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› Find signed collectible books: 'Beowulf'
The epic poem of war and adventure.
Beowulf is the earliest extant poem in a modern European language. It was composed in England four centuries before the Norman Conquest. But no one knows exactly when it was composed, or by whom, or why. As a social document this great epic reflects a feudal, newly Christian world of heroes and monsters, blood and victory and death.
* Burton Raffel's modern language translation from the original Old English remains the most celebrated introduction of the poem to students and the general reader alike
* Includes a glossary of terms [via]
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A verse translation of the first great narrative poem in the English language that captures the feeling and tone of the original.
[via]› Find signed collectible books: 'Beowulf'
A translation of the first epic poem in the English language. [via]
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The text of this edition of Beowulf is based on the highly regarded Donaldson prose translation of the Anglo-Saxon epic poem.
Accurate and literally faithful, the Donaldson translation conveys the full meaning and spirit of the original.› Find signed collectible books: 'Beowulf: An Illustrated Edition'
In Beowulf warriors must back up their mead-hall boasts with instant action, monsters abound, and fights are always to the death. The Anglo-Saxon epic, composed between the 7th and 10th centuries, has long been accorded its place in literature, though its hold on our imagination has been less secure. In the introduction to his translation, Seamus Heaney argues that Beowulf's role as a required text for many English students obscured its mysteries and "mythic potency." Now, thanks to the Irish poet's marvelous recreation (in both senses of the word) under Alfred David's watch, this dark, doom-ridden work gets its day in the sun.
There are endless pleasures in Heaney's analysis, but readers should head straight for the poem and then to the prose. (Some will also take advantage of the dual-language edition and do some linguistic teasing out of their own.) The epic's outlines seem simple, depicting Beowulf's three key battles with the scaliest brutes in all of art: Grendel, Grendel's mother (who's in a suitably monstrous snit after her son's dismemberment and death), and then, 50 years later, a gold-hoarding dragon "threatening the night sky / with streamers of fire." Along the way, however, we are treated to flashes back and forward and to a world view in which a thane's allegiance to his lord and to God is absolute. In the first fight, the man from Geatland must travel to Denmark to take on the "shadow-stalker" terrorizing Heorot Hall. Here Beowulf and company set sail:
Men climbed eagerly up the gangplank,After a fearsome night victory over march-haunting and heath-marauding Grendel, our high-born hero is suitably strewn with gold and praise, the queen declaring: "Your sway is wide as the wind's home, / as the sea around cliffs." Few will disagree. And remember, Beowulf has two more trials to undergo.
sand churned in the surf, warriors loaded
a cargo of weapons, shining war-gear
in the vessel's hold, then heaved out,
away with a will in their wood-wreathed ship.
Over the waves, with the wind behind her
and foam at her neck, she flew like a bird...
Heaney claims that when he began his translation it all too often seemed "like trying to bring down a megalith with a toy hammer." The poem's challenges are many: its strong four-stress line, heavy alliteration, and profusion of kennings could have been daunting. (The sea is, among other things, "the whale-road," the sun is "the world's candle," and Beowulf's third opponent is a "vile sky-winger." When it came to over-the-top compound phrases, the temptations must have been endless, but for the most part, Heaney smiles, he "called a sword a sword.") Yet there are few signs of effort in the poet's Englishing. Heaney varies his lines with ease, offering up stirring dialogue, action, and description while not stinting on the epic's mix of fate and fear. After Grendel's misbegotten mother comes to call, the king's evocation of her haunted home may strike dread into the hearts of men and beasts, but it's a gift to the reader:
A few miles from hereIn Heaney's hands, the poem's apparent archaisms and Anglo-Saxon attitudes--its formality, blood-feuds, and insane courage--turn the art of an ancient island nation into world literature. --Kerry Fried [via]
a frost-stiffened wood waits and keeps watch
above a mere; the overhanging bank
is a maze of tree-roots mirrored in its surface.
At night there, something uncanny happens:
the water burns. And the mere bottom
has never been sounded by the sons of men.
On its bank, the heather-stepper halts:
the hart in flight from pursuing hounds
will turn to face them with firm-set horns
and die in the wood rather than dive
beneath its surface. That is no good place.
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Beowulf stands at the head of English literature; a poem of historical interest and epic scope. Although the first manuscript of Beowulf dates from around the year 1000 CE, it is thought that the poem existed in its present form from the year 850. Beowulf's adventures themselves stand in front of the wide historical canvas of 5th and 6th century Scandinavia. Against this heroic background of feuding and feasting, Beowulf first kills the monster Grendel and her mother, and later defends his people against a dragon in a battle that leaves them both mortally wounded.
@Eazy-B Uh oh. Grendel's mom showed up. She is really pissed. Wait. Monsters have feelings?
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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This translation of Beowulf was made in the last years of the 1940s and was published in hardback by the Hand and Flower Press in 1952. In the present Carcanet edition, poem and introduction have been kept the same. [via]
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This exhilarating graphic-novel edition of an ancient classic honors the spirit of the original as it attracts modern readers.
The epic tale of the great warrior Beowulf has thrilled readers through the ages and now it is reinvented for a new generation with Gareth Hindss masterful illustrations. Grendels black blood runs thick as Beowulf defeats the monster and his hideous mother, while somber hues overcast the heros final, fatal battle against a raging dragon. Speeches filled with courage and sadness, lightning-paced contests of muscle and will, and funeral boats burning on the fjords are all rendered in glorious and gruesome detail. Told for more than a thousand years, Beowulfs heroic saga finds a true home in this graphic-novel edition. [via]
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Dating from between the 8th and 11th century Beowulf is the oldest known English epic poem. Beowulf is a narrative poem about the kings and heroes of Denmark and Geatland. It is a story of mythic creatures and medieval battles between men and monsters. Follow the adventures of Beowulf, the story's title character, as he battles the Grendel, the Grendel's mother, and a dragon. As you read imagine yourself in one of the taverns or royal courts of Old England hearing the great epic Beowulf, for the first time as you might well have then. Passed down by oral tradition Beowulf's author is to this day unknown. The original manuscript was written in Anglo-Saxon or Old English. Presented here is the faithful translation of Francis B. Gummere. [via]
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Widely regarded as the first true masterpiece of English literature, Beowulf describes the thrilling adventures of a great Scandinavian warrior of the sixth century. Its lyric intensity and imaginative vitality are unparalleled, and the poem has greatly influenced many important modern novelists and poets, most notably J. R. R. Tolkien, author of The Lord of the Rings.
Part history and part mythology, Beowulf opens in the court of the Danish king where a horrible demon named Grendel devours men in their sleep every night. The hero Beowulf arrives and kills the monster, but joy turns to horror when Grendels mother attacks the hall to avenge the death of her son. Ultimately triumphant, Beowulf becomes king himself and rules peacefully for fifty years until, one dark day, a foe more powerful than any he has yet faced is arousedan ancient dragon guarding a horde of treasure. Once again, Beowulf must summon all his strength and courage to face the beast, but this time victory exacts a terrible price.
New translation by John McNamara. Features an original map and genealogy chart.
John McNamara is Professor of English at the University of Houston, where he teaches the early languages and literatures of England, Scotland, and Ireland, with a special focus on their oral traditions. He is the co-editor of Medieval Folklore: An Encyclopedia of Myths, Legends, Tales, Beliefs, and Customs.
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This is the story of a young man who travelled far across the sea to fight two terrifying monsters-one who could rip a man apart and drink his blood, the other who lived like a sea-wolf at the bottom of a dark, blood-stained lake. The young hero's name was Beowulf, and his story, first written in Anglo-Saxon in the eighth century, has become one of the world's most famous epics. Kevin Crossley-Holland retells the story for children in quick-paced, rhythmical prose accompanied by Charles Keeping's striking illustrations. Together they bring to life the beauty and power of one of the first great English poems. [via]
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The poem 'Beowulf' is one of the glories of European Literature. It was composed in Anglo-Saxon verse early in the eighth century and has come down to just one surviving manuscript. This is the text that Julian Glover has taken for this book. [via]
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When an evil monster terrorizes the land, only one man can stop him. A new horror stalks the ancient kingdom of the Danes. Grendel, a hideous beast, has crawled from hell to lay waste to the country and devour its people. His reign of slaughter seems unstoppable. The mighty warrior Beowulf comes forward to fight this demonic enemy. But Grendel has a powerful and deadly ally. Can Beowulf survive the rage of a fiendish mother who will destroy anyone who harms her child? [via]
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The classic story of Beowulf, hero and dragon-slayer, appears here in a new translation accompanied by genealogical charts, historical summaries, and a glossary of proper names. These and other documents sketching some of the cultural forces behind the poem's final creation will help readers see Beowulf as an exploration of the politics of kingship and the psychology of heroism, and as an early English meditation on the bridges and chasms between the pagan past and the Christian present. A generous sample of other modern versions of Beowulf sheds light on the process of translating the poem. [via]
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› Find signed collectible books: 'Beowulf : A Dual Language Edition'
This presentation of the translation and the Old English Text on facing pages allows the reader to approach the first major poem in English literature in a fresh and exciting new way. Includes a Guide to Reading Aloud, Introduction, Commentary and notes for translation from the original. [via]
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› Find signed collectible books: 'Beowulf: A Verse Translation'
Winner of the Whitbread Prize, Seamus Heaneys translation "accomplishes what before now had seemed impossible: a faithful rendering that is simultaneously an original and gripping poem in its own right" (New York Times Book Review).
The translation that "rides boldly through the reefs of scholarship" (The Observer) is combined with first-rate annotation. No reading knowledge of Old English is assumed. Heaneys clear and insightful introduction to Beowulf provides students with an understanding of both the poems history in the canon and Heaneys own translation process. [via]More editions of Beowulf: A Verse Translation:

› Find signed collectible books: 'Beowulf: An Adaptation by Julian Glover of the Verse Translations of Michael Alexander and Edwin Morgan'
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› Find signed collectible books: 'Beowulf: An Imitative Translation'
The name "Beowulf" lingers in our collective memory, although today fewer people have heard the tale of the Germanic hero's fight with Grendel, the dreadful Monster of the Mere, as recounted in this Anglo-Saxon epic.
This edition of Beowulf makes the poem more accessible than ever before. Ruth Lehmann's imitative translation is the only one available that preserves both the story line of the poem and the alliterative versification of the Anglo-Saxon original. The characteristic features of Anglo-Saxon poetry-- alliterative verse with first-syllable stress, flexible word order, and inflectional endings--have largely disappeared in Modern English, creating special problems for the translator. Indeed, many other translations of Beowulf currently available are either in prose or in some modern poetic form. Dr. Lehmann's translation alone conveys the "feel" of the original, its rhythm and sound, the powerful directness of the Germanic vocabulary.
In her introduction, Dr. Lehmann gives a succinct summary of the poem's plot, touching on the important themes of obligation and loyalty, of family feuds, unforgivable crimes, the necessity of revenge, and the internal and external struggles of the Scandinavian tribes. She also describes the translation process in some detail, stating the guiding principles she used and the inevitable compromises that were sometimes necessary.
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› Find signed collectible books: 'Beowulf and Other Old English Poems'
Unique and beautiful, Beowulf brings to life a society of violence and honor, fierce warriors and bloody battles, deadly monsters and famous swords. Written by an unknown poet in about the eighth century, this masterpiece of Anglo-Saxton literature transforms legends, myth, history, and ancient songs into the richly colored tale of the hero Beowulf, the loathsome man-eater Grendel, his vengeful water-hag mother, and a treasure-hoarding dragon. The earliest surviving epic poem in any modern European language. Beowulf is a stirring portrait of a heroic worldsomber, vast, and magnificent. [via]
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› Find signed collectible books: 'Beowulf: Letterpress Edition'
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› Find signed collectible books: 'Beowulf: The Fight at Finnsburh'
The finest literary work passed down to us from Anglo-Saxon times, Beowulf celebrates the existence of heroism in a dark world of feuds, violence, and uncertainty. Set in the legendary Scandinavian past, Beowulf comes to the aid of the Danish king Hrothgar by killing the terrifying monster Grendel and its vengeful mother. A lifetime later, Beowulf courageously prepares for another great battle when a fiery dragon threatens his own kingdom. This acclaimed translation contains a critical introduction, a full index of names, and extensive notes. [via]
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› Find signed collectible books: 'The Government of the Tongue: Selected Prose, 1978-1987'
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› Find signed collectible books: 'The Government of the Tongue: The 1986 T.S. Eliot Memorial Lectures and Other Critical Writings'
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› Find signed collectible books: 'A Match to the Heart/One Woman's Story of Being Struck by Lightning'
The author of The Solace of Open Spaces describes her experience of being struck by lightning in August 1991; the physical, psychological, and spiritual impact of the accident; and her struggle back to health. 25,000 first printing. [via]
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› Find signed collectible books: 'Modern Irish Poetry: Tradition and Continuity from Yeats to Heaney'
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› Find signed collectible books: 'New Selected Poems, 1966-1987'
An updated selection of all Heaney's books, up to and including "The Haw Lantern", which was published in 1987. The book also includes selections from "Stations", prose poems of 1975 which have never appeared except as a pamphlet. [via]
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› Find signed collectible books: 'Opened Ground: Selected Poems 1966-1996'
For Seamus Heaney, "opened ground" is a necessity--a way of getting to the root of things. The book bearing that name spans three decades, beginning with "Digging," his exhilarating portrait of the artist as a young revolutionary. "Between my finger and my thumb / The squat pen rests; snug as a gun," Heaney boasts (although by the end of the poem, his weapon has metamorphosed into something closer to the spade his grandfather and father once relied upon). The last entry, the sonnet "Postscript," appears some 400 pages later, which makes Opened Ground a capacious selection of his work. But at this point Heaney requires the largest of hold-alls. There are beautiful, pastoral lyrics here, sequences such as "Glanmore Sonnets" and "Clearances," and a multitude of love poems, not solely to his wife but to his parents and children. And in Heaney's hands, small domestic moments and objects--a scrabble board, a swing, a kite, a bed sawn in half to get it downstairs--invariably become both reality and soaring myth.
At the same time, his Ireland is the site of "neighborly murders," and the past and larger world he confronts is one threatened by history and brutal sectarianism. Heaney has declared, "Fear is the emotion that the muse thrives on. That's always there"--and terror is pervasive in his "land of password, handgrip, wink and nod, / Of open minds as open as a trap." Many of his poems that explore the Troubles reflect his own considerable concern that he has long "confused evasion and artistic tact." Others might be termed self-reflexive, since Heaney uses them to unearth his own role. "Kinship" features a simple, brilliant (not to mention canine!) simile:
I step through originsIn a later poem, "From the Frontier of Writing," he compares the struggle for inspiration to being stopped at a roadblock: "And everything is pure interrogation / until a rifle motions you and you move / with guarded unconcerned acceleration." Heaney's gift is dazzling, and would be almost unbearable were it not matched by vigilance, self-doubt, and regret--and his longing for the day in which "justice can rise up / And hope and history rhyme." --Kerry Fried [via]
like a dog turning
its memories of wilderness
on the kitchen mat.
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› Find signed collectible books: 'The Paris Review Book of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, Travels, the Art of Writing, and Everything Else in the World since 1953'
More editions of The Paris Review Book of Heartbreak, Madness, Sex, Love, Betrayal, Outsiders, Intoxication, War, Whimsy, Horrors, God, Death, Dinner, Baseball, Travels, the Art of Writing, and Everything Else in the World since 1953:
› Find signed collectible books: 'The Penguin Book of Contemporary Irish Poetry'
The vitality, richness and range of Irish poetry over the last forty years, together with the strength of its traditions, are vividly demonstrated in this collection.
The anthology includes generous selections of poems by such exemplary and celebrated figures as Thomas Kinsella, John Montague and Seamus Heaney and, among younger poets, Paul Muldoon, Paul Durcan and Nuala Ni Dhomhnaill. It introduces to an international audience a number of poets whose work is insufficiently known outside Ireland (representing, moreover, the dual traditions they inherit) and includes some poems in Irish, with translations.
Irish poetry features at the forefront of modern writing in English, which these varied voices extend and enhance. [via]
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› Find signed collectible books: 'Rattle Bag: An Anthology of Poetry'
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› Find signed collectible books: 'Redress of Poetry: An Inaugural Lecture Delivered Before the University of Oxford Oct 24 1989'
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› Find signed collectible books: 'The Redress of Poetry: Oxford Lectures'
The lectures in this book were delivered by Seamus Heaney when he was Professor of Poetry at Oxford. The subjects include Marlowe's "Hero and Leander", Clare's vernacular writing, Wilde's "The Ballad of Reading Gaol", and work by Elizabeth Bishop, Yeats, Larkin and Dylan Thomas. [via]
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› Find signed collectible books: 'Selected Poems, 1966-1987'
Seamus Heaney was the winner of the 1996 Nobel Prize, and this collection reveals the range, sureness, and quality of his achievements. Includes the complete and revised version of his long poem, "Station Island," as well as a number of prose poems previously unpublished in the U.S. [via]

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› Find signed collectible books: 'Sweet Smell Of Success'
For Seamus Heaney, "opened ground" is a necessity--a way of getting to the root of things. The book bearing that name spans three decades, beginning with "Digging," his exhilarating portrait of the artist as a young revolutionary. "Between my finger and my thumb / The squat pen rests; snug as a gun," Heaney boasts (although by the end of the poem, his weapon has metamorphosed into something closer to the spade his grandfather and father once relied upon). The last entry, the sonnet "Postscript," appears some 400 pages later, which makes Opened Ground a capacious selection of his work. But at this point Heaney requires the largest of hold-alls. There are beautiful, pastoral lyrics here, sequences such as "Glanmore Sonnets" and "Clearances," and a multitude of love poems, not solely to his wife but to his parents and children. And in Heaney's hands, small domestic moments and objects--a scrabble board, a swing, a kite, a bed sawn in half to get it downstairs--invariably become both reality and soaring myth.
At the same time, his Ireland is the site of "neighborly murders," and the past and larger world he confronts is one threatened by history and brutal sectarianism. Heaney has declared, "Fear is the emotion that the muse thrives on. That's always there"--and terror is pervasive in his "land of password, handgrip, wink and nod, / Of open minds as open as a trap." Many of his poems that explore the Troubles reflect his own considerable concern that he has long "confused evasion and artistic tact." Others might be termed self-reflexive, since Heaney uses them to unearth his own role. "Kinship" features a simple, brilliant (not to mention canine!) simile:
I step through originsIn a later poem, "From the Frontier of Writing," he compares the struggle for inspiration to being stopped at a roadblock: "And everything is pure interrogation / until a rifle motions you and you move / with guarded unconcerned acceleration." Heaney's gift is dazzling, and would be almost unbearable were it not matched by vigilance, self-doubt, and regret--and his longing for the day in which "justice can rise up / And hope and history rhyme." --Kerry Fried [via]
like a dog turning
its memories of wilderness
on the kitchen mat.
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