books tagged “puffin”

"The world is so full of a number of things, I'm sure we should all be as happy as kings."

With this "Happy Thought," Robert Louis Stevenson speaks for all the delights of childhood. But he doesn't stop there. A Child's Garden of Verses, written over a century ago, is filled to the brim with what are usually considered to be the first real poems written for children. This classic volume is an old friend to the generations of readers who were brought up on "I have a little shadow that goes in and out with me/ And what can be the use of him is more than I can see." In this perfectly lovely edition, the gossamer art of Jessie Willcox Smith (who first illustrated Stevenson's poems in the early years of the 20th century) is reproduced in all its charming glory. Black and white drawings throughout and eight full-page, warmly colorful paintings show beautiful, yet pleasantly imperfect children, busy at their daily activities--climbing trees, watching their reflections in a river, or sick in bed with an army of toy soldiers on guard. Place this on the shelf next to Mother Goose, Dr. Seuss, and Peter Rabbit. (All ages) --Emilie Coulter [via]

This beautiful board book features eight of Robert Louis Stevenson's classic poems with antique illustrations by some of the best-known children's book illustrators of the late nineteenth and early twentieth centuries, including Charles Robinson, H. Willebeek Le Mair and Jessie Willcox Smith. An unforgettable treat for the very youngest readers. [via]

FOR USE IN SCHOOLS AND LIBRARIES ONLY. Orphaned Rose Campbell finds it difficult to fit in when she goes to live with her six aunts and seven mischievous boy cousins. Puffin Classic edition. [via]

FOR USE IN SCHOOLS AND LIBRARIES ONLY. A battered child learns to embrace life when he is adopted by an old man in the English countryside during World War II. [via]

Long considered an American classic, Longfellow's The Song Of Hiawatha weaves the beautiful oral traditions of the American Indian into a grand epic poem. In this elegant edition, Susan Jeffers' exquisitely rendered paintings capture the grace and nobility of the familiar lyrical verses which depict Hiawatha's childhood. [via]

One of the particular pleasures of reading Kim is the full range of emotion, knowledge, and experience that Rudyard Kipling gives his complex hero. Kim O'Hara, the orphaned son of an Irish soldier stationed in India, is neither innocent nor victimized. Raised by an opium-addicted half-caste woman since his equally dissolute father's death, the boy has grown up in the streets of Lahore:

Though he was burned black as any native; though he spoke the vernacular by preference, and his mother-tongue in a clipped uncertain sing-song; though he consorted on terms of perfect equality with the small boys of the bazar; Kim was white--a poor white of the very poorest.

In the meantime, Kim amuses himself with intrigues, executing "commissions by night on the crowded housetops for sleek and shiny young men of fashion." His peculiar heritage as a white child gone native, combined with his "love of the game for its own sake," makes him uniquely suited for a bigger game. And when, at last, the long-awaited colonel comes along, Kim is recruited as a spy in Britain's struggle to maintain its colonial grip on India. Kipling was, first and foremost, a man of his time; born and raised in India in the 19th century, he was a fervid supporter of the Raj. Nevertheless, his portrait of India and its people is remarkably sympathetic. Yes, there is the stereotypical Westernized Indian Babu Huree Chander with his atrocious English, but there is also Kim's friend and mentor, the Afghani horse trader Mahub Ali, and the gentle Tibetan lama with whom Kim travels along the Grand Trunk Road. The humanity of his characters consistently belies Kipling's private prejudices, and raises Kim above the mere ripping good yarn to the level of a timeless classic. --Alix Wilber [via]

Forget the Michael Crichton book (and Spielberg movie) that copied the title. This is the original: the terror-adventure tale of The Lost World. Writing not long after dinosaurs first invaded the popular imagination, Sir Arthur Conan Doyle spins a yarn about an expedition of two scientists, a big-game hunter, and a journalist (the narrator) to a volcanic plateau high over the vast Amazon rain forest. The bickering of the professors (a type Doyle knew well from his medical training) serves as witty contrast to the wonders of flora and fauna they encounter, building toward a dramatic moonlit chase scene with a Tyrannosaurus Rex. And the character of Professor George E. Challenger is second only to Sherlock Holmes in the outrageous force of his personality: he's a big man with an even bigger ego, and if you can grit your teeth through his racist behavior toward Native Americans, he's a lot of fun. [via]

Young Robert's dreams have taken a decided turn for the weird. Instead of falling down holes and such, he's visiting a bizarre magical land of number tricks with the number devil as his host. Starting at one and adding zero and all the rest of the numbers, Robert and the number devil use giant furry calculators, piles of coconuts, and endlessly scrolling paper to introduce basic concepts of numeracy, from interesting number sequences to exponents to matrices. Author Hans Magnus Enzensberger's dry humor and sense of wonder will keep you and your kids entranced while you learn (shhh!) mathematical principles. Who could resist the little red guy who calls prime numbers "prima donnas," irrational numbers "unreasonable," and roots "rutabagas"? Not that the number devil is without his devilish qualities. He loses his temper when Robert looks for the easy way out of a number puzzle or dismisses math as boring and useless. "What do you expect?" he asks. "I'm the number devil, not Santa Claus." (Ages 10 to adult) --Therese Littleton [via]

Young Robert's dreams have taken a decided turn for the weird. Instead of falling down holes and such, he's visiting a bizarre magical land of number tricks with the number devil as his host. Starting at one and adding zero and all the rest of the numbers, Robert and the number devil use giant furry calculators, piles of coconuts, and endlessly scrolling paper to introduce basic concepts of numeracy, from interesting number sequences to exponents to matrices. Author Hans Magnus Enzensberger's dry humor and sense of wonder will keep you and your kids entranced while you learn (shhh!) mathematical principles. Who could resist the little red guy who calls prime numbers "prima donnas," irrational numbers "unreasonable," and roots "rutabagas"? Not that the number devil is without his devilish qualities. He loses his temper when Robert looks for the easy way out of a number puzzle or dismisses math as boring and useless. "What do you expect?" he asks. "I'm the number devil, not Santa Claus." (Ages 10 to adult) --Therese Littleton [via]

The story of the orphan Oliver, who runs away from the workhouse only to be taken in by a den of thieves, shocked readers when it was first published. Dickens' tale of childhood innocence beset by evil depicts the dark criminal underworld of a London peopled by vivid and memorable characters - the arch-villain Fagin, the artful Dodger, the menacing Bill Sikes and the prostitute Nancy. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, in "Oliver Twist" Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery. [via]

Eleven-year-old Beth thinks that Philip Hall likes her, but their on-again, off-again relationship sometimes makes her wonder. [via]

As always with George MacDonald, everything here is more than meets the eye: this in fact is MacDonald's grace-filled vision of the world. Said to be one of J.R.R. Tolkien's childhood favorites, The Princess and the Goblin is the story of the young Princess Irene, her good friend Curdie--a minor's son--and Irene's mysterious and beautiful great great grandmother, who lives in a secret room at the top of the castle stairs. Filled with images of dungeons and goblins, mysterious fires, burning roses, and a thread so fine as to be invisible and yet--like prayer--strong enough to lead the Princess back home to her grandmother's arms, this is a story of Curdie's slow realization that sometimes, as the princess tells him, "you must believe without seeing." Simple enough for reading aloud to a child (as I've done myself more than once with my daughter), it's rich enough to repay endless delighted readings for the adult. --Doug Thorpe [via]

From Newbery Award-winning author Elizabeth Enright comes the reappearance of the four-book series about the heartwarming Melendy family. In this first book, the children form a club to keep busy on rainy Saturday afternoons. [via]

"[Mole] thought his happiness was complete when, as he meandered aimlessly along, suddenly he stood by the edge of a full-fed river. Never in his life had he seen a river before--this sleek, sinuous, full-bodied animal, chasing and chuckling, gripping things with a gurgle and leaving them with a laugh, to fling itself on fresh playmates that shook themselves free, and were caught and held again." Such is the cautious, agreeable Mole's first introduction to the river and the Life Adventurous. Emerging from his home at Mole End one spring, his whole world changes when he hooks up with the good-natured, boat-loving Water Rat, the boastful Toad of Toad Hall, the society- hating Badger who lives in the frightening Wild Wood, and countless other mostly well-meaning creatures. Michael Hague's exquisitely detailed, breathtaking color illustrations on almost every generous spread--along with Kenneth Grahame's elegant, delightfully old-fashioned characterizations of the animals--make this book a wonderful read-aloud. Grahame's The Wind in the Willows has enchanted readers for four generations, and this lavishly illustrated gift edition is perhaps the finest around. (All ages, or 9 to 12) [via]

"[Mole] thought his happiness was complete when, as he meandered aimlessly along, suddenly he stood by the edge of a full-fed river. Never in his life had he seen a river before--this sleek, sinuous, full-bodied animal, chasing and chuckling, gripping things with a gurgle and leaving them with a laugh, to fling itself on fresh playmates that shook themselves free, and were caught and held again." Such is the cautious, agreeable Mole's first introduction to the river and the Life Adventurous. Emerging from his home at Mole End one spring, his whole world changes when he hooks up with the good-natured, boat-loving Water Rat, the boastful Toad of Toad Hall, the society- hating Badger who lives in the frightening Wild Wood, and countless other mostly well-meaning creatures. Michael Hague's exquisitely detailed, breathtaking color illustrations on almost every generous spread--along with Kenneth Grahame's elegant, delightfully old-fashioned characterizations of the animals--make this book a wonderful read-aloud. Grahame's The Wind in the Willows has enchanted readers for four generations, and this lavishly illustrated gift edition is perhaps the finest around. (All ages, or 9 to 12) [via]