From the very start of its very first scene, The Amber Spyglass will set hearts fluttering and minds racing. All we'll say here is that we immediately discover who captured Lyra at the end of The Subtle Knife, though we've yet to discern whether this individual's intent is good, evil, or somewhere in between. We also learn that Will still possesses the blade that allows him to cut between worlds, and has been joined by two winged companions who are determined to escort him to Lord Asriel's mountain redoubt. The boy, however, has only one goal in mind--to rescue his friend and return to her the alethiometer, an instrument that has revealed so much to her and to readers of The Golden Compass and its follow-up. Within a short time, too, we get to experience the "tingle of the starlight" on Serafina Pekkala's skin as she seeks out a famished Iorek Byrnison and enlists him in Lord Asriel's crusade:
A complex web of thoughts was weaving itself in the bear king's mind, with more strands in it than hunger and satisfaction. There was the memory of the little girl Lyra, whom he had named Silvertongue, and whom he had last seen crossing the fragile snow bridge across a crevasse in his own island of Svalbard. Then there was the agitation among the witches, the rumors of pacts and alliances and war; and then there was the surpassingly strange fact of this new world itself, and the witch's insistence that there were many more such worlds, and that the fate of them all hung somehow on the fate of the child.
Meanwhile, two factions of the Church are vying to reach Lyra first. One is even prepared to give a priest "preemptive absolution" should he succeed in committing mortal sin. For these tyrants, killing this girl is no less than "a sacred task."
In the final installment of his trilogy, Philip Pullman has set himself the highest hurdles. He must match its predecessors in terms of sheer action and originality and resolve the enigmas he already created. The good news is that there is no critical bad news--not that The Amber Spyglass doesn't contain standoffs and close calls galore. (Who would have it otherwise?) But Pullman brings his audacious revision of Paradise Lost to a conclusion that is both serene and devastating. In prose that is transparent yet lyrical and 3-D, the author weaves in and out of his principals' thoughts. He also offers up several additional worlds. In one, Dr. Mary Malone is welcomed into an apparently simple society. The environment of the mulefa (again, we'll reveal nothing more) makes them rich in consciousness while their lives possess a slow and stately rhythm. These strange creatures can, however, be very fast on their feet (or on other things entirely) when necessary. Alas, they are on the verge of dying as Dust streams out of their idyllic landscape. Will the Oxford dark-matter researcher see her way to saving them, or does this require our young heroes? And while Mary is puzzling out a cure, Will and Lyra undertake a pilgrimage to a realm devoid of all light and hope, after having been forced into the cruelest of sacrifices--or betrayals.
Throughout his galvanizing epic, Pullman sustains scenes of fierce beauty and tenderness. He also allows us a moment or two of comic respite. At one point, for instance, Lyra's mother bullies a series of ecclesiastical underlings: "The man bowed helplessly and led her away. The guard behind her blew out his cheeks with relief." Needless to say, Mrs. Coulter is as intoxicating and fluid as ever. And can it be that we will come to admire her as she plays out her desperate endgame? In this respect, as in many others, The Amber Spyglass is truly a book of revelations, moving from darkness visible to radiant truth. --Kerry Fried[via]
American Gods is Neil Gaiman's best and most ambitious novel yet, a scary, strange, and hallucinogenic road-trip story wrapped around a deep examination of the American spirit. Gaiman tackles everything from the onslaught of the information age to the meaning of death, but he doesn't sacrifice the razor-sharp plotting and narrative style he's been delivering since his Sandman days.
Shadow gets out of prison early when his wife is killed in a car crash. At a loss, he takes up with a mysterious character called Wednesday, who is much more than he appears. In fact, Wednesday is an old god, once known as Odin the All-father, who is roaming America rounding up his forgotten fellows in preparation for an epic battle against the upstart deities of the Internet, credit cards, television, and all that is wired. Shadow agrees to help Wednesday, and they whirl through a psycho-spiritual storm that becomes all too real in its manifestations. For instance, Shadow's dead wife Laura keeps showing up, and not just as a ghost--the difficulty of their continuing relationship is by turns grim and darkly funny, just like the rest of the book.
Armed only with some coin tricks and a sense of purpose, Shadow travels through, around, and underneath the visible surface of things, digging up all the powerful myths Americans brought with them in their journeys to this land as well as the ones that were already here. Shadow's road story is the heart of the novel, and it's here that Gaiman offers up the details that make this such a cinematic book--the distinctly American foods and diversions, the bizarre roadside attractions, the decrepit gods reduced to shell games and prostitution. "This is a bad land for Gods," says Shadow.
More than a tourist in America, but not a native, Neil Gaiman offers an outside-in and inside-out perspective on the soul and spirituality of the country--our obsessions with money and power, our jumbled religious heritage and its societal outcomes, and the millennial decisions we face about what's real and what's not. --Therese Littleton[via]
The Blind Assassin is a tale of two sisters, one of whom dies under ambiguous circumstances in the opening pages. The survivor, Iris Chase Griffen, initially seems a little cold-blooded about this death in the family. But as Margaret Atwood's most ambitious work unfolds--a tricky process, in fact, with several nested narratives and even an entire novel-within-a-novel--we're reminded of just how complicated the familial game of hide-and-seek can be:
What had she been thinking of as the car sailed off the bridge, then hung suspended in the afternoon sunlight, glinting like a dragonfly, for that one instant of held breath before the plummet? Of Alex, of Richard, of bad faith, of our father and his wreckage; of God, perhaps, and her fatal, triangular bargain.
Meanwhile, Atwood immediately launches into an excerpt from Laura Chase's novel, The Blind Assassin, posthumously published in 1947. In this double-decker concoction, a wealthy woman dabbles in blue-collar passion, even as her lover regales her with a series of science-fictional parables. Complicated? You bet. But the author puts all this variegation to good use, taking expert measure of our capacity for self-delusion and complicity, not to mention desolation. Almost everybody in her sprawling narrative manages to--or prefers to--overlook what's in plain sight. And memory isn't much of a salve either, as Iris points out: "Nothing is more difficult than to understand the dead, I've found; but nothing is more dangerous than to ignore them." Yet Atwood never succumbs to postmodern cynicism, or modish contempt for her characters. On the contrary, she's capable of great tenderness, and as we immerse ourselves in Iris's spliced-in memoir, it's clear that this buttoned-up socialite has been anything but blind to the chaos surrounding her. --Darya Silver[via]
"We are healthy only to the extent that our ideas are humane." So reads the tombstone of downtrodden writer Kilgore Trout, but we have no doubt who's really talking: his alter ego Kurt Vonnegut. Health versus sickness, humanity versus inhumanity--both sets of ideas bounce through this challenging and funny book. As with the rest of Vonnegut's pure fantasy, it lacks the shimmering, fact-fueled rage that illuminates Slaughterhouse-Five. At the same time, that makes this book perhaps more enjoyable to read.
Breakfast of Champions is a slippery, lucid, bleakly humorous jaunt through (sick? inhumane?) America circa 1973, with Vonnegut acting as our Virgil-like companion. The book follows its main character, auto-dealing solid-citizen Dwayne Hoover, down into madness, a condition brought on by the work of the aforementioned Kilgore Trout. As Dwayne cracks, then crumbles, Breakfast of Champions coolly shows the effects his dementia has on the web of characters surrounding him. It's not much of a plot, but it's enough for Vonnegut to air unique opinions on America, sex, war, love, and all of his other pet topics--you know, the only ones that really count. [via]
Held captive by grotesque bodiless heads, Princess Tara of Helium was rescued by a warrior who dared not reveal his name. But escape led the daughter of the Warlord of Mars into even more loathesome peril -- as the prize in a bloody game of living chess. [via]
The war raged across the galaxy. Billions had died, billions more were doomed. Moons, planets, the very stars themselves, faced destruction, cold-blooded, brutal, and worse, random. The Idirans fought for their Faith; the Culture for its moral right to exist. Principles were at stake. There could be no surrender. Within the cosmic conflict, an individual crusade. Deep within a fabled labyrinth on a barren world, a Planet of the Dead proscribed to mortals, lay a fugitive Mind. Both the Culture and the Idirans sought it. It was the fate of Horza, the Changer, and his motley crew of unpredictable mercenaries, human and machine, actually to find it, and with it their own destruction. Consider Phlebas - a space opera of stunning power and awesome imagination. [via]
Harlan Ellison's masterwork of myth and terror as he seduces all innocence on a mind-freezing odyssey into the darkest reaches of mortal terror and the most dazzling heights of Olympian hell in his finest collection.Deathbird Stories is a collection of 19 of Harlan Ellison's best stories, including Edgar and Hugo winners, originally published between 1960 and 1974. The collection contains some of Ellison-s best stories from earlier collections and is judged by some to be his most consistently high quality collection of short fiction. The theme of the collection can be loosely defined as God, or Gods. Sometimes they-re dead or dying, some of them are as brand-new as today-s technology. Unlike some of Ellison-s collections, the introductory notes to each story can be as short as a phrase and rarely run more than a sentence or two. One story took a Locus Poll Award, the two final ones both garnered Hugo Awards and Locus Poll awards, and the final one also received a Jupiter Award from the Instructors of Science Fiction in Higher Education (discontinued in 1979). When the collection was published in Britain, it won the 1979 British Science Fiction Award for Short Fiction. Table of ContentsForeword: Oblations At Alien AltarsThe Whimper Of Whipped DogsAlong The Scenic RouteOn The Downhill SideO Ye Of Little FaithNeonBasiliskPretty Maggie MoneyeyesCorpseShattered Like A Glass GoblinDelusion For A Dragon SlayerThe Face Of Helene BournouwBleeding StonesAt The Mouse CircusThe Place With No NamePaingodErnest And The Machine GodRock GodAdrift Just Off The Islets Of Langerhans: Latitude 38-54-n, Longitude 77-00-13-WThe Deathbird
His stories will rivet you to the floor and change your heartbeat-as unforgettable a chamber of horror, fantasy and reality as you-ll ever experience. -Gallery -Brutally and flamboyantly shocking, frequently brilliant, and always irresistibly mesmerizing.- -Richmond Times-Dispatch [via]
MANKIND HAS HAD 12,000 YEARS TO DECIPHER THE MESSAGE, WE HAVE ONE WEEK LEFT....
There is a signal emanating from deep within the ice of Antarctica. Atlantis has awoken. Ancient monuments all over the worlds from the Pyramids of Giza, to Mexico to the ancient sites of China are reacting...to a brewing crisis not of this earth, but somewhere out in the solar system. Connecting to each other through the oceans. Using low frequency sound waves to create an ancient network. The earth is thrown into panic stations. For it seems that the signals emanating from Atlantis are a prelude to something much greater. Could it be that the entire city is in fact one giant ancient machine? And to what end? For what purpose?
It is the year 2012, the same year Mayan belief prophesised the end of the world. Two armies, American and Chinese stand on the brink of war for the control of the most potent force ever known to man. The secrets of Atlantis. Secrets which are encoded in crystal shards retrieved from the sunken city. Secrets which Mankind has had twelve thousand years to decipher...but which will now destroy it within one week.
Kai and Varian awoke from their forty years of coldsleep only to discover that mutineers had taken over Ireta. But they were determined to save their planet and its unusual dinosaurs. All they had to do was solve the planet's myriad mysteries and gain the trust of the most dangerous beings in their Universe.... [via]
One minute, down and out actor Lorenzo Smythe was -- as usual -- in a bar, drinking away his troubles as he watched his career go down the tubes. Then a space pilot bought him a drink, and the next thing Smythe knew, he was shanghaied to Mars.
Suddenly he found himself agreeing to the most difficult role of his career: impersonating an important politician who had been kidnapped. Peace with the Martians was at stake -- failure to pull off the act could result in interplanetary war. And Smythe's own life was on the line -- for if he wasn't assassinated, there was always the possibility that he might be trapped in his new role forever! [via]
Dr. Bloodmoney is a post-nuclear-holocaust masterpiece filled with a host of Dicks most memorable characters: Hoppy Harrington, a deformed mutant with telekinetic powers; Walt Dangerfield, a selfless disc jockey stranded in a satellite circling the globe; Dr. Bluthgeld, the megalomaniac physicist largely responsible for the decimated state of the world; and Stuart McConchie and Bonnie Keller, two unremarkable people bent the survival of goodness in a world devastated by evil. Epic and alluring, this brilliant novel is a mesmerizing depiction of Dicks undying hope in humanity. [via]
How can one girl save an entire world?to the nobles who live in benden weyr, lessa is nothing but a ragged kitchen girl. For most of her life she has survived by serving those who betrayed her father and took over his lands. Now the time has come for lessa to shed her disguise-and take back her stolen birthright. But everything changes when she meets a queen dragon. The bond they share will be deep and last forever. It will protect them when, for the first time in centuries, lessa's world is threatened by thread, an evil substance that falls like rain and destroys everything it touches. Dragons and their riders once protected the planet from thread, but there are very few of them left these days. Now brave lessa must risk her life, and the life of her beloved dragon, to save her beautiful world [via]
A much-needed update to the classic companion to Anne McCaffrey's canonical novels and numerous short stories about Pern, this book includes a few recipes, information about knitting patterns, Craft and Hold badges, and more. As a reference, it is marred by the lack of cross-referencing within the book, although there is an index, and by the lack of scales with the drawings of various animals and places. It will be invaluable to readers like me who can't recall just where they read that name before, or what Weyr a rider is from, or where that small Hold is, and it provides a useful overview of the high points of Pernese history--though it's no substitute for the pleasure of reading the stories! [via]
Anne McCaffrey's Pern is one of the most memorable worlds in science fiction and fantasy. Humans and their flying dragon companions live in fear of thread, a caustic, deadly material that falls sporadically from space. But when the thread doesn't fall for a long time, people become complacent, forgetting that it is the brave dragonriders who can save them from the periodic threat. But when the thread falls, human and dragon heroes must fight the scourge. This edition encompasses the first three unforgettable novels of McCaffrey's epic series: Dragonflight, Dragonquest, and The White Dragon. [via]
A disease of unparalleled destructive force has sprung up almost simultaneously in every corner of the globe, all but destroying the human race. One survivor, strangely immune to the effects of the epidemic, ventures forward to experience a world without man. What he ultimately discovers will prove far more astonishing than anything he'd either dreaded or hoped for.
Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords.
Eragon, a young farm boy, finds a marvelous blue stone in a mystical mountain place. Before he can trade it for food to get his family through the hard winter, it hatches a beautiful sapphire-blue dragon, a race thought to be extinct. Eragon bonds with the dragon, and when his family is killed by the marauding Ra'zac, he discovers that he is the last of the Dragon Riders, fated to play a decisive part in the coming war between the human but hidden Varden, dwarves, elves, the diabolical Shades and their neanderthal Urgalls, all pitted against and allied with each other and the evil King Galbatorix. Eragon and his dragon Saphira set out to find their role, growing in magic power and understanding of the complex political situation as they endure perilous travels and sudden battles, dire wounds, capture and escape.
In spite of the engrossing action, this is not a book for the casual fantasy reader. There are 65 names of people, horses, and dragons to be remembered and lots of pseudo-Celtic places, magic words, and phrases in the Ancient Language as well as the speech of the dwarfs and the Urgalls. But the maps and glossaries help, and by the end, readers will be utterly dedicated and eager for the next book, Eldest. (Ages 10 to 14) --Patty Campbell[via]
After the long exile on Earth, John Carter finally returned to his beloved Mars. But beautiful Dejah Thoris, the woman he loved, had vanished. Now he was trapped in the legendary Eden of Mars -- an Eden from which none ever escaped alive. [via]
Some books improve with age--the age of the reader, that is. Such is certainly the case with Philip Pullman's heroic, at times heart-wrenching novel, The Golden Compass, a story ostensibly for children but one perhaps even better appreciated by adults. The protagonist of this complex fantasy is young Lyra Belacqua, a precocious orphan growing up within the precincts of Oxford University. But it quickly becomes clear that Lyra's Oxford is not precisely like our own--nor is her world. For one thing, people there each have a personal daemon, the manifestation of their soul in animal form. For another, hers is a universe in which science, theology, and magic are closely allied:
As for what experimental theology was, Lyra had no more idea than the urchins. She had formed the notion that it was concerned with magic, with the movements of the stars and planets, with tiny particles of matter, but that was guesswork, really. Probably the stars had daemons just as humans did, and experimental theology involved talking to them.
Not that Lyra spends much time worrying about it; what she likes best is "clambering over the College roofs with Roger the kitchen boy who was her particular friend, to spit plum stones on the heads of passing Scholars or to hoot like owls outside a window where a tutorial was going on, or racing through the narrow streets, or stealing apples from the market, or waging war." But Lyra's carefree existence changes forever when she and her daemon, Pantalaimon, first prevent an assassination attempt against her uncle, the powerful Lord Asriel, and then overhear a secret discussion about a mysterious entity known as Dust. Soon she and Pan are swept up in a dangerous game involving disappearing children, a beautiful woman with a golden monkey daemon, a trip to the far north, and a set of allies ranging from "gyptians" to witches to an armor-clad polar bear.
In The Golden Compass, Philip Pullman has written a masterpiece that transcends genre. It is a children's book that will appeal to adults, a fantasy novel that will charm even the most hardened realist. Best of all, the author doesn't speak down to his audience, nor does he pull his punches; there is genuine terror in this book, and heartbreak, betrayal, and loss. There is also love, loyalty, and an abiding morality that infuses the story but never overwhelms it. This is one of those rare novels that one wishes would never end. Fortunately, its sequel, The Subtle Knife, will help put off that inevitability for a while longer. --Alix Wilber[via]
In the epic trilogy His Dark Materials, Philip Pullman unlocks the door to worlds parallel to our own. Dæmons and winged creatures live side by side with humans, and a mysterious entity called Dust just might have the power to unite the universes--if it isn't destroyed first. The three books in Pullman's heroic fantasy series, published as trade paperbacks, are united here in one dazzling boxed set that includes The Golden Compass, The Subtle Knife, and The Amber Spyglass. In these new editions, each chapter opens with artwork by Pullman himself, along with chapter quotations from the likes of Milton, Donne, Black, Byron, and the Bible that did not appear in earlier editions. Join Lyra, Pantalaimon, Will, and the rest as they embark on the most breathtaking, heartbreaking adventure of their lives. The fate of the universe is in their hands. (Ages 13 and older) [via]
In the epic trilogy His Dark Materials, Philip Pullman unlocks the door to worlds parallel to our own. Dæmons and winged creatures live side by side with humans, and a mysterious entity called Dust just might have the power to unite the universes--if it isn't destroyed first. The three books in Pullman's heroic fantasy series, published as trade paperbacks, are united here in one dazzling boxed set that includes The Golden Compass, The Subtle Knife, and The Amber Spyglass. In these new editions, each chapter opens with artwork by Pullman himself, along with chapter quotations from the likes of Milton, Donne, Black, Byron, and the Bible that did not appear in earlier editions. Join Lyra, Pantalaimon, Will, and the rest as they embark on the most breathtaking, heartbreaking adventure of their lives. The fate of the universe is in their hands. (Ages 13 and older) [via]
More editions of His Dark Materials Omnibus: The Golden Compass / the Subtle Knife / the Amber Spyglass:
In the #1 New York Times bestselling novels Eragon and Eldest, fifteen year-old Eragon discovers his destiny as a Dragon Rider. With only an ancient sword and the advice of an old storyteller for guidance, Eragon and his dragon must navigate the dangerous terrain and dark enemies of an Empire ruled by a king whose evil knows no bounds. This beautiful boxed set includes books I and II in the Inheritance trilogy. [via]
Griffin, the Promethean hero of The Invisible Man (1897), is one of Wells's most striking and tragic conceptions--a scientist whose apparently omnipotent power of passing unseen among his fellow humans rebounds on him as a terrible curse. From its opening in a small village inn, the narrative moves inexorably towards a climax of terror as the whole of England unites to hunt down and destroy the invisible alien. The Introduction examines not only the many imitations, but also Wells's own skillful blending of contemporary scientific ideas and chilling Gothic effects. [via]
A masterful mix of fantasy and science fiction. LIMITS. Two aliens fascinated by man's fondness for defining boundaries decide to make sure he doesn't get out of the habit. THE LION IN HIS ATTIC. Seventy-six years after Atlantis drowned, a sorceress and a prince learn to their dismay that not all lions eat red meat. TABLE MANNERS. When the proprietor of the Draco Tavern is invited to dine with some carnivorous etees, he brings along a xenobiologist to coach him in alien etiquette. But he forgets that he is already outfitted with the oldest guide of all. A TEARDROP FALLS. In his youth, Hilary Gage had fought men and studied the ravages of Berserkers. As a machine, he terraformed planets and lay in wait . . . . YET ANOTHER MODEST PROPOSAL. At last, a solution to the problem of radioactive wastes that costs nothing and yields an immodest profit. Plus lots more! [via]
Thursday Next, literary detective and newlywed is back to embark on an adventure that begins, quite literally on her own doorstep. It seems that Landen, her husband of four weeks, actually drowned in an accident when he was two years old. Someone, somewhere, sometime, is responsible. The sinister Goliath Corporation wants its operative Jack Schitt out of the poem in which Thursday trapped him, and it will do almost anything to achieve this - but bribing the ChronoGuard? Is that possible? Having barely caught her breath after The Eyre Affair, Thursday must battle corrupt politicians, try to save the world from extinction, and help the Neanderthals to species self-determination. Mastadon migrations, journeys into Just William, a chance meeting with the Flopsy Bunnies, and violent life-and-death struggles in the summer sales are all part of a greater plan. But whose? and why? [via]
Forget the Michael Crichton book (and Spielberg movie) that copied the title. This is the original: the terror-adventure tale of The Lost World. Writing not long after dinosaurs first invaded the popular imagination, Sir Arthur Conan Doyle spins a yarn about an expedition of two scientists, a big-game hunter, and a journalist (the narrator) to a volcanic plateau high over the vast Amazon rain forest. The bickering of the professors (a type Doyle knew well from his medical training) serves as witty contrast to the wonders of flora and fauna they encounter, building toward a dramatic moonlit chase scene with a Tyrannosaurus Rex. And the character of Professor George E. Challenger is second only to Sherlock Holmes in the outrageous force of his personality: he's a big man with an even bigger ego, and if you can grit your teeth through his racist behavior toward Native Americans, he's a lot of fun. [via]
Famed planetologist Carol Jeanne Cocciolone embarks on a one-way voyage across the galaxy as part of a team of colonists, accompanied by her companion Lovelock, a mentally enhanced monkey with special powers and a thirst for freedom. 25,000 first printing. $25,000 ad/promo. [via]
Title: Abaujmegye XVI. szazadbeli mu veltseg-tortenelmebo l.
Publisher: British Library, Historical Print Editions
The British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.
The HISTORY OF EUROPE collection includes books from the British Library digitised by Microsoft. This collection includes works chronicling the development of Western civilisation to the modern age. Highlights include the development of language, political and educational systems, philosophy, science, and the arts. The selection documents periods of civil war, migration, shifts in power, Muslim expansion into Central Europe, complex feudal loyalties, the aristocracy of new nations, and European expansion into the New World.
++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++
British Library Karoly, Gyula Hugo.; 1875. 8º. 9314.dd.10.
Given that the suns of Draco stretch almost sixteen light years from end to end, it stands to reason that the cost of transportation is the most important factor of the 32nd century. And since Illyrion is the element most needed for space travel, Lorq von Ray is plenty willing to fly through the core of a recently imploded sun in order to obtain seven tons of it. The potential for profit is so great that Lorq has little difficulty cobbling together an alluring crew that includes a gypsy musician and a moon-obsessed scholar interested in the ancient art of writing a novel. What the crew doesnt know, though, is that Lorqs quest is actually fueled by a private revenge so consuming that hell stop at nothing to achieve it. In the grandest manner of speculative fiction, Nova is a wise and witty classic that casts a fascinating new light on some of humanitys oldest truths and enduring myths. [via]
"In the beginning, there was chaos..." Margaret Atwood's chilling new novel Oryx and Crake moves beyond the futuristic fantasy of her 1985 bestseller The Handmaids Tale to an even more dystopian world, a world where language--and with it anything beyond the merest semblance of humanity--has almost entirely vanished.
Snowman may be the last man on earth, the only survivor of an unnamed apocalypse. Once he was Jimmy, a member of a scientific elite; now he lives in bitter isolation and loneliness, his only pleasure the watching of old films on DVD. His mind moves backwards and forwards through time, from an agonising trawl through memory to relive the events that led up to sudden catastrophe (most significantly the disappearance of his mother and the arrival of his mysterious childhood companions Oryx and Crake, symbols of the fractured society in which Snowman now finds himself, to the horrifying present of genetic engineering run amok. His only witnesses, eager to lap up his testimony, are "Crakers", laboratory creatures of varying strengths and abilities, who can offer little comfort. Gradually the reasons behind the disaster begin to unfold as Snowman undertakes a perilous journey to the remains of the bubble-dome complex where the sinister Paradice Project collapsed and near-global devastation began.
This, Atwoods 11th novel, confirms her as one of our most contemporary novelists. Darkly humorous and icily prescient, Oryx and Crake shows a writer deeply concerned with the stark moral issues facing the human race, and accords a glimpse of a future that lies all too uneasily within reach. --Catherine Taylor[via]
Anne McCaffrey is best known for The Dragonriders of Pern, but her loose Talents series about superpsychics has been running almost as long. It began with the near-future To Ride Pegasus, continuing a couple of generations later in Pegasus in Flight. Book 2 introduced a crowd of new characters, notably the paralyzed boy Peter whose telekinetic talent can move not only his body without help from his ruined nervous system, but--with practice--even lift payloads into orbit.
Pegasus in Space follows directly, with mayhem and mutiny, at the opening of a manned space station, which Peter and talented friends helped build. Further hassles ensue during his training for space haulage work: obstructive bureaucrats, crooked suppliers, murder attempts, and skillful sabotage. McCaffrey specializes in feel-good adventure SF, full of romance, warm friendships, and hearty meals. Somehow her villains never quite convince, though, and their evil deeds are so rapidly annulled that the story rarely builds up much suspense. Meanwhile, the orphan girl Amiriyah who's adopted into Peter's family has a mysterious, subtle talent of her own, one that we soon guess will change his life. Our young hero's ambitions foreshadow later far-future books in the series (beginning with The Rowan) in which "kinetics" hurl cargo across huge interstellar gulfs. While most people think his talent needs careful conservation, Peter has already teleported supplies to the moon and has secret plans for Mars, the asteroids, and the moons of Jupiter. It all makes for an agreeable, lightweight read. --David Langford, Amazon.co.uk[via]
The Road to Mars is the second novel by Eric Idle--yes, that Eric Idle, the guy from Monty Python's Flying Circus. No, the book isn't like a Monty Python skit (and a good thing too, since silly sketches are no basis for a successful novel). Yes, Monty Python is mentioned in the book, but the self-referentiality is blessedly confined to two paragraphs. Yes, The Road to Mars is funny. It's also genuine science fiction. And it's satirical, sharply characterized, well-written, thoughtful, fun, and more complex than you'd expect from its picaresque structure, in which a stand-up-comedian odd couple and their robot knock around the outer planets in search of decent gigs. Well, Alex and Lewis are looking for work (and sex); their android, Carlton, unfazed by his own irony impairment, is trying to write a thesis about comedy. The trio quickly find themselves mixed up with a mysterious beauty, a famous diva, the captain of the solar cruise ship Princess Di, and a band of terrorists determined to blow up Mars.
In addition to The Road to Mars and Monty Python scripts, Eric Idle is the author of the SF/fantasy novel Hello Sailor (1975), the play Pass the Butler (1982), and the children's book The Quite Remarkable Adventures of the Owl and the Pussycat. --Cynthia Ward[via]
One of the most acclaimed "science fantasies" ever, Gene Wolfe's The Book of the New Sun is a long, magical novel in four volumes. Shadow & Claw contains the first two: The Shadow of the Torturer and The Claw of the Conciliator, which respectively won the World Fantasy and Nebula Awards.
This is the first-person narrative of Severian, a lowly apprentice torturer blessed and cursed with a photographic memory, whose travels lead him through the marvels of far-future Urth, and who--as revealed near the beginning--eventually becomes his land's sole ruler or Autarch. On the surface it's a colorful story with all the classic ingredients: growing up, adventure, sex, betrayal, murder, exile, battle, monsters, and mysteries to be solved. (Only well into book 2 do we realize what saved Severian's life in chapter 1.) For lovers of literary allusions, they are plenty here: a Dickensian cemetery scene, a torture-engine from Kafka, a wonderful library out of Borges, and familiar fables changed by eons of retelling. Wolfe evokes a chilly sense of time's vastness, with an age-old, much-restored painting of a golden-visored "knight," really an astronaut standing on the moon, and an ancient citadel of metal towers, actually grounded spacecraft. Even the sun is senile and dying, and so Urth needs a new sun.
The Book of the New Sun is almost heartbreakingly good, full of riches and subtleties that improve with each rereading. It is Gene Wolfe's masterpiece. --David Langford, Amazon.co.uk[via]
Bean's past was a battle just to survive. He first appeared on the streets of Rotterdam, a tiny child with a mind leagues beyond anyone else. He knew he could not survive through strength; he used his tactical genius to gain acceptance into a children's gang, and then to help make that gang a template for success for all the others. He civilized them, and lived to grow older. Then he was discovered by the recruiters for the Battle School.
For Earth was at war - a terrible war with an inscrutable alien enemy. A war that humanity was near to losing. But the long distances of interstellar space has given hope to the defenders of Earth - they had time to train military geniuses up from childhood, forging them into an irresistible force in the high-orbital facility called the Battle School. That story is told in two books, the beloved classic ENDER'S GAME, and its parallel, ENDER'S SHADOW.
Bean was the smallest student at the Battle School, but he became Ender Wiggins' right hand, Since then he has grown to be a power on Earth. He served the Hegemon as strategist and general in the terrible wars that followed Ender's defeat of the alien empire attacking Earth. Now he and his wife Petra yearn for a safe place to build a family - something he has never known - but there is nowhere on Earth that does not harbor his enemies - old enemies from the days in Ender's Jeesh, new enemies from the wars on Earth. To find security, Bean and Petra must once again follow in Ender's footsteps. They must leave Earth behind, in the control of the Hegemon, and look to the stars.
Anne McCaffrey's Pern series has been running successfully for so long that most of the Dragonriders' original problems have been solved. In The Skies of Pern, she confronts her standard cast of characters with the consequences of those solutions, consequences that are a whole new set of problems. Now that the Red Star has been pushed to another orbit, there will only be a few more ravenous Threads descending from it for them and their dragons to fight--and what role will that leave for them? They have successfully reclaimed Earth's lost technology--and suddenly everyone with a craft that might be outmoded, or who is phobic about surgery, is on the rampage, sabotaging and smashing and making up rumors. These fundamentalist Abominators are sure that something terrible will happen if the old ways are not gone back to--and sure enough, fire descends, on cue, from the skies.
Anne McCaffrey's tales of genetically engineered dragons and a lost colony that has declined into feudalism are ultimately SF rather than fantasy because they are about finding solutions to problems, solutions that involve working with what you are given to start off with; The Skies of Pern is all about elegant solutions to credible problems. --Amazon.co.uk[via]
In a vastly overpopulated near-future world, businesses have taken the place of governments and now hold all political power. States exist merely to ensure the survival of huge transnational corporations. Advertising has become hugely aggressive and boasts some of the worlds most powerful executives.
Through advertising, the public is constantly deluded into thinking that all the products on the market improve the quality of life. However, the most basic elements are incredibly scarce, including water and fuel.
The planet Venus has just been visited and judged fit for human settlement, despite its inhospitable surface and climate; colonists would have to endure a harsh climate for many generations until the planet could be terraformed.
Mitch Courtenay is a star-class copywriter in the Fowler Schocken advertising agency and has been assigned the ad campaign that would attract colonists to Venus, but a lot more is happening than he knows about. Mitch is soon thrown into a world of danger, mystery, and intrigue, where the people in his life are never quite what they seem, and his loyalties and core beliefs will be put to the test.
Jurassic Park author Michael Crichton is possibly the best science teacher for the masses since H.G. Wells, and Sphere, his thriller about a mysterious spherical spaceship at the bottom of the Pacific Ocean, is classic Crichton. A group of not-very-complex characters (portrayed in the film by Sharon Stone, Dustin Hoffman, Samuel L. Jackson, and Queen Latifah) assemble to solve a cleverly designed roller coaster of a mystery while attempting (with mixed success) to avoid sudden death and expounding (much more successfully) on the latest, coolest scientific ideas, including the existence of black holes. Somehow, Crichton manages to convey the complicated stuff in utterly simplistic prose, making him, as his old pal Steven Spielberg puts it, "the high priest of high concept." Yet there is more to Crichton than science and big-ticket show biz. He is also, as any reader of his startling memoir Travels knows, a bit of a mystic--he is entirely open to notions spouted by spoon-bending psychics that most science writers would scorn. Sphere is not only a gratifying sci-fi suspense tale; it also reflects Crichton's keen interest in the unexplained powers of the human mind. When something passes through a black hole in Crichton's fiction, a lesson is learned. The book also contains another profound lesson: when you're staring down a giant squid with an eyeball the size of a dinner plate, don't blink first. [via]
Throughout the galaxy, it was believed that Jedi Knight Anakin Skywalkerthe Chosen Onehad died on Coruscant during the siege of the Jedi Temple. And, to some extent, that was true. Anakin was dead.
From the site of Anakin Skywalkers last standon the molten surface of the planet Mustafar, where he sought to destroy his friend and former master, Obi-Wan Kenobia fearsome specter in black has risen. Once the most powerful Knight ever known to the Jedi Order, he is now a disciple of the dark side, a lord of the dreaded Sith, and the avenging right hand of the galaxys ruthless new Emperor. Seduced, deranged, and destroyed by the machinations of the Dark Lord Sidious, Anakin Skywalker is dead . . . and Darth Vader lives.
Word of the events that created himthe Jedi Councils failed mutiny against Supreme Chancellor Palpatine, the self-crowned Emperors retaliatory command to exterminate the Jedi Order, and Anakins massacre of his comrades and Masters in the Jedi Templehas yet to reach all quarters. On the Outer Rim world of Murkhana, Jedi Masters Roan Shryne and Bol Chatak and Padawan Olee Starstone are leading a charge on a Separatist stronghold, unaware that the tide, red with Jedi blood, has turned suddenly against them.
When the three narrowly elude executionand become the desperate prey in a hunt across spaceits neither clone soldiers, nor the newly deployed stormtroopers, nor even the wrath of the power-hungry Emperor himself they must fear most. The deadliest threat rests in the hideously swift and lethal crimson lightsaber of Darth Vaderbehind whose brooding mask lies a shattered heart, a poisoned soul, and a cunning, twisted mind hell-bent on vengeance.
For the handful of scattered Jedi, survival is imperative if the light side of the Force is to be protected and the galaxy somehow, someday reclaimed. Yet more important still is the well-being of the twin infants, Leia and Luke Skywalker, the children of Anakin and his doomed bride, Padmé Amidala. Separated after Padmés death, they must be made safe at all costs, lest the hope they represent for the future be turned to horror by the new Sith regimeand the unspeakable power of the dark side.
Since 1977, the Star Wars universe, conceived by George Lucas, has been explored by authors and artists eager to build on the foundation laid by the blockbuster movies. The Star Wars Encyclopedia is the essential guide to every detail of the history, planets, vehicles, politics, aliens, and weapons described in countless books, comics, stories, and (of course) movies. You'll find extraordinary details about old favorites here--for instance, did you know that Luke Skywalker helped rescue Han and Leia's children from the dark side of the Force? Or that the primary food of Jawas is the hubba gourd? Endless hours of browsing pleasure await you, from A-1 Deluxe Floater (a luxury air speeder) to ZZ-4Z (Han Solo's housekeeping droid). Each item is cross-referenced to the book, movie, or comic in which it appears, but fans looking for "real-life" information about the Star Wars phenomenon won't find it here--this is strictly a resource for those who want to keep track of how all the stories and characters fit together, the clothes they wear, the foods they eat, and the planets they call home. --Therese Littleton[via]
It was just a test . . . But something had gone wrong. Terribly wrong. What was to have been a standard ten-day survival test had suddenly become an indefinite life-or-death nightmare. Now they were stranded somewhere in the universe, beyond contact with Earth . . . at the other end of a tunnel in the sky. This small group of young men and women, divested of all civilized luxuries and laws, were being forced to forge a future of their own . . . a strange future in a strange land where sometimes not even the fittest could survive! ". . . fascinating . . . ingenious . . . this a book in the grand tradition of high literature!" -- The New York Times [via]
In the 21st century, Ensign John Ramsay is assigned to find the saboteur of an American subtug that steals desperately needed oil from underwater deposits in enemy territory. [via]
All the Myriad Waysby Larry NivenISBN 0345334167 (0-345-33416-7)
Dark Journeyby Elaine CunninghamISBN 0345428692 (0-345-42869-2)
Decipherby Stel PavlouISBN 0312366965 (0-312-36696-5)
Dinosaur Planetby Anne McCaffreyISBN 0345319958 (0-345-31995-8)
Enemy Lines IIby Aaron AllstonISBN 0345428684 (0-345-42868-4)
Fire Watchby Connie WillisISBN 0312941625 (0-312-94162-5)
The Flight of the Horseby Larry NivenISBN 0345334183 (0-345-33418-3)
Heechee Rendezvousby Frederik PohlISBN 0345300556 (0-345-30055-6)
Hitchhikers Companion Original Galaxy Radio Scriptsby Douglas AdamsISBN 0318047659 (0-318-04765-9)
A Hole in Spaceby Larry NivenISBN 0345337778 (0-345-33777-8)
Inherit the Starsby James P. HoganISBN 0345334639 (0-345-33463-9)
The Light Fantasticby Terry PratchettISBN 0312486030 (0-312-48603-0)
The Long Arm of Gil Hamiltonby Larry NivenISBN 0345342380 (0-345-34238-0)
Lovelockby Kathryn H. Kidd, Orson Scott CardISBN 031287751X (0-312-87751-X)
A Medicine for Melancholy and Other Storiesby Ray BradburyISBN 0380730863 (0-380-73086-3)
N-Spaceby Larry NivenISBN 0312850891 (0-312-85089-1)
The Other End of Timeby Frederik PohlISBN 031285644X (0-312-85644-X)
Rainbow Marsby Larry NivenISBN 0312867778 (0-312-86777-8)
Refugeeby Piers AnthonyISBN 0380841940 (0-380-84194-0)
The Road to Marsby Eric IdleISBN 0375703128 (0-375-70312-8)
The Speed of Darkby Elizabeth MoonISBN 0345447549 (0-345-44754-9)
Swords of Marsby Edgar Rice BurroughsISBN 0345329562 (0-345-32956-2)
Thuvia, Maid of Marsby Edgar Rice BurroughsISBN 0345339932 (0-345-33993-2)
The Time Machine and the War of the Worldsby H. G. Wells, Frank D. McConnellISBN 0195021649 (0-19-502164-9)
Traitorby Matthew StoverISBN 034542865X (0-345-42865-X)
Tunnel in the Skyby Robert A. HeinleinISBN 0345466233 (0-345-46623-3)
Under Pressureby Frank HerbertISBN 0345298292 (0-345-29829-2)
Waldo and Magic, Incby Robert A. HeinleinISBN 0345330153 (0-345-33015-3)
Warlord of Marsby Edgar Rice BurroughsISBN 0345324536 (0-345-32453-6)
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