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› Find signed collectible books: 'The Aeneid'
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› Find signed collectible books: 'After Ovid: New Metamorphoses'
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› Find signed collectible books: 'After Ovid: New Metamorphoses'
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› Find signed collectible books: 'Amores'
El libro sigue el modelo de la elegía erótica a menudo en una manera subversiva y cómica, con motivos y mecanismos comunes que están exagerados al punto de absurdos. Sin embargo, se puede considerar los Amores como un poema épico simulado. [via]
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› Find signed collectible books: 'Arrow of Time'
In this book physical chemist Dr Peter Coveney and award-winning science journalist Dr Roger Highfield have questioned our understanding of science with their humorous reinterpretation of the most profound aspect of time - why it points from the past to the future. The author's challenge to scientific preconceptions about the irreversibility of time is designed to link apparently irreconcilable features of science, from Einstein's obsession with causality to chaos theory, from the cause of jet lag to the Monday morning feeling. [via]
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› Find signed collectible books: 'The Art of Love'
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› Find signed collectible books: 'Boethius Consolatio Philosophiae'
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› Find signed collectible books: 'The Book of Lost Books: An Incomplete History of All the Great Books You Will Never Read'
In an age when deleted scenes from Adam Sandler movies are saved, its sobering to realize that some of the worlds greatest prose and poetry has gone missing. This witty, wry, and unique new book rectifies that wrong. Part detective story, part history lesson, part exposé, The Book of Lost Books is the first guide to literatures what-ifs and never-weres.
In compulsively readable fashion, Stuart Kelly reveals details about tantalizing vanished works by the famous, the acclaimed, and the influential, from the time of cave drawings to the late twentieth century. Here are the true stories behind stories, poems, and plays that now exist only in imagination:
·Aristophanes Heracles, the Stage Manager was one of the playwrights several spoofs that disappeared.
·Loves Labours Won may have been a sequel to Shakespeares Loves Labours Lostor was it just an alternative title for The Taming of the Shrew?
·Jane Austens incomplete novel Sanditon, was a critique of hypochondriacs and cures started when the author was fatally ill.
·Nikolai Gogol burned the second half of Dead Souls after a religious conversion convinced him that literature was paganism.
·Some of the thousand pages of William Burroughss original Naked Lunch were stolen and sold on the street by Algerian street boys.
·Sylvia Plaths widower, Ted Hughes, claimed that the 130 pages of her second novel, perhaps based on their marriage, were lost after her death.
Whether destroyed (Socrates versions of Aesops Fables), misplaced (Malcolm Lowrys Ultramarine was pinched from his publishers car), interrupted by the authors death (Robert Louis Stevensons Weir of Hermiston), or simply never begun (Vladimir Nabokovs Speak, America, a second volume of his memoirs), these missing links create a history of literature for a parallel world. Civilized and satirical, erudite yet accessible, The Book of Lost Books is itself a find. [via]
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› Find signed collectible books: 'The Cambridge Companion to Ovid'
A companion to one of the greatest writers of classical antiquity, and arguably the single most influential ancient poet for post-classical literature and culture, is long overdue. Chapters by leading authorities discuss the backgrounds and contexts for Ovid, the individual works, and his influence on later literature and art. Coverage of essential information is combined with exciting new critical approaches. [via]
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› Find signed collectible books: 'Classical Mythology: Images and Insights'
Classical Mythology: Images and Insights approaches the study of myths through complete works of Greco-Roman literature, including six complete Greek dramas and generous excerpts from the narratives of Homer, Hesiod, Virgil, and Ovid, and through carefully chosen examples of classical works of art, both painting and sculpture. Combining literary masterpieces with the visual arts, this integrative approach offers readers a comprehensive experience with both cognitive and aesthetic appeal. [via]
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› Find signed collectible books: 'The Consolation of Philosophy'
Unjustly imprisoned and waiting to die, Boethius penned his last and greatest work, Consolation of Philosophy, an imaginary dialogue between himself and Philosophy, personified as a woman. Reminiscent of Dante in places, Boethius's fiction is an ode-to-philosophy-cum-Socratic-dialogue. Joel Relihan's skillful rendering, smoother to the modern ear than previous translations, preserves the book's heart-rending clarity and Boethius's knack for getting it just right. Listen to him on fortune: "We spin in an ever-turning circle, and it is our delight to change the bottom for the top and the top for the bottom. You may climb up if you wish, but on this condition: Don't think it an injustice when the rules of the game require you to go back down."
Consolation of Philosophy recalls the transience of the material world, the eternality of wisdom, and the life of the philosopher. Boethius was deeply influenced by the Platonist tradition, and this piece is one of the more powerful and artful defenses of a detachment that feels almost Buddhist. For anyone who's felt at odds with the world, Consolation is a reminder that the best things in life are eternal. Boethius must be right: the book is just as meaningful today as it was in the sixth century when he wrote it. --Eric de Place [via]
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› Find signed collectible books: 'Das Kapital'
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› Find signed collectible books: 'The Erotic Poems: The Amores, the Art of Love, Cures for Love, on Facial Treatment for Ladies'
This collection of Ovid's poems deals with the whole spectrum of sexual desire, ranging from deeply emotional declarations of eternal devotion to flippant arguments for promiscuity. In the "Amores", Ovid addresses himself in a series of elegies to Corinna, his beautiful, elusive mistress. The intimate and vulnerable nature of the poet revealed in these early poems vanishes in the notorious Art of Love, in which he provides a knowing and witty guide to sexual conquest - a work whose alleged obscenity led to Ovid's banishment from Rome in AD 8. This volume also includes the "Cures for Love", with instructions on how to terminate a love affair, and "On Facial Treatment for Ladies", an incomplete poem on the art of cosmetics. [via]
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› Find signed collectible books: 'Fasti'
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› Find signed collectible books: 'Fasti: Book IV'
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› Find signed collectible books: 'Heroidas'
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› Find signed collectible books: 'An Imaginary Life'
In the first century A.D., Publius Ovidius Naso, the most urbane and irreverent poet of imperial Rome, was banished to a remote village on the edge of the Black Sea. From these sparse facts, Malouf has fashioned an audacious and supremely moving novel. Marooned on the edge of the known world, exiled from his native tongue, Ovid depends on the kindness of barbarians who impale their dead and converse with the spirit world.Then he becomes the guardian of a still more savage creature, a feral child who has grown up among deer. What ensues is a luminous encounter between civilization and nature, as enacted by a poet who once cataloged the treacheries of love and a boy who slowly learns how to give it.
"A work of unusual intelligence and imagination, full of surprising images and insights...One of those rare books you end up underlining and copying out into notebooks and reading out loud to friends."--The New York Times Book Review [via]
› Find signed collectible books: 'The Lamentable Tragedie of Titus Andronicus'
If there has ever been a groundbreaking edition that likewise returns the reader to the original Shakespeare text, it will be THE APPLAUSE FOLIO TEXTS. If there has ever been an accessible version of the Folio, it is this edition, set for the first time in modern fonts. The Folio is the source of all other editions. The Folio text forces us to re-examine the assumptions and prejudices which have encumbered over four hundred years of scholarship and performance. Notes refer the reader to subsequent editorial interventions, and offer the reader a multiplicity of interpretations. Notes also advise the reader on variations between Folios and Quartos. Prepared and annotated by Neil Freeman, Head, Graduate Directing Program, University of British Columbia. [via]
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› Find signed collectible books: 'The Love Poems'
Ovid's love-poetry was typically original and innovative. His witty analysis in the Amores (Loves) of the elegiac relationship develops with relentless irony its essential paradox - love as simultaneously fulfilling and destructive - to its logical conclusion: definitive disestablishment of the poet-lover's role as presented by Gallus, Tibullus, and Propertius. In its place he went on to offer in the Ars Amatoria (Art of Love) and Remedia Amoris (Cures for Love) an equally brilliant presentation of an alternative and more realistic conception of love as a game at which both sexes can play without getting hurt - providing they stick to Ovid's rules. Under the surface of Ovid's wit there runs an undercurrent of serious meaning: the theme of the poet's complete control of his medium and his art and a proud consciousness of his achievements. His claim to be `the Virgil of elegy' is arrestingly justified in these extraordinarily accomplished poems. Alan Melville's accomplished translations match the sophisticated elegance of Ovid's Latin. Their witty modern idiom is highly entertaining. In this volume he has included the brilliant version of the Art of Love by Moore, published more than fifty years ago and still unequalled; the small revisions he has made will enhance the reader's admiration for Moore's achievement. This book is intended for general; students from 6th Form upwards following courses on Latin literature, classical literature, European literature, and comparative literature. [via]
› Find signed collectible books: 'The Love Books of Ovid Being the Amores, Ars Amatoria, Remedia Amoris And Medicamina Faciei Femineae of Publius Ovidius Naso'
1930. Illustrated by Jean de Bosschere. Ovid was a Roman writer of love elegies (Amores), then experimented with the imaginary letter, mock didactic verse (Ars Amatoria), and collective narrative relating disconnected stories inside a large historical or chronological frame. Little was heard of Ovid until the Renaissance where he was revered as the great preceptor of courtly love. Through the Renaissance up to modern times, his poetry has been respected as a treasury of mythic themes, the suggestiveness and psychological content of which have inspired the imagination of a legion of writers. See other titles by this author available from Kessinger Publishing. [via]
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› Find signed collectible books: 'The Love-Artist'
A darkly brilliant first novel that imagines a missing chapter in the life of Ovid.
Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work and perhaps his most Accomplished? Between the known details of the poet's life and these enigmas, Jane Alison has Interpolated a haunting drama of passion and psychological manipulation.
On holiday at the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations of his soon-to-be-published Metamorphoses. Part healer, part witch, she seems myth come to life. Enchanted and obsessed -- and, for the first time in a long while, flush with inspiration -- Ovid takes her back with him to Rome. But the inexorable pull of ambition leads him to make a Faustian bargain with fate that will betray his newfound muse. As the two of them become entangled in its snares, the reader is drawn deep into an ingeniously enacted meditation on love, art, and the desire for immortality. [via]

› Find signed collectible books: 'Mail and Female: Epistolary Narrative and Desire in Ovid's Heroides'
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› Find signed collectible books: 'Metamorfosis / Metamorphoses'
La metamorfosis, fuente de inspiración de poetas, humanistas y artistas de todas las épocas, es la más fecunda creación literaria de la antigüedad. Este extenso poema épico ofrece una espléndida muestra mitográfica arropada por un coherente marco filosófico. Doscientas cincuenta historias, mitos y leyendas que abarcan desde el nacimiento de la humanidad y la creación del mundo, en la era de los cataclismos, hasta la muerte y apoteosis de César. La metamorfosis describe lo maravilloso, lo prodigioso, las más increíbles transformaciones, en un estilo rápido y elegante. Se considera uno de los trabajos sobre mitología más populares, una joya de la literatura romana, llegando a ser la obra más conocida por los escritores medievales y por lo tanto teniendo una gran influencia en la poesía medieval. Publio Ovidio Nasón (43 a. C. 17 d. C.), fue un poeta romano muy conocido en su época, y que su talento influyó el mundo artístico europeo por cientos de años. Era caballero de rancia estirpe, de cuya antigüedad se sentía orgulloso. [via]
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› Find signed collectible books: 'The Metamorphoses'
Ovid's Metamorphoses, completed around AD8, shows the presence and prevalence of change in the world. Beginning with chaos and creation, Ovid embraces a vast array of mythological tales within his theme of transformation. Phaeton, Narcissus, Pyramus and Thisbe, Daedalus and Icarus are only a few of the most famous. Passing through these to the serio-comic retellings of the Trojan War, the travels of Aeneas, and the events of Roman history down to Ovid's own times, his readers find infinite variety in a work that is, by turns, funny, pathetic and violent - always unpredictable and always engrossing. John Dryden's translations are featured in this collaborative Metamorphoses, first issued in 1717, to which eighteen translators contributed under the editorship of Sir Samuel Garth. Composed in a poetic idiom well suited to the satiric and mock-heroic aspects of this work, this is the only translation that can match Ovid's wit and stylistic sophistication. [via]
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› Find signed collectible books: 'Metamorphoses'
Ovids sensuous and witty poem brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformationoften as a result of love or lustwhere men and women find themselves magically changed into new and sometimes extraordinary beings. Beginning with the creation of the world and ending with the deification of Augustus, Ovid interweaves many of the best-known myths and legends of ancient Greece and Rome, including Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy. Erudite but light-hearted, dramatic and yet playful, the Metamorphoses has influenced writers and artists throughout the centuries from Shakespeare and Titian to Picasso and Ted Hughes.
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› Find signed collectible books: 'Metamorphoses Book VIII'
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› Find signed collectible books: 'Metamorphoses I-IV'
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› Find signed collectible books: 'The Metamorphoses of Ovid'
First published in 8 A.D. when he was 52, Ovid's epic poem contains profoundly entertaining tales of Adonis, Midas, Apollo, Icarus, and many others. (Poetry) [via]
› Find signed collectible books: 'The Metamorphoses of Ovid'
Publius Ovidius Naso, whom we know as Ovid, was already established as a writer when The Metamorphoses was published in A.D. 8, when he was 52 years old. It had taken him a decade to compose his great poem, during which time he published little, but the Roman world was still abuzz with excitement over his richly erotic Art of Love. So, unfortunately, was the court of Augustus Caesar, and the emperor banished the poet to what is now Romania. Augustus may have taken exception to the poet's turn to the impolite realm of the body--or he may have objected to a rumored affair between Ovid and the emperor's nymphomaniacal daughter Julia, who figures so prominently in Robert Graves's Claudius novels. The poet who had declared Rome to be his only home could have found no worse punishment than exile, but no amount of pleading could sway Augustus, and Ovid died on the shores of the Black Sea a decade later. Full of veiled political and historical references, The Metamorphoses lived on to become a permanent fixture in the canon of European literature. In Allen Mandelbaum's hands, it lives on for a new generation. [via]
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› Find signed collectible books: 'The Metamorphoses of Ovid: A New Verse Translation'
Publius Ovidius Naso, whom we know as Ovid, was already established as a writer when The Metamorphoses was published in A.D. 8, when he was 52 years old. It had taken him a decade to compose his great poem, during which time he published little, but the Roman world was still abuzz with excitement over his richly erotic Art of Love. So, unfortunately, was the court of Augustus Caesar, and the emperor banished the poet to what is now Romania. Augustus may have taken exception to the poet's turn to the impolite realm of the body--or he may have objected to a rumored affair between Ovid and the emperor's nymphomaniacal daughter Julia, who figures so prominently in Robert Graves's Claudius novels. The poet who had declared Rome to be his only home could have found no worse punishment than exile, but no amount of pleading could sway Augustus, and Ovid died on the shores of the Black Sea a decade later. Full of veiled political and historical references, The Metamorphoses lived on to become a permanent fixture in the canon of European literature. In Allen Mandelbaum's hands, it lives on for a new generation. [via]
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› Find signed collectible books: 'The Metamorphoses of Ovid: An English Version'
Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Andersons skillful introduction and enlightening textual commentary will indeed make it a joy to use.
In these books Ovid begins to leave the conflict between men and the gods to concentrate on the relations among human beings. Subjects of the stories include Arachne and Niobe; Tereus, Procne, and Philomela; Medea and Jason; Orpheus and Eurydice; and many others, familiar and unfamiliar. For students of Latin-and teachers, too-they provide an interesting experience.
In his introduction the editor discusses Ovids career, the reputation of the Metamorphoses during Ovids time and after, and the various manuscripts that exist or have been known to exist. He describes the general plan of the poem, its main theme, and the problem of its tone. Technical matters, such as style and meter, are also considered. In notes the editor summarizes the story being told before proceeding to the line-by-line textual comments.
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› Find signed collectible books: 'Ovid: Amores I'
This edition of the first book of Ovid's "Amores" was first published in 1973 by OUP. It has been kept in print by BCP because it remains an outstandlingly useful volume. It was one of two editions (the other being Gordon Williams' "Horace 'Odes' III", 1969) in which OUP pioneered a new kind of continuous running commentary particularly suited to short poems, one 'likely to be more illuminating than a series of disconnected notes on isolated problems, which may contribute little to the total understanding of the poem as the poet conceived it'. This approach was intended to promote in sixth-formers and undergraduates not just an understanding of the Latin but a critical appreciation of literary quality. In this aim, the edition has been a continued success. [via]
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› Find signed collectible books: 'Ovid Amores: Text, Prolegomena and Commentary in Four Volumes, a Commentary on Book One'
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› Find signed collectible books: 'Ovid Amores: Text, Prolegomena and Commentary in Four Volumes, Text and Prolegomena'
The first volume of this major commentary begins appropriately with Prolegomena, before offering a text of Ovid's Amores. The Prolegomena has eight chapters: Tenerorum Lusor Amorum; Doctrina; Recitation; Chronology; The Arrangement of the Poems; The Title; Metre; The Text. Succinct, clear and learned, these chapters alone form an excellent all-round introduction to Ovid as a love-poet, and touch on many aspects of more general relevance to Augustan and Hellenistic poetry. [via]
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› Find signed collectible books: 'Ovid Fasti'
Ovid (Publius Ovidius Naso, 43 BCE17 CE), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars Amatoria, and was banished because of this work and some other reason unknown to us, and dwelt in the cold and primitive town of Tomis on the Black Sea. He continued writing poetry, a kindly man, leading a temperate life. He died in exile.
Ovid's main surviving works are the Metamorphoses, a source of inspiration to artists and poets including Chaucer and Shakespeare; the Fasti, a poetic treatment of the Roman year of which Ovid finished only half; the Amores, love poems; the Ars Amatoria, not moral but clever and in parts beautiful; Heroides, fictitious love letters by legendary women to absent husbands; and the dismal works written in exile: the Tristia, appeals to persons including his wife and also the emperor; and similar Epistulae ex Ponto. Poetry came naturally to Ovid, who at his best is lively, graphic and lucid.
The Loeb Classical Library edition of Ovid is in six volumes.
[via]
› Find signed collectible books: 'Ovid Fasti: Book 2'
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› Find signed collectible books: 'Ovid Heroides and Amores'
Ovid (Publius Ovidius Naso, 43 BCE17 CE), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars Amatoria, and was banished because of this work and some other reason unknown to us, and dwelt in the cold and primitive town of Tomis on the Black Sea. He continued writing poetry, a kindly man, leading a temperate life. He died in exile.
Ovid's main surviving works are the Metamorphoses, a source of inspiration to artists and poets including Chaucer and Shakespeare; the Fasti, a poetic treatment of the Roman year of which Ovid finished only half; the Amores, love poems; the Ars Amatoria, not moral but clever and in parts beautiful; Heroides, fictitious love letters by legendary women to absent husbands; and the dismal works written in exile: the Tristia, appeals to persons including his wife and also the emperor; and similar Epistulae ex Ponto. Poetry came naturally to Ovid, who at his best is lively, graphic and lucid.
The Loeb Classical Library edition of Ovid is in six volumes.
[via]More editions of Ovid Heroides and Amores:
› Find signed collectible books: 'Ovid Heroides Xvi-Xxi'
This is an edition with commentary of six poems by the Roman poet Ovid. These are the letters, as Ovid imagined them, exchanged between three famous pairs of lovers, Paris and Helen of Troy, Hero and Leander, and Acontius and Cydippe. Interest in Ovid has never been more lively than it is today, and this book will have much to offer students at all levels. This is the first commentary in any language since 1898 on these "double" letters. It complements Peter E. Knox's selection of the single epistles in the same series. [via]
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› Find signed collectible books: 'Ovid II: The Art of Love and Other Poems'
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› Find signed collectible books: 'Ovid: Myth And Metamorphosis'
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› Find signed collectible books: 'Ovid: The Art of Love'
"... Humphries has rendered (Ovids) love poetry with conspicuous success into English which is neither obtrusively colloquial nor awkwardly antique." Virginia Quarterly Review
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› Find signed collectible books: 'Ovid's Amores, Book 1;'
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› Find signed collectible books: 'Ovid's Fasti: Roman Holidays'
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› Find signed collectible books: 'Ovid Metamorphoses'
Ovid is a poet to enjoy, declares William S. Anderson in his introduction to this textbook. And Andersons skillful introduction and enlightening textual commentary will indeed make it a joy to use.
In these books Ovid begins to leave the conflict between men and the gods to concentrate on the relations among human beings. Subjects of the stories include Arachne and Niobe; Tereus, Procne, and Philomela; Medea and Jason; Orpheus and Eurydice; and many others, familiar and unfamiliar. For students of Latin-and teachers, too-they provide an interesting experience.
In his introduction the editor discusses Ovids career, the reputation of the Metamorphoses during Ovids time and after, and the various manuscripts that exist or have been known to exist. He describes the general plan of the poem, its main theme, and the problem of its tone. Technical matters, such as style and meter, are also considered. In notes the editor summarizes the story being told before proceeding to the line-by-line textual comments.
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› Find signed collectible books: 'Ovid's Metamorphoses'
This landmark translation of Ovid was acclaimed by Ezra Pound as "the most beautiful book in the language (my opinion and I suspect it was Shakespeare's)". Ovid's deliciously witty and poignant epic starts with the creation of the world and brings together a series of ingeniously linked myths and legends in which men and women are transformedoften by loveinto flowers, trees, stones, and stars. Golding's robustly vernacular version was the first major English translation and decisively influenced Shakespeare, Spenser, and the character of English Renaissance writing.
[via]More editions of Ovid's Metamorphoses:

› Find signed collectible books: 'Ovid's Metamorphoses: Books 1-5'
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› Find signed collectible books: 'Ovid's Metamorphosis Englished, Mythologized, and Represented in Figures'
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› Find signed collectible books: 'Ovid's Poetry of Exile'
"Someone clever, passionate, and heartbroken comes very near us, and I think it is Ovid. I found it impossible to stop reading these poems. And poems they are."Richard Wilbur. [via]
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› Find signed collectible books: 'The Poems Of Exile: Tristia And The Black Sea Letters'
One of the wittiest Roman poets, Ovid (43BC - 17 or 18 AD) was banished in 8AD to Constanza, a remote barbarous outpost on the Black Sea, for an unknown crime against the Emperor Augustus. Pouring out polished verse, appealing for a pardon that never came, and describing the horrors of the land to which he had been exiled, he continued to write there until his death in 17AD. His poems in exile consist of "Tristia" (poems of lamentation) and the "Episulae Ex Ponto" (Black Sea letters) mostly short elegies or poems in defence of his career ("Tristia II"); and the "Ibis", a venemous sustained elegaic curse of an unknown enemy. [via]
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› Find signed collectible books: 'Poets in a Landscape'
"This is a book for lovers of poetry and lovers of Italy. It is," wrote Gilbert Highet, "a land full of presences." Thus, the author introduced Poets in a Landscape, his classic work. First published in 1957 and long unavailable, this captivating and companionable study of the seven greatest poets of Ancient Rome--Catullus, Virgil, Horace, Ovid, Propertius, Tibullus, and Juvenal--transports the reader to the very roots of European poetry. Umbria, Verona, Abruzzi, Tivoli, Naples--these were settings that nurtured and inspired the great Latin poets. Highet sketches their lives and work in situ, accompanying deft biographical portraits with selected passages from each poet's work. As he guides us across Italy's enchanting landscapes and the rich remains of centuries past, he eloquently summons the poetic imagination of the ancient world. [via]

› Find signed collectible books: 'Shakespeare's Ovid: Being Arthur Golding's Translation of the Metamorphoses'
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› Find signed collectible books: 'Tales from Ovid'
England's poet laureate Ted Hughes first turned his hand to Ovid's Metamorphoses when he--along with other prominent English-language poets such as Seamus Heaney, Amy Clampitt, and Charles Simic--contributed poems to the anthology After Ovid. In the three years following After Ovid's publication, Hughes continued working with the Metamorphoses, eventually completing the 24 translations collected here. Culling from 250 original tales, Hughes has chosen some of the most violent and disturbing narratives Ovid wrote, including the stories of Echo and Narcissus, Bacchus and Pentheus, and Semele's rape by Jove. Classical purists may be offended at the occasional liberties Hughes takes with Ovid's words, but no one will quarrel with the force and originality of Hughes's verse, or with its narrative skill. This translation is an unusual triumph--a work informed by the passion and wit of Ovid, yet suffused with Hughes's own distinctive poetic sensibility. [via]
› Find signed collectible books: 'Ted Hughes's Tales from Ovid'
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› Find signed collectible books: 'Titus Andronicus'
Shakespeare's most violent and gory play, Titus Andronicus was written in 1592, and represents the dramatist's first foray into the popular genre of revenge tragedy (many editors argue with at least one other collaborator). The result was spectacular, including scenes of murder, human sacrifice, rape, bodily mutilation and cannibalism. Set in late-imperial Rome, the action begins with the Roman general Titus Andronicus and his triumphant return from wars with the Goths. Leading Queen Tamora and her sons as prisoners, Titus stumbles into a power struggle between Saturninus and his brother Bassianus. Titus fatally backs Saturninus, who rapidly turns on the old general and marries Tamora. The implications for the Andronicus family are disastrous. More of Titus' sons are killed, his daughter Lavinia is brutally raped by Tamora's sons, and as Titus begins his descent into madness and despair he even has his own hand cut off in an act of awful trickery. As Titus plots his bloody revenge, he reflects that "Rome is but a wilderness of tigers". The ending is one of the most gruesome conclusions to any dramatic tragedy, and leaves Hannibal Lecter in The Silence of the Lambs looking quite restrained. Although the play has put audiences off for centuries due to its apparently gratuitous violence, more recently critics have discerned something more to it than pure shock, but that might say more about us than the Elizabethans. .--Jerry Brotton [via]

› Find signed collectible books: 'Titus Andronicus'
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› Find signed collectible books: 'Vergil's Aeneid'
This is the book that revolutionized Latin textbooks, with its student-friendly format of vocabulary and notes on the same page as the Latin text, and unique pull-out vocabulary of most-often repeated words. Together, these allow for faster reading, unimpeded by the page-turning required to look up vocabulary or consult notes. Pharr's Aeneid is the all-time most popular textbook of Vergil's Aeneid. Grammatical notes are supported by a full grammatical appendix; vocabulary memorization is aided by vocabulary lists, arranged by frequency of occurrence, for drilling. The perfect edtion for both classroom and home study.
Special Features
General introduction
Full Latin text of Books I-VI of Vergil's Aeneid, with selected vocabulary and notes on the same page
24 black-and-white illustrations plus map of Aeneas' voyage
Grammatical appendix
Index to Grammatical Appendix
Word Lists for Vocabulary Drill
Updated, extensive Selective Bibliography
Pull-out General Word List
Also available:
Vergil's Aeneid: Selections from Books 1, 2, 4, 6, 10, and 12 - ISBN 086516584X
Poet & Artist: Imaging the Aeneid - ISBN 0865165858
For over 30 years Bolchazy-Carducci Publishers has produced the highest quality Latin and ancient Greek books. From Dr. Seuss books in Latin to Plato's Apology, Bolchazy-Carducci's titles help readers learn about ancient Rome and Greece; the Latin and ancient Greek languages are alive and well with titles like Cicero's De Amicitia and Kaegi's Greek Grammar. We also feature a line of contemporary eastern European and WWII books.
Some of the areas we publish in include:
Selections From The Aeneid
Latin Grammar & Pronunciation
Greek Grammar & Pronunciation
Texts Supporting Wheelock's Latin
Classical author workbooks: Vergil, Ovid, Horace, Catullus, Cicero
Vocabulary Cards For AP Selections: Vergil, Ovid, Catullus, Horace
Greek Mythology
Greek Lexicon
Slovak Culture And History [via]
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› Find signed collectible books: 'P. Ovidi Nasonis Metamorphoses'
For this edition of the Metamorphoses R. J. Tarrant has freshly collated the oldest fragments and manuscripts and has drawn more fully than previous editors on the twelfth-century manuscripts, the earliest extant witnesses to many potentially original readings. He has also given more scope to conjecture than other recent editors, and has been readier than his predecessors to identify certain verses as interpolated. This edition will be indispensable for future study of Ovid's greatest work. [via]
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