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› Find signed collectible books: 'A. A. Milne'
Seventy-five years ago, that most beloved of "silly old bears," Winnie- the-Pooh, came down the stairs, "bump, bump, bump," on the back of his head, behind Christopher Robin. And now, after generations of children have grown up on stories about Pooh's adventures with his forest friends, the four all-time children's classics from A.A. Milne and Ernest H. Shepard have been collected in one hefty, handsome volume for another multitude of generations to enjoy. Gathered together are the poems and tales that celebrate heffalumps, Eeyore's birthday, the unbouncing of Tigger, Disobedience, Buckingham Palace, and sneezles. The stories about Pooh getting stuck in Rabbit's doorway, Piglet doing a "Very Grand Thing," and Eeyore losing a tail (and Pooh finding one) are timeless favorites for children--and grownups--of all ages. Four original classics are here, in all their glory: Winnie-the-Pooh, The House at Pooh Corner, When We Were Very Young, and Now We Are Six. This beautiful edition features complete, unabridged text and all of Shepard's original illustrations, each hand painted in watercolors--this is a true collector's gem. (All ages) --Emilie Coulter [via]
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› Find signed collectible books: 'American Poetry'
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› Find signed collectible books: 'American Poetry: The Nineteenth Century Philip Freneau to Walt Whitman'
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› Find signed collectible books: 'April Galleons'
Qtr Cloth & Paper Boards [via]

› Find signed collectible books: 'As I Walked Out One Evening: Songs, Ballads, Lullabies, Limericks, and Other Light Verse'
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› Find signed collectible books: 'Auden'
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› Find signed collectible books: 'Beowulf, a Hero's Tale Retold'
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› Find signed collectible books: 'The Best American Poetry 2000'
In her introduction to The Best American Poetry 2000, Rita Dove offers the key to honest appreciation: read the work for itself, not for its creator's name and rank on the great chain of poetic being. With luck it will take the top of your head off, though some poems may only elicit a tingle the first time around. Put those away and come back another time, in another mood. "A poem must sing," she writes, "even if the song elicits horror." And the 75 she ultimately chose--by such poetic senior citizens as Lucille Clifton, Thom Gunn, W.S. Merwin, and the as yet unacknowledged--both sing and explode. Her harvest is as varied and abundant as the garden (and gardener!) Stanley Plumley celebrates in "Kunitz Tending Roses":
Still, there he is, on any given day,Dove does find certain trends, ranging from "the interpolation of personal chronicles with the larger sweep of events" to "elegies for the passing of heroes, of good times, of innocence." Certainly, more than one therapist pops up here--in, for instance, Pamela Sutton's mesmerizing "There Is a Lake of Ice on the Moon" and in Denise Duhamel's intricate "Incest Taboo" (which is a lot more subtle than its title would give out). This dislocating double sestina's 13 stanzas juggle a fear of birds, a brother's death, alcoholism, familial expectations, and so much more. Set free by the form's constraints--the same end-words must recur in each stanza--this poet uses such phrases as "parrot," swoop," "wrong, "hover," hum," and "mother" to great effect, ironies and tragedies accreting. As Duhamel writes in the contributors' notes: "I felt as though I were doing a strenuous combination of math, crossword puzzles, and particle physics."
talking to ramblers, floribundas, Victorian
perpetuals, as if for beauty and to make us
glad or otherwise for envy and to make us
wish for more--if only to mystify and move us.
Some poems are definitely augmented by their creators' explanations--and their prose is often as eloquent as their verse. Others require none. Yet what threatens to steal the poetic show occurs after these comments. The series wizard, David Lehman, asked past and present guest editors to cite their top 15 20th-century American poems, in alphabetical order. It's impossible not to gravitate to this section and silently argue with some selections, approve others wholeheartedly, discover a few for the first time, and remonstrate over certain absences. How marvelous, if unsurprising, to see so many poets voting for Robert Frost, Elizabeth Bishop (who scores particularly high), and two whom John Hollander wittily terms "the transatlantic problematics," Auden and Eliot. If only Lehman had asked each editor to expound on his or her choices. In this list context, Louise Glück's refusal to "prefer merely fifteen" proves as inspiring as others' elections. Still, it's amusing to watch such poets as Mark Strand, A.R. Ammons, and Lehman himself look for loopholes and stuff the ballot box with also-rans. --Kerry Fried [via]
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› Find signed collectible books: 'The Best American Poetry 2000'
In her introduction to The Best American Poetry 2000, Rita Dove offers the key to honest appreciation: read the work for itself, not for its creator's name and rank on the great chain of poetic being. With luck it will take the top of your head off, though some poems may only elicit a tingle the first time around. Put those away and come back another time, in another mood. "A poem must sing," she writes, "even if the song elicits horror." And the 75 she ultimately chose--by such poetic senior citizens as Lucille Clifton, Thom Gunn, W.S. Merwin, and the as yet unacknowledged--both sing and explode. Her harvest is as varied and abundant as the garden (and gardener!) Stanley Plumley celebrates in "Kunitz Tending Roses":
Still, there he is, on any given day,Dove does find certain trends, ranging from "the interpolation of personal chronicles with the larger sweep of events" to "elegies for the passing of heroes, of good times, of innocence." Certainly, more than one therapist pops up here--in, for instance, Pamela Sutton's mesmerizing "There Is a Lake of Ice on the Moon" and in Denise Duhamel's intricate "Incest Taboo" (which is a lot more subtle than its title would give out). This dislocating double sestina's 13 stanzas juggle a fear of birds, a brother's death, alcoholism, familial expectations, and so much more. Set free by the form's constraints--the same end-words must recur in each stanza--this poet uses such phrases as "parrot," swoop," "wrong, "hover," hum," and "mother" to great effect, ironies and tragedies accreting. As Duhamel writes in the contributors' notes: "I felt as though I were doing a strenuous combination of math, crossword puzzles, and particle physics."
talking to ramblers, floribundas, Victorian
perpetuals, as if for beauty and to make us
glad or otherwise for envy and to make us
wish for more--if only to mystify and move us.
Some poems are definitely augmented by their creators' explanations--and their prose is often as eloquent as their verse. Others require none. Yet what threatens to steal the poetic show occurs after these comments. The series wizard, David Lehman, asked past and present guest editors to cite their top 15 20th-century American poems, in alphabetical order. It's impossible not to gravitate to this section and silently argue with some selections, approve others wholeheartedly, discover a few for the first time, and remonstrate over certain absences. How marvelous, if unsurprising, to see so many poets voting for Robert Frost, Elizabeth Bishop (who scores particularly high), and two whom John Hollander wittily terms "the transatlantic problematics," Auden and Eliot. If only Lehman had asked each editor to expound on his or her choices. In this list context, Louise Glück's refusal to "prefer merely fifteen" proves as inspiring as others' elections. Still, it's amusing to watch such poets as Mark Strand, A.R. Ammons, and Lehman himself look for loopholes and stuff the ballot box with also-rans. --Kerry Fried [via]
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› Find signed collectible books: 'Best American Poetry 2002'
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› Find signed collectible books: 'The Best American Poetry 2003'
"Poetry encourages us to have dialogue through the observed, the felt, and the imaginary," writes editor Yusef Komunyakaa in his thought-provoking introduction to The Best American Poetry 2003. As a black child of the American South and a decorated veteran of the Vietnam War, Komunyakaa brings his singular vision to this outstanding volume. Included here is a diverse mix of senior masters, crowd-pleasing bards, rising stars, and the fresh voices of an emerging generation. With comments from the poets elucidating their work and series editor David Lehman's eloquent foreword assessing the state of the art, The Best American Poetry 2003 is a must-have for readers of contemporary poetry.
Jonathan Aaron " Beth Anderson " Nin Andrews " Wendell Berry " Frank Bidart " Diann Blakely " Bruce Bond " Catherine Bowman " Rosemary Catacalos " Joshua Clover " Billy Collins " Michael S. Collins " Carl Dennis " Susan Dickman " Rita Dove " Stephen Dunn " Stuart Dybek " Charles Fort " James Galvin " Amy Gerstler " Louise Glück " Michael Goldman " Ray Gonzalez " Linda Gregg " Mark Halliday " Michael S. Harper " Matthea Harvey " George Higgins " Edward Hirsch " Tony Hoagland " Richard Howard " Rodney Jones " Joy Katz " Brigit Pegeen Kelly " Galway Kinnell " Carolyn Kizer " Jennifer L. Knox " Kenneth Koch " John Koethe " Ted Kooser " Philip Levine " J. D. McClatchy " W. S. Merwin " Heather Moss " Stanley Moss " Paul Muldoon " Peggy Munson " Marilyn Nelson " Daniel Nester " Naomi Shihab Nye " Ishle Yi Park " Robert Pinsky " Kevin Prufer " Ed Roberson " Vijay Seshadri " Alan Shapiro " Myra Shapiro " Bruce Smith " Charlie Smith " Maura Stanton " Ruth Stone " James Tate " William Tremblay " Natasha Trethewey " David Wagoner " Ronald Wallace " Lewis Warsh " Susan Wheeler " Richard Wilbur " C. K. Williams " Terence Winch " David Wojahn Robert Wrigley " Anna Ziegler " Ahmos Zu-Bolton II [via]
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› Find signed collectible books: 'The Black Unicorn'

› Find signed collectible books: 'Blessing the Boats: New and Selected Poems 1988-2000'
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› Find signed collectible books: 'The Bridge: A Poem'
Like Whitman, Hart Crane strove in his poetry to embrace America, to distill an image of America.
Begun in 1923 and published 1930, The Bridge is Crane's major work. "Very roughly," he wrote a friend, "it concerns a mystical synthesis of 'America' . . . The initial impulses of 'our people' will have to be gathered up toward the climax of the bridge, symbol of our constructive future, our unique identity." [via]More editions of The Bridge: A Poem:

› Find signed collectible books: 'Christopher Robin Story Book'
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› Find signed collectible books: 'Collected Poems 1937-1971'
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› Find signed collectible books: 'The Complete Poems Of Stephen Crane'
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› Find signed collectible books: 'The Complete Poems of Winnie-The-Pooh'
"'Let's frighten the dragons,' I said to Pooh. / 'That's right,' said Pooh to Me. / 'I'm not afraid,' I said to Pooh, / And I held his paw and I shouted, 'Shoo! / Silly old dragons!'--and off they flew," says Christopher Robin in A.A. Milne's well-loved poem "Us Two." Milne (1882-1956) didn't start writing for children until 1920, when his son, the real Christopher Robin, was a year old. That's about when his wife Daphne envisioned her son's stuffed Harrods bear, tiger, pig, kangaroo, and donkey as characters in a children's book. And the rest is history! By 1924, Milne had published When We Were Very Young, a whimsical collection of verses illustrated in gentle watercolors by Ernest H. Shepard; Now We Are Six, a second collection, followed in 1927. This hefty, full-color volume brings together all of Milne's verses, unabridged. If you fondly remember "James James / Morrison Morrison / Weatherby George Dupree / Took great / Care of his Mother, / Though he was only three," from "Disobedience," or "Ernest was an elephant, a great big fellow, / Leonard was a lion with a six-foot tail, / George was a goat, and his beard was yellow, / And James was a very small snail," from "The Four Friends," this fabulous collection will send you into a dreamy reverie. And for those young readers to whom Pooh is new, these innocent, gently humorous, 70-year-old poems--along with The Complete Tales of Winnie-the-Pooh--will still resonate deeply. (All ages) --Karin Snelson [via]
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› Find signed collectible books: 'The Complete Tales & Poems of Winnie-The-Pooh'
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› Find signed collectible books: 'The Complete Tales of Mystery and Imagination ; The Narrative of Arthur Gordon Pym ; The Raven and Other Poems'
1984 Amaranth Press / Octopus Books; Treasury of World Masterpieces: The Complete Tales of Mystery and Imagination / The Narrative of Arthur Gordon Pym / The Raven and Other Poems [via]
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› Find signed collectible books: 'The Complete Tales of Winnie-The-Pooh'
When Christopher Robin asks Pooh what he likes doing best in the world, Pooh says, after much thought, "What I like best in the whole world is Me and Piglet going to see You, and You saying 'What about a little something?' and Me saying, 'Well, I shouldn't mind a little something, should you, Piglet,' and it being a hummy sort of day outside, and birds singing."
Happy readers for over 70 years couldn't agree more. Pooh's status as a "Bear of Very Little Brain" belies his profoundly eternal wisdom in the ways of the world. To many, Winnie-the-Pooh, Piglet, Eeyore, and the others are as familiar and important as their own family members. A.A. Milne's classics, Winnie-the-Pooh and The House at Pooh Corner, are brought together in this beautiful edition, complete and unabridged, with recolored illustrations by Milne's creative counterpart, Ernest H. Shepard. Join Pooh and the gang as they meet a Heffalump, help get Pooh unstuck from Rabbit's doorway, (re)build a house for Eeyore, and try to unbounce Tigger. A childhood is simply not complete without full participation in all of Pooh's adventures. (All ages) --Emilie Coulter [via]
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› Find signed collectible books: 'The Darkness Around Us Is Deep: Selected Poems of William Stafford'
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› Find signed collectible books: 'The Darkness Around Us Is Deep: Selected Poems of William Stafford'
Bestselling author Robert Bly selects his favorite works by the award-winning poet William Stafford. [via]
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› Find signed collectible books: 'The Errancy'
› Find signed collectible books: 'Essays and Poems'
Nietzsche never traveled anywhere without his volume of Emerson's essays; Matthew Arnold described Emerson as "the greatest prose writer this century." Considered in his own time a profoundly radical thinker, later reviewed as a bland Boston Brahmin, Emerson is a seminal American writers, a truly celebratory and deeply adversarial thinker. This volume contains his Essays, First Series (1841), Second Series (1844), and a selection of poems including "The Problem," "The Snow-Storm," and "Concord Hymn." [via]

› Find signed collectible books: 'Essays and Poems By Ralph Waldo Emerson'
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› Find signed collectible books: 'Essays And Poems By Ralph Waldo Emerson'
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› Find signed collectible books: 'The Faber Book of 20th Century Women's Poetry'
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› Find signed collectible books: 'Fernando Pessoa & Co'
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› Find signed collectible books: 'Fully Empowered'

› Find signed collectible books: 'George Herbert and the Seventeenth-Century Religious Poets: Authoritative Texts Criticism'
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› Find signed collectible books: 'The Great Fires'
JOYCE'S MOTTO has had much fame but few apostles. Among them, there has been Jack Gilbert and his orthodoxy, a strictness that has required of this poet, now in the seventh decade of his severe life, the penalty of his having had almost no fame at all. In an era that puts before the artist so many sleek and official temptations, keeping unflinchingly to a code of "silence, exile, and cunning" could not have been managed without a show of strictness well beyond the reach of the theater of the coy.
The "far, stubborn, disastrous" course of Jack Gilbert's resolute journey--not one that would promise in time to bring him home to the consolations of Penelope and the comforts of Ithaca but one that would instead take him ever outward to the impossible blankness of the desert--could never have been achieved in the society of others. What has kept this great poet brave has been the difficult company of his poems--and now we have, in Gilbert's third and most silent book, what may be, what must be, the bravest of these imperial accomplishments.
[via]
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› Find signed collectible books: 'The Great Fires : Poems, 1982-1992'
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› Find signed collectible books: 'Hybrids of Plants and of Ghosts'
"How I would like to catch the world / at pure idea," writes Jorie Graham, for whom a bird may be an alphabet, and flight an arc. Whatever the occasion--and her work offers a rich profusion of them--the poems reach to where possession is not within us, where new names are needed and meaning enlarged. Hence, what she sees reminds her of what is missing, and what she knows suggests what she cannot. From any event, she arcs bravely into the farthest reaches of mind. Fast readers will have trouble, but so what. To the good reader afraid of complexity, I would offer the clear trust that must bond us to such signal poems as (simply to cite three appearing in a row) "Mother's Sewing Box," "For My Father Looking for My Uncle," and "The Chicory Comes Out Late August in Umbria." Finally, the poet's words again: ". . . you get / just what you want" and (just before that), "Just as / from time to time / we need to seize again / the whole language / in search of / better desires."--Marvin Bell
[via]More editions of Hybrids of Plants and of Ghosts:

› Find signed collectible books: 'Imitations'
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› Find signed collectible books: 'In the Clearing'
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› Find signed collectible books: 'Lays of Beleriand'
"The power of Tolkien's central characters . . . shines through." Library Journal.
A treasure trove of lore for old and new friends of Middle-earth. Enter now, reader, and learn of the hero of the Lay of Leithian. Hear as well of the early years of Turin the Tall, as he journeys through darkness on his quest to find his father. Read of his rescue by Beleg the Brave, and of the dark destiny that haunts their friendship! Only the genius of Tolkien could create a fantasy more real than reality, a reality more fantastic than fantasy! [via]
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› Find signed collectible books: 'A New Selected Poems'
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› Find signed collectible books: 'Outside History'

› Find signed collectible books: 'Oxford Book of Children's Verse'
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› Find signed collectible books: 'Passing Through: The Later Poems New and Selected'
Marking his 90th birthday, this Stanley Kunitz greatest hits package is a treasure. "The Wellfleet Whale" is one of the best nature poems of the 20th century, but Kunitz shines brightest when writing about the family. Notice especially, "The Portrait," which both describes a portrait found in an attic and is itself a portrait of Kunitz's childhood. The poem details a child finding a portrait of his dead father, a portrait that opens old wounds ("My mother never forgave my father / for killing himself") even as new wounds are being formed. This is moving, potent, passionate writing. [via]
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› Find signed collectible books: 'Poems 1968 to 1998'
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› Find signed collectible books: 'Poems, 1968-1998'
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› Find signed collectible books: 'Poesies'
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› Find signed collectible books: 'Poetry for Cats : The Definitive Anthology of Distinguished Feline Verse'
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› Find signed collectible books: 'Pooh's Library'
Stop everything! If at least one copy of each of these classics is not in a prominent place on your bookshelf, your home and your progeny's childhood is incomplete. Winnie-the-Pooh and his friends--blustery old Owl, bouncy Tigger, clever Christopher Robin, glum Eeyore, and the rest--have been a staple of children's literature for over 70 years in A.A. Milne's Winnie-the-Pooh and The House at Pooh Corner. And Milne's immortal collections of children's verse, When We Were Very Young and Now We Are Six, have soothed many a savage beast at bedtime with such incomparable delights as "If I Were King" and "Us Two." All four of these classics, complete with Ernest H. Shepard's original illustrations, are gathered here in a handsome boxed set. These hardcover editions will most certainly be a cherished legacy to be handed down for generations to come. After all, as Rabbit says solemnly one day, "Without Pooh, the adventure would be impossible." (Ages 3 to 103) --Emilie Coulter [via]
› Find signed collectible books: 'Ralph Waldo Emerson Essays and Lectures'
The major works of Emerson's most productive period in their entirety: "Nature: Addresses and Lectures," "Essays: First and Second Series," "Representative Men," "English Traits," and "The Conduct of Life." [via]
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› Find signed collectible books: 'The Raven and Other Poems'
First issue of this relaunch or the classic series. [via]
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› Find signed collectible books: 'The Raven and Other Favorite Poems'
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› Find signed collectible books: 'Rimbaud'
The Everyman's Library Pocket Poets hardcover series is popular for its compact size and reasonable price which does not compromise content. Poems: Rimbaud contains selections from Rimbaud's work, including over 100 poems, selected prose, "Letter to Paul Demeny, May 15, 1871," and an index of first lines. [via]
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› Find signed collectible books: 'Selected Cantos of Ezra Pound'
Among his fellow modernists, Ezra Pound inspired equal parts admiration and contempt. T.S. Eliot called him "il miglior fabbro" and dedicated "The Waste Land" to him after Pound had surgically stripped down the masterwork. Gertrude Stein, on the other hand, mocked his obsession with "Kulchur" and his pedagogical need to insert his versions of history, thought, economics, and morality into the Cantos. Pound was, she punched, "a village explainer, excellent if you are a village, but if you are not, not."
Turning to the poems affords illumination, though not resolution. The complete Cantos number 117, weigh in at more than 800 pages, and require several companion volumes of exegesis, filled as they are with private matters and forgotten, obscure souls and associations. Selected Cantos, 117 pages in all, contains what Pound called his "beauty spots": evocations of his heroes (from Chinese emperors to the Founding Fathers), cameos and critiques of his contemporaries (Yeats admiring the symbol of Notre Dame more than Notre Dame itself), and scabrous, unbeautiful visions of politicians, war profiteers, and "the perverts, the perverters of language" in hell. A signal irony is that the poet whose goal was to "make it new" is often freshest in his evocations and imitations of the past.
The greatest sequence is, however, "The Pisan Cantos". In 1945, following his pro-fascist Italian radio broadcasts, Pound was imprisoned by the American military. The art that emerged out of desperation, particularly Canto LXXXI, is a litany of nostalgia, pain, and delusion. Pound for once casts a sharp eye (usually reserved for others) on his personal and artistic failings: "Pull down thy vanity / How mean thy hates / Fostered in falsity ..." But even this section is troubling. In the end, the village explainer could explain little. [via]
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› Find signed collectible books: 'The Seven Ages'

› Find signed collectible books: 'Source'

› Find signed collectible books: 'Sweeney Astray'

› Find signed collectible books: 'Treasury of Winnie-The-Pooh/Deluxe Gift-Box'
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› Find signed collectible books: 'Uncollected Poems'

› Find signed collectible books: 'Vice'
› Find signed collectible books: 'What Is Found There: Notebooks on Poetry and Politics'
The "impulse to enter, with other humans, through language, into the order and disorder of the world, is poetic at its root as surely as it is political at its root, " writes Adrienne Rich at the beginning of her powerful new prose work. What Is Found There is Rich's response to her impulse as a poet to know poetry fully, to plumb and scale and inhabit it; it is also, profoundly, Rich's attempt to bring poetry into the lives of many kinds of people - out of the academy, away from the literary magazines. In a voice that is generous, bold, and personal, Rich uses the poet's materials - journals and letters, dreams, memories, and close reading of the work of many poets - to reflect on poetry and politics, to consider how they enter and impinge on an American life, and what it means to be a citizen of a fragmented country, part of a people turned inward for safety. Rich acknowledges the cost of this turning: "We have rarely, if ever, known what it is to tremble with fear, to lament, to rage, to praise, to solemnize, to say We have done this, to our sorrow; to say Enough, to say We will, to say We will not. To lay claim to poetry." But she acknowledges hope as well. Speaking to poets, to readers of poetry, to all of us who imagine and desire a humane civil life, Rich lays claim to poetry as an instrument of change, and offers up its possibilities: "I see the life of North American poetry at the end of the century as a pulsing, racing convergence of tributaries - regional, ethnic, racial, social, sexual - that, rising from lost or long-blocked springs, intersect and infuse each other while reaching back to the strengths of their origins." [via]
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› Find signed collectible books: 'The Words Under the Words'
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› Find signed collectible books: 'The Works of Rudyard Kipling'
This edition of the poetry of Rudyard Kipling (1865-1936) includes all the poems contained in the Definitive Edition of 1940. In his lifetime, Kipling was widely regarded as the unofficial Poet Laureate, and he was awarded the Nobel Prize for Literature in 1907. His poetry is striking for its many rhythms and popular forms of speech, and Kipling was equally at home with dramatic monologues and extended ballads. He is often thought of as glorifying war, militarism, and the British Empire, but an attentive reading of the poems does not confirm that view. This edition reprints George Orwell's hard-hitting account of Kipling's poems, first published in 1942, and generally regarded as one of the most important contributions to critical discussion of Kipling. [via]
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› Find signed collectible books: 'The World of Winnie-The-Pooh'
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› Find signed collectible books: 'Writing Poems'
Designed to be portable, flexible, and, best of all, economical, this looseleaf, 3-hole-punched version of the main text costs less than the price of a comparable used book! [via]
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› Find signed collectible books: 'Gedichte: Franzosisch Und Deutsch'
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