting Victoriana right, and Ned makes a good amateur anthropologist--entering one crowded room, he realizes that "the reason Victorian society was so restricted and repressed was that it was impossible to move without knocking something over." Though he's still not sure what he's supposed to bring back, various of his confederates keep popping back to set him to rights. To Say Nothing of the Dog is a shaggy-dog tale complete with a preternaturally quiet, time-traveling cat, Princess Arjumand, who might well be the cause of some serious temporal incongruities--for even a mouser might change the course of European history. In the end, readers might well be more interested in Ned's romance with a fellow historian than in the bishop's bird stump, and who will not rejoice in their first Net kiss, which lasts 169 years! [via]
› Find signed collectible books: 'Two Towers'
Frodo and his Companions of the Ring have been beset by danger during their quest. They have lost the wizard Gandalf in a battle in the Mines of Moria. And Boromir, seduced by the power of the Ring, tried to seize it by force. Now Frodo and Sam continue the journey alone down the great river Anduin -- alone, that is, save for the mysterious creeping figure that follows wherever they go. [via]
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› Find signed collectible books: 'Watchmen'
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
A Q&A with Dave Gibbons on the Making of Watchmen
Question: You were tasked with drawing new illustrations of key shots from the new Watchmen film. Was it a difficult challenge to re-imagine your work in this movie format?
Dave Gibbons: I dont think that I actually did many key shots from the film. I had to actually imagine them rather than exactly recreate what was going to be in the movie. But as far as the drawings I did for the licensing purposes, accuracy was the real key so that they looked exactly like the movie. Whereas doing the graphic novel was creating stuff afresh and being very creative, this was more the case of interpreting something that already existed. So it was rather more a commercial art job than a creative thing.
Q: How many scenes from the original graphic novel did you redraw in the new "movie" format?
DG: I kind of did them piecemeal, these licensing drawings. I did do a section of storyboarding for Zack Snyder. There is a part of the movie that isnt in the graphic novel and he wanted to see how I would have drawn it, if it had been in the graphic novel. So I redid the storyboards as three pages of comic on the nine-panel grid, also getting it coloured by John Higgins so it looked authentic. But I think there were probably only 3 or 4 scenes that I drew, which were from the movie.
Q: What was your working method for producing these new illustrations from the film? And how has it changed from when you originally illustrated Watchmen?
DG: When youre producing things from existing material, you have to look at and assemble the references... you know, keep looking backwards and forwards to make sure what youre drawing is accurate to whats in the photos. I did have lots of photos from the movie and in some cases I had more or less the illustration I was going to do in photo form, which made it a lot easier. On others I had to construct it from various references: really just the usual illustrators job of drawing something to reference. And on the original illustrations of Watchmen, I was free to come up with exactly the angles and exactly the costumes and everything that I wanted to. When youve designed a costume and drawn it a few times, you actually internalize it and you find you can draw it without having to refer to reference at all. So in some ways its more creative and in some ways its easier!
Q: In Watchmen: The Art of the Film, there are concept designs by other artists of their visions of your iconic characters. What do you think of their versions and did you offer any guidance while they were working on these?
DG: Its always really interesting to see versions of your characters drawn by other artists. You tend to see things in them that you hadnt noticed before. So I really enjoyed looking at those. I certainly didnt offer them any guidance. The purpose of getting those kinds of drawings done is to get a fresh perspective on what exists. I noticed actually that they really stuck more closely to my original designs than those, but I really enjoyed seeing them.
Q: Watchmen: Portraits is Clay Enoss stunning black and white collection of photos of each character from the Watchmen movie. What was it like looking through this book at all the characters you had conceived years ago now being brought to life by actors?
DG: Its rather interesting; you know if you look at the Watching the Watchmen book you can see these characters as fairly sketchy rough conceptual versions. Then when you look at Clays book you can actually see them right down to counting the number of pores on the skin on the end of their noses! Its incredible high focus! Its like zooming in through space and time to look at the surface of some moon of Saturn or something. I thoroughly enjoyed his book... it had a real artistic quality to it that was really so good. And of course to see these actors who so much are the embodiment of what I drew, that its a tremendous thrill to see them made flesh!
Q: Watchmen: The Film Companion features some stills from the animated version of The Black Freighter. What do you think of the look and design of this animated feature?
DG: It looks really interesting! Although I drew my version in the comic book in a kind of horror-comic style, these are very much in a savage manga style. I think they work really well... theyve got the kind of manic intensity, which I think that work should have and I really cant wait to see the whole feature. Ive seen the trailer for it and that looks great and again theyve used a lot of the compositions that I came up with but just translated them to this kind of very modern drawn animation.
Q: How much time did you spend on the set of Watchmen? Was it a surreal experience to see your work recreated like this?
DG: I was on the set of Watchmen for a couple of days and it really was surreal to walk through a door and then suddenly be in the presence of all these people in living breathing flesh! I was there for what you would call the Crimebusters meeting where they were all there in costume in the same room, which was incredible. They had obviously planned that so I would get to see everyone. It was surreal though quite a wonderful experience to see it come to life.
[via]› Find signed collectible books: 'Watchmen : The Absolute Edition'
Has any comic been as lauded as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns but Watchmen remains the critics' favourite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and recently From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to garner praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterisation is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling, rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the fine pace of the writing and its humanity mean that Watchmen more than stands up--it retains its crown as the best the genre has yet produced. --Mark Thwaite [via]
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› Find signed collectible books: 'A Wrinkle in Time: Library Edition'
Everyone in town thinks Meg is volatile and dull-witted and that her younger brother Charles Wallace is dumb. People are also saying that their father has run off and left their brilliant scientist mother. Spurred on by these rumors, Meg and Charles Wallace, along with their new friend Calvin, embark on a perilous quest through space to find their father. In doing so they must travel behind the shadow of an evil power that is darkening the cosmos, one planet at a time.
Young people who have trouble finding their place in the world will connect with the "misfit" characters in this provocative story. This is no superhero tale, nor is it science fiction, although it shares elements of both. The travelers must rely on their individual and collective strengths, delving deep into their characters to find answers.
A classic since 1962, Madeleine L'Engle's A Wrinkle in Time is sophisticated in concept yet warm in tone, with mystery and love coursing through its pages. Meg's shattering yet ultimately freeing discovery that her father is not omnipotent provides a satisfying coming-of-age element. Readers will feel a sense of power as they travel with these three children, challenging concepts of time, space, and the power of good over evil. (Ages 9 to 12) [via]
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› Find signed collectible books: 'Casa Capitular Dune/ Chafterhouse Dune'
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› Find signed collectible books: 'El Hombre En El Castillo'
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› Find signed collectible books: 'El Senor De Los Anillos Ii: Las Dos Torres'
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› Find signed collectible books: 'Una Arruga En El Tiempo / A Wrinkle in Time'
Una fantasía de niños. [via]
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› Find signed collectible books: 'Die Zwei Turme II'
Der Bund ist zerbrochen, Gandalf verloren. Frodo und Sam sind fort, nur Merry und Pippin bleiben mit Boromir zurück. Da werden sie von einem Orkheer überfallen. Boromir verteidigt die Freunde bis zu seinem eigenen Tod, doch die Hobbits werden gefangengenommen. Aragorn, Legolas und Gimli nehmen ihre Spur auf. Merry und Pippin gelingt die Flucht, und sie kommen in einen geheimnisvollen Wald, wo sie Baumbart treffen, einen uralten, baumähnlichen Riesen vom Geschlecht der Ents. Er erkennt die Gefahr, die Mittelerde droht, und sammelt sein Volk, um Saruman anzugreifen. Aragorn, Legolas und Gimli treffen überraschend auf Gandalf, der nicht tot ist, aber verändert. Sie begeben sich an den Hof von Rohan, einem pferdeliebenden Volk, entlarven Schlangenzunge, Sarumans Spion, der König Thoden in seiner Gewalt hatte. Vor Helms Klamm schlagen sie eine unvergessliche Schlacht Gimli und Legolas wetteifern, wer die meisten Orks tötet Gimli gewinnt. Sie erreichen Sarumans Festung Isengard, entdecken, daß sie bereits von den Ents zerstört worden ist, und finden Merry und Pippin, beide unversehrt. Sie befreien Saruman, nachdem sie seinen Zauberstab zerbrochen haben. Zur gleichen Zeit nähern sich Frodo und Sam Mordor. Gollum, angezogen von dem Ring, folgt ihnen. Sie fangen ihn ein und machen ihn zu ihrem Führer. Gollum bringt sie zu den geheimen Stufen, dem Zugang zum Land Mordor. Dieser finstere Ort wird von Kankra bewacht, einer Riesenspinne, die Frodo mit ihrem Stachel vergiftet. Sam beschließt schweren Herzens, den Ring zu nehmen und die Quest alleine zu beenden. Doch da belauscht er ein Gespräch der Orks und erfährt, daß Frodo nicht tot ist, sondern nur bewußtlos. [via]
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