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› Find signed collectible books: 'Bernie Wrightson's Frankenstein'
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› Find signed collectible books: 'Bernie Wrightson's Frankenstein: Or the Modern Prometheus'
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› Find signed collectible books: 'The Butcher Boy'
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› Find signed collectible books: 'Catcher in the Rye'
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› Find signed collectible books: 'The Catcher in the Rye: New Essays'
J. D. Salinger's novel, The Catcher in the Rye celebrated its fiftieth anniversary of publication in 2001. The Catcher in the Rye: New Essays presents a variety of new approaches to this extremely popular and intensely influential novel, ranging [via]
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› Find signed collectible books: 'Disordered Minds'
Slowly but surely, Minette Walters has been building up her reputation as one of the UK's most penetrating and distinctive purveyors of the psychological thriller. Disordered Minds will add even more lustre to her name. Such books as Fox Evil and Acid Row demonstrated Walters' reluctance to repeat herself in terms of narrative, and her easy command of the various social groups in her novels (upper middle or council estate) is more sure than that of her colleagues and peers.
Disordered Minds builds on her rich mélange of gifts and continues to strip-mine darker areas of the human psyche than most contemporary novelists--literary or otherwise--are keen to tackle. It's the 1970s: a man dies in prison after a controversial conviction for killing his grandmother. Howard Stamp, an educationally subnormal young man, takes his own life, and the case generates movements claiming Stamp's innocence. Anthropologist Jonathan Hughes digs deeper than the police had originally done, and when Jonathan's path crosses that of the elderly George Gardener, long an advocate of the hapless Stamp's innocence, Gardener co-opts Jonathan in an attempt to clear the dead man's name. But there are some frightening consequences, such as the fact that the real killer will not like being put in the frame again.
As always, Walters is interested in far more than the simple mechanics of crime-novel plotting: Despite their differences, Jonathan Hughes finds that the backward Stamp is still something of a doppelganger of himself, mirroring his own disturbed childhood and sense of alienation, while the background of a pending conflict in Iraq throws the personal dramas sharply into relief. This is Walters at her disturbing best. --Barry Forshaw [via]
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› Find signed collectible books: 'Dr. Jekyll and Mr. Hyde'
Kaplan guarantees that readers will improve their SAT score using guidesor get their money back.
Vocabulary is a critical part of studying for the SATs. Memorizing words that are written on flashcards can be difficult because they are not put in the context of a sentence. Kaplans SAT Score-Raising Classics make learning SAT vocabulary words easier and more enjoyable for students. Classic novels that are taught throughout high school can now be read while learning vocabulary words that frequently appear on the SAT exam.
Designed for easy use, these books feature the actual text on one side of the page, with the word definitions on the opposite side. In addition, the vocabulary words are in easy-to-spot bold typeface throughout.
Each Kaplan SAT Score-Raising Classic features:
Kaplans SAT Score-Raising Classics series give readers get an invaluable learning tool and an enjoyable reading experience. [via]
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› Find signed collectible books: 'The Echo'
Minette Walters's expert plotting and her ability to quickly bring a large cast of characters to life put her in the same arena as Ruth Rendell. A homeless man who called himself Billy Blake is found dead of starvation in the garage of an expensive home near London's Thames, and it looks as though he might be a merchant banker who disappeared in 1988 with 10 million pounds. A magazine journalist named Michael Deacon is intrigued by the case and by the missing banker's wife and soon finds that there are much darker overtones to both. Other Walters books in paperback include The Ice House, The Scold's Bridle. [via]
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› Find signed collectible books: 'F. Scott Fitzgerald's the Great Gatsby'
A guide to reading "The Great Gatsby" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]
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› Find signed collectible books: 'Fatal Inversion'
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› Find signed collectible books: 'A Fatal Inversion'
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› Find signed collectible books: 'The Five People You Meet in Heaven'
Part melodrama and part parable, Mitch Albom's The Five People You Meet in Heaven weaves together three stories, all told about the same man: 83-year-old Eddie, the head maintenance person at Ruby Point Amusement Park. As the novel opens, readers are told that Eddie, unsuspecting, is only minutes away from death as he goes about his typical business at the park. Albom then traces Eddie's world through his tragic final moments, his funeral, and the ensuing days as friends clean out his apartment and adjust to life without him. In alternating sections, Albom flashes back to Eddie's birthdays, telling his life story as a kind of progress report over candles and cake each year. And in the third and last thread of the novel, Albom follows Eddie into heaven where the maintenance man sequentially encounters five pivotal figures from his life (a la A Christmas Carol). Each person has been waiting for him in heaven, and, as Albom reveals, each life (and death) was woven into Eddie's own in ways he never suspected. Each soul has a story to tell, a secret to reveal, and a lesson to share. Through them Eddie understands the meaning of his own life even as his arrival brings closure to theirs.
Albom takes a big risk with the novel; such a story can easily veer into the saccharine and preachy, and this one does in moments. But, for the most part, Albom's telling remains poignant and is occasionally profound. Even with its flaws, The Five People You Meet in Heaven is a small, pure, and simple book that will find good company on a shelf next to It's A Wonderful Life. --Patrick O'Kelley [via]
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› Find signed collectible books: 'Frankenstein'
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]
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› Find signed collectible books: 'Frankenstein'
Mary Shelleys tragic story of a scientist who created a monster is perhaps even more compelling and meaningful today than when it was written nearly two centuries ago. From the bits and pieces of dead bodies, and the power of electricity, the brilliant Victor Frankenstein fashions a new form of lifeonly to discover, too late, the irreparable damage he has caused.
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› Find signed collectible books: 'Frankenstein'
The epic battle between man and monster reaches its greatest pitch in the famous story of Frankenstein. In trying to create life the young student Victor Frankenstein unleashes forces beyond his control setting into motion a long and tragic chain of events that brings Victor himself to the very brink. How he tries to destroy his creation as it destroys everything Victor loves is a powerful story of love friendship and horror. Grades: 4 - 12. Level(s): Intermediate Middle School High School. Author: Mary Shelly. Binding: Paperback. Publishing Date: Jan 2005. Number of Pages: 61. Language: English. [via]
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› Find signed collectible books: 'Frankenstein (Original 1818 Text)'
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]
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› Find signed collectible books: 'Frankenstein, or the Modern Prometheus (Clear Print)'
This clear print title is set in Tiresias 13pt font for easy reading [via]
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› Find signed collectible books: 'Frankenstein, Or, The Modern Prometheus'
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› Find signed collectible books: 'Gerald's Game'
› Find signed collectible books: 'The Great Gatsby'
In 1922, F. Scott Fitzgerald announced his decision to write "something new--something extraordinary and beautiful and simple + intricately patterned." That extraordinary, beautiful, intricately patterned, and above all, simple novel became The Great Gatsby, arguably Fitzgerald's finest work and certainly the book for which he is best known. A portrait of the Jazz Age in all of its decadence and excess, Gatsby captured the spirit of the author's generation and earned itself a permanent place in American mythology. Self-made, self-invented millionaire Jay Gatsby embodies some of Fitzgerald's--and his country's--most abiding obsessions: money, ambition, greed, and the promise of new beginnings. "Gatsby believed in the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that's no matter--tomorrow we will run faster, stretch out our arms farther.... And one fine morning--" Gatsby's rise to glory and eventual fall from grace becomes a kind of cautionary tale about the American Dream.
It's also a love story, of sorts, the narrative of Gatsby's quixotic passion for Daisy Buchanan. The pair meet five years before the novel begins, when Daisy is a legendary young Louisville beauty and Gatsby an impoverished officer. They fall in love, but while Gatsby serves overseas, Daisy marries the brutal, bullying, but extremely rich Tom Buchanan. After the war, Gatsby devotes himself blindly to the pursuit of wealth by whatever means--and to the pursuit of Daisy, which amounts to the same thing. "Her voice is full of money," Gatsby says admiringly, in one of the novel's more famous descriptions. His millions made, Gatsby buys a mansion across Long Island Sound from Daisy's patrician East Egg address, throws lavish parties, and waits for her to appear. When she does, events unfold with all the tragic inevitability of a Greek drama, with detached, cynical neighbor Nick Carraway acting as chorus throughout. Spare, elegantly plotted, and written in crystalline prose, The Great Gatsby is as perfectly satisfying as the best kind of poem. [via]
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› Find signed collectible books: 'Haunting of Hill House'
Shirley Jackson's The Haunting of Hill House has unnerved readers since its original publication in 1959. A tale of subtle, psychological terror, it has earned its place as one of the significant haunted house stories of the ages.
Eleanor Vance has always been a loner--shy, vulnerable, and bitterly resentful of the 11 years she lost while nursing her dying mother. "She had spent so long alone, with no one to love, that it was difficult for her to talk, even casually, to another person without self-consciousness and an awkward inability to find words." Eleanor has always sensed that one day something big would happen, and one day it does. She receives an unusual invitation from Dr. John Montague, a man fascinated by "supernatural manifestations." He organizes a ghost watch, inviting people who have been touched by otherworldly events. A paranormal incident from Eleanor's childhood qualifies her to be a part of Montague's bizarre study--along with headstrong Theodora, his assistant, and Luke, a well-to-do aristocrat. They meet at Hill House--a notorious estate in New England.
Hill House is a foreboding structure of towers, buttresses, Gothic spires, gargoyles, strange angles, and rooms within rooms--a place "without kindness, never meant to be lived in...."
Although Eleanor's initial reaction is to flee, the house has a mesmerizing effect, and she begins to feel a strange kind of bliss that entices her to stay. Eleanor is a magnet for the supernatural--she hears deathly wails, feels terrible chills, and sees ghostly apparitions. Once again she feels isolated and alone--neither Theo nor Luke attract so much eerie company. But the physical horror of Hill House is always subtle; more disturbing is the emotional torment Eleanor endures. Intense, literary, and harrowing, The Haunting of Hill House belongs in the same dark league as Henry James's classic ghost story, The Turn of the Screw. --Naomi Gesinger [via]
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› Find signed collectible books: 'The Heart of Darkness'
JOSEPH CONRAD (1857-1924) was one of the most remarkable figures in English literature. Born in Poland, and originally named Josef Teodor Konrad Walecz Korzeniowski, he went to sea at the age of seventeen and eventually joined the crew of an English vessel, becoming a British citizen in the process. He retired from the sea in 1894 and took up the pen, writing all his works in English, a language he had only learned as an adult. Despite this, he was a master stylist, both lush and precise. His outsider's eye gave him special insights into the moral dangers of the great age of European empires. The book you hold in your hands -- Conrad's immortal HEART OF DARKNESS -- was the basis for the renowned film, APOCALYPSE NOW. [via]
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› Find signed collectible books: 'Heart of Darkness and the Secret Sharer'
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› Find signed collectible books: 'J.D. Salinger'
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› Find signed collectible books: 'J.D. Salinger's the Catcher in the Rye'
Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers. [via]
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› Find signed collectible books: 'James Joyce's a Portrait of the Artist As a Young Man'
Considered to be cast in a daring rhetorical mode, A Portrait of the Artist as a Young Man is the first novel by James Joyce. Originally published as a series, the novel continually interacts with Irish history and culture.
The title, James Joyces A Portrait of Artist As Young Man, part of Chelsea House Publishers Modern Critical Interpretations series, presents the most important 20th-century criticism on James Joyces A Portrait of Artist As Young Man through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on James Joyce, a chronology of the authors life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University. [via]
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› Find signed collectible books: 'The Lovely Bones'
On her way home from school on a snowy December day, 14-year-old Susie Salmon is lured into a cornfield and brutally raped and murdered, the latest victim of a serial killer. The Lovely Bones, Alice Sebold's haunting and heartbreaking debut novel, unfolds from heaven, where "life is a perpetual yesterday" and where Susie narrates and keeps watch over her grieving family and friends, as well as her brazen killer and the sad detective working on her case.
As Sebold fashions it, everyone has his or her own version of heaven. Susie's resembles the athletic fields and landscape of a suburban high school: a heaven of her "simplest dreams", where "there were no teachers... We never had to go inside except for art class... The boys did not pinch our backsides or tell us we smelled; our textbooks were Seventeen and Glamour and Vogue".
The Lovely Bones works as an odd yet affecting coming-of-age story. Susie struggles to accept her death while still clinging to the lost world of the living, following her family's dramas over the years. Her family disintegrates in their grief: her father becomes determined to find her killer, her mother withdraws, her little brother Buckley attempts to make sense of the new hole in his family and her younger sister Lindsey moves through the milestone events of her teenage and young adult years with Susie riding spiritual shotgun. Random acts and missed opportunities run throughout the book--Susie recalls her sole kiss with a boy on earth as "like an accident--a beautiful gasoline rainbow".
Though sentimental at times, The Lovely Bones is a moving exploration of loss and mourning that ultimately puts its faith in the living and that is made even more powerful by a cast of convincing characters. Sebold orchestrates a big finish and though things tend to wrap up a little too well for everyone in the end, one can only imagine (or hope) that heaven is indeed a place filled with such happy endings. --Brad Thomas Parsons, Amazon.com [via]
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› Find signed collectible books: 'Mary Shelley's Frankenstein'
Mary Shelley?s Frankenstein is remembered as a novel valuable in itself and prophetic of an intellectual world to come. It is seen as depicting a Prometheanism that is still with us. In this text noted critics examine subjects surrounding the novel such as creation as catastrophe, Frankenstein as the negative Oedipus, and a piece by Joyce Carol Oates on Frankenstein?s fallen angel.
The title, Mary Wollsonecraft Shelleys Frankenstein, part of Chelsea House Publishers Modern Critical Interpretations series, presents the most important 20th-century criticism on Mary Wollsonecraft Shelleys Frankenstein through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on Mary Wollsonecraft Shelley, a chronology of the authors life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University. [via]
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› Find signed collectible books: 'Mary Wollstonecraft Frankenstein'
graphic novel [via]
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› Find signed collectible books: 'The Metamorphosis and Other Stories'
This collection of new translations brings together the small proportion of Kafka's works that he thought worthy of publication. It includes "Metamorphosis", his most famous work, an exploration of horrific transformation and alienation; "Meditation", a collection of his earlier studies; "The Judgement", written in a single night of frenzied creativity; "The Stoker", the first chapter of a novel set in America and a fascinating occasional piece, "The Aeroplanes at Brescia", Kafka's eyewitness account of an air display in 1909. Together, these stories reveal the breadth of Kafka's literary vision and the extraordinary imaginative depth of his thought. [via]
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› Find signed collectible books: 'Notes from the Underground'
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - I am a sick man. ... I am a spiteful man. I am an unattractive man. I believe my liver is diseased. However, I know nothing at all about my disease, and do not know for certain what ails me. I don't consult a doctor for it, and never have, though I have a respect for medicine and doctors. Besides, I am extremely superstitious, sufficiently so to respect medicine, anyway (I am well-educated enough not to be superstitious, but I am superstitious). No, I refuse to consult a doctor from spite. That you probably will not understand. Well, I understand it, though. Of course, I can't explain who it is precisely that I am mortifying in this case by my spite: I am perfectly well aware that I cannot "pay out" the doctors by not consulting them; I know better than anyone that by all this I am only injuring myself and no one else. But still, if I don't consult a doctor it is from spite. My liver is bad, well - let it get worse! I have been going on like that for a long time - twenty years. Now I am forty. I used to be in the government service, but am no longer. I was a spiteful official. I was rude and took pleasure in being so. I did not take bribes, you see, so I was bound to find a recompense in that, at least. (A poor jest, but I will not scratch it out. I wrote it thinking it would sound very witty; but now that I have seen myself that I only wanted to show off in a despicable way, I will not scratch it out on purpose!) [via]
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› Find signed collectible books: 'Notes from the Underground & the Double'
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› Find signed collectible books: 'Notes from Underground'
Dostoevsky's NOTES FROM THE UNDERGROUND is a psychological study of the deepest darkest skeletons in the closet of the human mind. The first novel from Dostoevsky's mature "second period" works, divided in two parts, presents an unnamed protagonist, a twisted angry student, and his worldview. It is one proud man's cry for help and perverse rejection of the world around him. [via]
› Find signed collectible books: 'Notes from Underground'
(Book Jacket Status: Jacketed)Dostoevskys most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of mans essentially irrational nature.Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original. [via]
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› Find signed collectible books: 'The Portrait of a Lady'
"The Portrait of a Lady" is the most stunning achievement of Henry James's early period--in the 1860s and '70s when he was transforming himself from a talented young American into a resident of Europe, a citizen of the world, and one of the greatest novelists of modern times. A kind of delight at the success of this transformation informs every page of this masterpiece. Isabel Archer, a beautiful, intelligent, and headstrong American girl newly endowed with wealth and embarked in Europe on a treacherous journey to self-knowledge, is delineated with a magnificence that is at once casual and tense with force and insight. The characters with whom she is entangled--the good man and the evil one, between whom she wavers, and the mysterious witchlike woman with whom she must do battle--are each rendered with a virtuosity that suggests dazzling imaginative powers. And the scene painting--in England and Italy--provides a continuous visual pleasure while always remaining crucial to the larger drama. [via]
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› Find signed collectible books: 'A Portrait Of The Artist As A Young Man'
Originally published in serial format, "A Portrait of the Artist as a Young Man," is the semi-autobiographical portrayal of James Joyce's early upbringing as an Irish Catholic in late 19th century and early 20th century Dublin. At the center of the novel is the protagonist Stephen Dedalus whose life is depicted from its various stages starting in childhood and moving through early adulthood. The language of the novel changes throughout the book to correspond with the artistic development of Stephen Dedalus as he ages and matures. "A Portrait of the Artist as a Young Man" is a masterful depiction of the process of self-discovery that is indicative of the early stages of everyone's life. [via]
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› Find signed collectible books: 'Red Dragon'
Lying on a cot in his cell with Alexandre Dumas's Le Grand Dictionnaire de Cuisine open on his chest, Hannibal "The Cannibal" Lecter makes his debut in this legendary horror novel, which is even better than its sequel, The Silence of the Lambs. As in Silence, the pulse-pounding suspense plot involves a hypersensitive FBI sleuth who consults psycho psychiatrist Lecter for clues to catching a killer on the loose.
The sleuth, Will Graham, actually quit the FBI after nearly getting killed by Lecter while nabbing him, but fear isn't what bugs him about crime busting. It's just too creepy to get inside a killer's twisted mind. But he comes back to stop a madman who's been butchering entire families. The FBI needs Graham's insight, and Graham needs Lecter's genius. But Lecter is a clever fiend, and he manipulates both Graham and the killer at large from his cell.
That killer, Francis Dolarhyde, works in a film lab, where he picks his victims by studying their home movies. He's obsessed with William Blake's bizarre painting The Great Red Dragon and the Woman Clothed with the Sun, believing there's a red dragon within him, the personification of his demonic drives. Flashbacks to Dolarhyde's terrifying childhood and superb stream-of-consciousness prose get us right there inside his head. When Dolarhyde does weird things, we understand why. We sympathize when the voice of the cruel dead grandma who raised and crazed him urges him to mayhem--she's way scarier than that old bat in Psycho. When he falls in love with a blind girl at the lab, we hope he doesn't give in to Grandma's violent advice.
This book is awesomely detailed, ingeniously plotted, judiciously gory, and fantastically imagined. If you haven't read it, you've never had the creeps. --Tim Appelo [via]
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› Find signed collectible books: 'Rendezvous at the Straits: Fur Trade And Military Activities at Fort de Buade And Fort Michilimackinac, 1669v1781'
First published in 1959, Shirley Jackson's The Haunting of Hill House has been hailed as a perfect work of unnerving terror. It is the story of four seekers who arrive at a notoriously unfriendly pile called Hill House: Dr. Montague, an occult scholar looking for solid evidence of a "haunting"; Theodora, his lighthearted assistant; Eleanor, a friendless, fragile young woman well acquainted with poltergeists; and Luke, the future heir of Hill House. At first, their stay seems destined to be merely a spooky encounter with inexplicable phenomena. But Hill House is gathering its powers-and soon it will choose one of them to make its own. [via]
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› Find signed collectible books: 'Seven Types of Ambiguity'
Elliot Perlman has established himself as one of Australia's most perceptive and accomplished novelists with his critically-acclaimed bestselling novels Three Dollars and Seven Types of Ambiguity (which was shortlisted for Australia's top literary prize, the Miles Franklin Award, alongside J.M. Coetzee, Peter Carey and Shirley Hazzard), and his short story collection, The Reasons I Won't Be Coming.
Following years of unrequited love, an out-of-work schoolteacher decides to take matters into his own hands, triggering a chain of events that neither he nor his psychiatrist could have anticipated. At once a psychological thriller and a social critique, SEVEN TYPES OF AMBIGUITY is a story of obsessive love in an age of obsessive materialism. It's a story of impulse and paralysis, of empty marriages, lovers and a small boy, gambling and the market, of adult children and their parents, of poetry and prostitution, psychiatry and the law. Brimming with emotional, intellectual and moral dilemmas, this page-turning novel-reminiscent of the richest fiction of the nineteenth century in its labyrinthine complexity-unfolds at a rapid-fire pace to reveal the full extent to which these people have been affected by each other and by the insecure and uncertain times in which they live. Our times, now. [via]
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› Find signed collectible books: 'Skull Session'
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› Find signed collectible books: 'The Strange Case of Dr. Jekyll and Mr. Hyde'
The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.
This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.
This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster [via]
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› Find signed collectible books: 'The Strange Case of Dr. Jekyll and Mr. Hyde'
The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.
This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.
This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster [via]
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A single personbut with two personalities: one thats noble and kind and another thats pure, repulsive evil. Robert Louis Stevensons engrossing masterpiece about the dual nature of manand a good doctor whose thirst for knowledge has tragic consequencesserves up all the suspense and satisfying chills one expects from the best horror and science fiction.
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The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.
This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.
This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster [via]
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Mr. Utterson the lawyer was a man of a rugged countenance that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable. At friendly meetings, and when the wine was to his taste, something eminently human beaconed from his eye; something indeed which never found its way into his talk, but which spoke not only in these silent symbols of the after-dinner face, but more often and loudly in the acts of his life. He was austere with himself; drank gin when he was alone, to mortify a taste for vintages; and though he enjoyed the theater, had not crossed the doors of one for twenty years. But he had an approved tolerance for others; sometimes wondering, almost with envy, at the high pressure of spirits involved in their misdeeds; and in any extremity inclined to help rather than to reprove. "I incline to Cain's heresy," he used to say quaintly: "I let my brother go to the devil in his own way." In this character, it was frequently his fortune to be the last reputable acquaintance and the last good influence in the lives of downgoing men. And to such as these, so long as they came about his chambers, he never marked a shade of change in his demeanour. [via]
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THE TURN OF THE SCREW is the greatest and most subtle of all English-language ghost stories. H.P. Lovecraft praised its "truly potent air of sinister menace" and "mounting tide of fright" and subsequent critics have argued long and hard over the central "problem" of the story: if the motifs of the traditional ghost story, in the hands of a master, are used to probe the deepest depths of the human psyche, do the resultant terrors spring from the objective return of the spirits of the dead, or from the fears, memories, and guilt the expectation of such apparitions may evoke? Are there any ghosts in this story at all? James himself might have been puzzled by that question. His own remarks make it clear that what he had in mind was a "sinister romance," inspired by a ghostly story he had heard from an Archbishop of Canterbury. He wrote of the "portentous evil" of the "demon-spirits" in the story, but it was his genius to make them so profoundly mysterious that THE TURN OF THE SCREW will survive any number of interpretations, and go on to chill and delight readers for centuries to come. THE TURN OF THE SCREW was memorably filmed as THE INNOCENTS (1961), arguably the finest cinematic ghost story of all time. [via]
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› Find signed collectible books: 'Las cinco personas que encontraras en el cielo / The Five People You Meet in Heaven'
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From her vantage point in heaven, Susie Salmon describes how she was confronted by a murderer one December afternoon on her way home from school. Lured into an underground hiding place, she was raped and killed. But what the reader knows, her family does not. Anxiously,we keep vigil with Susie, aching for her grieving family, desperate for the killer to be found and punished. Sebold creates a heaven that's calm and comforting, a place whose residents can have whatever they enjoyed when they were alive and then some.
But Susie isn't ready to release her hold on life just yet, and she intensely watches her family and friends as they struggle to cope with a reality in which she is no longer a part. [via]
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