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› Find signed collectible books: 'American Taboo: A Murder In The Peace Corps'
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› Find signed collectible books: 'Chasing The Sea: Being a Narrative of a Journey Through Uzbekistan, Including Descriptions of Life Therein, Culminating with an Arrival at the Aral Sea, the World's Wo'
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› Find signed collectible books: 'Chasing the Sea : Lost among the Ghosts of Empire in Central Asia'
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› Find signed collectible books: 'Come As You Are: The Peace Corps Story'
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› Find signed collectible books: 'Dear Exile: The True Story of Two Friends Separated (For a Year) by an Ocean'
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› Find signed collectible books: 'Girls at Play'
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› Find signed collectible books: 'A Life Inspired: Tales of Peace Corps Service'
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› Find signed collectible books: 'Living Poor: A Peace Corps Chronicle'
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› Find signed collectible books: 'Loose Ends: A Play'
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› Find signed collectible books: 'Mango Elephants in the Sun : How Life in an African Village Let Me Be in My Skin'
When the Peace Corps sends Susana Herrera to teach English in northern Cameroon, she yearns to embrace her adopted village and its people, to drink deep from the spirit of Mother Africaand to forget a bitter childhood and painful past. To the villagers, however, she's a rich American tourist, a nasara (white person) who has never known pain or want. They stare at her in silence. The children giggle and run away. At first her only confidant is a miraculously communicative lizard.
Susana fights back with every ounce of heart and humor she possesses, and slowly begins to make a difference. She ventures out to the village well and learns to carry water on her head. In a classroom crowded to suffocation she finds a way to discipline her students without resorting to the beatings they are used to. She makes ice cream in the scorching heat, and learns how to plant millet and kill chickens. She laughs with the villagers, cries with them, works and prays with them, heals and is helped by them.
Village life is hard but magical. Poverty is rampantyet people sing and share what little they have. The termites that chew up her bed like morning cereal are fried and eaten in their turn ("bite-sized and crunchy like Doritos"). Nobody knows what tomorrow may bring, but even the morning greetings impart a purer sense of being in the moment. Gradually, Susana and the village become part of each other. They will never be the same again.
[via]
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› Find signed collectible books: 'Mating'
Had Jane Austen been in the Peace Corps in Africa in the 1980s, Mating is the book she might have written. Set in Botswana in the days before the end of apartheid, Norman Rush's novel is, essentially, a comedy of manners played out in Austen's approved milieu: a country village. Granted, the village in question, Tsau, is a utopian society created by the great American anthropologist Nelson Denoon, and run largely by and for disenfranchised and abused African women. Still, the issue that interests Rush (and the one that fueled Austen's novels) is the age-old question of who mates with whom, and why? The unnamed narrator is a 32-year-old postgraduate student in anthropology whose dissertation has just gone south on her. Drifting around the edges of the expatriate community in Gaborone, the capital of Botswana, she first meets Denoon:
He was smiling at Kgosetlemang--the event was to be considered over with, clearly--and I could tell that his gingivae were as good as mine; which is saying a lot. I attend to my gums. People in the bush don't always attend to their oral hygiene, not to mention other niceties. There was no sign of that here. I of course am fanatical about my gums because my idea of what the movie I Wake Up Screaming is about is a woman who has to keep dating to find her soulmate and she's had to get dentures. I have very long-range anxieties.Entranced by this potential soulmate, our heroine strikes out into the Kalahari Desert with a couple of donkeys and follows him to his utopia where sexual attraction, regional politics, and social experimentation make for very strange bedfellows, indeed.
Mating is a fiercely intelligent, hugely ambitious novel that takes on feminism, socialism, political corruption, foreign-sponsored rural development projects, and, yes, male-female relations in ways that are simultaneously hilarious and disturbing. Certainly Rush's language is a big part of what makes the novel work: the narrator's combination of elevated vocabulary and wacky non sequiturs is inspired. When, for example, Denoon explains to her that most of the women in Tsau are celibate and therefore so is he, she reflects that "of course the spiritus rector of a female community would need to be a sexual solitary, at least during the foundational period." She then wonders if "this situation was the analog of western series on television where the female watchership shrank to nothing when the producers let the marshal get married." Mating is remarkable for its wit, its acuity, and its ability to satirize without demeaning; it's also a heck of an entertaining story. Jane Austen would have been proud. --Alix Wilber [via]

› Find signed collectible books: 'Monique And the Mango Rains: Two Years With a Midwife in Mali'
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› Find signed collectible books: 'Nine Hills to Nambonkaha: Two Years in the Heart of an African Village'
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› Find signed collectible books: 'Oracle Bones: A Journey Between China's Past And Present'
From the acclaimed author of River Town comes a rare portrait, both intimate and epic, of twenty-first-century China as it opens its doors to the outside world.
A century ago, outsiders saw Chinaas a place where nothing ever changes. Today the coun-try has become one of the most dynamic regions on earth. That sense of timethe contrast between past and present, and the rhythms that emerge in a vast, ever-evolving countryis brilliantly illuminated by Peter Hessler in Oracle Bones, a book that explores the human side of China's transformation.
Hessler tells the story of modern-day China and its growing links to the Western world as seen through the lives of a handful of ordinary people. In addition to the author, an American writer living in Beijing, the narrative follows Polat, a member of a forgotten ethnic minority, who moves to the United States in searchof freedom; William Jefferson Foster, who grew up in an illiterate family and becomes a teacher; Emily,a migrant factory worker in a city without a past; and Chen Mengjia, a scholar of oracle-bone inscriptions, the earliest known writing in East Asia, and a man whosetragic story has been lost since the Cultural Revolution. All are migrants, emigrants, or wanderers who find themselves far from home, their lives dramatically changed by historical forces they are struggling to understand.
Peter Hessler excavates the past and puts a remarkable human face on the history he uncovers. In a narrative that gracefully moves between the ancient and the present, the East and the West, Hessler captures the soul of a country that is undergoing a momentous change before our eyes.
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› Find signed collectible books: 'Planetary Service: A Way into the Third Millenium'
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› Find signed collectible books: 'The Ponds of Kalambayi: An African Sojourn'
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› Find signed collectible books: 'River Town: Two Years on the Yangtze'
In 1996, 26-year-old Peter Hessler arrived in Fuling, a town on China's Yangtze River, to begin a two-year Peace Corps stint as a teacher at the local college. Along with fellow teacher Adam Meier, the two are the first foreigners to be in this part of the Sichuan province for 50 years. Expecting a calm couple of years, Hessler at first does not realize the social, cultural, and personal implications of being thrust into a such radically different society. In River Town: Two Years on the Yangtze, Hessler tells of his experience with the citizens of Fuling, the political and historical climate, and the feel of the city itself.
"Few passengers disembark at Fuling ... and so Fuling appears like a break in a dream--the quiet river, the cabins full of travelers drifting off to sleep, the lights of the city rising from the blackness of the Yangtze," says Hessler. A poor city by Chinese standards, the students at the college are mainly from small villages and are considered very lucky to be continuing their education. As an English teacher, Hessler is delighted with his students' fresh reactions to classic literature. One student says of Hamlet, "I don't admire him and I dislike him. I think he is too sensitive and conservative and selfish." Hessler marvels,
You couldn't have said something like that at Oxford. You couldn't simply say: I don't like Hamlet because I think he's a lousy person. Everything had to be more clever than that ... you had to dismantle it ... not just the play itself but everything that had ever been written about it.Over the course of two years, Hessler and Meier learn more they ever guessed about the lives, dreams, and expectations of the Fuling people.
Hessler's writing is lovely. His observations are evocative, insightful, and often poignant--and just as often, funny. It's a pleasure to read of his (mis)adventures. Hessler returned to the U.S. with a new perspective on modern China and its people. After reading River Town, you'll have one, too. --Dana Van Nest [via]
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› Find signed collectible books: 'The Saddest Pleasure: A Journey on Two Rivers'
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› Find signed collectible books: 'Saviors'
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› Find signed collectible books: ''scuse Me While I Whip This Out: Reflections On Country Singers, Presidents, And Other Troublemakers'
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› Find signed collectible books: 'So You Want to Join the Peace Corps: What to Know Before You Go'
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› Find signed collectible books: 'The Village of Waiting'

› Find signed collectible books: 'The Volunteer'
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› Find signed collectible books: 'Whites'
In this magnificent collection of stories, Rush produces indelible portraits of Euro-American ex-patriates at loose ends in the black African republic of Botswana. The author's characters are unforgettable, while their predicaments are funny, improbably logical, and almost affecting as Africa itself. "Powerful and original."--New York Times. [via]
