books tagged “social commentary” (Social commentary)

FOR USE IN SCHOOLS AND LIBRARIES ONLY. A 19th-century New Englander wakes up in King Arthur's Age of Chivalry for a hilarious tale of anachronisms, romantic history, and biting social satire. [via]

The thrilling jailbreak adventure of Edmond Nantes, a dashing hero who plots revenge against the enemies who betrayed him and sent him to spend the rest of his days in jail. [via]

Translated by Constance Garnett, Introduction by Ernest J. Simmons [via]

There are two classic texts that deal with crowd psychology and the irrational behavior that characterizes large groups of people acting en masse. They are The Crowd, and Extraordinary Popular Delusions and the Madness Crowds. Both books provide lucid and witty insights into the madness of crowd psychology, such as the tulipmania in Holland, when the price of tulip bulbs was up to astronomical heights. Both of these books are combined into a single volume for the price of one! [via]

Classic analysis of America's unique political character, quoted heavily by politicians and perennially popping up on history professors' reading lists. The book's enduring appeal lies in the eloquent, prophetic voice of Alexis de Tocqueville (1805-1859), a French aristocrat who visited the United States in 1831. A thoughtful young man in a still-young country, he succeede in penning this penetrating study of America's people, culture, history, geography, politics, legal system, and economy. Tocqueville asserts, I confess that in America I saw more than America; I sought the image of democracy itself, with its inclinations, its character, its prejudices, and its passions, in order to learn what we have to fear or hope from its progress. [via]

Why do otherwise intelligent individuals form seething masses of idiocy when they engage in collective action? Why do financially sensible people jump lemming-like into hare-brained speculative frenzies--only to jump broker-like out of windows when their fantasies dissolve? We may think that the Great Crash of 1929, junk bonds of the '80s, and over-valued high-tech stocks of the '90s are peculiarly 20th century aberrations, but Mackay's classic--first published in 1841--shows that the madness and confusion of crowds knows no limits, and has no temporal bounds. These are extraordinarily illuminating,and, unfortunately, entertaining tales of chicanery, greed and naivete. Essential reading for any student of human nature or the transmission of ideas.

In fact, cases such as Tulipomania in 1624--when Tulip bulbs traded at a higher price than gold--suggest the existence of what I would dub "Mackay's Law of Mass Action:" when it comes to the effect of social behavior on the intelligence of individuals, 1+1 is often less than 2, and sometimes considerably less than 0. [via]

James Randi, the celebrated magician, has written a damning indictment of the faith-healing practices of the leading televangelists and others who claim divine healing powers. Randi and his team of researchers attended scores of 'miracle services' and often were pronounced 'healed' of the non-existent illnesses they claimed. They viewed first-hand the tragedies resulting from the wide-spread belief that faith healing can cure every conceivable disease. The ministries, they discovered, were rife with deception, chicanery, and often outright fraud. Self-annointed ministers of God convince the gullible that they have been healed - and that they should pay for the service. This book examines in depth the reasons for belief in faith healing and the catastrophic results for the victims of these hoaxes. Included in Randi's book are profiles of a highly profitable 'psychic dentist', and the 'Vatican-approved wizard'. [via]

When first published in 1862, this novel of a divided Russia, with peasants set against masters and fathers set against sons, caused great outrage. But its enduring legacy of social insight and conscience mixed with drama has given it universal appeal. Features an introduction by Anna Tolstoy in an exciting new Bantam Classics' package. [via]

With the same drug-addled alacrity and jaundiced wit that made Fear and Loathing in Las Vegas a hilarious hit, Hunter S. Thompson turns his savage eye and gonzo heart to the repellent and seductive race for President. He deconstructs the 1972 campaigns of idealist George McGovern and political hack Richard Nixon, ending up with a political vision that is eerily prophetic. A classic! [via]

Flatland is one of the very few novels about math and philosophy that can appeal to almost any layperson. Published in 1880, this short fantasy takes us to a completely flat world of two physical dimensions where all the inhabitants are geometric shapes, and who think the planar world of length and width that they know is all there is. But one inhabitant discovers the existence of a third physical dimension, enabling him to finally grasp the concept of a fourth dimension. Watching our Flatland narrator, we begin to get an idea of the limitations of our own assumptions about reality, and we start to learn how to think about the confusing problem of higher dimensions. The book is also quite a funny satire on society and class distinctions of Victorian England. [via]

When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]

This five-hour long recording is a passionate summary of Bucky's ideas. He reviews his assesment of humanity's most pressing problems, global strategies for solving these problems, and the conclusions from his "56-year experiment." [via]

FOR USE IN SCHOOLS AND LIBRARIES ONLY. A guide to reading ""To Kill A Mockingbird"" with a critical and appreciative mind. Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]

Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers. [via]

In this first of five volumes of autobiography, poet Maya Angelou recounts a youth filled with disappointment, frustration, tragedy, and finally hard-won independence. Sent at a young age to live with her grandmother in Arkansas, Angelou learned a great deal from this exceptional woman and the tightly knit black community there. These very lessons carried her throughout the hardships she endured later in life, including a tragic occurrence while visiting her mother in St. Louis and her formative years spent in California--where an unwanted pregnancy changed her life forever. Marvelously told, with Angelou's "gift for language and observation," this "remarkable autobiography by an equally remarkable black woman from Arkansas captures, indelibly, a world of which most Americans are shamefully ignorant." [via]

In the horrifying, satirical near future of Max Barry's Jennifer Government, American corporations literally rule the world. Everyone takes his employer's name as his last name; once-autonomous nations as far-flung as Australia belong to the USA; and the National Rifle Association is not just a worldwide corporation, it's a hot, publicly traded stock. Hack Nike, a hapless employee seeking advancement, signs a multipage contract and then reads it. He discovers he's agreed to assassinate kids purchasing Nike's new line of athletic shoes, a stealth marketing maneuver designed to increase sales. And the dreaded government agent Jennifer Government is after him.

Like Steve Aylett, Alexander Besher, Douglas Coupland, Paul Di Filippo, Jim Munroe, Jeff Noon, and Chuck Palahniuk, Max Barry is an author of smartass, punky satire for the late capitalist era. It's a hip and happening field; before publication, Jennifer Government (Barry's second novel) was optioned by Stephen Soderbergh and George Clooney's Section 8 Films for a major motion picture. However, the level of literary accomplishment varies wildly among practitioners, from brilliant (Di Filippo and Palahniuk) to amateurish (Besher). This field is so hot, its writers needn't be nearly as accomplished as they'd have to become to break into any other form of fiction.

That said, like many of his fellow turn-of-the-millennium satirists, Barry is uneven. He has a lively imagination and a sharp eye for the absurdities and offenses of hypercorporate capitalism. But, with its sketchy characters and slow dialogue, Jennifer Government will disappoint anyone who believes the cover copy's grandiose claim that this is "a Catch-22 for the New World Order." --Cynthia Ward [via]

5 stories in one the grapes of wrath the moon is down cannery row east of eden of mice and men [via]

The Grapes of Wrath / The Moon Is Down / Cannery Row / East of Eden / Of Mice and Men [via]

FOR USE IN SCHOOLS AND LIBRARIES ONLY. The powerful story of a young boy and his tragic fate in World War I makes a terrifying statement on the horrors of war and a compelling plea for peace. [via]

Originally published in 1888, Looking Backward is Edward Bellamy's most famous work. The story revolves around Julian West, a man who falls asleep near the end of the 19th century and wakes up in the year 2000. During the time he slept, the United States became a socialist utopia. The majority of the book is a vehicle for Bellamy to expound upon his ideas about societal improvement. Americans in his year 2000 work fewer hours, retire early, and receive all they need from the government. Entertaining and oddly prophetic in some ways, Bellamy's vision of the future from the perspective of the late 19th century is highly engaging. American author EDWARD BELLAMY (1850-1898) also wrote Dr. Heidenhoff's Process (1880), Equality (1897), and The Duke of Stockbridge (1900). [via]

NEW YORK TIMES BESTSELLER"[This] may be as close as Vonnegut ever comes to a memoir." -Los Angeles Times"Like [that of] his literary ancestor Mark Twain, [Kurt Vonnegut's] crankiness is good-humored and sharp-witted. . . . [Reading A Man Without a Country is] like sitting down on the couch for a long chat with an old friend." -The New York Times Book ReviewIn a volume that is penetrating, introspective, incisive, and laugh-out-loud funny, one of the great men of letters of this age-or any age-holds forth on life, art, sex, politics, and the state of America's soul. From his coming of age in America, to his formative war experiences, to his life as an artist, this is Vonnegut doing what he does best: Being himself. Whimsically illustrated by the author, A Man Without a Country is intimate, tender, and brimming with the scope of Kurt Vonnegut's passions."For all those who have lived with Vonnegut in their imaginations . . . this is what he is like in person." -USA Today"Filled with [Vonnegut's] usual contradictory mix of joy and sorrow, hope and despair, humor and gravity." -Chicago Tribune"Fans will linger on every word . . . as once again [Vonnegut] captures the complexity of the human condition with stunning calligraphic simplicity." -The Australian"Thank God, Kurt Vonnegut has broken his promise that he will never write another book. In this wondrous assemblage of mini-memoirs, we discover his family's legacy and his obstinate, unfashionable humanism." -Studs Terkel [via]

From the acclaimed author of The Remains of the Day and When We Were Orphans, a moving new novel that subtly reimagines our world and time in a haunting story of friendship and love.

As a child, Kathynow thirty-one years oldlived at Hailsham, a private school in the scenic English countryside where the children were sheltered from the outside world, brought up to believe that they were special and that their well-being was crucial not only for themselves but for the society they would eventually enter. Kathy had long ago put this idyllic past behind her, but when two of her Hailsham friends come back into her life, she stops resisting the pull of memory.

And so, as her friendship with Ruth is rekindled, and as the feelings that long ago fueled her adolescent crush on Tommy begin to deepen into love, Kathy recalls their years at Hailsham. She describes happy scenes of boys and girls growing up together, unperturbedeven comfortedby their isolation. But she describes other scenes as well: of discord and misunderstanding that hint at a dark secret behind Hailshams nurturing facade. With the dawning clarity of hindsight, the three friends are compelled to face the truth about their childhoodand about their lives now.

A tale of deceptive simplicity, Never Let Me Go slowly reveals an extraordinary emotional depth and resonanceand takes its place among Kazuo Ishiguros finest work. [via]

"Man was born free, but everywhere he is in chains." Thus begins Rousseau's influential 1762 work, in which he argues that all government is fundamentally flawed and that modern society is based on a system of inequality. The philosopher posits that a good government can justify its need for individual compromises and that promoting social settings in which people transcend their immediate appetites and desires leads to the development of self-governing, self-disciplined beings. A milestone of political science, these essays are essential reading for students of history, philosophy, and other social sciences. G. D. H. Cole translation. [via]

Anne Elliot, heroine of Austen's last novel, did something we can all relate to: Long ago, she let the love of her life get away. In this case, she had allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, social stationwise, and that Anne could do better. The novel opens some seven years after Anne sent her beau packing, and she's still alone. But then the guy she never stopped loving comes back from the sea. As always, Austen's storytelling is so confident, you can't help but allow yourself to be taken on the enjoyable journey. [via]

Alexandra Robbins wanted to find out if the stereotypes about sorority girls were actually true, so she spent a year with a group of girls in a typical sorority. The sordid behavior of sorority girls exceeded her worst expectations-drugs, psychological abuse, extreme promiscuity, racism, violence, and rampant eating disorders are just a few of the problems. But even more surprising was the fact that these abuses were inflicted and endured by intelligent, successful, and attractive women. Why is the desire to belong to a sorority so powerful that women are willing to engage in this type of behavior-especially when the women involved are supposed to be considered 'sisters'? What definition of sisterhood do many women embrace? Pledged combines a sharp-eyed narrative with extensive reporting and the fly-on-the-wall voyeurism of reality shows to provide the answer. [via]

Many mothers have long suspected that they're getting the short end of the deal--and finally, a highly respected economics journalist proves they're not just griping. Despite all the lip service given to the importance of motherhood, American mothers are not only not paid for all the work they do, but also penalized for it. "The gift of care can be both selfless and exploited," writes Ann Crittenden in this intrepid and groundbreaking work. Motherhood is dangerously undervalued--it's now the single biggest risk factor for poverty in old age. Mothers lose out in forgone income if they stay at home, an inflexible job market makes part-time work scarce or inadequately paid, and in the case of divorce, they're refused family assets by divorce laws that don't count their unpaid work.

Crittenden is fond of pointing out the hypocrisies plaguing America, and one is the belief in a welfare state enabling single mothers. The true welfare state, she says, protects paid workers from unforeseen risks through social security, unemployment insurance, and workman's compensation. Mothers who work part-time or not at all have no such safety net and typically take a nosedive into poverty, along with their children, after divorce or the death of their spouse. Married working moms are also punished--they pay the highest taxes on earned income in America. Crittenden's impassioned argument is based on research in a variety of fields, from economics to child development to demography. She shows how mothers were demoted from an economic asset to dependents, why welfare for only a certain group of mothers bred bitterness among the rest, and why there is currently an exodus of highly trained women from the work force.

Crittenden also travels far and wide for solutions. She finds them not only in such European nations as Sweden--which has abolished child poverty by giving mothers a year's paid leave, cash subsidies, and flexible work schedules--but in the U.S. military, which runs the best subsidized child-care program in the country and knows the value of providing special benefits to those who selflessly serve their country. Ultimately, Crittenden insists, the equality women have been fighting for will only be achieved when mothers are recognized as productive citizens creating a much-needed public good--human capital, or in layman's terms, well-raised children who grow into productive, law abiding citizens (and who pay into social security). This is an admirable--and charged--defense of motherhood, reminding us that unpaid female labor is "the priceless, invisible heart of the economy," and those who engage in this labor deserve the same rights, and the same respect, as other workers. --Lesley Reed [via]

From one of Americas most critically acclaimed graphic novel writers  inspired by true events, a startlingly original look at life on the streets of Baghdad during the Iraq War.

In his award-winning work on Y THE LAST MAN and EX MACHINA (one of Entertainment Weeklys 2005 Ten Best Fiction titles), writer Brian K. Vaughan has displayed an understanding of both the cost of survival and the political nuances of the modern world. Now, in this provocative graphic novel, Vaughan examines life on the streets of war-torn Iraq.

In the spring of 2003, a pride of lions escaped from the Baghdad zoo during an American bombing raid. Lost and confused, hungry but finally free, the four lions roamed the decimated streets of Baghdad in a desperate struggle for their lives. In documenting the plight of the lions, PRIDE OF BAGHDAD raises questions about the true meaning of liberation  can it be given or is it earned only through self-determination and sacrifice? And in the end, is it truly better to die free than to live life in captivity?

Based on a true story, VAUGHAN and artist NIKO HENRICHON (Barnum!) have created a unique and heartbreaking window into the nature of life during wartime, illuminating this struggle as only the graphic novel can. [via]

First published in 1993 on the one-year anniversary of the L.A. riots, Race Matters has since become an American classic. Beacon Press is proud to present this hardcover edition with a new introduction by Cornel West. The issues that it addresses are as controversial and urgent as before, and West's insights remain fresh, exciting, and timely. Now more than ever, Race Matters is a book for all Americansone that will help us build a genuine multiracial democracy. [via]

An inspired blend of memoir and literary criticism, Reading Lolita in Tehran is a moving testament to the power of art and its ability to change and improve people's lives. In 1995, after resigning from her job as a professor at a university in Tehran due to repressive policies, Azar Nafisi invited seven of her best female students to attend a weekly study of great Western literature in her home. Since the books they read were officially banned by the government, the women were forced to meet in secret, often sharing photocopied pages of the illegal novels. For two years they met to talk, share, and "shed their mandatory veils and robes and burst into color." Though most of the women were shy and intimidated at first, they soon became emboldened by the forum and used the meetings as a springboard for debating the social, cultural, and political realities of living under strict Islamic rule. They discussed their harassment at the hands of "morality guards," the daily indignities of living under the Ayatollah Khomeini's regime, the effects of the Iran-Iraq war in the 1980s, love, marriage, and life in general, giving readers a rare inside look at revolutionary Iran. The books were always the primary focus, however, and they became "essential to our lives: they were not a luxury but a necessity," she writes.

Threaded into the memoir are trenchant discussions of the work of Vladimir Nabokov, F. Scott Fitzgerald, Jane Austen, and other authors who provided the women with examples of those who successfully asserted their autonomy despite great odds. The great works encouraged them to strike out against authoritarianism and repression in their own ways, both large and small: "There, in that living room, we rediscovered that we were also living, breathing human beings; and no matter how repressive the state became, no matter how intimidated and frightened we were, like Lolita we tried to escape and to create our own little pockets of freedom," she writes. In short, the art helped them to survive. --Shawn Carkonen [via]

"DOUGLAS ADAMS IS A TERRIFIC SATIRIST."
--The Washington Post Book World
Facing annihilation at the hands of the warlike Vogons is a curious time to have a craving for tea. It could only happen to the cosmically displaced Arthur Dent and his curious comrades in arms as they hurtle across space powered by pure improbability--and desperately in search of a place to eat.
Among Arthur's motley shipmates are Ford Prefect, a longtime friend and expert contributor to the Hitchhiker's Guide to the Galaxy; Zaphod Beeblebrox, the three-armed, two-headed ex-president of the galaxy; Tricia McMillan, a fellow Earth refugee who's gone native (her name is Trillian now); and Marvin, the moody android who suffers nothing and no one very gladly. Their destination? The ultimate hot spot for an evening of apocalyptic entertainment and fine dining, where the food (literally) speaks for itself.
Will they make it? The answer: hard to say. But bear in mind that the Hitchhiker's Guide deleted the term "Future Perfect" from its pages, since it was discovered not to be!
"What's such fun is how amusing the galaxy looks through Adams' sardonically silly eyes."
--Detroit Free Press [via]

With the publication of The Social Contract in 1761, Jean-Jacques Rousseau took his place among the leading political philosophers of the Enlightenment. Like his contractarian predecessors (Thomas Hobbes and John Locke), Rousseau sought to ground his political theory in an understanding of human nature, which he believed to be basically good but corrupted by the conflicting inteerests within society. Here self-interest degenerated into a state of war from which humanity could only be extricated by the imposition of a contract. As a party to the compact, each individual would find his true interest served within the political expression of the community of man, or the "general will."What is the content of human nature and how does it compel mankind to come together to create a civil society? What form does this society take? What benefits does it offer its citizens, and what must each individual sacrifice to reap its rewards? How does sovereign power manifest itself, and what consequences follow for those who choose not to abide by the "general will"? Does Rousseau's political theory set forth a blueprint for democracyone that results in equality, universal suffrage, and popular sovereigntyor is it a recipe for central state totalitarianism? These are just a few of the complex questions that will confront readers of The Social Contract.Whatever their intent or iltimate result, Jean-Jacques Rousseau's views on the state and man's relationship to it have culminated in one of the most powerful and compelling pieces of political philosophy ever written. [via]

Described by Henry James as "much less a book than a state of vision," "Uncle Tom's Cabin" is probably the most influential work of fiction in American history. Stowe's moving Christian epic turned millions of Americans against slavery, bringing the "peculiar institution" immeasurably closer to its fiery destruction. In "The Minister's Wooing" and "Oldtown Folks," Stowe examines the interplay of religion, domesticity, and women's roles and choices in the shaping of American culture. [via]

"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."

Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.

Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber [via]

[Eric Hoffer] is a student of extraordinary perception and insight. The range of his reading and research is vast, amazing. [The True Believer is] one of the most provocative books of our immediate day.Christian Science Monitor

The famous bestseller with concise insight into what drives the mind of the fanatic and the dynamics of a mass movement (Wall St. Journal) by Presidential Medal of Freedom recipient Eric Hoffer, The True Believer is a landmark in the field of social psychology, and even more relevant today than ever before in history. Called a brilliant and original inquiry and a genuine contribution to our social thought by Arthur Schlesinger, Jr., The True Believer is mandatory reading for anyone interested in the machinations by which an individual becomes a fanatic.

Uncle Tom's Cabin is an American classic written by Harriet Beecher Stowe. Harriet Beecher Stowe was appalled by slavery, and she took one of the few options open to nineteenth-century women who wanted to affect public opinion: she wrote a novel, a huge, enthralling narrative that claimed the heart, soul, and politics of pre-Civil War Americans. An overtly moralistic work of unabashed propaganda, it is an attempt to make whites North and South see slaves as mothers, fathers, and children as human beings. Her basic question remains penetrating even today: Is man ever a creature to be trusted with wholly irresponsible power? Uncle Tom's Cabin is an American classic that every American should read. [via]

Uncle Tom's Cabin is an American classic written by Harriet Beecher Stowe. Harriet Beecher Stowe was appalled by slavery, and she took one of the few options open to nineteenth-century women who wanted to affect public opinion: she wrote a novel, a huge, enthralling narrative that claimed the heart, soul, and politics of pre-Civil War Americans. An overtly moralistic work of unabashed propaganda, it is an attempt to make whites North and South see slaves as mothers, fathers, and children as human beings. Her basic question remains penetrating even today: Is man ever a creature to be trusted with wholly irresponsible power? Uncle Tom's Cabin is an American classic that every American should read. [via]

Orson Scott Card's Xenocide is a space opera with verve. In this continuation of Ender Wiggin's story, the Starways Congress has sent a fleet to immolate the rebellious planet of Lusitania, home to the alien race of pequeninos, and home to Ender Wiggin and his family. Concealed on Lusitania is the only remaining Hive Queen, who holds a secret that may save or destroy humanity throughout the galaxy. Familiar characters from the previous novels continue to grapple with religious conflicts and family squabbles while inventing faster-than-light travel and miraculous virus treatments. Throw into the mix an entire planet of mad geniuses and a self-aware computer who wants to be a martyr, and it's hard to guess who will topple the first domino. Due to the densely woven and melodramatic nature of the story, newcomers to Ender's tale will want to start reading this series with the first books, Ender's Game and Speaker for the Dead. --Brooks Peck [via]