books tagged “prose”

books tagged “prose”

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  • Anna Karenina
    by Leo Tolstoy, Aylmer Maude, Louise Shanks Maude
    ISBN 0679410007 (0-679-41000-7)
    Hardcover, Random House Inc

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    Anna Karenina tells of the doomed love affair between the sensuous and rebellious Anna and the dashing officer, Count Vronsky. Tragedy unfolds as Anna rejects her passionless marriage and must endure the hypocrisies of society. Set against a vast and richly textured canvas of nineteenth-century Russia, the novel's seven major characters create a dynamic imbalance, playing out the contrasts of city and country life and all the variations on love and family happiness. While previous versions have softened the robust, and sometimes shocking, quality of Tolstoy's writing, Pevear and Volokhonsky have produced a translation true to his powerful voice. This award-winning team's authoritative edition also includes an illuminating introduction and explanatory notes. Beautiful, vigorous, and eminently readable, this Anna Karenina will be the definitive text for generations to come. [via]

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  • Antony and Cleopatra
    by William Shakespeare, Barbara A. Mowat, Paul Werstine
    ISBN 0671039164 (0-671-03916-4)
    Softcover, Simon & Schuster

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    The play that scholars see as a forerunner of the less comedies that followed, The Two Gentlemen of Verona remains one of the early Shakespeare finest achievements. A romp between two Veronese friends of this title, this classic romantic parody leaps to life. In Antony and Cleopatra, a grand drama of love and war, Shakespeare presents one of his greatest female characters -- the beautiful and cunning Egyptian queen Cleopatra.

    The New Folger Library editions feature introductions to Shakespeare's language, illustrations from the Folger collection, scene-by-scene plot summaries, and explanatory notes. Exhibiting a profound concern for stimulating a popular interest in the Elizabethan period, the esteemed and accessible Folger Library Shakespeare editions are favored by teachers, students, and scholars alike. [via]

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  • As You Like It
    by William Shakespeare, Barbara A. Mowat, Paul Westine
    ISBN 0671722565 (0-671-72256-5)
    Softcover, Simon & Schuster

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    In addition to the complete text of "As You Like it", this book includes: activities; a synopsis at the beginning of each act; notes opposite the text; photographs showing various productions of the play; and an introduction which places Shakespeare in context. [via]

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  • Cane
    by Jean Toomer
    ISBN 0679601090 (0-679-60109-0)
    Hardcover, Random House Publishing Group

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  • Collected Tales and Poems of Edgar Allan Poe
    by Edgar Allan Poe
    ISBN 0679600078 (0-679-60007-8)
    Hardcover, Random House Inc

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    Book summary:

    Edgar Allan Poe was one of the most original writers in the history of American letters, a genius who was tragically misunderstood in his lifetime. He was a seminal figure in the development of science fiction and the detective story, and exerted a great influence on Dostoyevsky, Arthur Conan Doyle, Jules Verne, and Charles Baudelaire, who championed him long before Poe was appreciated in his own country. Baudelaire's enthusiasm brought Poe a wide audience in Europe, and his writing came to have enormous importance for modern French literature. This edition includes his most well-known works--"The Raven," "The Pit and the Pendulum," "Annabel Lee," "The Fall of the House of Usher," "The Murders in the Rue Morgue"--as well as less-familiar stories, poems, and essays. [via]

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  • Boethius: The Consolation of Philosophy
    The Consolation of Philosophy
    by Boethius
    ISBN 0672602733 (0-672-60273-3)
    Softcover, Prentice Hall

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  • Don Quixote
    by Miguel De Cervantes Saavedra, Peter Anthony Motteux
    ISBN 0679407588 (0-679-40758-8)
    Hardcover, Random House Inc

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    "        Don Quixote is practically unthinkable as a living being," said novelist Milan Kundera. "And yet, in our memory, what character is more alive?"
    ----Widely regarded as the world's first
    modern novel, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. This Modern Library edition presents the acclaimed Samuel Putnam translation of the epic tale, complete with notes, variant readings, and an Introduction by the translator.
    ----The debt owed to Cervantes by literature is immense. From Milan Kundera: "Cervan-
    tes is the founder of the Modern Era. . . . The novelist need answer to no one but
    Cervantes." Lionel Trilling observed: "It can be said that all prose fiction is a variation on the theme of Don Quixote." Vladmir Nabo-kov wrote: "Don Quixote is greater today than he was in Cervantes's womb. [He] looms so wonderfully above the skyline of literature, a gaunt giant on a lean nag, that the book lives and will live through [his] sheer vitality. . . . He stands for everything that is gentle, forlorn, pure, unselfish, and gallant. The parody has become a paragon." And V. S. Pritchett observed: "Don Quixote begins as a province, turns into Spain, and ends as a universe. . . . The true spell of Cervantes is that he is a natural magician in pure story-telling."


    The Modern Library has played a significant role in American cultural life for the better part of a century. The series was founded in 1917 by the publishers Boni and Liveright and eight years later acquired by Bennett Cerf and Donald Klopfer. It provided the foun-
    dation for their next publishing venture, Random House. The Modern Library has been a staple of the American book trade, providing readers with affordable hardbound editions of important works of literature and thought. For the Modern Library's seventy-fifth anniversary, Random House redesigned the series, restoring as its emblem the running torchbearer created by Lucian Bernhard in 1925 and refurbishing jackets, bindings, and type, as well as inaugurating a new program of selecting titles. The Modern Library continues to provide the world's best books, at the best prices. [via]

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  • Dr. Jekyll and Mr. Hyde
    by Robert Louis Stevenson
    ISBN 0679405380 (0-679-40538-0)
    Hardcover, Random House Inc

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    The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.

    This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.

    This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster [via]

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  • Emma
    by Jane Austen
    ISBN 067940581X (0-679-40581-X)
    Hardcover, Random House Inc

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    Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.

    For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]

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  • Frankenstein
    by Mary Wollstonecraft Shelley, Anne K. Mellor, Teresa Reyes
    ISBN 0671531506 (0-671-53150-6)
    Softcover, Simon & Schuster

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    Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]

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  • Frankenstein, Or, The Modern Prometheus
    by Mary Wollstonecraft Shelley
    ISBN 0672514575 (0-672-51457-5)
    Hardcover, Bobbs-Merrill Co

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    Book summary:

    Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image & but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates. [via]

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  • God of Small Things
    by Arundhati Roy
    ISBN 0679309411 (0-679-30941-1)
    Softcover, Random House of Canada Ltd

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    "They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved and how. And how much. " The year is 1969. In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . . Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family--their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts). When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen."  With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it. The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it. The God of Small Things takes on the Big Themes--Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic. [via]

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  • The Grapes of Wrath
    by John Steinbeck
    ISBN 0670347914 (0-670-34791-4)
    Hardcover, Penguin USA

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    When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

    The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

    The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]

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  • Heart of Darkness
    by Joseph Conrad
    ISBN 0679428011 (0-679-42801-1)
    Hardcover, Knopf Publishing Group

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    (Book Jacket Status: Jacketed)

    Heart of Darkness grew out of a journey Joseph Conrad took up the Congo River; the verisimilitude that the great novelist thereby brought to his most famous tale everywhere enhances its dense and shattering power.

    Apparently a sailors yarn, it is in fact a grim parody of the adventure story, in which the narrator, Marlow, travels deep into the heart of the Congo where he encounters the crazed idealist Kurtz and discovers that the relative values of the civilized and the primitive are not what they seem. Heart of Darkness is a model of economic storytelling, an indictment of the inner and outer turmoil caused by the European imperial misadventure, and a piercing account of the fragility of the human soul. [via]

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  • Ivanhoe
    by Scott, Walter, Sr.
    ISBN 0679602631 (0-679-60263-1)
    Hardcover, Random House Publishing Group

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    Hailed by Victor Hugo as "the real epic of our age," Ivanhoe was an immensely popular bestseller when first published in 1819. The book inspired literary imitations as well as paintings, dramatizations, and even operas. Now Sir Walter Scott's sweeping romance of medieval England has prompted a lavish
    new television production.
       In the twelfth century, Sir Wilfred of Ivanhoe returns home to England from the Third Crusade to claim his inheritance and the love of the lady Rowena. The heroic adventures of this noble Saxon knight involve him in the struggle between Richard the Lion-Hearted and his malignant brother John: a conflict that brings Ivanhoe into alliance with the
    mysterious outlaw Robin Hood and his legendary fight for the forces of good.
       "Scott's characters, like Shakespeare's and Jane Austen's, have the seed of life in them," observed Virginia Woolf. "The emotions in which Scott excels are not those of human beings pitted against other human beings, but of man pitted against
    Nature, of man in relation to fate. His romance is the romance of hunted men hiding in woods at night; of brigs standing out to sea; of waves breaking in the moonlight; of solitary sands and distant horsemen; of violence and suspense." For Henry James, "Scott was a born
    storyteller. . . . Since Shakespeare, no writer has created so immense a gallery of portraits." [via]

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  • Ivanhoe
    by Walter Scott, Robin S. Wright, Christopher Bradbury
    ISBN 067920394X (0-679-20394-X)
    Hardcover, Random House Childrens Books

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  • J.D. Salinger's the Catcher in the Rye
    by J. D. Salinger
    ISBN 0671006916 (0-671-00691-6)
    Softcover, Monarch Notes

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  • John Steinbeck's the Grapes of Wrath
    by John Steinbeck
    ISBN 0671006924 (0-671-00692-4)
    Softcover, Monarch Notes

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  • King Lear
    by William Shakespeare, Paul Werstine, Barbara A. Mowat
    ISBN 0671722727 (0-671-72272-7)
    Softcover, Simon & Schuster

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    King Lear stands alongside Hamlet as one of the most profound expressions of tragic drama in literature. Written between 1604 and 1605, it represents Shakespeare at the height of his dramatic power. Drawing on ancient British history, Shakespeare constructs a plot that reads like a fable in its clear-sighted but terrifying simplicity. The ageing King Lear calls his daughters, Goneril, Regan and Cordelia to witness that he wishes "to shake all cares and business from our age" and divide his kingdom between his three children. When Cordelia refuses to flatter her father with sycophantic words of love, her banishment leads to chaos and civil war as Lear's disastrous "division of the kingdom" gives free reign to the greed and ambition of his two remaining daughters.

    As Lear sinks into rage and madness he is deserted by everyone except his "bitter" Fool, the loyal Kent and the exiled Cordelia. The play descends into a nighmarish theatre of cruelty and absurdity as Lear realises he has "ta'en / Too little care" of the poverty and corruption of his kingdom, and his loyal but foolish friend Gloucester has his eyes gouged out. Metaphors of monstrosity and perversions of nature structure the dramatic action, and the play's ending remains one of the most harrowing in all of Shakespeare. Many see a profound despair and nihilism in King Lear, and would agree with Kent's conclusion that "All's cheerless, dark and deadly". Other writers have identified a radical but pessimistic critique of contemporary conceptions of kingship and absolutist authority, yet it remains a remarkable tragedy of public misjudgement and intensely private grief and anguish. --Jerry Brotton [via]

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  • The Life of Samuel Johnson
    by James Boswell
    ISBN 0679417176 (0-679-41717-6)
    Hardcover, Random House Inc

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    James Boswell is for some the ideal scribe, for others a sycophantic toady. Edmund Wilson, for example, memorably labeled him "a vain and pushing diarist." Boswell can even be seen as someone unconsciously intent on undermining his idol in sonorous, balanced sentences. Early on in his massive Life, he puts all manner of ideas into our heads with his boobish attempts to clear the youthful Johnson of potential impropriety: "His juvenile attachments to the fair sex were, however, very transient; and it is certain that he formed no criminal connection whatsoever." And while it's often tempting to ignore Boswell's more personal intrusions and delight solely in the melancholic master's words and deeds, there are suchdelightful admissions as, "I was at this time so occupied, shall I call it? or so dissipated, by the amusements of London that our next meeting was not till Saturday, June 25..."

    Samuel Johnson was born in 1709 and died in 1784--a long life, though one marred by depression and fear of death. On April 20, 1764, for example, he declared, "I would consent to have a limb amputated to recover my spirits." Many of the quotes Boswell includes are a sort of greatest hits: Johnson's definitions of oats and lexicographer, his love for his cat Hodge, as well as thousands of bon, and mal, mots. ("Patriotism is the last refuge of the scoundrel"; "Sir, a woman's preaching is like a dog's walking on his hinder legs. It is not done well; but you are surprized to find it done at all.") But there are also many unfamiliar pleasures--Boswell's accounts of Johnson's literary industry, including the Dictionary, The Rambler, and Lives of the Poets; Johnson's singular loathing for Scotland and France; and the surprising hints of revelry. Awakened at 3 AM by friends, he greets them with, "What, is it you, you dogs! I'll have a frisk with you." This at age 42. Johnson's final years were marked by pain and loneliness but certainly no loss of wit. [via]

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  • The Lord of the Rings
    by J. R. R. Tolkien
    ISBN 0618346244 (0-618-34624-4)
    Softcover, Houghton Mifflin

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    A Christian can almost be forgiven for not reading the Bible, but there's no salvation for a fantasy fan who hasn't read the gospel of the genre, J.R.R. Tolkien's definitive three-book epic, the Lord of the Rings (encompassing The Fellowship of the Ring, The Two Towers, and The Return of the King), and its charming precursor, The Hobbit. That many (if not most) fantasy works are in some way derivative of Tolkien is understood, but the influence of the Lord of the Rings is so universal that everybody from George Lucas to Led Zeppelin has appropriated it for one purpose or another.

    Not just revolutionary because it was groundbreaking, the Lord of the Rings is timeless because it's the product of a truly top-shelf mind. Tolkien was a distinguished linguist and Oxford scholar of dead languages, with strong ideas about the importance of myth and story and a deep appreciation of nature. His epic, 10 years in the making, recounts the Great War of the Ring and the closing of Middle-Earth's Third Age, a time when magic begins to fade from the world and men rise to dominance. Tolkien carefully details this transition with tremendous skill and love, creating in the Lord of the Rings a universal and all-embracing tale, a justly celebrated classic. --Paul Hughes [via]

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  • Lord of the Rings Book: With Bookends
    by J. R. R. Tolkien
    ISBN 0618401210 (0-618-40121-0)
    Hardcover, Houghton Mifflin

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    Presented here in hardcover with a beautiful jacket chosen through a global fan poll, J.R.R. Tolkien's epic masterpiece, The Lord of the Rings, has been hailed throughout the world as one of the greatest adventure stories ever written. Millions of readers have celebrated this exciting tale of hobbits, wizards, men, dwarves, and elves in a land called Middle-earth. Now millions of filmgoers have embraced the blockbuster motion picture trilogy that has fired the imaginations of a new generation.
    Returning to Hobbiton after an absence of many years, the wizard Gandalf quickly sought out Bag End, the home of his old and dear friend the hobbit Bilbo Baggins. It was the morning of Bilbo's one hundred and eleventh birthday, and a party of special magnificence was planned for that night. The old hobbit had been plagued by the incessant attentions of unwanted visitors, well-wishers, and distant relations, prompting him to hang out a sign on his front gate warning "No admittance except on party business." It was in this grumpy state of mind that Bilbo, completely unprepared for the joyous reunion that awaited him, stomped to the door to answer Gandalf's knock.
    These unique, limited-edition bookend sculptures have been hand-cast in heavyweight polystone and hand-painted to the highest standards by the artists of Sideshow/Weta, a unique partnership between museum-quality collectibles manufacturer Sideshow, Inc. and Weta Workshop of New Zealand, the artisans responsible for the conceptualization, prosthetics, makeup effects, weapons, armor, and miniatures for Peter Jackson's Lord of the Rings film trilogy. [via]

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  • Madame Bovary
    by Gustave Flaubert, Francis Steegmuller
    ISBN 0679420312 (0-679-42031-2)
    Hardcover, Random House Inc

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    Madame Bovary is perhaps the first "modern" novel.  It has always been the most popular of Flaubert's books, and the character of Emma Bovary, a beautiful young woman longing to escape from her dull husband and the constrictions of bourgeois life, is one of the most compelling figures in all literature.  The story of her adulteries and financial ruin was so shocking to mid-nineteenth-century readers that the author was charged with "offenses against public morals and religion."  Flaubert's style, with its elegant, sculpted sentences and passionately observed detail, is rendered here in the classic translation by Francis Steegmuller, who has written widely on Flaubert and is the editor and translator of his letters. [via]

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  • Mansfield Park
    by Jane Austen
    ISBN 0679412697 (0-679-41269-7)
    Hardcover, Knopf Publishing Group

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    Book summary:

    Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.

    Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber [via]

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  • Middlemarch
    by George Eliot
    ISBN 0679405674 (0-679-40567-4)
    Hardcover, Everymans Library

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    One of the most accomplished and prominent novels of the Victorian era, Middlemarch is an unsurpassed portrait of nineteenth-century English provincial life. Dorothea Brooke is a young woman of fervent ideals who yearns to effect social change yet faces resistance from the society she inhabits. In this epic in a small landscape, Eliot's large cast of precisely delineated characters and the rich tapestry of their stories result in a wise, compassionate, and astute vision of human nature. As Virginia Woolf declared, George Eliot "was one of the first English novelists to discover that men and women think as well as feel, and the discovery was of great artistic moment."


    From the Trade Paperback edition. [via]

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  • Middlemarch : A Study of Provincial Life
    by George Eliot
    ISBN 067960118X (0-679-60118-X)
    Hardcover, Random House Publishing Group

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    Book summary:

    On April 10, 1994, PBS stations nationwide will air the first episode of a lavish six-part Masterpiece Theatre production of Eliot's brilliant work, Middlemarch, hosted by Russell Baker and produced by Louis Marks. The Modern Library is pleased to offer this official companion edition, complete with tie-in art and printed on acid-free paper. Unabridged. [via]

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  • A Midsummer Night's Dream
    by William Shakespeare, Paul Werstine, Barbara A. Mowat
    ISBN 0671722794 (0-671-72279-4)
    Softcover, Simon & Schuster

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    Book summary:

    Shakespeare's classic story. [via]

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  • A Midsummer Nights Dream
    by Barbara A. Mowat, Paul Werstine
    ISBN 0671042904 (0-671-04290-4)
    Softcover, Simon & Schuster

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    Book summary:

    The New Folger Library edition features brief and simple clarification of seventeenth-century language, scene-by-scene plot summaries, and explanatory notes illuminating obscure and obsolete expressions. [via]

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  • Cooperman, Stanley: Monarch Great Gatsby
    Monarch Great Gatsby
    by Stanley Cooperman
    ISBN 0671006673 (0-671-00667-3)
    Hardcover, Pearson Education, Limited

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  • Monarch Notes on Shakespeare's King Lear
    by William Shakespeare
    ISBN 0671005154 (0-671-00515-4)
    Hardcover, Pearson Education, Limited

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  • Violi, Unicio J.: Monarch Notes on Shakespeare's Sonnets
    Monarch Notes on Shakespeare's Sonnets
    by Unicio J. Violi
    ISBN 0671006533 (0-671-00653-3)
    Hardcover, Pearson Education, Limited

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  • Mrs Dalloway
    by Virginia Woolf
    ISBN 0679420428 (0-679-42042-8)
    Hardcover, Random House Inc

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    As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.

    As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.

    Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland [via]

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  • On the Road
    by Jack Kerouac
    ISBN 0670874787 (0-670-87478-7)
    Hardcover, Penguin Group USA

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    On The Road, the most famous of Jack Kerouac's works, is not only the soul of the Beat movement and literature, but one of the most important novels of the century. Like nearly all of Kerouac's writing, On The Road is thinly fictionalized autobiography, filled with a cast made of Kerouac's real life friends, lovers, and fellow travelers. Narrated by Sal Paradise, one of Kerouac's alter-egos, On the Road is a cross-country bohemian odyssey that not only influenced writing in the years since its 1957 publication but penetrated into the deepest levels of American thought and culture. [via]

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  • Othello
    by Barbara A. Mowat, Paul Werstine, William Shakespeare
    ISBN 0671042890 (0-671-04289-0)
    Softcover, Simon & Schuster

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    The New Folger Library edition features brief and simple clarification of seventeenth-century language, scene-by-scene plot summaries, and explanatory notes illuminating obscure and obsolete expressions. [via]

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  • Othello
    by William Shakespeare, Paul Werstine, Barbara Mowat
    ISBN 0671722816 (0-671-72281-6)
    Softcover, Simon & Schuster

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    An exciting new edition of the complete works of Shakespeare with these features: Illustrated with photographs from New York Shakespeare Festival productions, vivid readable readable introductions for each play by noted scholar David Bevington, a lively personal foreword by Joseph Papp, an insightful essay on the play in performance, modern spelling and pronunciation, up-to-date annotated bibliographies, and convenient listing of key passages. [via]

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  • A Passage to India: Library Edition
    by E. M. Forster
    ISBN 0679405496 (0-679-40549-6)
    Hardcover, Random House Inc

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    Book summary:

    What really happened in the Marabar caves? This is the mystery at the heart of E.M. Forster's 1924 novel, A Passage to India, the puzzle that sets in motion events highlighting an even larger question: Can an Englishman and an Indian be friends?

    "It is impossible here," an Indian character tells his friend, Dr. Aziz, early in the novel.

    "They come out intending to be gentlemen, and are told it will not do.... Why, I remember when Turton came out first. It was in another part of the Province. You fellows will not believe me, but I have driven with Turton in his carriage--Turton! Oh yes, we were once quite intimate. He has shown me his stamp collection.

    "He would expect you to steal it now. Turton! But red-nosed boy will be far worse than Turton!

    "I do not think so. They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any Englishwoman six months. All are exactly alike."

    Written while England was still firmly in control of India, Forster's novel follows the fortunes of three English newcomers to India--Miss Adela Quested, Mrs. Moore, and Cyril Fielding--and the Indian, Dr. Aziz, with whom they cross destinies. The idea of true friendship between the races was a radical one in Forster's time, and he makes it abundantly clear that it was not one that either side welcomed. If Aziz's friend, Hamidullah, believed it impossible, the British representatives of the Raj were equally discouraging.
    "Why, the kindest thing one can do to a native is to let him die," said Mrs. Callendar.
    "How if he went to heaven?" asked Mrs. Moore, with a gentle but crooked smile.
    "He can go where he likes as long as he doesn't come near me. They give me the creeps."
    Despite their countrymen's disapproval, Miss Quested, Mrs. Moore, and Mr. Fielding are all eager to meet Indians, and in Dr. Aziz they find a perfect companion: educated, westernized, and open-minded. Slowly, the friendships ripen, especially between Aziz and Fielding. Having created the possibility of esteem based on trust and mutual affection, Forster then subjects it to the crucible of racial hatred: during a visit to the famed Marabar caves, Miss Quested accuses Dr. Aziz of sexually assaulting her, then later recants during the frenzied trial that follows. Under such circumstances, affection proves to be a very fragile commodity indeed.

    Arguably Forster's greatest novel, A Passage to India limns a troubling portrait of colonialism at its worst, and is remarkable for the complexity of its characters. Here the personal becomes the political and in the breach between Aziz and his English "friends," Forster foreshadows the eventual end of the Raj. --Alix Wilber [via]

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  • Peter Pan
    by J. M. Barrie, F. D. Bedford
    ISBN 0679417923 (0-679-41792-3)
    Hardcover, Knopf Publishing Group

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    Peter, Wendy, Captain Hook, the lost boys, and Tinker Bell have filled the hearts of children ever since Barrie's play first opened in London in 1904 and became an immediate sensation. Now this funny, haunting modern myth is presented with Bedford's wonderful illustrations, which first appeared in the author's own day, have long been out of print, and have never been equaled. [via]

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  • Peter Pan
    by Edmund Caswell, Scott Gustafson
    ISBN 0670841803 (0-670-84180-3)
    Hardcover, Viking Pr

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    Book summary:

    "All children, except one, grow up." Thus begins a great classic of children's literature that we all remember as magical. What we tend to forget, because the tale of Peter Pan and Neverland has been so relentlessly boiled down, hashed up, and coated in saccharine, is that J.M. Barrie's original version is also witty, sophisticated, and delightfully odd. The Darling children, Wendy, John, and Michael, live a very proper middle-class life in Edwardian London, but they also happen to have a Newfoundland for a nurse. The text is full of such throwaway gems as "Mrs. Darling first heard of Peter Pan when she was tidying up her children's minds," and is peppered with deliberately obscure vocabulary including "embonpoint," "quietus," and "pluperfect." Lest we forget, it was written in 1904, a relatively innocent age in which a plot about abducted children must have seemed more safely fanciful. Also, perhaps, it was an age that expected more of its children's books, for Peter Pan has a suppleness, lightness, and intelligence that are "literary" in the best sense. In a typical exchange with the dastardly Captain Hook, Peter Pan describes himself as "youth... joy... a little bird that has broken out of the egg," and the author interjects: "This, of course, was nonsense; but it was proof to the unhappy Hook that Peter did not know in the least who or what he was, which is the very pinnacle of good form." A book for adult readers-aloud to revel in--and it just might teach young listeners to fly. (Ages 5 and older) --Richard Farr [via]

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  • Peter Pan/Changing Picture and Lift-The-Flap Book
    by J. M. Barrie, Edmund Caswell
    ISBN 0670836087 (0-670-83608-7)
    Hardcover, Viking Pr

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    Book summary:

    Four changing picture wheels, lift-the-flap illustrations, and an abridged version of Barrie's classic fantasy follow the adventures of Peter Pan, Wendy, the Lost Boys, and Captain Hook in Neverland. [via]

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  • Austen, Jane: Pride and Prejudice
    Pride and Prejudice
    by Jane Austen, Morris E. Speare
    ISBN 0671006010 (0-671-00601-0)
    Hardcover, Pearson Education, Limited

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    "It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."

    Next to the exhortation at the beginning of Moby-Dick, "Call me Ishmael," the first sentence of Jane Austen's Pride and Prejudice must be among the most quoted in literature. And certainly what Melville did for whaling Austen does for marriage--tracing the intricacies (not to mention the economics) of 19th-century British mating rituals with a sure hand and an unblinking eye. As usual, Austen trains her sights on a country village and a few families--in this case, the Bennets, the Philips, and the Lucases. Into their midst comes Mr. Bingley, a single man of good fortune, and his friend, Mr. Darcy, who is even richer. Mrs. Bennet, who married above her station, sees their arrival as an opportunity to marry off at least one of her five daughters. Bingley is complaisant and easily charmed by the eldest Bennet girl, Jane; Darcy, however, is harder to please. Put off by Mrs. Bennet's vulgarity and the untoward behavior of the three younger daughters, he is unable to see the true worth of the older girls, Jane and Elizabeth. His excessive pride offends Lizzy, who is more than willing to believe the worst that other people have to say of him; when George Wickham, a soldier stationed in the village, does indeed have a discreditable tale to tell, his words fall on fertile ground.

    Having set up the central misunderstanding of the novel, Austen then brings in her cast of fascinating secondary characters: Mr. Collins, the sycophantic clergyman who aspires to Lizzy's hand but settles for her best friend, Charlotte, instead; Lady Catherine de Bourgh, Mr. Darcy's insufferably snobbish aunt; and the Gardiners, Jane and Elizabeth's low-born but noble-hearted aunt and uncle. Some of Austen's best comedy comes from mixing and matching these representatives of different classes and economic strata, demonstrating the hypocrisy at the heart of so many social interactions. And though the novel is rife with romantic misunderstandings, rejected proposals, disastrous elopements, and a requisite happy ending for those who deserve one, Austen never gets so carried away with the romance that she loses sight of the hard economic realities of 19th-century matrimonial maneuvering. Good marriages for penniless girls such as the Bennets are hard to come by, and even Lizzy, who comes to sincerely value Mr. Darcy, remarks when asked when she first began to love him: "It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley." She may be joking, but there's more than a little truth to her sentiment, as well. Jane Austen considered Elizabeth Bennet "as delightful a creature as ever appeared in print". Readers of Pride and Prejudice would be hard-pressed to disagree. --Alix Wilber [via]

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  • The Prince
    by Niccolo Machiavelli
    ISBN 0671826573 (0-671-82657-3)
    Softcover, Pocket Books

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    Book summary:

    The Prince is a classic book that explores the attainment, maintenance, and utilization of political power in the western world. Machiavelli wrote The Prince to demonstrate his skill in the art of the state, presenting advice on how a prince might acquire and hold power. Machiavelli defended the notion of rule by force rather than by law. Accordingly, The Prince seems to rationalize a number of actions done solely to perpetuate power. It is an examination of power-its attainment, development, and successful use. [via]

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  • The Prince
    by Dominic Baker-Smith, Niccolo Machiavelli, W.K. Marriott
    ISBN 0679410449 (0-679-41044-9)
    Hardcover, Alfred a Knopf Inc

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    (Book Jacket Status: Jacketed)

    That Machiavellis name has become synonymous with cold-eyed political calculation only heightens the intrinsic fascination of The Princethe worlds preeminent how-to manual on the art of getting and keeping power, and one of the literary landmarks of the Italian Renaissance. Written in a vigorous, straightforward style that reflects its authors realism, this treatise on states, statecraft, and the ideal ruler is essential reading for anyone seeking to understand how human society actually works. [via]

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  • The Return of the King
    by J. R. R. Tolkien
    ISBN 0618346279 (0-618-34627-9)
    Softcover, Houghton Mifflin

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    The third volume in J.R.R. Tolkien's epic adventure The Lord of the Rings

    "An extraordinary work -- pure excitement." -- New York Times Book Review

    "A triumphant close...a grand piece of work, grand in both conception and execution. An astonishing imaginative tour de force." -- Daily Telegraph

    One Ring to rule them all, One Ring to find them, One Ring to bring them all and in the darkeness bind them

    As the Shadow of Mordor grows across the land, the Companions of the Ring have become involved in separate adventures. Aragorn, revealed as the hidden heir of the ancient Kings of the West, has joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by Orcs, escaped into Fangorn Forest and there encountered the Ents. Gandalf has miraculously returned and defeated the evil wizard, Saruman. Sam has left his master for dead after a battle with the giant spider, Shelob; but Frodo is still alive -- now in the foul hands of the Orcs. And all the while the armies of the Dark Lord are massing as the One Ring draws ever nearer to the Cracks of Doom.
    [via]

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  • Romeo and Juliet
    by Barbara A. Mowat, Paul Werstine, William Shakespeare
    ISBN 0671042882 (0-671-04288-2)
    Softcover, Simon & Schuster

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    This is undoubtedly the greatest love story ever written, spawning a host of imitators on stage and screen, including Leonard Bernstein's smash musical West Side Story, Franco Zeffirelli's Romeo and Juliet filmed in 1968, and Baz Luhrmann's postmodern film version Romeo + Juliet. The tragic feud between "Two households, both alike in dignity/In fair Verona", the Montagues and Capulets, which ultimately kills the two young "star-crossed lovers" and their "death-marked love" creates issues which have fascinated subsequent generations. The play deals with issues of intergenerational and familial conflict, as well as the power of language and the compelling relationship between sex and death, all of which makes it an incredibly modern play. It is also an early example of Shakespeare fusing poetry with dramatic action, as he moves from Romeo's lyrical account of Juliet--"she doth teach the torches to burn bright!" to the bustle and action of a 16th-century household (the play contains more scenes of ordinary working people than any of Shakespeare's other works). It also represents an experimental attempt to fuse comedy with tragedy. Up to the third act, the play proceeds along the lines of a classic romantic comedy. The turning point comes with the death of one of Shakespeare's finest early dramatic creations--Romeo's sexually ambivalent friend Mercutio, whose "plague o' both your houses" begins the play's descent into tragedy, "For never was a story of more woe/Than this of Juliet and her Romeo". --Jerry Brotton [via]

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  • Romeo and Juliet
    by William Shakespeare, Harold Bloom, William Hazlitt
    ISBN 067964220X (0-679-64220-X)
    Hardcover, Random House Publishing Group

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    "The permanent popularity, now of mythic intensity, of Romeo and Juliet is more than justified," writes eminent scholar Harold Bloom, "since the play is the largest and most persuasive celebration of romantic love in Western literature."

    William Shakespeare (1564-1616) based his early romantic tragedy on Arthur Brooke's 1562 poem The Tragicall Historye of Romeus and Juliet. Shakespeare's resulting masterpiece, in turn, has inspired countless retellings around the world in mediums that include literature, dance, stage, and screen.

    "It is Shakespear all over, and Shakespear when he was young," declares William Hazlitt (1778-1830), acclaimed British essayist and critic, in his exuberant Introduction to this Modern Library edition.

    "Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes, A pair of star-cross'd lovers take their life; Whose misadventuríd piteous overthrows, Do with their death bury their parents' strife."
    --Prologue [via]

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  • Sense And Sensibility
    by Jane Austen
    ISBN 0679409874 (0-679-40987-4)
    Hardcover, Knopf Publishing Group

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    Though not the first novel she wrote, Sense and Sensibility was the first Jane Austen published. Though she initially called it Elinor and Marianne, Austen jettisoned both the title and the epistolary mode in which it was originally written, but kept the essential theme: the necessity of finding a workable middle ground between passion and reason. The story revolves around the Dashwood sisters, Elinor and Marianne. Whereas the former is a sensible, rational creature, her younger sister is wildly romantic--a characteristic that offers Austen plenty of scope for both satire and compassion. Commenting on Edward Ferrars, a potential suitor for Elinor's hand, Marianne admits that while she "loves him tenderly," she finds him disappointing as a possible lover for her sister:

    Oh! Mama, how spiritless, how tame was Edward's manner in reading to us last night! I felt for my sister most severely. Yet she bore it with so much composure, she seemed scarcely to notice it. I could hardly keep my seat. To hear those beautiful lines which have frequently almost driven me wild, pronounced with such impenetrable calmness, such dreadful indifference!
    Soon however, Marianne meets a man who measures up to her ideal: Mr. Willoughby, a new neighbor. So swept away by passion is Marianne that her behavior begins to border on the scandalous. Then Willoughby abandons her; meanwhile, Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart. How each of the sisters reacts to their romantic misfortunes, and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel. Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers, it is Elinor whom Austen herself most evidently admired; a truly happy marriage, she shows us, exists only where sense and sensibility meet and mix in proper measure. --Alix Wilber [via]

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  • Shakespeare's Sonnets
    by William Shakespeare, Louis B. Wright, Virginia A. Lamar
    ISBN 0671669265 (0-671-66926-5)
    Softcover, Washington Square Pr

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    This new edition focuses on the Sonnets as poetry - sometimes strikingly individual poems, but often subtly interlinked in thematic, imagistic and other groupings. Gwynne Evans and Anthony Hecht also address the many questions that cast a veil of mystery over the genesis of the Sonnets: to what extent are they autobiographical? What is the nature of the 'love', strongly expressed, between the 'poet', the 'youth' and the 'Dark Lady'? Can they, apart from the poet, be identified? Who is the 'rival poet'? When were the Sonnets written and in what order? What were the circumstances surrounding their publication? [via]

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  • Silmarillion
    by J. R. R. Tolkien, Christopher Tolkien, Ted Nasmith
    ISBN 0618391118 (0-618-39111-8)
    Hardcover, Houghton Mifflin

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    The tales of The Silmarillion were the underlying inspiration and source of J.R.R. Tolkien's imaginative writing; he worked on the book throughout his life but never brought it to a final form. Long preceding in its origins The Lord of the Rings, it is the story of the First Age of Tolkien's world, the ancient drama to which characters in The Lord of the RIngs look back and in which some of them, such as Elrond and Galadriel, took part.

    The title Silmarillion is shortened from Quenta Silmarillion, "The History of the Silmarils," the three great jewels created by Feanor, most gifted of the Elves, in which he imprisoned the light of the Two Trees that illumined Valinor, the land of the gods. When Morgoth, the first Dark Lord, destroyed the Trees, that light lived on only in the Silmarils; Morgoth seized them and set them in his crown, guarded in the impenetrable fortress of Angband in the north of Middle-earth. The Silmarillion is the history of the rebellion of Feanor and his people against the gods, their exile in Middle-earth, and their war, hopeless despite all the heroisim of Elves and Men, against the great Enemy.

    The book includes several other, shorter works beside The Silmarillion proper. Preceding it are "Ainulindale," the myth of Creation, and "Valaquenta," in which the nature and powers of each of the gods is set forth. After The Silmarillion is "Akallabeth," the story of the downfall of the great island kingdom of Numenor at the end of the Second Age; completing the volume is "Of the Rings of Power and the Third Age," in which the events of The Lord of the Rings are treated in the manner of The Silmarillion.

    This new edition of The Silmarillion contains the revised and corrected "second edition" text and, by way of introduction, a letter written by J.R.R. Tolkien in 1951, which provides a brilliant exposition of his conception of the earlier Ages. It also contains almost fifty full-color illustrations by the artist Ted Nasmith, many of which appear for the first time.
    [via]

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  • The Strange Case of Dr. Jekyll and Mr. Hyde
    by Robert Louis Stevenson, Barry V. Qualls
    ISBN 0671532103 (0-671-53210-3)
    Softcover, Simon & Schuster

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    Book summary:

    The young Robert Louis Stevenson suffered from repeated nightmares of living a double life, in which by day he worked as a respectable doctor and by night he roamed the back alleys of old-town Edinburgh. In three days of furious writing, he produced a story about his dream existence. His wife found it too gruesome, so he promptly burned the manuscript. In another three days, he wrote it again. The Strange Case of Dr. Jekyll and Mr. Hyde was published as a "shilling shocker" in 1886, and became an instant classic. In the first six months, 40,000 copies were sold. Queen Victoria read it. Sermons and editorials were written about it. When Stevenson and his family visited America a year later, they were mobbed by reporters at the dock in New York City. Compulsively readable from its opening pages, Dr. Jekyll and Mr. Hyde is still one of the best tales ever written about the divided self.

    This University of Nebraska Press edition is a small, exquisitely produced paperback. The book design, based on the original first edition of 1886, includes wide margins, decorative capitals on the title page and first page of each chapter, and a clean, readable font that is 19th-century in style. Joyce Carol Oates contributes a foreword in which she calls Dr. Jekyll and Mr. Hyde a "mythopoetic figure" like Frankenstein, Dracula, and Alice in Wonderland, and compares Stevenson's creation to doubled selves in the works of Plato, Poe, Wilde, and Dickens.

    This edition also features 12 full-page wood engravings by renowned illustrator Barry Moser. Moser is a skillful reader and interpreter as well as artist, and his afterword to the book, in which he explains the process by which he chose a self-portrait motif for the suite of engravings, is fascinating. For the image of Edward Hyde, he writes, "I went so far as to have my dentist fit me out with a carefully sculpted prosthetic of evil-looking teeth. But in the final moments I had to abandon the idea as being inappropriate. It was more important to stay in keeping with the text and, like Stevenson, not show Hyde's face." (Also recommended: the edition of Frankenstein illustrated by Barry Moser) --Fiona Webster [via]

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  • The Stranger
    by Albert Camus, Matthew Ward
    ISBN 0679420266 (0-679-42026-6)
    Hardcover, Alfred a Knopf Inc

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    The Stranger is not merely one of the most widely read novels of the 20th century, but one of the books likely to outlive it. Written in 1946, Camus's compelling and troubling tale of a disaffected, apparently amoral young man has earned a durable popularity (and remains a staple of U.S. high school literature courses) in part because it reveals so vividly the anxieties of its time. Alienation, the fear of anonymity, spiritual doubt--all could have been given a purely modern inflection in the hands of a lesser talent than Camus, who won the Nobel Prize in 1957 and was noted for his existentialist aesthetic. The remarkable trick of The Stranger, however, is that it's not mired in period philosophy.

    The plot is simple. A young Algerian, Meursault, afflicted with a sort of aimless inertia, becomes embroiled in the petty intrigues of a local pimp and, somewhat inexplicably, ends up killing a man. Once he's imprisoned and eventually brought to trial, his crime, it becomes apparent, is not so much the arguably defensible murder he has committed as it is his deficient character. The trial's proceedings are absurd, a parsing of incidental trivialities--that Meursault, for instance, seemed unmoved by his own mother's death and then attended a comic movie the evening after her funeral are two ostensibly damning facts--so that the eventual sentence the jury issues is both ridiculous and inevitable.

    Meursault remains a cipher nearly to the story's end--dispassionate, clinical, disengaged from his own emotions. "She wanted to know if I loved her," he says of his girlfriend. "I answered the same way I had the last time, that it didn't mean anything but that I probably didn't." There's a latent ominousness in such observations, a sense that devotion is nothing more than self-delusion. It's undoubtedly true that Meursault exhibits an extreme of resignation; however, his confrontation with "the gentle indifference of the world" remains as compelling as it was when Camus first recounted it. --Ben Guterson [via]

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  • Things Fall Apart
    by Chinua Achebe
    ISBN 0679446230 (0-679-44623-0)
    Hardcover, Alfred a Knopf Inc

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    One of Chinua Achebe's many achievements in his acclaimed first novel, Things Fall Apart, is his relentlessly unsentimental rendering of Nigerian tribal life before and after the coming of colonialism. First published in 1958, just two years before Nigeria declared independence from Great Britain, the book eschews the obvious temptation of depicting pre-colonial life as a kind of Eden. Instead, Achebe sketches a world in which violence, war, and suffering exist, but are balanced by a strong sense of tradition, ritual, and social coherence. His Ibo protagonist, Okonkwo, is a self-made man. The son of a charming ne'er-do-well, he has worked all his life to overcome his father's weakness and has arrived, finally, at great prosperity and even greater reputation among his fellows in the village of Umuofia. Okonkwo is a champion wrestler, a prosperous farmer, husband to three wives and father to several children. He is also a man who exhibits flaws well-known in Greek tragedy:

    Okonkwo ruled his household with a heavy hand. His wives, especially the youngest, lived in perpetual fear of his fiery temper, and so did his little children. Perhaps down in his heart Okonkwo was not a cruel man. But his whole life was dominated by fear, the fear of failure and of weakness. It was deeper and more intimate than the fear of evil and capricious gods and of magic, the fear of the forest, and of the forces of nature, malevolent, red in tooth and claw. Okonkwo's fear was greater than these. It was not external but lay deep within himself. It was the fear of himself, lest he should be found to resemble his father.
    And yet Achebe manages to make this cruel man deeply sympathetic. He is fond of his eldest daughter, and also of Ikemefuna, a young boy sent from another village as compensation for the wrongful death of a young woman from Umuofia. He even begins to feel pride in his eldest son, in whom he has too often seen his own father. Unfortunately, a series of tragic events tests the mettle of this strong man, and it is his fear of weakness that ultimately undoes him.

    Achebe does not introduce the theme of colonialism until the last 50 pages or so. By then, Okonkwo has lost everything and been driven into exile. And yet, within the traditions of his culture, he still has hope of redemption. The arrival of missionaries in Umuofia, however, followed by representatives of the colonial government, completely disrupts Ibo culture, and in the chasm between old ways and new, Okonkwo is lost forever. Deceptively simple in its prose, Things Fall Apart packs a powerful punch as Achebe holds up the ruin of one proud man to stand for the destruction of an entire culture. --Alix Wilber [via]

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  • Wright, Louis B.: The Tragedy of King Lear
    The Tragedy of King Lear
    by Louis B. Wright, Virginia A. Lamar, William Shakspeare
    ISBN 067148852X (0-671-48852-X)
    Hardcover, Pocket Books

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  • Shakespeare, William: The Tragedy of Othello, Moor of Venice
    The Tragedy of Othello, Moor of Venice
    by William Shakespeare
    ISBN 0673157148 (0-673-15714-8)
    Softcover, Addison-Wesley

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  • The Tragedy of Romeo and Juliet
    by William Shakespeare
    ISBN 0671722859 (0-671-72285-9)
    Softcover, Pocket Classics

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    Book summary:

    This is undoubtedly the greatest love story ever written, spawning a host of imitators on stage and screen, including Leonard Bernstein's smash musical West Side Story, Franco Zeffirelli's Romeo and Juliet filmed in 1968, and Baz Luhrmann's postmodern film version Romeo + Juliet. The tragic feud between "Two households, both alike in dignity/In fair Verona", the Montagues and Capulets, which ultimately kills the two young "star-crossed lovers" and their "death-marked love" creates issues which have fascinated subsequent generations. The play deals with issues of intergenerational and familial conflict, as well as the power of language and the compelling relationship between sex and death, all of which makes it an incredibly modern play. It is also an early example of Shakespeare fusing poetry with dramatic action, as he moves from Romeo's lyrical account of Juliet--"she doth teach the torches to burn bright!" to the bustle and action of a 16th-century household (the play contains more scenes of ordinary working people than any of Shakespeare's other works). It also represents an experimental attempt to fuse comedy with tragedy. Up to the third act, the play proceeds along the lines of a classic romantic comedy. The turning point comes with the death of one of Shakespeare's finest early dramatic creations--Romeo's sexually ambivalent friend Mercutio, whose "plague o' both your houses" begins the play's descent into tragedy, "For never was a story of more woe/Than this of Juliet and her Romeo". --Jerry Brotton [via]

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  • Ulysses
    by James Joyce
    ISBN 0679455132 (0-679-45513-2)
    Hardcover, Knopf Publishing Group

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    Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

    Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

    Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus [via]

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  • Utopia
    by Thomas More
    ISBN 0679410767 (0-679-41076-7)
    Hardcover, Alfred a Knopf Inc

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    (Book Jacket Status: Not Jacketed)

    Introduction by Jenny Mezciems [via]

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  • A Vindication of the Rights of Woman
    by Mary Wollstonecraft
    ISBN 0679413375 (0-679-41337-5)
    Hardcover, Random House Inc

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    (Book Jacket Status: Not Jacketed)

    The first novel of Samuel Beckett's mordant and exhilarating midcentury trilogy introduces us to Molloy, who has been mysteriously incarcerated, and who subsequently escapes to go discover the whereabouts of his mother. In the latter part of this curious masterwork, a certain Jacques Moran is deputized by anonymous authorities to search for the aforementioned Molloy. In the trilogy's second novel, Malone, who might or might not be Molloy himself, addresses us with his ruminations while in the act of dying. The third novel consists of the fragmented monologue -- delivered, like the monologues of the previous novels, in a mournful rhetoric that possesses the utmost splendor and beauty -- of what might or might not be an armless and legless creature living in an urn outside an eating house. Taken together, these three novels represent the high-water mark of the literary movement we call Modernism. Within their linguistic terrain, where stories are taken up, broken off, and taken up again. where voices rise and crumble and are resurrected, we can discern the essential lineaments of our modern condition, and encounter an awesome vision, tragic yet always compelling and always mysteriously invigorating, of consciousness trapped and struggling inside the boundaries of nature. [via]

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  • White Noise
    by Don Delillo
    ISBN 0670803731 (0-670-80373-1)
    Hardcover, Penguin Group USA

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    Something is amiss in a small college town in Middle America. Something subliminal, something omnipresent, something hard to put your finger on. For example, teachers and students at the grade school are falling mysteriously ill:

    Investigators said it could be the ventilating system, the paint or varnish, the foam insulation, the electrical insulation, the cafeteria food, the rays emitted by microcomputers, the asbestos fireproofing, the adhesive on shipping containers, the fumes from the chlorinated pool, or perhaps something deeper, finer-grained, more closely woven into the fabric of things.
    J.A.K. Gladney, world-renowned as the living center, the absolute font, of Hitler Studies in North America in the mid-1980s, describes the malaise affecting his town in a superbly ironic and detached manner. But even he fails to mask his disquiet. There is menace in the air, and ultimately it is made manifest: a poisonous cloud--an "airborne toxic event"--unleashed by an industrial accident floats over the town, requiring evacuation. In the aftermath, as the residents adjust to new and blazingly brilliant sunsets, Gladney and his family must confront their own poses, night terrors, self-deceptions, and secrets.

    DeLillo is at his dark, hilarious best in this 1985 National Book Award winner, a novel that preceded but anticipated the explosion of the Internet, tabloid television, and the dialed-in, wired-up, endlessly accelerated tenor of the culture we live in. He doesn't just describe life in a hypermediated society, he re-creates it. His characters repeat phrases, information, and rumor gleaned from television, radio, and other media sources like people speaking in code. And DeLillo has seeded the book with short gemlike episodes that demand to be read aloud, and that haunt the imagination years after their first reading: a visit to the Most Photographed Barn in America. A plane that nearly falls out of the sky. An hour in a classroom, canonizing Elvis. These vignettes are vivid and unique, yet, like the phrases from television shows that interject themselves, out of context, into Gladney's consciousness, they are strangely unconnected to one another--reflections of the lives DeLillo is showing us we lead. --Jan Bultmann [via]

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