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› Find signed collectible books: 'An Accidental Family'
Set in the 1870s, a time of social disorder in Russia, An Accidental Family is the story of Arkady Dolgoruky, an awkward, illegitimate twenty-year-old on a desperate search for his family. This new translation of Dostoevsky's last completed novel fully captures the raciness and youthful vigor of the original text, and expresses "the innermost spiritual world of someone on the eve of manhood at that tumultuous time." [via]
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› Find signed collectible books: 'The Brothers Karamazov: Library Edition'
This is a translation of Dostoevsky's most widely read novel - at once a murder mystery, a mordant comedy of family intrigue, a pioneering work of psychological realism and an unblinking look into the abyss of human suffering. [via]
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› Find signed collectible books: 'Brothers Karamazov'
(Book Jacket Status: Jacketed)
Dostoevskys towering reputation as one of the handful of thinkers who forged the modern sensibility has sometimes obscured the purely novelistic virtuesbrilliant characterizations, flair for suspense and melodrama, instinctive theatricalitythat made his work so immensely popular in nineteenth-century Russia. The Brothers Karamazov, his last and greatest novel, published just before his death in 1881, chronicles the bitter love-hate struggle between the outsized Fyodor Karamazov and his three very different sons. It is above all the story of a murder, told with hair-raising intellectual clarity and a feeling for the human condition unsurpassed in world literature.
This award-winning translation by Richard Pevear and Larissa Volokhonskythe definitive version in Englishmagnificently captures the rich and subtle energies of Dostoevskys masterpiece. [via]
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› Find signed collectible books: 'The Brothers Karamazov: A Novel in Four Parts with Epilogue'
A masterpiece of world literature, in a bold new translation that makes no attempt to smooth out the rough diction, hesitations, or double-takes in the Russian--linguistic traits essential to the integrity and life of this text that is truer to the original than any other ever produced. [via]
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› Find signed collectible books: 'The Brothers Karamazov: Worlds of the Novel'
Fyodor Dostoevsky completed his final novel The Brothers Karamazovin 1880. A work of universal appeal and significance, his exploration of good and evil immediately gained an international readership and today remains harrowingly alive in the face of our present day worries, paradoxes, and joys, observes Dostoevsky scholar Robin Feuer Miller. In this engaging and original book, she guides us through the complexities of Dostoevskys masterpiece, offering keen insights and a celebration of the authors unparalleled powers of imagination.
Millers critical companion to The Brothers Karamazov explores the novels structure, themes, characters, and artistic strategies while illuminating its myriad philosophical and narrative riddles. She discusses the historical significance of the book and its initial reception, and in a new preface discusses the latest scholarship on Dostoevsky and the novel that crowned his career.
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› Find signed collectible books: 'Celebrated Crimes: Karl-ludwig Sand, Urbain Grandier, Nisida'
In this seventh volume of his Celebrated Crimes, Dumas tells the three tales: of the brutal excesses of Ali Pacha; the tale of the Countess of Saint Geran;and of Murat, whose courage became a legend in the days of the French revolution. Few men have understood themselves better or been on better terms with the orbit of their existence than Ali Pacha, and as the personality of an individual is all the more striking, in proportion as it reflects the manners and ideas of the time and country in which he has lived, so the figure of Ali Pacha stands out, if not one of the most brilliant, at least one of the most singular in contemporary history. [via]
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› Find signed collectible books: 'Crime and Punishment'
Crime and Punishment (1866) is the story of a murder committed on principle, of a killer who wishes by his action to set himself outside and above society. A novel of great physical and psychological tension, pervaded by Dostoevsky's sinister evocation of St Petersburg, it also has moments of wild humour. Dostoevsky's own harrowing experiences mark the novel. He had himself undergone interrogation and trial, and was condemned to death, a sentence commuted at the last moment to penal servitude. In prison he was particularly impressed by one hardened murderer who seemed to have attained a spiritual equilibrium beyond good and evil: yet witnessing the misery of other convicts also engendered in Dostoevsky a belief in the Christian idea of salvation through suffering. [via]
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› Find signed collectible books: 'Crime and Punishment'
Mired in poverty, the student Raskolnikov nevertheless thinks well of himself. Of his pawnbroker he takes a different view, and in deciding to do away with her he sets in motion his own tragic downfall. Dostoyevsky's penetrating novel of an intellectual whose moral compass goes haywire, and the detective who hunts him down for his terrible crime, is a stunning psychological portrait, a thriller and a profound meditation on guilt and retribution. [via]
› Find signed collectible books: 'Crime and Punishment: A Novel in Six Parts With Epilogue'
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› Find signed collectible books: 'Crimen Y Castigo / Crime and Punishment'
Una visita de Balzac a San Petersburgo le sugirio al joven alferez ingeniero Fiodor Dostoievski la idea de traducir «Eugenie Grandet». La traduccion hizo mucho mas que sacarle de un apuro economico; desperto su fiebre creativa y su vocacion. Entonces, decidio solicitar la excedencia y dedicarse a la literatura.Obra realmente genial, «Crimen y castigo» es una de las mas grandes creaciones de la literatura mundial. Todo el dolor humano palpita y nos contempla desde los estremecedores cuadros de miseria, de vejacion personal, de soledad y de asfixia moral propios de una gran ciudad. Contradiciendo su propia teoria de que no existen motivos sociales para justificar el crimen, se diria que Dostoievski ha puesto en esta novela todo su afan de acumular y sacar a la luz precisamente las circunstancias sociales que, a cada paso, empujan a la persona a llegar al crimen, aunque sea para afirmar su yo y probarse a si mismo que es un hombre. [via]
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› Find signed collectible books: 'The Idiot'
The Idiot, by Fyodor Dostoevsky, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics:All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influences-biographical, historical, and literary-to enrich each reader's understanding of these enduring works. Just two years after completing Crime and Punishment, which explored the mind of a murderer, Dostoevsky produced another masterpiece, The Idiot. This time the author portrays a truly beautiful soul-a character he found difficult to bring to life because, as he wrote, "beauty is the ideal, and neither my country, nor civilized Europe, know what that ideal of beauty is." The result was one of Dostoevsky's greatest characters-Prince Myshkin, a saintly, Christ-like, yet deeply human figure.The story begins when Myshkin arrives on Russian soil after a stay in a Swiss sanatorium. Scorned by St. Petersburg society as an idiot for his generosity and innocence, the prince finds himself at the center of a struggle between a rich, kept woman and a beautiful, virtuous girl, who both hope to win his affection. Unfortunately, Myshkin's very goodness seems to bring disaster to everyone he meets. The shocking denouement tragically reveals how, in a world obsessed with money, power, and sexual conquest, a sanatorium is the only place for a saint. Joseph Frank is Professor Emeritus of Comparative Literature at Princeton University and Professor Emeritus of Comparative Literature and Slavic Languages and Literature at Stanford University. He is the author of a five-volume study of Dostoevsky's life and work. [via]
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› Find signed collectible books: 'The Karamazov Brothers: A Novel in Four Parts With an Epilogue in Two Volumes'
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› Find signed collectible books: 'Lady Chatterley's Lover'
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› Find signed collectible books: 'Los hermanos Karamazov / The Brothers Karamazov'
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› Find signed collectible books: 'The Master And Margarita'
A mysterious stranger and his retinue have astonished the locals of Stalins Moscow with the magic show to end all magic shows and have quite literally set the town alight. But whats the real purpose behind their visit?
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› Find signed collectible books: 'MASTER AND MARGARITA'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'The Master and Margarita'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'Master I Margarita'
› Find signed collectible books: 'Workplay: Playing to Learn and Learning to Play'
WorkPlay offers you some of the most enjoyable and educational games and exercises you'll find anywhere. More than "just another" collection of structured activities, this reproducible volume includes a provocative discussion of the serious impact of fun and games on the adult learner.
WorkPlay provides training in: Leadership, team building, change, problem solving, creativity, decision making, goal setting, trust, risk taking, and more!
WorkPlay is designed to provide program designers, workshop presenters, facilitators, and consultants with creative, structured learning experiences and detailed guidance on how to use them for effective training, conferences, and workshops. It is a practical handbook containing 27 varied and versatile activities that cover a comprehensive range of learning themes. Although these activities are particularly well-suited to team building, group problem solving, and leadership training, they can be used for communication, decision making, creativity, resource management, and a multitude of other learning purposes. Each activity can serve a range of training needs and agendas. Each activity has applicability to a variety of learning themes, some of which can be explored in depth using the activity alone or in conjunction with suggested companion exercises. They can be implemented either at different times for different purposes or used singularly to accomplish a variety of related learning objectives.
WorkPlay includes:
27 reproducible activities in a convenient 3-ring binder.
Exercises include icebreakers, energizers and closing activities, scenario-based activities, and general activities for multiple objectives.
Observer/judge sheets for participants to learn by observing
Guidelines for ensuring that physically challenged participants can safely and enjoyably take part in the activities
Requirements for set-up, time, group size, materials, constraints, and safety considerations.
Development
Experiential activities can transform learning into adventure for adults in conference, academic, and work training settings. Learning is an emotional, physical and cognitive experience. Movement and feelings affect learning. Play can engage the mind and body and provoke a positive, emotional response during exercises that are designed to enhance skills and elucidate concepts and theories. Almost any topic can be explored through gaming. Learning that involves skill building and behavioral change, such as group dynamics, communication, leadership, problem solving, teamwork, and decision making are particularly well-suited to gaming.
Playing games for the serious purpose of learning creates a paradoxical situation in which participants are simultaneously involved in serious play and playful seriousness. The object of gaming is knowledge, not fun. However, the process is enjoyable and thus conducive to learning. This type of play entails the lighthearted yet earnest pursuit of educational aims within a fun-and-games context. The paradoxical nature of gaming to learn allows players freedom to experiment with new approaches, change old approaches, and even fail with impunity. After all, learning is a risky business. Safety is ensured in the imaginative realm of play.
Conducting the Activities
Each activity provides all the information necessary to conduct the experience, including directions and other handouts that can be easily copied for the participants. Some of the games do not require these handouts for participants or may have handouts to be used by the facilitator as a guide. These handouts contain all the pertinent information necessary for the group considerations. They also ensure that the group cannot project responsibility for its performance on faulty facilitator instructions, insulating the facilitator from being unwittingly drawn into authority issues that properly belong in the group.
Many of the activities are designed to accommodat [via]
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Odyssey, The: The World's Great Classics, by Homer; tr. by S.H. Butcher and Andrew Lang [via]
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› Find signed collectible books: 'Crimen y Castigo/ Crime and Punishment'
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› Find signed collectible books: 'Fiodor Dostoievski / Fyodor Dostoevsky: Crimen Y Castigo Los Hermanos Karamazov / Crime and Punishment, The Brothers of Karamazov'
The classic works of literature contained in each of these volumes represent each author's best and most famous writings. A wonderful introduction to world literature, this finely crafted and affordable series offers the works of these world-renowned authors to a wider audience. Includes The Brothers Karamazov and Crime and Punishment.
Las obras clásicas de literatura en cada volumen son una representación de los mejores y más famosos escritos de los autores. Una introducción maravillosa a la literatura universal, esta serie hermosamente diseñada pone las obras de los autores mundialmente conocidos al alcance de todos. [via]
More editions of Fiodor Dostoievski / Fyodor Dostoevsky: Crimen Y Castigo Los Hermanos Karamazov / Crime and Punishment, The Brothers of Karamazov:
› Find signed collectible books: 'Los Hermanos Karamasov/the Karamasov Brothers'
More editions of Los Hermanos Karamasov/the Karamasov Brothers:
› Find signed collectible books: 'Los hermanos Karamazov / The Brothers Karamazov'
Fiódor Dostoyevski es uno de los principales escritores de su época en la Rusia Zarista; la literatura de Dostoyevski explora la psicología humana en el complejo contexto político, social y espiritual de la sociedad rusa del siglo XIX. Walter Kaufmann citó las Memorias del subsuelo (1864), escritas con la amarga voz del anónimo «hombre subterráneo», como «la mejor obertura para el existencialismo jamás escrita». En el mismo sentido, el prestigioso intelectual y escritor austriaco Stefan Zweig consideró al escritor ruso como «el mejor conocedor del alma humana de todos los tiempos». Su obra, aunque escrita en el siglo XIX, refleja al hombre y la sociedad de hoy. Sigmund Freud dijo en su obra Dostoievski y el parricidio que el capítulo de «El gran inquisidor», de la novela Los hermanos Karamazov, era una de las cumbres de la literatura universal. Cabe resaltar, asimismo, la influencia ejercida sobre Nietzsche, quien afirmó: Dostoyevski, el único psicólogo, por cierto, del cual se podía aprender algo, es uno de los accidentes más felices de mi vida, más incluso que el descubrimiento de Stendhal. [via]
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› Find signed collectible books: 'El Idiota (1) / Idiot'
More editions of El Idiota (1) / Idiot:
