| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||

› Find signed collectible books: 'At Home in the World: Cosmopolitanism Now'
More editions of At Home in the World: Cosmopolitanism Now:

› Find signed collectible books: 'Beginning Postcolonialism'
More editions of Beginning Postcolonialism:
› Find signed collectible books: 'Black Skin, White Masks'
A major influence on civil rights, anti-colonial, and black consciousness movements around the world, Black Skin, White Masks is the unsurpassed study of the black psyche in a white world. Hailed for its scientific analysis and poetic grace when it was first published in 1952, the book remains a vital force today. "[Fanon] demonstrates how insidiously the problem of race, of color, connects with a whole range of words and images." - Robert Coles, The New York Times Book Review [via]
More editions of Black Skin, White Masks:
› Find signed collectible books: 'Black Skin, White Masks'
More editions of Black Skin, White Masks:
› Find signed collectible books: 'The Buddha of Suburbia'
There's quite a bit of activity in Buddha of Suburbia. A bureaucrat becomes a suburban guru who marries a follower with a son who's a punk rocker named Charlie Hero. Consequently, the guru's son is propelled from his bland life into a series of erotic experiences in London. All the while, Hanif Kureishi keeps the tone lively with wry wit. On the description of suburban life: "We were proud of never learning anything except the names of footballers, the personnel of rock groups and the lyrics to 'I Am the Walrus.'" He also bends cultures, classes and genders while blasting the racism of British life in this 1990 Whitbread Prize winner. [via]
More editions of The Buddha of Suburbia:
› Find signed collectible books: 'The Cambridge Companion to Postcolonial Literary Studies'
A comprehensive introduction to postcolonialism, this Companion examines different aspects of postcolonial thought and culture that have had a significant effect on contemporary critical thought. Topics discussed by experts in the field include postcolonialism's relation to modernity, and its significance and relevance to literature, film, law, philosophy, and modern cultural studies. Additional material includes a guide to further reading and a chronology. [via]
More editions of The Cambridge Companion to Postcolonial Literary Studies:

› Find signed collectible books: 'Colonial Discourse and Post-Colonial Theory: A Reader'
More editions of Colonial Discourse and Post-Colonial Theory: A Reader:
› Find signed collectible books: 'Colonial Discourse/Postcolonial Theory'
More editions of Colonial Discourse/Postcolonial Theory:
› Find signed collectible books: 'Colonialism/postcolonialism'
Colonialism/Postcolonialism is a comprehensive yet accessible guide to the historical and theoretical dimensions of colonial and postcolonial studies.
Ania Loomba deftly introduces and examines:
Recommended on courses across the academic disciplines and around the world, Colonialism/Postcolonialism has for some years been accepted as the essential introduction to a vibrant and politically charged area of literary and cultural study.
With new coverage of emerging debates around globalization, this second edition will continue to serve as the ideal guide for students new to colonial discourse theory, postcolonial studies or postcolonial theory as well as a reference for advanced students and teachers.
[via]More editions of Colonialism/postcolonialism:
› Find signed collectible books: 'Culture and Imperialism'
Edward Said makes one of the strongest cases ever for the aphorism, "the pen is mightier than the sword." This is a brilliant work of literary criticism that essentially becomes political science. Culture and Imperialism demonstrates that Western imperialism's most effective tools for dominating other cultures have been literary in nature as much as political and economic. He traces the themes of 19th- and 20th-century Western fiction and contemporary mass media as weapons of conquest and also brilliantly analyzes the rise of oppositional indigenous voices in the literatures of the "colonies." Said would argue that it's no mere coincidence that it was a Victorian Englishman, Edward G. Bulwer-Lytton, who coined the phrase "the pen is mightier . . ." Very highly recommended for anyone who wants to understand how cultures are dominated by words, as well as how cultures can be liberated by resuscitating old voices or creating new voices for new times. [via]
More editions of Culture and Imperialism:
› Find signed collectible books: 'Cultures of United States Imperialism'
Contributors. Lynda Boose, Mary Yoko Brannen, Bill Brown, William Cain, Eric Cheyfitz, Vicente Diaz, Frederick Errington, Kevin Gaines, Deborah Gewertz, Donna Haraway, Susan Jeffords, Myra Jehlen, Amy Kaplan, Eric Lott, Walter Benn Michaels, Donald E. Pease, Vicente Rafael, Michael Rogin, José David Saldívar, Richard Slotkin, Doris Sommer, Gauri Viswanathan, Priscilla Wald, Kenneth Warren, Christopher P. Wilson
More editions of Cultures of United States Imperialism:
› Find signed collectible books: 'El Corazon De Las Tinieblas'
Esta es la novela en la que Francis Ford Coppola se basó para escribir Apocalypse Now. Marlow, agente comercial británico, se ve obligado a remontar el rÃo Congo en busca de su compañero Kurtz. A medida que el barco avance por territorios cada vez más inhóspitos, Marlow se irá construyendo una imagen mitificada de Kurtz. En realidad, encontrará un mundo apocalÃptico y tenebroso, gobernado por un cÃnico que simboliza la degradación moral y las contradicciones de un hombre ante la fuerza indómita de la naturaleza. / Woven around a minimal plot Marlows trip on the Congo river to replace Kurtz, a commercial agent who is gravelly ill Heart of Darkness is a tense moral reflection about solitude and mans struggle against the uncontainable forces of nature. Joseph Conrad (1857-1924) introduces the reader to a hallucinating world where the darkness of the African jungle and the eeriness of forgotten instincts merge, creating a trap of annihilating power to which the characters will ultimately submit. [via]
More editions of El Corazon De Las Tinieblas:
› Find signed collectible books: 'Empire'
Antonio Negri and Michael Hardt's Empire has already caused quite a storm. After "anti-capitalist" demonstrations and books such as Naomi Klein's No Logo and George Monbiot's Captive State, a vacuum seemed to exist for an extensive, coherent philosophical take on where our world is going. Empire seeks to fill that gap by asking where globalisation comes from, what it means and whether or not it is a good or bad thing.
Negri, a Marxist imprisoned for his beliefs and his involvement with the Italian hard-left, and Michael Hardt, an English literature professor who had previously acted as Negri's translator (and the translator of an important, though philosophically more arcane, precursor to Empire, Giorgio Agamben's The Coming Community) have produced a key post-Marxist text (which builds on many of the arguments in Nick Dyer-Witheford's excellent Cyber-Marx) that views its world through lenses bequeathed to it by the best of the French post-structuralists. Negri and Hardt's accomplishment has been to apply the sometimes difficult work of theorists such as Michel Foucault, Gilles Deleuze and Felix Guattari (especially A Thousand Plateaus) and Jacques Derrida to describe a world that has undergone a paradigm switch to a new Empire (in a way not dissimilarly than Thomas Keenan does particularly in his chapter on Marx's rhetoric in the much undervalued Fables of Responsibility). According to Negri and Hardt, this new Empire is the result of the transformation of modern capitalism into a set of power relationships we endlessly replicate that transcend the nation state (so anti-imperialism is out as a progressive politics). Vitally, the authors argue that the multitude, through their many struggles, pushed the world to this point and it is the multitude who can push through to a much better world on the other side of globalisation.
This is an optimistic, wide-ranging, defiant challenge of a book and Negri and Hardt should be commended on their erudition as much as their vision. While questions undoubtedly remain after reading the text, these should not stop the interested reader in coming to, and learning from, this profound piece of work. --Mark Thwaite [via]

› Find signed collectible books: 'The Empire Writes Back : Theory and Practice in Post-Colonial Literatures'
The experience of colonization and the challenges of the post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of colonial writing in cultures as diverse as India, Australia, the West Indies, Africa and Canada. This comprehensive study opens debates about the interrelationships of these literatures, investigates the powerful forces acting on language in the post-colonial text and shows how these texts constitute a radical critique of the assumptions underlying Eurocentric notions of literature and language. [via]
More editions of The Empire Writes Back: Theory and Practice in Post-Colonial Literature:
› Find signed collectible books: 'The Empire Writes Back: Theory and Practice in Post-Colonial Literatures'
The experience of colonization and the challenges of a post-colonial world have produced an explosion of new writing in English. This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture.
The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language.
This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.
[via]More editions of The Empire Writes Back: Theory and Practice in Post-Colonial Literatures:
› Find signed collectible books: 'Foe'

› Find signed collectible books: 'Freud And The Non European'
More editions of Freud And The Non European:

› Find signed collectible books: 'The Heart of Darkness'
Introduction and Notes by Gene M. Moore, Universiteit van Amsterdam Heart of Darkness is a chilling tale of horror which, as the author intended, is capable of many interpretations. Set in the Congo during the period of rapid colonial expansion in the 19th century, the story deals with the highly disturbing effects of economic, social and political exploitation of European and African societies and the cataclysmic behaviour this induced in some individuals. [via]
More editions of The Heart of Darkness:
› Find signed collectible books: 'Heart Of Darkness And Selected Short Fiction'
More editions of Heart Of Darkness And Selected Short Fiction:
› Find signed collectible books: 'Imagined Communities: Reflections on the Origin And Spread of Nationalism'
What makes people love and die for nations, as well as hate and kill in their name? While many studies have been written on nationalist political movements, the sense of nationality - the personal and cultural feeling of belonging to the nation - has not received proportionate attention. In this widely acclaimed work, Benedict Anderson examines the creation and global spread of the 'imagined communities' of nationality. Anderson explores the processes that created these communities: the territorialisation of religious faiths, the decline of antique kingship, the interaction between capitalism and print, the development of vernacular languages-of-state, and changing conceptions of time. He shows how an originary nationalism born in the Americas was modularly adopted by popular movements in Europe, by the imperialist powers, and by the anti-imperialist resistances in Asia and Africa. This revised edition includes two new chapters, one of which discusses the complex role of the colonialist state's mindset in the development of Third World nationalism, while the other analyses the processes by which all over the world, nations came to imagine themselves as old. [via]
More editions of Imagined Communities: Reflections on the Origin and Spread of Nationalism:
› Find signed collectible books: 'Interpreter of Maladies: Library Edition'
Mr. Kapasi, the protagonist of Jhumpa Lahiri's title story, would certainly have his work cut out for him if he were forced to interpret the maladies of all the characters in this eloquent debut collection. Take, for example, Shoba and Shukumar, the young couple in "A Temporary Matter" whose marriage is crumbling in the wake of a stillborn child. Or Miranda in "Sexy," who is involved in a hopeless affair with a married man. But Mr. Kapasi has problems enough of his own; in addition to his regular job working as an interpreter for a doctor who does not speak his patients' language, he also drives tourists to local sites of interest. His fare on this particular day is Mr. and Mrs. Das--first-generation Americans of Indian descent--and their children. During the course of the afternoon, Mr. Kapasi becomes enamored of Mrs. Das and then becomes her unwilling confidant when she reads too much into his profession. "I told you because of your talents," she informs him after divulging a startling secret.
I'm tired of feeling so terrible all the time. Eight years, Mr. Kapasi, I've been in pain eight years. I was hoping you could help me feel better; say the right thing. Suggest some kind of remedy.Of course, Mr. Kapasi has no cure for what ails Mrs. Das--or himself. Lahiri's subtle, bittersweet ending is characteristic of the collection as a whole. Some of these nine tales are set in India, others in the United States, and most concern characters of Indian heritage. Yet the situations Lahiri's people face, from unhappy marriages to civil war, transcend ethnicity. As the narrator of the last story, "The Third and Final Continent," comments: "There are times I am bewildered by each mile I have traveled, each meal I have eaten, each person I have known, each room in which I have slept." In that single line Jhumpa Lahiri sums up a universal experience, one that applies to all who have grown up, left home, fallen in or out of love, and, above all, experienced what it means to be a foreigner, even within one's own family. --Alix Wilber [via]
More editions of Interpreter of Maladies: Library Edition:
› Find signed collectible books: 'The Location of Culture'
Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.
[via]› Find signed collectible books: 'Midnight's Children'
Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.
Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:
I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.
We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber [via]
More editions of Midnight's Children:
› Find signed collectible books: 'Orientalism'
For generations now, Edward W. Said's "Orientalism" has defined our understanding of colonialism and empire, and this "Penguin Modern Classics" edition contains a preface written by Said shortly before his death in 2003. In this highly-acclaimed work, Edward Said surveys the history and nature of Western attitudes towards the East, considering orientalism as a powerful European ideological creation - a way for writers, philosophers and colonial administrators to deal with the 'otherness' of eastern culture, customs and beliefs. He traces this view through the writings of Homer, Nerval and Flaubert, Disraeli and Kipling, whose imaginative depictions have greatly contributed to the West's romantic and exotic picture of the Orient. Drawing on his own experiences as an Arab Palestinian living in the West, Said examines how these ideas can be a reflection of European imperialism and racism. Edward W. Said (1935-2003) was a Palestinian-American cultural critic and author, born in Jerusalem and educated in Egypt and the United States. His other books include "The Question of Palestine", "Culture and Imperialism" and "Out of Place: A Memoir". If you enjoyed "Orientalism", you might like Frantz Fanon's "The Wretched of the Earth", also available in "Penguin Modern Classics". "Stimulating, elegant and pugnacious". ("Observer"). "Beautifully patterned and passionately argued". ("New Statesman"). "Very exciting ...his case is not merely persuasive, but conclusive". (John Leonard, "New York Times"). "Magisterial". (Terry Eagleton). [via]
› Find signed collectible books: 'Poisonwood Bible'
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate--teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. --Alix Wilber [via]
More editions of Poisonwood Bible:

› Find signed collectible books: 'The Post-Colonial Studies Reader'
The Post-Colonial Studies Reader is the most comprehensive selection of key texts in post-colonial theory and criticism yet compiled. This collection covers a huge range of topics, featuring nearly ninety of the discipline's most widely read works.
The Reader's 90 extracts are designed to introduce the major issues and debates in the field of post-colonial literary studies. This field itself, however, has become so varied that no collection of readings could encompass every voice which is now giving itself the name "post-colonial." The editors, in order to avoid a volume which is simply a critical canon, have selected works representing arguments with which they do not necessarily agree, but rather which above all stimulate discussion, thought and further exploration.
Post-colonial "theory" has occurred in all societies into which the imperial force of Europe has intruded, though not always in the official form of theoretical text. Like the description of any other field the term has come to mean many things, but this volume hinges on one incontestable phenomenon: the "historical fact"of colonialism, and the palpable consequences to which this phenomenon gave rise. The topic involves talk about experience of various kinds: migration, slavery, suppression, resistance, representation, difference, race, gender, place, and reaction to the European influence, and about the fundamental experiences of speaking and writing by which all these come into being. In compiling this reader, the editors have sought to stimulate people to ask: "How might a genuinely post-colonial literary enterprise proceed?"
The fourteen sections include: Issues and Debates; Universality and Difference; Textual Representation and Resistance; Postmodernism and Post-Colonialism; Nationalism; Hybridity; Ethnicity and Indigenity; Feminism and Post-Colonialism; Language; The Body and Performance; History; Place; Education; and Production and Consumption.
Contributors include many of the leading post-colonial theorists and critics--such as Franz Fanon, Chinua Achebe, Gayatri Chakravorty Spivak, Ngugi wa Thiong'o, Homi Bhabba, Derek Walcott, Edward Said, and Trinh T. Minh-ha--in addition to a number of the discourse's newer voices. The Post-Colonial Studies Reader will prove an authoritative compilation, representing an invaluable contribution to the study of post-colonial theory and criticism.
More editions of The Post-Colonial Studies Reader:

› Find signed collectible books: 'The Post-Colonial Studies Reader'
More editions of The Post-Colonial Studies Reader:
› Find signed collectible books: 'Postcolonialism: A Very Short Introduction'
Postcolonialism explores the political, social, and cultural effects of decolonization, continuing the anti-colonial challenge to western dominance. This lively and innovative account of both the history and key debates of postcolonialism discusses its importance as an historical condition, and as a means of changing the way we think about the world. Key concepts and issues are considered, with reference to particular cultural and historical examples, such as the status of aboriginal people, cultural nomadism, Western feminism, the innovative fiction of Garcia Marquez and Salman Rushdie, and the postcolonial cities of London, Bombay and Cairo. The work of theorists such as Homi Bhabha, Edward Said, Frantz Fanon, and Gayatri Spivak are woven into the discussion, making this fascinating subject relevant and accessible to a wider audience.
About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam. [via]
More editions of Postcolonialism: A Very Short Introduction:
› Find signed collectible books: 'Postcolonialism: An Historical Introduction'
This key new introduction, by one of the leading exponents in the field, explains in clear and accessible language the historical and theoretical origins of post-colonial theory. Acknowledging that post-colonial theory draws on a wide, often contested, range of theory from different fields, Young analyzes the concepts and issues involved, explains the meaning of key terms, and interprets the work of some of the major writers concerned, to provide an ideal introductory guide for those undergraduates or academics coming to post-colonial theory and criticism for the first time. [via]
More editions of Postcolonialism: An Historical Introduction:
› Find signed collectible books: 'Things Fall Apart'
Things Fall Apart tells two intertwining stories, both centering on Okonkwo, a "strong man" of an Ibo village in Nigeria. The first, a powerful fable of the immemorial conflict between the individual and society, traces Okonkwo's fall from grace with the tribal world. The second, as modern as the first is ancient, concerns the clash of cultures and the destruction of Okonkwo's world with the arrival of aggressive European missionaries. These perfectly harmonized twin dramas are informed by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul. [via]
More editions of Things Fall Apart:
› Find signed collectible books: 'Things Fall Apart'
The unthinkable happens when nuclear brinksmanship spirals off into to Armageddon. Billions die as governments disintegrate, great cities are annihilated and deeply laid plans to seize unlimited power swing into action.Tom McArthur: Once a carefree individualist, he was coaxed into a position of influence and leadership by unexpected opportunity and kept there by his sense of honor. He finds himself far from home and family, separated by hundreds of miles of impossible terrain, gangs of armed bandits and a hostile government.Lynn, his wife: Beautiful and intelligent, strong willed and voluptuous, she resents Tom's abandonment of her and their children for a distant political career. Now, with nothing but her courage, wits and willpower to work with, she must fight to keep herself and her children alive.Lance: Young, handsome and lonely, trained as the ultimate warrior, he drove himself into poverty and alcohol with the memory of an unspeakable evil he was party to. Will he find love and redemption or destroy those around him? Who will live? Who will die? What will emerge when things fall apart? [via]
More editions of Things Fall Apart:

› Find signed collectible books: 'Twelve Bar Blues'
More editions of Twelve Bar Blues:
› Find signed collectible books: 'White Mythologies: Writing History and the West'
Robert Young's investigation of the "history of history", from Hegel and Marx to Althusser and Foucault, calls into question the Eurocentrism of traditional Marxist accounts of a single world history, in which, as he shows, the Third World appears as an unassimilable excess, surplus to the narrative of the West. Young goes on to consider recent questionings of the limits of Western knowledge. He argues that the efforts of Edward Said, Gayatri Chakravorty Spivak and Homi Bhabha to formulate non-historicist ways of thinking and writing history are part of a larger project of a decolonization of history and a deconstruction of the West. [via]
More editions of White Mythologies: Writing History and the West:
› Find signed collectible books: 'Woman, Native, Other: Writing Postcoloniality and Feminism'
"... methodologically innovative... precise and perceptive and conscious... " Text and Performance Quarterly
"Woman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." Chandra Talpade Mohanty
"The idea of Trinh T. Minh-ha is as powerful as her films... formidable... " Village Voice
"... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." Artpaper
"Highly recommended for anyone struggling to understand voices and experiences of those we label other." Religious Studies Review
[via]More editions of Woman, Native, Other: Writing Postcoloniality and Feminism:

› Find signed collectible books: 'Woman, Native, Other: Writing Postcoloniality and Feminism'
More editions of Woman, Native, Other: Writing Postcoloniality and Feminism:
› Find signed collectible books: 'The Wretched of the Earth'
Frantz Fanon (1925-61) was a Martinique-born black psychiatrist and anticolonialist intellectual; The Wretched of the Earth is considered by many to be one of the canonical books on the worldwide black liberation struggles of the 1960s. Within a Marxist framework, using a cutting and nonsentimental writing style, Fanon draws upon his horrific experiences working in Algeria during its war of independence against France. He addresses the role of violence in decolonization and the challenges of political organization and the class collisions and questions of cultural hegemony in the creation and maintenance of a new country's national consciousness. As Fanon eloquently writes, "[T]he unpreparedness of the educated classes, the lack of practical links between them and the mass of the people, their laziness, and, let it be said, their cowardice at the decisive moment of the struggle will give rise to tragic mishaps."
Although socialism has seemingly collapsed in the years since Fanon's work was first published, there is much in his look into the political, racial, and social psyche of the ever-emerging Third World that still rings true at the cusp of a new century. --Eugene Holley, Jr. [via]
More editions of The Wretched of the Earth:
› Find signed collectible books: 'The Wretched of the Earth'
Frantz Fanon (1925-61) was a Martinique-born black psychiatrist and anticolonialist intellectual; The Wretched of the Earth is considered by many to be one of the canonical books on the worldwide black liberation struggles of the 1960s. Within a Marxist framework, using a cutting and nonsentimental writing style, Fanon draws upon his horrific experiences working in Algeria during its war of independence against France. He addresses the role of violence in decolonization and the challenges of political organization and the class collisions and questions of cultural hegemony in the creation and maintenance of a new country's national consciousness. As Fanon eloquently writes, "[T]he unpreparedness of the educated classes, the lack of practical links between them and the mass of the people, their laziness, and, let it be said, their cowardice at the decisive moment of the struggle will give rise to tragic mishaps."
Although socialism has seemingly collapsed in the years since Fanon's work was first published, there is much in his look into the political, racial, and social psyche of the ever-emerging Third World that still rings true at the cusp of a new century. --Eugene Holley, Jr. [via]
More editions of The Wretched of the Earth:
› Find signed collectible books: 'Les Damnes De La Terre'
More editions of Les Damnes De La Terre:
› Find signed collectible books: 'Peau Noir Masques Blancs'
More editions of Peau Noir Masques Blancs:
› Find signed collectible books: 'LA Biblia Envenenada / The Poisonwood Bible'
La autora des suroeste de Estados Unidos nos trae una novela de pasión, y de tragedia con un paisaje bello e inesperado. Una selección de Oprah para su club de lectores. Un bestseller de toda clase. [via]
More editions of LA Biblia Envenenada / The Poisonwood Bible:

› Find signed collectible books: 'Interprete De Emociones / Interpreter of Maladies'
More editions of Interprete De Emociones / Interpreter of Maladies:
