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› Find signed collectible books: 'Anna Karenina'
Some people say Anna Karenina is the single greatest novel ever written, which makes about as much sense to me as trying to determine the world's greatest color. But there is no doubt that Anna Karenina, generally considered Tolstoy's best book, is definitely one ripping great read. Anna, miserable in her loveless marriage, does the barely thinkable and succumbs to her desires for the dashing Vronsky. I don't want to give away the ending, but I will say that 19th-century Russia doesn't take well to that sort of thing. [via]
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› Find signed collectible books: 'Anna Karenina'
"Anna Karenina" tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society. Set against a vast and richly textured canvas of nineteenth-century Russia, the novel's seven major characters create a dynamic imbalance, playing out the contrasts of city and country life and all the variations on love and family happiness. While previous versions have softened the robust, and sometimes shocking, quality of Tolstoy's writing, Richard Pevear and Larissa Volokhonsky have produced a translation true to his powerful voice. This award-winning team's authoritative edition also includes an illuminating introduction and explanatory notes. Beautiful, vigorous, and eminently readable, this "Anna Karenina" will be the definitive text for generations to come.
"Pevear and Volokhonsky are at once scrupulous translators and vivid stylists of English, and their superb rendering allows us, as perhaps never before, to grasp the palpability of Tolstoy's 'characters, acts, situations.'" (James Wood, "The New Yorker") [via]
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› Find signed collectible books: 'Anna Karenina: Oprah #5'
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› Find signed collectible books: 'Antony and Cleopatra'
Now available in beautiful World's Classics editions--with handsome, four-color covers and new low prices--The Oxford Shakespeare offers new and authoritative edions of Shakespeare's plays. In each volume, an introductory essay provides all relevant background information together with an appraisal of critical views and the play's performance history. In addition, the detailed commentaries pay particular attention to the language and staging. These editions are perfect for all readers, whether actors needing stage directions, students desiring comprehensive (yet inobtrusive) notes, or the reader of classic literature returning to the Bard's timeless writings.
The most formally ambitious and poetically brilliant of Shakespeare's tragedies, Anthony and Cleopatra is also one of his most critically contentious plays in terms of the degree and nature of its success. Always alert to the play's theatricality and boldly experimental design, the wide-ranging introduction offers a fresh critical account of the play, exploring its paradoxical treatment of gender and identity as well as the rich complexity and tensions of its much-loved poetic language. With a generous appendix of Shakespeare's source materials, this edition also offers a full stage history. [via]
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› Find signed collectible books: 'The Army of the Caesars'
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› Find signed collectible books: 'Belle Du Seigneur'
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› Find signed collectible books: 'Ben Hur: A Tale of the Christ'
A spiritual tale of the quest for love, the recovery of identity and patrimony, Ben-Hur never fails to delight in its detail and realism. As David Mayer's introduction makes explicit, Ben-Hur is marked by traces of contemporary issues and American Victorian concerns and tensions which shed important light on social and cultural history. [via]
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› Find signed collectible books: 'Bridget Jones's Diary'
Now a major motion picture starring Renee Zellwegger and Hugh Grant!
"130 lbs. (how is it possible to put on 4 pounds overnight? Could flesh have somehow solidified becoming denser and heavier (repulsive, horrifying notion)); alcohol units 2 (excellent) cigarettes 21 (poor but will give up totally tomorrow); number of correct lottery numbers 2 (better, but nevertheless useless)?"
This laugh-out-loud chronicle charts a year in the life of Bridget Jones, a single girl on a permanent, doomed quest for self-improvement--in which she resolves to: visit the gym three times a week not merely to buy a sandwich, form a functional relationship with a responsible adult, and not fall for any of the following: misogynists, megalomaniacs, adulterers, workaholics, chauvinists or perverts. And learn to program the VCR. Caught between her Singleton friends, who are all convinced they will end up dying alone and found three weeks later half-eaten by an Alsatian, and the Smug Marrieds, whose dinner parties offer ever-new opportunities for humiliation, Bridget struggles to keep her life on an even keel (or at least afloat). Through it all, she will have her readers helpless with laughter and shouting, "BRIDGET JONES IS ME!"
[via]
› Find signed collectible books: 'Cannae 216 bc: Hannibal Smashes Rome's Army'
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› Find signed collectible books: 'Cicero on Obligations: (De Officiis)'
On Obligations, composed by Cicero in late 144 BC following the assassination of Julius Caesar, recommends ideals of conduct to the young Roman who aspires to a political career. It explores the apparent tensions between honorable conduct and expediency in public life. The principles of honorable behavior are based on the Stoic virtues of wisdom, justice, magnanimity, and propriety. The analysis of expediency explores the right and the wrong ways of attaining political leadership, and Cicero's conclusion is that the intrinsically useful is always identical with the honorable.
This treatise has played a seminal role in the formation of ethical values in western Christendom. It was adopted by the fourth-century Christian humanists, notably Ambrose, and became transmuted into the moral code of the high Middle Ages. Thereafter, in the Renaissance from the time of Petrarch, and in the age of Enlightenment that followed, it was given central prominence in discussion of the government of states. On Obligations is of perennial concern in the establishment of basic principles of political and social life. [via]
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› Find signed collectible books: 'Cider House Rules'
First published in 1985, The Cider House Rules is set in rural Maine in the first half of the twentieth century. The novel tells the story of Dr. Wilbur Larch-saint and obstetrician, founder and director of the orphanage in the town of St. Cloud's, ether addict and abortionist. This is also the story of Dr. Larch's favorite orphan, Homer Wells, who is never adopted. [via]

› Find signed collectible books: 'The Complete Odes and Epodes'
Horace (65-8 B.C.) is one of the most important and brilliant poets of the Augustan Age of Latin literature whose influence on European literature is unparalleled. Steeped in allusion to contemporary affairs, Horace's verse is best read in terms of his changing relationship to the public sphere. While the Odes are subtle and allusive, the Epodes are robust and coarse in their celebrations of sex and tirades against political leaders. This edition also includes the Secular Hymn and Suetonius's "Life of Horace." [via]
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› Find signed collectible books: 'The Devil Wears Prada'
It's a killer title: The Devil Wears Prada. And it's killer material: author Lauren Weisberger did a stint as assistant to Anna Wintour, the all-powerful editor of Vogue magazine. Now she's written a book, and this is its theme: narrator Andrea Sachs goes to work for Miranda Priestly, the all-powerful editor of Runway magazine. Turns out Miranda is quite the bossyboots. That's pretty much the extent of the novel, but it's plenty. Miranda's behavior is so insanely over-the-top that it's a gas to see what she'll do next, and to try to guess which incidents were culled from the real-life antics of the woman who's been called Anna "Nuclear" Wintour. For instance, when Miranda goes to Paris for the collections, Andrea receives a call back at the New York office (where, incidentally, she's not allowed to leave her desk to eat or go to the bathroom, lest her boss should call). Miranda bellows over the line: "I am standing in the pouring rain on the rue de Rivoli and my driver has vanished. Vanished! Find him immediately!"
This kind of thing is delicious fun to read about, though not as well written as its obvious antecedent, The Nanny Diaries. And therein lies the essential problem of the book. Andrea's goal in life is to work for The New Yorker--she's only sticking it out with Miranda for a job recommendation. But author Weisberger is such an inept, ungrammatical writer, you're positively rooting for her fictional alter ego not to get anywhere near The New Yorker. Still, Weisberger has certainly one-upped Me Times Three author Alix Witchel, whose magazine-world novel never gave us the inside dope that was the book's whole raison d' etre. For the most part, The Devil Wears Prada focuses on the outrageous Miranda Priestly, and she's an irresistible spectacle. --Claire Dederer [via]
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› Find signed collectible books: 'Disgrace'
David Lurie is hardly the hero of his own life, or anyone else's. At 52, the protagonist of Disgrace is at the end of his professional and romantic game, and seems to be deliberately courting disaster. Long a professor of modern languages at Cape Town University College, he has recently been relegated to adjunct professor of communications at the same institution, now pointedly renamed Cape Technical University:
Although he devotes hours of each day to his new discipline, he finds its first premise, as enunciated in the Communications 101 handbook, preposterous: "Human society has created language in order that we may communicate our thoughts, feelings and intentions to each other." His own opinion, which he does not air, is that the origins of speech lie in song, and the origins of song in the need to fill out with sound the overlarge and rather empty human soul.Twice married and twice divorced, his magnetic looks on the wane, David rather cruelly seduces one of his students, and his conduct unbecoming is soon uncovered. In his eighth novel, J.M. Coetzee might have been content to write a searching academic satire. But in Disgrace he is intent on much more, and his art is as uncompromising as his main character, though infinitely more complex. Refusing to play the public-repentance game, David gets himself fired--a final gesture of contempt. Now, he thinks, he will write something on Byron's last years. Not empty, unread criticism, "prose measured by the yard," but a libretto. To do so, he heads for the Eastern Cape and his daughter's farm. In her mid-20s, Lucy has turned her back on city sophistications: with five hectares, she makes her living by growing flowers and produce and boarding dogs. "Nothing," David thinks, "could be more simple." But nothing, in fact, is more complicated--or, in the new South Africa, more dangerous. Far from being the refuge he has sought, little is safe in Salem. Just as David has settled into his temporary role as farmworker and unenthusiastic animal-shelter volunteer, he and Lucy are attacked by three black men. Unable to protect his daughter, David's disgrace is complete. Hers, however, is far worse.
There is much more to be explored in Coetzee's painful novel, and few consolations. It would be easy to pick up on his title and view Disgrace as a complicated working-out of personal and political shame and responsibility. But the author is concerned with his country's history, brutalities, and betrayals. Coetzee is also intent on what measure of soul and rights we allow animals. After the attack, David takes his role at the shelter more seriously, at last achieving an unlikely home and some measure of love. In Coetzee's recent Princeton lectures, The Lives of Animals, an aging novelist tells her audience that the question that occupies all lab and zoo creatures is, "Where is home, and how do I get there?" David, though still all-powerful compared to those he helps dispose of, is equally trapped, equally lost.
Disgrace is almost willfully plain. Yet it possesses its own lean, heartbreaking lyricism, most of all in its descriptions of unwanted animals. At the start of the novel, David tells his student that poetry either speaks instantly to the reader--"a flash of revelation and a flash of response"--or not at all. Coetzee's book speaks differently, its layers and sadnesses endlessly unfolding. --Kerry Fried [via]
› Find signed collectible books: 'The Erotic Poems: The Amores, the Art of Love, Cures for Love, on Facial Treatment for Ladies'
This collection of Ovid's poems deals with the whole spectrum of sexual desire, ranging from deeply emotional declarations of eternal devotion to flippant arguments for promiscuity. In the "Amores", Ovid addresses himself in a series of elegies to Corinna, his beautiful, elusive mistress. The intimate and vulnerable nature of the poet revealed in these early poems vanishes in the notorious Art of Love, in which he provides a knowing and witty guide to sexual conquest - a work whose alleged obscenity led to Ovid's banishment from Rome in AD 8. This volume also includes the "Cures for Love", with instructions on how to terminate a love affair, and "On Facial Treatment for Ladies", an incomplete poem on the art of cosmetics. [via]
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› Find signed collectible books: 'The Fall of Carthage: The Punic Wars 265-146Bc'
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› Find signed collectible books: 'The Fall of the Roman Empire: A New History of Rome and the Barbarians'
The death of the Roman Empire is one of the perennial mysteries of world history. Now, in this groundbreaking book, Peter Heather proposes a stunning new solution: Rome generated its own nemesis. Centuries of imperialism turned the neighbors it called barbarians into an enemy capable of dismantling the Empire that had dominated their lives for so long.
Heather is a leading authority on the late Roman Empire and on the barbarians. In The Fall of the Roman Empire, he explores the extraordinary success story that was the Roman Empire and uses a new understanding of its continued strength and enduring limitations to show how Europe's barbarians, transformed by centuries of contact with Rome on every possible level, eventually pulled it apart. He shows first how the Huns overturned the existing strategic balance of power on Rome's European frontiers, to force the Goths and others to seek refuge inside the Empire. This prompted two generations of struggle, during which new barbarian coalitions, formed in response to Roman hostility, brought the Roman west to its knees. The Goths first destroyed a Roman army at the battle of Hadrianople in 378, and went on to sack Rome in 410. The Vandals spread devastation in Gaul and Spain, before conquering North Africa, the breadbasket of the Western Empire, in 439. We then meet Attila the Hun, whose reign of terror swept from Constantinople to Paris, but whose death in 453 ironically precipitated a final desperate phase of Roman collapse culminating in the Vandals' defeat of the massive Byzantine Armada: the west's last chance for survival.
Peter Heather convincingly argues that the Roman Empire was not on the brink of social or moral collapse. What brought it to an end were the barbarians. [via]
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› Find signed collectible books: 'Gambler Bobok: A Nasty Story'
The stories in this volume demonstrate Dostoyevsky's genius for fusing caricature, irony and the grotesque to create a powerful dark humour. "The Gambler" is a breathtaking portrayal of an intense and futile obsession. Based on Dostoyevsky's own experience of financial desperation and the compulsive desire to win money, it focuses on the characters that take their places at the gaming tables of 'Roulettenburg': the outspoken, aristocratic 'Grandmamma', the mercenary Mademoiselle Blanche, the cool, mysterious Polina and Alex, the author's self-portrait; a man gripped by exhilaration and hopelessness. "Bobok" is a blackly comic satire in which a desolate writer becomes drawn into the conversations of the dead, and "A Nasty Story" is a humorous look at the disparity between a man's exaggerated ideal of himself and the sad reality. [via]
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› Find signed collectible books: 'The Gambler: With the Diary of Polina Suslova'
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› Find signed collectible books: 'The Glass Bead Game'
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› Find signed collectible books: 'The Glass Bead Game (Magister Ludi)'
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› Find signed collectible books: 'Guerra Y Paz'
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› Find signed collectible books: 'A History of Roman Britain'
In A History of Roman Britain, noted classical historian Peter Salway provides a rich account of Britain's centuries under Roman rule. Britain, Salway writes, was a place of fascination for the Romans--a fascination he brings to life with beautiful maps and illustrations and a thorough, authoritative narrative.
Salway introduces us to what is known of the pre-Roman Britons, and deftly describes Julius Caesar's dramatic expeditions in 55 and 54 B.C; in the years that followed, new contacts grew between the Romans and the inhabitants of this strange island. Salway's comprehensive narrative blends together the changing politics and ways of life of the native Britons, the climactic conquest under Claudius and the subsequent, often violent consolidation, and the place of the new province in Imperial affairs. He carefully integrates the story of Roman Britain into the story of the Empire itself, showing the close attention the emperors paid to British affairs, and the interventions in imperial politics by the legions stationed there. Salway draws on the latest archeological finds, thoughtfully assessing the evidence and weaving it into his seamless narrative.
Highly authoritative and readable, A History of Roman Britain brings alive the classical past of a familiar part of today's world. [via]
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› Find signed collectible books: 'Horace Odes and Epodes'
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› Find signed collectible books: 'Last Seen in Massilia'
There are those who say that Steven Saylor's stunningly atmospheric novels featuring an ancient Roman sleuth are the last word in this particular genre. But there are also those who say that Lindsey Davis's Falco (in her own series of Roman mysteries) is every inch the equal of Saylor's Gordianus the Finder. Actually, it doesn't matter a damn who does this kind of thing best: both writers are such masters of their craft, that readers should be grateful two such adroit practitioners are working at the height of their powers. The latest in Saylor's Roma sub Rosa series, Last Seen in Massilia, is probably his most compelling yet, and his wry hero's first-person narration again pulls off the brilliant sleight-of-hand of transplanting a modern sensibility into a denizen of the ancient world, while always avoiding anachronism. As a guide through the bloody back alleys of Rome and the decadent splendours of its Senatorial palaces, Gordianus is non-pareil: the perfect cynical survivor.
The Roman world is torn apart by a civil war, and Caesar and Pompey struggle for ascendancy. But life goes on pretty much as normal for Gordianus, who receives an anonymous message telling him that his son is dead. Meto was playing the dangerous game of acting as a double agent for Caesar, and as Gordianus tries to find who is behind the murder, he finds himself in the blockaded seaport of Massilia, with famine and bloodshed an ever-present threat. And as he pursues what seems an impossible quest, Gordianus' only friend in the city has been chosen by the corrupt officials to die for the sins of a populace and stave off catastrophe. And then there is the young woman Gordianus has seen fall from the Sacrifice Rock outside the city.
Saylor's plotting remains as deliriously convoluted as ever, while his grasp of historical detail never falters. The reader, while transfixed by the narrative, is continually aware of the sights and smells of the eternal city when it was the centre of the civilised world. One reads each new Gordianus novel thinking, "Is this the one in which Saylor loses that golden touch?" But so far, it hasn't happened--the burnish the author gives his work still dazzles.
--Barry Forshaw [via]
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› Find signed collectible books: 'Lives of the Later Caesars: The First Part of the Augustan History With Newly Compiled Lives of Nerva and Trajan. Tr and Introd by Anthony Birley. 3'
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› Find signed collectible books: 'The Love Poems'
Ovid's love-poetry was typically original and innovative. His witty analysis in the Amores (Loves) of the elegiac relationship develops with relentless irony its essential paradox - love as simultaneously fulfilling and destructive - to its logical conclusion: definitive disestablishment of the poet-lover's role as presented by Gallus, Tibullus, and Propertius. In its place he went on to offer in the Ars Amatoria (Art of Love) and Remedia Amoris (Cures for Love) an equally brilliant presentation of an alternative and more realistic conception of love as a game at which both sexes can play without getting hurt - providing they stick to Ovid's rules. Under the surface of Ovid's wit there runs an undercurrent of serious meaning: the theme of the poet's complete control of his medium and his art and a proud consciousness of his achievements. His claim to be `the Virgil of elegy' is arrestingly justified in these extraordinarily accomplished poems. Alan Melville's accomplished translations match the sophisticated elegance of Ovid's Latin. Their witty modern idiom is highly entertaining. In this volume he has included the brilliant version of the Art of Love by Moore, published more than fifty years ago and still unequalled; the small revisions he has made will enhance the reader's admiration for Moore's achievement. This book is intended for general; students from 6th Form upwards following courses on Latin literature, classical literature, European literature, and comparative literature. [via]

› Find signed collectible books: 'Moon Palace'
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› Find signed collectible books: 'Murder Trials'
Cicero's speeches "In Defence of Sextus Roscius of Amerina," "In Defence of Aulus Cluentius Habitus," "In Defence of Gaius Rabirius," "Note on the Speeches in Defence of Caelius and Milo," and "In Defence of King Deiotarus" provide insight into Roman life, law, and history. [via]
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› Find signed collectible books: 'Narcissus and Goldmund'
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› Find signed collectible books: 'The Nature of the Gods'
Towards the end of his life, Cicero turned away from his oratorical and political career and looked instead to matters of philosophy and religion. The dialogue The Nature of the Gods both explores his own views on these subjects, as a monotheist and member of the Academic School, and considers the opinion of other philosophical schools of the Hellenistic age through the figures of Velleius the Epicurean and Balbus the Stoic. Eloquent, clearly argued and surprisingly modern, it focuses upon a series of fundamental religious questions including: is there a God? If so, does he answer prayers, or intervene in human affairs? Does he know the future? Does morality need the support of religion? Profoundly influential on later thinkers, such as Saint Augustine and Thomas Aquinas, this is a fascinating consideration of fundamental issues of faith and philosophical thought. [via]
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› Find signed collectible books: 'The New York Trilogy: City Of Glass, Ghosts, The Locked Room'
Three stories on the nature of identity. In the first a detective writer is drawn into a curious and baffling investigation, in the second a man is set up in an apartment to spy on someone, and the third concerns the disappearance of a man whose childhood friend is left as his literary executor. [via]
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› Find signed collectible books: 'Odes and Epopes of Horace'
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› Find signed collectible books: 'On Obligations'
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› Find signed collectible books: 'Oscar Wilde's the Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Grey'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'A Prayer for Owen Meany'
Owen Meany is a dwarfish boy with a strange voice who accidentally kills his best friend's mom with a baseball and believes--accurately--that he is an instrument of God, to be redeemed by martyrdom. John Irving's novel, which inspired the 1998 Jim Carrey movie Simon Birch, is his most popular book in Britain, and perhaps the oddest Christian mystic novel since Flannery O'Connor's work. Irving fans will find much that is familiar: the New England prep-school-town setting, symbolic amputations of man and beast, the Garp-like unknown father of the narrator (Owen's orphaned best friend), the rough comedy. The scene of doltish the doltish headmaster driving a trashed VW down the school's marble staircase is a marvelous set piece. So are the Christmas pageants Owen stars in. But it's all, as Highlights magazine used to put it, "fun with a purpose." When Owen plays baby Jesus in the pageants, and glimpses a tombstone with his death date while enacting A Christmas Carol, the slapstick doesn't cancel the fact that he was born to be martyred. The book's countless subplots add up to a moral argument, specifically an indictment of American foreign policy--from Vietnam to the Contras.
The book's mystic religiosity is steeped in Robertson Davies's Deptford trilogy, and the fatal baseball relates to the fatefully misdirected snowball in the first Deptford novel, Fifth Business. Tiny, symbolic Owen echoes the hero of Irving's teacher Günter Grass's The Tin Drum--the two characters share the same initials. A rollicking entertainment, Owen Meany is also a meditation on literature, history, and God. --Tim Appelo [via]
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› Find signed collectible books: 'The Punic Wars'

› Find signed collectible books: 'Roman Britain'
› Find signed collectible books: 'The Roman Revolution'
The Roman Revolution is a profound and unconventional treatment of a great theme - the fall of the Republic and the decline of freedom in Rome between 60 BC and AD 14, and the rise to power of the greatest of the Roman Emperors, Augustus. The transformation of state and society, the violent transference of power and property, and the establishment of Augustus' rule are presented in an unconventional narrative, which quotes from ancient evidence, refers seldomly to modern authorities, and states controversial opinions quite openly. The result is a book which is both fresh and compelling. [via]
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› Find signed collectible books: 'Roman Warfare'
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› Find signed collectible books: 'Roman Warfare'
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› Find signed collectible books: 'Satires and Epistles of Horace'
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› Find signed collectible books: 'A Short History Of Tractors In Ukrainian'
With this wise, tender, and deeply funny novel, Marina Lewycka takes her place alongside Zadie Smith and Monica Ali as a writer who can capture the unchanging verities of family. When an elderly and newly widowed Ukrainian immigrant announces his intention to remarry, his daughters must set aside their longtime feud to thwart him. For their fathers intended is a voluptuous old-country gold digger with a proclivity for green satin underwear and an appetite for the good life of the West. As the hostilities mount and family secrets spill out, A Short History of Tractors in Ukrainian combines sex, bitchiness, wit, and genuine warmth in its celebration of the pleasure of growing old disgracefully.
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› Find signed collectible books: 'Siddhartha'
Hesse's famous and influential novel, Siddartha, is perhaps the most important and compelling moral allegory our troubled century has produced. Integrating Eastern and Western spiritual traditions with psychoanalysis and philosophy, this strangely simple tale, written with a deep and moving empathy for humanity, has touched the lives of millions since its original publication in 1922. Set in India, Siddhartha is the story of a young Brahmin's search for ultimate reality after meeting with the Buddha. His quest takes him from a life of decadence to asceticism, through the illusory joys of sensual love with a beautiful courtesan, and of wealth and fame, to the painful struggles with his son and the ultimate wisdom of renunciation. This new translation by award-winning translator Joachim Neugroschel includes an introduction by Hesse biographer Ralph Freedman. [via]
› Find signed collectible books: 'Steppenwolf'
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› Find signed collectible books: 'The Tragedy of Anthony and Cleopatra'
The latest entry in the Oxford Shakespeare presents a newly edited text of the most formally ambitious and poetically brilliant of Shakespeare's tragedies. Always alert to the play's theatricality and boldly experimental design, the extensive introduction offers a fresh critical account of the play, exploring its paradoxical treatment of gender and identity. [via]
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› Find signed collectible books: 'Ulysses'
Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.
Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.
Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus [via]
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› Find signed collectible books: 'War and Peace'
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› Find signed collectible books: 'The World of Late Antiquity: Ad 150-750'
This remarkable study in social and cultural change explains how and why the Late Antique world, between c. 150 and c. 750 A.D., came to differ from "Classical civilization."
These centuries, as the author demonstrates, were the era in which the most deeply rooted of ancient institutions disappeared for all time. By 476 the Russian empire had vanished from western Europe; by 655 the Persian empire had vanished from the Near East. Mr. Brown, Professor of History at Princeton University, examines these changes and men's reactions to them, but his account shows that the period was also one of outstanding new beginnings and defines the far-reaching impact both of Christianity on Europe and of Islam on the Near East. The result is a lucid answer to a crucial question in world history; how the exceptionally homogeneous Mediterranean world of c. 200 A.D. became divided into the three mutually estranged societies of the Middle Ages: Catholic Western Europe, Byzantium, and Islam. We still live with the results of these contrasts. [via]More editions of The World of Late Antiquity: Ad 150-750:
› Find signed collectible books: 'El Veijo y el Mar'
Una de las historias más grandes jamás contadas
En Cuba, un viejo pescador ya en el crepúsculo de su vida, pobre y sin suerte, cansado de regresar cada día sin pesca, emprende una última y arriesgada travesía en busca de una gran pieza. Cuando al fin logra dar con ella, comienza una feroz lucha. Y el regreso a puerto, con el acoso de los elementos y los tiburones, se convierte en una última prueba. Como un rey mendigo, coronado por su imbatible dignidad, el viejo pescador culmina finalmente su destino.
En la cúspide de su maestría, Hemingway alumbró una historia en cuya sencillez vibra el clásico tema del valor ante la derrota, del triunfo personal sacado de la pérdida. El viejo y el mar lo confirmó como uno de los escritores más significativos del siglo XX, obteniendo el Premio Pulitzer y allanando su carrera hacia el Premio Nobel.
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› Find signed collectible books: 'De Officiis'
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