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› Find signed collectible books: 'The American Heritage College Dictionary'
The latest edition of the American Heritage Dictionary is out, and that's hot news--not just for the resolute followers of lexicographical minutiae, but for the general reading and writing public as well. Why? Because the American Heritage is a long-standing favorite family dictionary (never underestimate the value of pictures) and one of the prime dictionary references for magazines, newspapers, and dot.com content providers. For scads of writers and editors across the U.S., it sets the standard on matters of style and lexicographical authority.
So this new edition is exciting and noteworthy, but how good is it? In its favor, the fourth edition is as current a dictionary as you can get. It's six years fresher than the 1994 version, with 10,000 words and definitions you won't find in the still venerable but now slightly dated third edition. For example, unlike its predecessor (and also unlike the 1996 Oxford Encyclopedic English Dictionary), this fourth edition covers dot-com, e-commerce, and soccer mom, Ebonics, Viagra, and a surf definition for cruising television channels and the Internet.
Its panel of special consultants includes authorities on anthropology, architecture, cinema, and law, plus military science, music, religion, and sports, and that is reflected in an impressively comprehensive coverage of the arts, culture, and technology. Sadly, however, there are no medical consultants on the panel, and that loss is felt in some substandard medical definitions. Other flaws: there's a greater than usual tendency to define a word with a form of the same word--for example, fuzzy, whose first two definitions are "1. covered with fuzz." and "2. of or resembling fuzz." And some definitions seem needlessly wordy, such as the entry for furious, which is "full of or characterized by extreme anger; raging." Compare that with the more succinct Oxford Encyclopedic entry: "1. extremely angry. 2. full of fury."
On the other hand, there are valuable entries throughout the dictionary supplying additional information on synonyms, usage, or word history, and these extras, such as the history of diatribe and the usage notes on discomfit, are interesting. The layout is easy on the eyes, with dark blue/green bold type setting the words apart from their definitions, and 4,000 color photographs, maps, and illustrations that are both useful and delightful. On one page, the margin provides color depictions of Francis Bacon, bacterium, and a Bactrian camel. Theodore Roosevelt and a rooster share another margin, while a third page offers Isak Dinesen, a dingo, and dinoflagellate. It is a fascinating book to peruse, and a compellingly scholarly addition to the American Heritage Dictionary line. --Stephanie Gold [via]
More editions of The American Heritage College Dictionary:
The latest edition of the American Heritage Dictionary is out, and that's hot news--not just for the resolute followers of lexicographical minutiae, but for the general reading and writing public as well. Why? Because the American Heritage is a long-standing favorite family dictionary (never underestimate the value of pictures) and one of the prime dictionary references for magazines, newspapers, and dot.com content providers. For scads of writers and editors across the U.S., it sets the standard on matters of style and lexicographical authority.
So this new edition is exciting and noteworthy, but how good is it? In its favor, the fourth edition is as current a dictionary as you can get. It's six years fresher than the 1994 version, with 10,000 words and definitions you won't find in the still venerable but now slightly dated third edition. For example, unlike its predecessor (and also unlike the 1996 Oxford Encyclopedic English Dictionary), this fourth edition covers dot-com, e-commerce, and soccer mom, Ebonics, Viagra, and a surf definition for cruising television channels and the Internet.
Its panel of special consultants includes authorities on anthropology, architecture, cinema, and law, plus military science, music, religion, and sports, and that is reflected in an impressively comprehensive coverage of the arts, culture, and technology. Sadly, however, there are no medical consultants on the panel, and that loss is felt in some substandard medical definitions. Other flaws: there's a greater than usual tendency to define a word with a form of the same word--for example, fuzzy, whose first two definitions are "1. covered with fuzz." and "2. of or resembling fuzz." And some definitions seem needlessly wordy, such as the entry for furious, which is "full of or characterized by extreme anger; raging." Compare that with the more succinct Oxford Encyclopedic entry: "1. extremely angry. 2. full of fury."
On the other hand, there are valuable entries throughout the dictionary supplying additional information on synonyms, usage, or word history, and these extras, such as the history of diatribe and the usage notes on discomfit, are interesting. The layout is easy on the eyes, with dark blue/green bold type setting the words apart from their definitions, and 4,000 color photographs, maps, and illustrations that are both useful and delightful. On one page, the margin provides color depictions of Francis Bacon, bacterium, and a Bactrian camel. Theodore Roosevelt and a rooster share another margin, while a third page offers Isak Dinesen, a dingo, and dinoflagellate. It is a fascinating book to peruse, and a compellingly scholarly addition to the American Heritage Dictionary line. --Stephanie Gold [via]
More editions of The American Heritage Dictionary, New College Edition: Thumb Index:
› Find signed collectible books: 'American Heritage Dictionary'
The latest edition of the American Heritage Dictionary is out, and that's hot news--not just for the resolute followers of lexicographical minutiae, but for the general reading and writing public as well. Why? Because the American Heritage is a long-standing favorite family dictionary (never underestimate the value of pictures) and one of the prime dictionary references for magazines, newspapers, and dot.com content providers. For scads of writers and editors across the U.S., it sets the standard on matters of style and lexicographical authority.
So this new edition is exciting and noteworthy, but how good is it? In its favor, the fourth edition is as current a dictionary as you can get. It's six years fresher than the 1994 version, with 10,000 words and definitions you won't find in the still venerable but now slightly dated third edition. For example, unlike its predecessor (and also unlike the 1996 Oxford Encyclopedic English Dictionary), this fourth edition covers dot-com, e-commerce, and soccer mom, Ebonics, Viagra, and a surf definition for cruising television channels and the Internet.
Its panel of special consultants includes authorities on anthropology, architecture, cinema, and law, plus military science, music, religion, and sports, and that is reflected in an impressively comprehensive coverage of the arts, culture, and technology. Sadly, however, there are no medical consultants on the panel, and that loss is felt in some substandard medical definitions. Other flaws: there's a greater than usual tendency to define a word with a form of the same word--for example, fuzzy, whose first two definitions are "1. covered with fuzz." and "2. of or resembling fuzz." And some definitions seem needlessly wordy, such as the entry for furious, which is "full of or characterized by extreme anger; raging." Compare that with the more succinct Oxford Encyclopedic entry: "1. extremely angry. 2. full of fury."
On the other hand, there are valuable entries throughout the dictionary supplying additional information on synonyms, usage, or word history, and these extras, such as the history of diatribe and the usage notes on discomfit, are interesting. The layout is easy on the eyes, with dark blue/green bold type setting the words apart from their definitions, and 4,000 color photographs, maps, and illustrations that are both useful and delightful. On one page, the margin provides color depictions of Francis Bacon, bacterium, and a Bactrian camel. Theodore Roosevelt and a rooster share another margin, while a third page offers Isak Dinesen, a dingo, and dinoflagellate. It is a fascinating book to peruse, and a compellingly scholarly addition to the American Heritage Dictionary line. --Stephanie Gold [via]
More editions of American Heritage Dictionary:
![[???]: The American Heritage Dictionary of the English Language [???]: The American Heritage Dictionary of the English Language](http://ecx.images-amazon.com/images/P/0395090660.01._SL160_SCLZZZZZZZ__.jpg)
The third edition of the American Heritage Dictionary is a beauty--2,134 pages and 8.5 pounds--containing a lexicon of more than 200,000 entries, plus an appendix of Indo-European roots for etymology enthusiasts. The crisp white pages and sharp black print are easy on the eyes, the drawings and pictures (nearly 4,000 in all) are a delight, and along with the lucid, erudite definitions are 4,000-plus quoted illustrations of usage from the likes of Shakespeare, Melville, and Updike. Though it's the chosen reference of editors, it's more than a mere tool of the trade--it's a luxurious linguistic experience. [via]
More editions of The American Heritage Dictionary of the English Language:
› Find signed collectible books: 'The American Heritage Dictionary of the English Language'
The latest edition of the American Heritage Dictionary is out, and that's hot news--not just for the resolute followers of lexicographical minutiae, but for the general reading and writing public as well. Why? Because the American Heritage is a long-standing favorite family dictionary (never underestimate the value of pictures) and one of the prime dictionary references for magazines, newspapers, and dot.com content providers. For scads of writers and editors across the U.S., it sets the standard on matters of style and lexicographical authority.
So this new edition is exciting and noteworthy, but how good is it? In its favor, the fourth edition is as current a dictionary as you can get. It's six years fresher than the 1994 version, with 10,000 words and definitions you won't find in the still venerable but now slightly dated third edition. For example, unlike its predecessor (and also unlike the 1996 Oxford Encyclopedic English Dictionary), this fourth edition covers dot-com, e-commerce, and soccer mom, Ebonics, Viagra, and a surf definition for cruising television channels and the Internet.
Its panel of special consultants includes authorities on anthropology, architecture, cinema, and law, plus military science, music, religion, and sports, and that is reflected in an impressively comprehensive coverage of the arts, culture, and technology. Sadly, however, there are no medical consultants on the panel, and that loss is felt in some substandard medical definitions. Other flaws: there's a greater than usual tendency to define a word with a form of the same word--for example, fuzzy, whose first two definitions are "1. covered with fuzz." and "2. of or resembling fuzz." And some definitions seem needlessly wordy, such as the entry for furious, which is "full of or characterized by extreme anger; raging." Compare that with the more succinct Oxford Encyclopedic entry: "1. extremely angry. 2. full of fury."
On the other hand, there are valuable entries throughout the dictionary supplying additional information on synonyms, usage, or word history, and these extras, such as the history of diatribe and the usage notes on discomfit, are interesting. The layout is easy on the eyes, with dark blue/green bold type setting the words apart from their definitions, and 4,000 color photographs, maps, and illustrations that are both useful and delightful. On one page, the margin provides color depictions of Francis Bacon, bacterium, and a Bactrian camel. Theodore Roosevelt and a rooster share another margin, while a third page offers Isak Dinesen, a dingo, and dinoflagellate. It is a fascinating book to peruse, and a compellingly scholarly addition to the American Heritage Dictionary line. --Stephanie Gold [via]
More editions of The American Heritage Dictionary of the English Language:

› Find signed collectible books: 'American Heritage Dictionary: Office Edition'
More editions of American Heritage Dictionary: Office Edition:
› Find signed collectible books: 'As I Lay Dying'
Faulkner's distinctive narrative structures--the uses of multiple points of view and the inner psychological voices of the characters--in one of its most successful incarnations here in As I Lay Dying. In the story, the members of the Bundren family must take the body of Addie, matriarch of the family, to the town where Addie wanted to be buried. Along the way, we listen to each of the members on the macabre pilgrimage, while Faulkner heaps upon them various flavors of disaster. Contains the famous chapter completing the equation about mothers and fish--you'll see. [via]
› Find signed collectible books: 'The Curious Incident of the Dog in the Night-time'
Christopher John Francis Boone knows all the countries of the world and their capitals and every prime number up to 7,057. He relates well to animals but has no understanding of human emotions. He cannot stand to be touched. Although gifted with a superbly logical brain, Christopher is autistic. Everyday interactions and admonishments have little meaning for him. Routine, order and predictability shelter him from the messy, wider world. Then, at fifteen, Christophers carefully constructed world falls apart when he finds his neighbors dog, Wellington, impaled on a garden fork, and he is initially blamed for the killing.
Christopher decides that he will track down the real killer and turns to his favorite fictional character, the impeccably logical Sherlock Holmes, for inspiration. But the investigation leads him down some unexpected paths and ultimately brings him face to face with the dissolution of his parents marriage. As he tries to deal with the crisis within his own family, we are drawn into the workings of Christophers mind.
And herein lies the key to the brilliance of Mark Haddons choice of narrator: The most wrenching of emotional moments are chronicled by a boy who cannot fathom emotion. The effect is dazzling, making for a novel that is deeply funny, poignant, and fascinating in its portrayal of a person whose curse and blessing is a mind that perceives the world literally.
The Curious Incident of the Dog in the Night-Time is one of the freshest debuts in years: a comedy, a heartbreaker, a mystery story, a novel of exceptional literary merit that is great fun to read. [via]
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› Find signed collectible books: 'Dubliners'
Dubliners is arguably the best-known and most influential collection of short stories written in English, and has been since its publication in 1914.
Through what Joyce described as their "style of scrupulous meanness," the stories present a direct, sometimes searing view of Dublin in the early twentieth century. The text of this Norton Critical Edition is based on renowned Joyce scholar Hans Walter Gablers edited text and includes his editorial notes and the introduction to his scholarly edition, which details and discusses Dubliners complicated publication history. "Contexts" offers a rich collection of materials that bring the stories and the Irish capital to life for twenty-first century readers, including photographs, newspaper articles and advertising, early versions of two of the stories, and a satirical poem by Joyce about his publication woes. "Criticism" brings together eight illuminating essays on the most frequently taught stories in Dubliners"Araby," "Eveline," "After the Race," "The Boarding House," "Counterpoints," "A Painful Case," and "The Dead." Contributors include David G. Wright, Heyward Ehrlich, Margot Norris, James Fairhall, Fritz Senn, Morris Beja, Roberta Jackson, and Vincent J. Cheng. 8 maps; 20 illustrations [via]› Find signed collectible books: 'Epic of Gilgamesh'
The Epic of Gilgamesh is the worlds oldest epic masterpiece.
More than a thousand years before Homer or the Bible, Mesopotamian poets sang of the hero-king Gilgamesh, who sought to crown his superhuman exploits by finding eternal life. This Norton Critical Edition presents translations by Benjamin R. Foster, Douglas Frayne, and Gary Beckman of the entire Gilgamesh narrative tradition, with some texts now in English for the first time. In addition to the eleven tablets of the great Akkadian epic, written around 1700 B.C.E., the book includes seven Sumerian poems about Gilgamesh, written before 2000 B.C.E., as well as the later Hittite version and other related sources, among them a Babylonian parody of the epic.More editions of Epic of Gilgamesh:
› Find signed collectible books: 'Gilgamesh'
This is one of the more recent translations of the Babylonian Epic of Gilgamesh, about the hero-king of ancient Mesopotamia whose adventures--searching for eternal life, surviving a worldwide deluge in an ark filled with animals, to name a couple--make up one of oldest pieces of literature on record. David Ferry's version attempts to provide the most readable rendering of the epic, artfully finding a poetic voice that's particularly accessible to the modern ear, as well as working to smooth over the gaps in the poem caused by the fragmentary record of the original clay tablets. [via]
› Find signed collectible books: 'Gilgamesh'
The story of Gilgamesh, an ancient epic poem written on clay tablets in a cuneiform alphabet, is as fascinating and moving as it is crucial to our ability to fathom the time and the place in which it was written. Gardner's version restores the poetry of the text and the lyricism that is lost in the earlier, almost scientific renderings. The principal theme of the poem is a familiar one: man's persistent and hopeless quest for immortality. It tells of the heroic exploits of an ancient ruler of the walled city of Uruk named Gilgamesh. Included in its story is an account of the Flood that predates the Biblical version by centuries. Gilgamesh and his companion, a wild man of the woods named Enkidu, fight monsters and demonic powers in search of honor and lasting fame. When Enkidu is put to death by the vengeful goddess Ishtar, Gilgamesh travels to the underworld to find an answer to his grief and confront the question of mortality. [via]

› Find signed collectible books: 'The Glass Menagerie'
Dramatic script relating the interactions of Amanda, her son, and her daughter, Laura and the very important gentleman caller. [via]
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› Find signed collectible books: 'James Joyce's Dubliners'
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› Find signed collectible books: 'Le Petit Prince'
The Educational Edition of this contemporary masterpiece features full-color reproductions of Saint-Exupery's original drawings. The text is presented unabridged and includes John Richardson Miller's introduction to the author's life and works, notes, a bibliography, and a complete end vocabulary. [via]
› Find signed collectible books: 'Little Prince'
Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.
The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:
I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. Yet his tale is ultimately a tender one--a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. "Trying to be witty," we're told at one point, "leads to lying, more or less." But Saint-Exupéry's drawings offer a handy rebuttal: they're fresh, funny, and like the book itself, rigorously truthful. --James Marcus [via]
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› Find signed collectible books: 'The Little Prince'
Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.
The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:
I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. Yet his tale is ultimately a tender one--a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. "Trying to be witty," we're told at one point, "leads to lying, more or less." But Saint-Exupéry's drawings offer a handy rebuttal: they're fresh, funny, and like the book itself, rigorously truthful. --James Marcus [via]
› Find signed collectible books: 'The Merchant of Venice'
Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials. In this edition of The Merchant of Venice, illustrations have been extended and updated; the preliminary notes have been expanded; reading lists have been updated, and include websites; and the classroom notes have been brought in line with recent practice. The Merchant of Venice is a set text for 11-14 year olds in England and remains one of the most accessible and popular of Shakespeare's plays for secondary students the world over. [via]
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› Find signed collectible books: 'The Merchant of Venice'
"Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions?" Shylock's impassioned plea in the middle of The Merchant of Venice is one of its most dramatic moments. After the Holocaust, the play has become a battleground for those who argue that the play represents Shakespeare's ultimate statement against ignorance and anti-Semitism in favour of a liberal vision of tolerance and multiculturalism. Other critics have pointed out that the play is, after all, a comedy that ultimately pokes fun at a 16th-century Jew. In fact, the bare outline of the plot suggests that the play is far more complex than either of these characterisations. Bassanio, a feckless young Venetian, asks his wealthy friend, the merchant Antonio, for money to finance a trip to woo the beautiful Portia in Belmont. Reluctant to refuse his friend (to whom he professes intense love), Antonio borrows the money from the Jewish moneylender. If he reneges on the deal, Shylock jokingly demands a pound of his flesh. When all Antonio's ships are lost at sea, Shylock calls in his debt, and the love and laughter of the first scenes of the play threaten to give way to death and tragedy. The final climactic courtroom scene, complete with a cross-dressed Portia, a knife-wielding Shylock, and the debate on "the quality of mercy" is one of the great dramatic moments in Shakespeare. The controversial subject matter of the play ensures that it continues to repel, divide but also fascinate its many audiences. --Jerry Brotton [via]
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› Find signed collectible books: 'The 'merchant Of Venice: Longman Cultural'
From Longman's Cultural Editions Series, Lawrence Danson presents William Shakespeare's The Merchant of Venice in several illuminating contextscultural, historical, and critical. Featuring illustrations, a table of dates and performance reviews; the text provides historical sources as well as numerous documents that reveal the cultural context in which The Merchant of Venice was written.
[via]More editions of The 'merchant Of Venice: Longman Cultural:
› Find signed collectible books: 'Music'
Full-color photos. "Ardley introduces types of musical instruments in a scintillating blend that spans ancient to modern. Interesting historical asides and highlights about famous musicians contrast with the precisely labeled parts of the numerous illustrated instruments. The double-page spreads display an array of full-color photos, sketches, and explanatory text. Holds wide appeal for research and browsing."--(starred) Booklist. [via]
› Find signed collectible books: 'New Art: Some Recent New Zealand Sculpture A Past Object of Art'
More editions of New Art: Some Recent New Zealand Sculpture A Past Object of Art:
› Find signed collectible books: 'One Flew over the Cuckoo's Nest'
An international bestseller and the basis for a hugely successful film, Ken Kesey 's One Flew Over the Cuckoo's Nest was one of the defining works of the 1960s. A mordant, wickedly subversive parable set in a mental ward, the novel chronicles the head-on collision between its hell-raising, life-affirming hero Randle Patrick McMurphy and the totalitarian rule of Big Nurse. McMurphy swaggers into the mental ward like a blast of fresh air and turns the place upside down, starting a gambling operation, smuggling in wine and women, and egging on the other patients to join him in open rebellion. But McMurphy's revolution against Big Nurse and everything she stands for quickly turns from sport to a fierce power struggle with shattering results. With One Flew Over the Cuckoo's Nest , Kesey created a work without precedent in American literature, a novel at once comic and tragic that probes the nature of madness and sanity, authority and vitality. Greeted by unanimous acclaim when it was first published, the book has become and enduring favorite of readers. [via]
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› Find signed collectible books: 'Othello'
The Oxford School Shakespeare is a well-established series which helps students understand and enjoy Shakespeare's plays. As well as the complete and unabridged text, each play in this series has an extensive range of students' notes. These include detailed and clear explanations of difficult words and passages, a synopsis of the plot, summaries of individual scenes, and notes on the main characters. This work also include a wide range of questions and activities for work in class, together with the historical background to Shakespeare's England, a brief biography of Shakespeare, and a complete list of his plays. Roma Gill, the series editor, has taught Shakespeare at all levels. She has acted in and directed Shakespeare's plays, and has lectured on Shakespeare all over the world. [via]
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› Find signed collectible books: 'Othello'
More editions of Othello:
› Find signed collectible books: 'Othello'
The new editions contain new sections: Classwork and Examinations and Background to Shakespeare's England. There are also short sections on Date and Text, and Source. [via]
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› Find signed collectible books: 'The Outsiders'
According to Ponyboy, there are two kinds of people in the world: greasers and socs. A soc (short for "social") has money, can get away with just about anything, and has an attitude longer than a limousine. A greaser, on the other hand, always lives on the outside and needs to watch his back. Ponyboy is a greaser, and he's always been proud of it, even willing to rumble against a gang of socs for the sake of his fellow greasers--until one terrible night when his friend Johnny kills a soc. The murder gets under Ponyboy's skin, causing his bifurcated world to crumble and teaching him that pain feels the same whether a soc or a greaser. This classic, written by S. E. Hinton when she was 16 years old, is as profound today as it was when it was first published in 1967. [via]
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› Find signed collectible books: 'Regulus'
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› Find signed collectible books: 'Regulus Vel Pueri Soli Sapiunt/the Little Prince'
More editions of Regulus Vel Pueri Soli Sapiunt/the Little Prince:
› Find signed collectible books: 'The Tragedy of Othello, Moor of Venice'
There is a peculiar charm about the relics found in an old home a home from which many generations of fledglings have flown. As each milestone in family history is passed some once common object of use or ornament is dropped by the way. Such interesting mementoes of past generations accumulate, and in course of time the older ones obecome curios. ii It is to create greater interest in these old-world odds and ends some of trifling value to an out- sider, others of great intrinsic worth that this book has been written. The love of possession is to some possessors the chief delight; to others knowledge of the original purposes and uses of the objects acquired affords still greater pleasure. My intention has been rather to assist the latter class of collectors than to facilitate the mere assemblage of additional stores of curiosities.
(Typographical errors above are due to OCR software and don't occur in the book.)
About the Publisher
Forgotten Books is a publisher of historical writings, such as: Philosophy, Classics, Science, Religion, History, Folklore and Mythology.
Forgotten Books' Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the aged text. Read books online for free at www.forgottenbooks.org [via]
More editions of The Tragedy of Othello, Moor of Venice:
› Find signed collectible books: 'William Shakespeare's The Tragedy of Othello, the Moor of Venice'
From Longman's new Cultural Editions Series, Othello, edited by prominent Shakespearean scholar Clare Carroll, includes Othello, Cary's The Tragedy of Mariam, Fair Queen of Jewry, and source materials on early modern ethnography and on women and gender. Longman Cultural Editions are a new series of teaching texts edited by prominent scholars. In addition to Othello, the second volume offer Frankenstein, with selections from Mary Shelley's journals and contextual materials on Romantic images of Satan. Other titles offered in the series include Dickens' Hard Times, Mary Shelley's Frankenstein, and Jane Austen's Pride and Prejudice. Future titles will include Shakespeare's King Lear and Beowulf. [via]
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› Find signed collectible books: 'A Wrinkle in Time: Library Edition'
Everyone in town thinks Meg is volatile and dull-witted and that her younger brother Charles Wallace is dumb. People are also saying that their father has run off and left their brilliant scientist mother. Spurred on by these rumors, Meg and Charles Wallace, along with their new friend Calvin, embark on a perilous quest through space to find their father. In doing so they must travel behind the shadow of an evil power that is darkening the cosmos, one planet at a time.
Young people who have trouble finding their place in the world will connect with the "misfit" characters in this provocative story. This is no superhero tale, nor is it science fiction, although it shares elements of both. The travelers must rely on their individual and collective strengths, delving deep into their characters to find answers.
A classic since 1962, Madeleine L'Engle's A Wrinkle in Time is sophisticated in concept yet warm in tone, with mystery and love coursing through its pages. Meg's shattering yet ultimately freeing discovery that her father is not omnipotent provides a satisfying coming-of-age element. Readers will feel a sense of power as they travel with these three children, challenging concepts of time, space, and the power of good over evil. (Ages 9 to 12) [via]
More editions of A Wrinkle in Time: Library Edition:
› Find signed collectible books: 'El Principito'
The little prince discovers the secrets of friendship while traveling through the universe. [via]
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› Find signed collectible books: 'El Principito / The Little Prince'
More editions of El Principito / The Little Prince:
› Find signed collectible books: 'Le Petit Prince'
Imaginez-vous perdu dans le désert, loin de tout lieu habité, et face à un petit garçon tout blond, surgi de nulle part. Si de surcroît ce petit garçon vous demande avec insistance de dessiner un mouton, vous voilà plus qu'étonné ! À partir de là, vous n'aurez plus qu'une seule interrogation : savoir d'où vient cet étrange petit bonhomme et connaître son histoire.
S'ouvre alors un monde étrange et poétique, peuplé de métaphores, décrit à travers les paroles d'un "petit prince" qui porte aussi sur notre monde à nous un regard tout neuf, empli de naïveté, de fraîcheur et de gravité. Très vite, vous découvrez d'étranges planètes, peuplées d'hommes d'affaires, de buveurs, de vaniteux, d'allumeurs de réverbères.
Cette évocation onirique, à laquelle participent les aquarelles de l'auteur, a tout d'un parcours initiatique, où l'enfant apprendra les richesses essentielles des rapports humains et le secret qui les régit : "On ne voit bien qu'avec le coeur, l'essentiel est invisible pour les yeux."
Oeuvre essentielle de la littérature, ce livre de Saint-Exupéry est un ouvrage que l'on aura à coeur de raconter à son enfant, page après page, histoire aussi de redécouvrir l'enfant que l'on était autrefois, avant de devenir une grande personne ! --Xavier Marciniak [via]
More editions of Le Petit Prince:
› Find signed collectible books: 'Der Kleine Prinz'
More editions of Der Kleine Prinz:
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