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› Find signed collectible books: '1,818 Ways to Write Better & Get Published'
You've set up your work space. Check. You've outlined your plot. Check. You've researched the markets fo rthe writing you do. Check. [via]
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› Find signed collectible books: '2006 Writers Market'
Providing writers with instant access to up-to-date contact information, Writer's Market Deluxe Edition is the most cutting-edge resource available. Along with the invaluable information found in Writer's Market, this deluxe edition: Includes a one-year subscription to WritersMarket.com Provides access to over 1,000 additional markets online Features access to interactive tools like the Submission Tracker, which allows writers to stay on top of their submissions With all the information that's made Writer's Market a success, the deluxe edition takes it to the online level - making it truly an essential tool. [via]
› Find signed collectible books: 'Book Business: Publishing Past, Present, and Future'
As editor-publisher to some of the 20th-century's greatest writers (Edmund Wilson, Vladimir Nabokov, Jane Jacobs) as well as the virtual inventor of the trade paperback (meaning the "quality" type, as opposed to the drugstore mass-market), Jason Epstein is one of those rare publishing-world types who is as invested in the editorial creation of a good book as in its marketing and sales. It is that dual perspective that has guided his half-century-long publishing career and that makes this compact yet expansive professional memoir such a lively, illuminating read for anyone curious how current trade publishing--basically popular general-interest fiction and nonfiction--became obsessed with a narrow pool of quickie bestsellers to the neglect of the far greater mass of slow-burners (known in the biz as "midlist") or of the perennial sellers from years past ("backlist"). But, Epstein follows up with great enthusiasm, the time is not long before the book biz will morph into a new cyberversion of the quirky, intimate "cottage industry" that it was in its precorporate era.
It was in that era that Epstein came of age as a publisher, first at Doubleday in the 1950s, where he founded the successful Anchor Books, the first line of high-quality paperback reissues of classics. The four succeeding decades he spent at Random House, which in that time grew from a family-type shop into one of the largest and most profitable trade publishing houses in the U.S. (currently owned by the German media titan Bertelsmann). Epstein's chronicle of New York publishing jumps around nimbly in time--at one point, all the way back to the 19th century--but it is in recounting the heady, culturally efflorescent postwar years that he waxes most tender, regaling us with vignettes of Ralph Ellison, Mary McCarthy, John O'Hara, Frank O'Hara, W.H. Auden, Chester Kallman, and John Ashbery. Throughout, his entrepreneurial spirit in the service of good books is evident--first in the founding (along with, among others, his wife Barbara) of the still-extant New York Review of Books, then in the thorny 30-year process of publishing the classics imprint Library of America, and in the launching of The Reader's Catalog, a mail-order service from which customers could choose from what nearly every book on the planet in print--and which deservedly has been called the hard-copy precursor to the very site you're browsing right now.
Like The Business of Books, the recent memoir from former Pantheon Books head Andre Schiffrin (Epstein's longtime colleague within Random House), Epstein's book decries the extent to which superstores like Barnes & Noble have forced the high-stakes (and seldom fruitful) corporatization of book publishing. But Epstein prefers to look past the current situation to an imminent day when writers will sell directly to readers over the Internet, a format that will still demand the services of editors, publicists, and marketers but will cut out the costly middlemen of publishing companies, distributors, and superstores (though not small booksellers, he assures us, which nurture bonds among booklovers that even the Web can't sever). Yes, there's money to be made in trade books, Epstein asserts, but not necessarily overnight. And in this brisk, affable, and forward-looking volume, Epstein's own broad-ranging experience in the book biz seems to bear out his recurring theme: do it for love, not money, and the money (if not necessarily the millions) will eventually follow. --Timothy Murphy [via]
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› Find signed collectible books: 'Books'

› Find signed collectible books: 'The Business of Books : How the International Conglomerates Took over Publishing and Changed the Way We Read'
A riveting chronicle of the rise and fall of the American reader.Village Voice
Post-war American publishing has been ruthlessly transformed since Andre Schiffrin joined its ranks in 1956. Gone is a plethora of small but prestigious houses that often put ideas before profit in their publishing decisions, sometimes even deliberately. Now six behemoths share 80% of the market and profit margin is all.More editions of The Business of Books: How the International Conglomerates Took over Publishing and Changed the Way We Read:

What can we say? This weighty tome is the essential reference for all who work with words--writers, editors, proofreaders, indexers, copywriters, designers, publishers, and students. Discover who Ibid is, how to deftly avoid the split infinitive, and how to format your manuscripts to impress any professor or editor (no, putting it in a blue plastic folder is just not enough). [via]
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› Find signed collectible books: 'The Chicago Manual of Style: For Authors, Editors, and Copywriters'
Writers Style Manual Grammar Check Guide- For English Majors and Wordsmith's this book is the magic spell put on an author's works. Here's your Charm- it weighs only 3lbs. [via]
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› Find signed collectible books: 'The Complete Guide to Self-Publishing'
"Self-publishing," say authors Tom and Marilyn Ross, "is a perfect example of the American dream." The Complete Guide to Self-Publishing, then, is an aspiring self-publisher's dream. "This isn't a book of fancy theory," as the authors put it; "it's a practical handbook of state-of-the-art specifics." In 521 pages, it lays out everything you need to know to publish your own books, from start-up considerations to the possibility of selling to a big publisher: how to choose a name for your press, how to get an ISBN, what cover designs cost, how to find a reliable printer, how to price your book, where to find lighter-weight shipping envelopes, how to generate working capital. The authors' encyclopedic grasp of the ins and outs of self-publishing is matched by their natural good sense about self-promotion. Turn your signings into events, they recommend; get your books into a variety of venues; use the books as fundraisers for organizations; get online and get reviewed online. The price of this book is negligible considering the cost of proper self-publishing (between $12,000 and $25,000), and, oh, the headaches it will spare you! --Jane Steinberg [via]
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› Find signed collectible books: 'The Complete Guide to Self-Publishing: Everything You Need to Know to Write, Publish, Promote, and Sell Your Own Book'
More editions of The Complete Guide to Self-Publishing: Everything You Need to Know to Write, Publish, Promote, and Sell Your Own Book:

› Find signed collectible books: 'The Complete Idiot's Guide to Publishing Magazine Articles'
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› Find signed collectible books: 'The Copyeditor's Handbook: A Guide for Book Publishing And Corporate Communications'
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› Find signed collectible books: 'The Copyeditor's Handbook: A Guide for Book Publishing and Corporate Communications With Exercises and Answer Keys'
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› Find signed collectible books: 'Dan Poynter's Self-publishing Manual: How to Write, Print, And Sell Your Own Book'
The bible on self-publishing. Highly recommended by virtually everyone in the industry -- even other authors of books on the subject (many of whom probably followed the advice in Poynter's previous 11 editions). [via]
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› Find signed collectible books: 'Editors on Editing: What Writers Need to Know About What Editors Do'
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› Find signed collectible books: 'The Elements of Style'
› Find signed collectible books: 'The Elements of Style: A Style Guide for Writers'
Asserting that one must first know the rules to break them, this classic reference is a must-have for any student and conscientious writer. Intended for use in which the practice of composition is combined with the study of literature, it gives in brief space the principal requirements of plain English style and concentrates attention on the rules of usage and principles of composition most commonly violated. [via]
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› Find signed collectible books: 'The Forest for the Trees: An Editor's Advice to Writers'
One feels for Betsy Lerner's writers. Oh, sure, Lerner must be a fabulous agent. But too bad for them: In gaining her as an agent, they lost her as an editor. How rare and wonderful it must have been to have such an advocate, advisor, and, yes, admirer so firmly ensconced in publisher territory (at various times, Houghton Mifflin, Ballantine, Simon & Schuster, and Doubleday). In The Forest for the Trees, Lerner reflects on writing and publishing from an editor's point of view. There are so many books by writers and agents promising to disclose what editors really want; here, finally, is one straight from the source. Like all experienced editors, Lerner has seen writers at their best, and at their worst. "Like shrinks," she says, editors "have a privileged and exclusive view into a writer's psyche, from the ecstasy of acquisition to the agony of the remainder table."
To writers, particularly unpublished ones, editors can seem imposing figures determined to thwart their success. They won't take calls, they don't offer feedback--sometimes they don't respond to queries at all. Guess what: Editors don't lug home hundreds of pounds of manuscripts to read each year because they aren't looking for good writing. "An editor gets off," says Lerner, "on the thrill of discovering a new writer." Editors crave "succinct, well-written cover letters," inspiration that comes from within (as opposed to from the bestseller list), and "catchy, clearly targeted title[s]." They detest unsolicited phone calls, "query letters that sound as if they were penned by Crazy Eddie," and writers who offer to "write it however I want it" (it's "like saying I'll be straight or gay; you tell me, I have no preference"). Lerner is aware of how excruciating it is for a writer to wait for feedback on his or her work. But she also lets writers in on a little secret of her own. "I'm always anxious about the author's response," she confides. "Will he or she take to my editing?" --Jane Steinberg [via]
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› Find signed collectible books: 'Getting It Published: A Guide for Scholars and Anyone Else Serious About Serious Books'
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› Find signed collectible books: 'How to Get Happily Published'
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› Find signed collectible books: 'How to Get Happily Published/a Complete and Candid Guide'
Judith Appelbaum has analyzed publishing as a columnist and reviewer for The New York Times Book Review and as managing editor of Publishers Weekly and now directs a book marketing firm that evolved out of this book. Includes practical and informative chapters on queries, options, agents, major changes in the publishing industry, and reviews of hundreds of writer's resources for fiction and non-fiction writers alike. [via]
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› Find signed collectible books: 'How to Start and Run a Small Book Publishing Company: A Small Business Guide to Self-Publishing and Independent Publishing'
More editions of How to Start and Run a Small Book Publishing Company: A Small Business Guide to Self-Publishing and Independent Publishing:
› Find signed collectible books: 'How to Write a Book Proposal'
The Source for Book Proposals Success!How to Write a Book Proposal is THE resource for getting your work published. This newly revised edition of the Writer's Digest Books classic outlines how to create an effective, nonfiction book proposal in a clear, step-by-step manner. You'll learn the keys to a successful book proposal and how to:Test-market the potential of a book idea and effectively communicate that potential in a proposalChoose the best agents and editors for a particular proposalCreate a professional-looking proposal packagePredispose publishers to make their best offerNotes agent and author Michael Larsen also provides insider insights into the publishing industry as well as a plethora of newly updated information including:Recent changes in the publishing industryUpdated trend informationNew sample proposalsExpanded instructions for creating outlinesRecent changes in the publishing industryUpdated trend informationNew sample proposalsExpanded instructions for creating outlinesYou'll also find complete guidelines to becoming an effective self-promoter. How to Write a Book Proposal is a must-have for every writer! [via]
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› Find signed collectible books: 'Jump Start Your Book Sales: A Money-Making Guide for Authors, Independent Publishers and Small Presses'
More editions of Jump Start Your Book Sales: A Money-Making Guide for Authors, Independent Publishers and Small Presses:
› Find signed collectible books: 'Kirsch's Handbook Of Publishing Law: For Authors, Publishers, Editors And Agents'
Kirsch, a prominent intellectual property attorney and Los Angeles Times columnist, has created a clear, comprehensive, up-to-date guide to publishing law in this handbook, which follows the path of a publishing project. From protection of the original idea, coauthorship, agents, and packaging, through a clause-by-clause consideration of a typical book publishing contract, to legal aspects of manuscript preparation, copyright registration, electronic and subsidiary rights, remaindering, and reversion, this manual is as lively as it is useful. Sidebars provide anecdotes, tips, publishing 'war stories', and interesting illustrations of key points. [via]
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› Find signed collectible books: 'Looking Good in Print'
There is an argument for including a guide to good layout with every DTP application sold. Would you attempt to drive a car, or fly a plane for the first time, having read only the owner's handbook? While the consequences of poor layout may be less catastrophic than a road accident the results can nonetheless be ugly and unpleasant.
Whatever your view, if such a style guide were mandatory, Looking Good in Print would be an excellent candidate. Roger Parker and Patrick Berry have achieved the difficult task of covering all the important design fundamentals in a book probably no bigger than the manual that came with your DTP application, and certainly a lot more readable.
The emphasis throughout is on providing you with the information you need to design better-looking, and therefore more successful publications. If you read only the first two chapters you will be at least as well acquainted with the basic principles of page layout as most magazine designers appear to be.
Probably the best advice--not to go anywhere near your computer until you have sketched out a few ideas with pencil and paper--comes right at the start. Every aspect of theory and practice discussed is illustrated with clear examples which occupy at least half the available space. This means you can learn quickly--by seeing how it should be done, rather than reading about it.
The authors rightly recognise that good design, especially for beginners, is more often a case of not getting it wrong, than getting it right. So, for the crash course, once you've read the first two chapters, skip to the last two--Common Design Pitfalls and Redesign, which display in graphic detail all the ugly layout accidents just waiting to befall you and how to avoid them. --Ken McMahon [via]
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› Find signed collectible books: 'Looking Good in Print: A Guide to Basic Design for Desktop Publishing'
There is an argument for including a guide to good layout with every DTP application sold. Would you attempt to drive a car, or fly a plane for the first time, having read only the owner's handbook? While the consequences of poor layout may be less catastrophic than a road accident the results can nonetheless be ugly and unpleasant.
Whatever your view, if such a style guide were mandatory, Looking Good in Print would be an excellent candidate. Roger Parker and Patrick Berry have achieved the difficult task of covering all the important design fundamentals in a book probably no bigger than the manual that came with your DTP application, and certainly a lot more readable.
The emphasis throughout is on providing you with the information you need to design better-looking, and therefore more successful publications. If you read only the first two chapters you will be at least as well acquainted with the basic principles of page layout as most magazine designers appear to be.
Probably the best advice--not to go anywhere near your computer until you have sketched out a few ideas with pencil and paper--comes right at the start. Every aspect of theory and practice discussed is illustrated with clear examples which occupy at least half the available space. This means you can learn quickly--by seeing how it should be done, rather than reading about it.
The authors rightly recognise that good design, especially for beginners, is more often a case of not getting it wrong, than getting it right. So, for the crash course, once you've read the first two chapters, skip to the last two--Common Design Pitfalls and Redesign, which display in graphic detail all the ugly layout accidents just waiting to befall you and how to avoid them. --Ken McMahon [via]
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› Find signed collectible books: 'Making Book'
Trade paperback collection of the author's non-fiction writing. [via]
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› Find signed collectible books: 'The Non-Designer's Design Book: Design and Typographic Principles for the Visual Novice'
Subtitled Design and Typographic Principles for the Visual Novice, this book is for anyone who has to design a newsletter, job ad, flyer, business card, memo, report or whatever, but has no idea what separates good design from bad. Except, of course, that the first looks clear, professional, sophisticated and right, and the second is an ugly, unreadable mess.
Robin Williams has an easily readable style and manages to communicate sometimes complex and sophisticated concepts simply and directly. She rightly assumes that, though most people can recognise bad design when they see it, they don't know why it's bad and are therefore powerless to fix the same problems in their own work.
The bulk of the book is given over to explaining how, by sticking to four basic design principles--contrast, repetition, alignment and proximity--you can eliminate design gremlins from your work. In searching for a memorable and appropriate acronym for this principled approach, Williams admits she was only semi-successful.
The second half of the book deals with how to use type. Once again the approach is to explain simply, directly and with illustrated examples how the relationship between typefaces is defined.
As a college teacher, Williams can't resist the temptation to dot little quizzes, tests and mini-projects throughout the text. These are mostly good fun and reinforce what you've read, though even if you decide to ignore them they won't spoil your enjoyment of the book.
The Non-Designer's Design Book is the kind of book you could read in your lunch break. Its attitude is more "sketch in the margin with a pencil", than "complete the projects on the CD". It would be an ideal primer for anyone starting a design course, as well as those who want to improve the look of their memos. --Ken McMahon [via]
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› Find signed collectible books: 'Nonfiction Book Proposals Anybody Can Write: How to Get a Contract and Advance Before Writing Your Book'
More editions of Nonfiction Book Proposals Anybody Can Write: How to Get a Contract and Advance Before Writing Your Book:
› Find signed collectible books: 'Novel & Short Story Writers Market 2006'
For twenty-five years, this has been the only reference book on the market published expressly to help fiction writers find the best homes for their work 2006 Novel & Short Story Writer's Market includes: Over 1,500 fiction publishing opportunities in the US and Elsewhere with specific contact information, submission guidelines, and editorial needs More than 100 pages of instruction and inspiration, so readers can learn the basics of the craft and the business New interviews with top names in the field, including Jonathan Lethem, Margot Livesey, and Anne Perry 2006 Novel & Short Story Writer's Market offers readers the insight and advice needed to give their manuscripts the edge over others in the slush pile. [via]
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› Find signed collectible books: 'The Novel Writer's Toolkit'
Here's the book writers have been waiting for! Covering every aspect of the creative journey, Living the Writing Life shows readers how to:
*Develop salable ideas
*Turn ideas into stories
*Set a writing schedule and stick to it
*Conduct accurate research
*Dissect best-sellers in order to discover what makes them work
*Develop compelling characters and plot
*Write dialogue that sounds real and engaging
*Find an agent or an editor who will help publish your work
*Put their ideas into story form
*Understand the submission and publishing process
*Promote their work
*Stay alive and inspired through it all
Advice is given in a straightforward and usable manner, laying out and examining all of the tools available to writers, from imagination to technology. [via]
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› Find signed collectible books: 'On Writing'
Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You're right there with the young author as he's tormented by poison ivy, gas-passing babysitters, uptight schoolmarms, and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers, and girls in black bras who looked like trailer trash." But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber." As a young adult raising a family in a trailer, King started a story inspired by his stint as a janitor cleaning a high-school girls locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolized his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing."
King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story, and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph, and literary models. He shows what you can learn from H.P. Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote.
King isn't just a writer, he's a true teacher. --Tim Appelo [via]
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› Find signed collectible books: 'The Other Side of the Story'
Laced with sparkling wit and compassionate insight - nobody does it quite like Marian Keyes. Jojo Harvey is a literary agent whose star is on the rise. In love with both her married boss and her burgeoning career, not much distracts her. Until she finds herself representing two women who used to be best friends. Used to be. One of them, Gemma, has suddenly found herself from a broken home - at the age of thirty-two. Meanwhile, Lily - the woman Gemma has always blamed for stealing her one chance of happiness - is enjoying the overnight success of her debut novel. Set in the world of publishing, "The Other Side of the Story" is about love, loyalty, glass ceilings and survival tactics - and what to do when you get your chance for revenge. [via]
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› Find signed collectible books: 'Print-on-demand Book Publishing: A New Approach To Printing And Marketing Books For Publishers And Authors'
More editions of Print-on-demand Book Publishing: A New Approach To Printing And Marketing Books For Publishers And Authors:
In addition to providing clear guidance on grammar, the mechanics of w riting, and APA style, the Publication Manual offers an authoritative and easy-to-use reference and citation system and comprehensive covera ge of the treatment of numbers, metrication, statistical and mathemati cal data, tables, and figures for use in writing, reports, or presenta tions. [via]
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› Find signed collectible books: 'Publication Manual of the American Psychological Association'
Paperback with nice cover, excellent binding and clean inside pages. We ship fast. [via]
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› Find signed collectible books: 'Publicize Your Book!: An Insider's Guide to Getting Your Book the Attention It Deserves'
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› Find signed collectible books: 'Publishing for Profit: Successful Bottom-line Management for Book Publishers'
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› Find signed collectible books: 'Publishing for Profit: Successful Bottom-Line Management for Book Publishers'
Publishing is a rapidly changing business, and this readable and comprehensive reference is right in step, covering operations, financial, and personnel management as well as product development, production, and marketing. Whereas competing books deal with publishing theory or focus on the self-publisher with a single title, Publishing for Profit is written for the practicing professional, whether just starting out or looking to learn some new tricks of the trade. This revised and expanded edition contains updated industry statistics and benchmark figures, as well as new chapters on the state of returns in the industry and ways to mitigate them, and features a chapter on electronic publishing, including e-books and print-on-demand. Highly practical, it provides forms and sample contracts as well as up-to-the-minute advice. [via]
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› Find signed collectible books: 'Self-Publishing Manual - Large Print'
The bible on self-publishing. Highly recommended by virtually everyone in the industry -- even other authors of books on the subject (many of whom probably followed the advice in Poynter's previous 11 editions). [via]
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› Find signed collectible books: 'Self-Publishing Manual: How to Write, Print and Sell Your Own Book'
The bible on self-publishing. Highly recommended by virtually everyone in the industry -- even other authors of books on the subject (many of whom probably followed the advice in Poynter's previous 11 editions). [via]
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› Find signed collectible books: 'Shortest Distance Between You and a Published Book'
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› Find signed collectible books: 'Simple Pineapple Crochet'
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› Find signed collectible books: 'So Many Books: Reading and Publishing in an Age of Abundance'
"Reading liberates the reader and transports him from his book to a reading of himself and all of life. It leads him to participate in conversations, and in some cases to arrange them . . . It could even be said that to publish a book is to insert it into the middle of a conversation." (from So Many Books)
Join the conversation! In So Many Books, Gabriel Zaid offers his observations on the literary condition: a highly original analysis of the predicament that readers, authors, publishers, booksellers, librarians, and teachers find themselves in today--when there are simply more books than any of us can contemplate.
"...Zaid traces the preoccupation with reading back through Dr. Johnson, Seneca, and even the Bible ('Of making many books there is no end'). He emerges as a playful celebrant of literary proliferation, noting that there is a new book published every thirty seconds, and optimistically points out that publishers who moan about low sales 'see as a failure what is actually a blessing: The book business, unlike newspapers, films, or television, is viable on a small scale.' Zaid, who claims to own more than ten thousand books, says he has sometimes thought that 'a chastity glove for authors who cant contain themselves' would be a good idea. Nonetheless, he cheerfully opines that 'the truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.'"--The New Yorker
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› Find signed collectible books: 'Starting & Running a Successful Newsletter or Magazine'
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› Find signed collectible books: 'Starting & Running a Successful Newsletter or Magazine'
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› Find signed collectible books: 'Stet: A Memoir'

› Find signed collectible books: 'Thinking Like Your Editor: How to Write Great Serious Nonfiction and Get It Published'
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› Find signed collectible books: 'Words into Type'
This is the definitive text for questions of manuscript protocol, copyediting, style, grammar, and usage. For those who find The Chicago Manual of Style a bit cumbersome and sometimes ambigous, Words Into Type will be a welcome reference guide. With its easy-to-use index and definitive explanations, this third edition makes life simpler for writers, editors, and proofreaders. You may never need to know about frontispieces and imprimaturs, but if you deal with words, this is a wonderfully edifying, reassuring fount of clarity and wisdom. [via]
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