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![[???]: Collected Works of Oscar Wilde [???]: Collected Works of Oscar Wilde](http://ecx.images-amazon.com/images/P/0415105846.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'Collected Works of Oscar Wilde'
Wilde's works are suffused with his aestheticism, brilliant craftsmanship, legendary wit and, ultimately, his tragic muse. He wrote tender fairy stories for children employing all his grace, artistry and wit, of which the best-known is The Happy Prince. Counterpoints to this were his novel The Picture of Dorian Gray, which shocked and outraged many readers of his day, and his stories for adults which exhibited his fascination with the relations between serene art and decadent life. Wilde took London by storm with his plays, particularly his masterpiece The Importance of Being Earnest. His essays - in particular De Profundis- and his Ballad of Reading Gaol, both written after his release from prison, strikingly break the bounds of his usual expressive range. His other essays and poems are all included in this comprehensive collection of the works of one of the most exciting writers of the late nineteenth century. [via]
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› Find signed collectible books: 'Collins Complete Works of Oscar Wilde'
The Collins Complete Works of Oscar Wilde is the only truly complete and authoritative single-volume edition of Oscar Wildes works, and is available in both paperback and this hardback edition.
Continuously in print since 1948, the Collins Complete Works of Oscar Wilde has long been recognised as the most comprehensive and authoritative single-volume collection of Wildes texts available, containing his only novel, The Portrait of Dorian Gray, as well as his plays, stories, poems, essays and letters, all in their most authoritative texts.
Illustrated with many fascinating photographs, the book includes introductions to each section by Merlin Holland (Oscars grandson), Owen Dudley Edwards, Declan Kiberd and Terence Brown.
Also included is a comprehensive bibliography of works by and about Oscar Wilde, and a chronological table of his life and work.
[via]More editions of Collins Complete Works of Oscar Wilde:
› Find signed collectible books: 'Collins Complete Works of Oscar Wilde: Centenary Edition'
The centennial edition of The Complete Works of Oscar Wilde, the only truly complete and authoritative single-volume edition of Oscar Wilde's works. A new centennial edition of the bestselling Complete Works of Oscar Wilde: now published in a special hardback centennial edition to commemorate the 100th anniversary of his death, with a revision of The Ballad of Reading Gaol by Merlin Holland, Oscar Wilde's grandson. [via]
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› Find signed collectible books: 'The Complete Illustrated Stories, Plays & Poems of Oscar Wilde'
He was brilliant, flamboyant, and unconventional, one of the great figures of his--or any other--age. Although Oscar Wilde's reputation now rests primarily on his sparkling, sophisticated plays with their razor-sharp wit, his body of work goes far beyond even those. Here, in one volume, is the sum of his artistic genius: all his stories, plays, fairy tales, and poems, complete with period illustrations. To find evidence of Wilde's theatrical savvy, one need look no further than The Importance of Being Earnest and An Ideal Husband, both of which satirize and humorously highlight the hypocrisy of Victorian life. The Picture of Dorian Gray captures a profound knowledge of the depths to which the human soul can plunge, and in the years since it was written, its final moments have lost none of their power. In his fairy stories, including The Happy Prince and Other Tales, written for his own children, Wilde reveals heights of tenderness and beauty. There are classics like the Canterville Ghost and more-more than 850 pages worth! 864 pages (50 in color), 5 3/4 x 8 1/4 [via]
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› Find signed collectible books: 'The Complete Oscar Wilde'
An all-encompassing collection of the author's plays, stories, poems, and children's works offers The Picture of Dorian Gray, The Importance of Being Earnest, The Ballad of Reading Gaol, Lady Windomere's Fan, and Salome. [via]
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› Find signed collectible books: 'The Complete Plays, Poems, Novels and Stories of Oscar Wilde'
More editions of The Complete Plays, Poems, Novels and Stories of Oscar Wilde:

› Find signed collectible books: 'Complete Works of Oscar Wilde'
The third edition incorporates texts which were previously available only in difficult-to-obtain form as well as corrections and emendations to the text by the critic and columnist Merlin Holland, Oscar Wilde's grandson. It also includes newly-commissioned introductions to the poems, plays, stories and selected letters and journalism from such contributors as the biographer and critic Owen Dudley Edwards, and the Irish poet and scholar Declan Kiberd. The book retains the 1966 introduction by Oscar Wilde's son, Vyvyan Holland, and now also has a new introduction by Merlin Holland, explaining the significance of the text, with his observations on the public interest of the biography of Wilde by Richard Ellman. [via]
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› Find signed collectible books: 'The Complete Works Of Oscar Wilde: The Picture of Dorian Gray, The 1890 and 1891 Texts'
This is the third volume in the Oxford English Texts edition of the works of Oscar Wilde. This definitive variorum edition of Wilde's The Picture of Dorian Gray reprints the thirteen-chapter and twenty-chapter versions of this famous story as separate works. The volume provides readers with the most detailed account available of the considerable changes that Wilde made to a controversial narrative that appeared in two, very different editions in 1890 and 1891 respectively. [via]
More editions of The Complete Works Of Oscar Wilde: The Picture of Dorian Gray, The 1890 and 1891 Texts:

› Find signed collectible books: 'El Retrato De Dorian Gray / The Picture of Dorian Gray'
More editions of El Retrato De Dorian Gray / The Picture of Dorian Gray:
![[???]: A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra [???]: A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra](http://ecx.images-amazon.com/images/P/051714641X.01._SL160_SCLZZZZZZZ__.jpg)
More editions of A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra:
› Find signed collectible books: 'The Importance of Being Earnest'
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› Find signed collectible books: 'Importance of Being Earnest and Other Writings'
More editions of Importance of Being Earnest and Other Writings:
› Find signed collectible books: 'Oscar Wilde'
Richard Ellmann capped an illustrious career in biography (his James Joyce is considered one of the masterpieces of the 20th century) with this life of Oscar Wilde, which won both the National Book Critics Circle Award and Pulitzer Prize on its original publication in 1988. Ellmann's account of Wilde's extravagantly operatic life as poet, playwright, aesthete, and martyr to sexual morality is notable not only for the full portrait it gives of Wilde, but also for Ellmann's assessment of his subject's literary greatness; both aims are served by a plethora of quotations from Wilde's own work and correspondence. Wilde straddled the line between the Victorian age and the modern world as he did everything in life ... with impeccable style. [via]
› Find signed collectible books: 'Oscar Wilde's The Importance of Being Earnest: A Reconstructive Critical Edition of the Text of the First Production, St. James Theatre, London, 1895'
This unique volume reconstructs the original 1895 production of Wilde's timeless classic. Based upon a new, reconstructive method for the study of theatrical performance that aims to set the play securely in its historical and cultural moment, the edition offers a wealth of detail about the staging and acting and numerous first production and early revival photographs. The reconstructed text itself, differing in important ways from the 1899 first edition, recaptures the essential comic vitality of the play. [via]
More editions of Oscar Wilde's The Importance of Being Earnest: A Reconstructive Critical Edition of the Text of the First Production, St. James Theatre, London, 1895:
› Find signed collectible books: 'Oscar Wilde's the Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
More editions of Oscar Wilde's the Picture of Dorian Gray:
› Find signed collectible books: 'The Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
More editions of The Picture of Dorian Gray:
› Find signed collectible books: 'Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
More editions of Picture of Dorian Gray:
› Find signed collectible books: 'The Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
More editions of The Picture of Dorian Gray:
› Find signed collectible books: 'The Picture of Dorian Gray and Other Writings by Oscar Wilde'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
More editions of The Picture of Dorian Gray and Other Writings by Oscar Wilde:
› Find signed collectible books: 'Picture of Dorian Gray and Selected Stories'
More editions of Picture of Dorian Gray and Selected Stories:
› Find signed collectible books: 'Plays, Prose Writings & Poems'
Famed as a wit and bon viveur, Oscar Wilde lived up to his reputation. This selection of plays, poems and prose writings, introduced by Terry Eagleton, includes "The Importance of Being Earnest", "Lady Windermere's Fan", "The Picture of Dorian Gray", "The Critic as an Artist", Apologia", "The Soul of a Man Under Socialism", "Letter to Robert Ross", "Requiescat" and "The Ballad of Reading Goal". Terry Eagleton is the author of "Criticism and Ideology", "Marxism and Literary Criticsm" and "Literary Theory: An Introduction". [via]
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› Find signed collectible books: 'The Works of Oscar Wilde'
This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1909. Not illustrated. Excerpt: ... THE FISHERMAN AND HIS SOUL. Every evening the young Fisherman went out upon the sea, and threw his nets into the water. When the wind blew from the land he caught nothing, or but little at best, for it was a bitter and black-winged wind, and rough waves ross up to meet it. But when the wind blew to the shore, the fish came in from the deep, and swam into the meshes of his nets, and he took them to the market-place and sold them. Every evening he went out upon the sea, and one evening the net was so heavy that hardly could he draw it into the boat. And he laughed, and said to himself, "Surely I have caught all the fish that swim, or snared some dull monster that will be a marvel to men, or some thing of horror that the great Queen will desire," and putting forth all his strength, he tugged at the coarse ropes till, like lines of blue enamel round a vase of bronze, the long veins rose up on his arms. He tugged at the thin ropes, and nearer and nearer came the circle of flat corks, and the net rose at last to the top of the water. But no fish at all was in it, nor any monster or thing of horror, but only a little Mermaid lying fast asleep. Her hair was as a wet fleece of gold, and each separate hair as a thread of fine gold in a cup of glass. Her body was as white ivory, and her tail was of silver and pearl. Silver and pearl was her tail, and the green weeds of the sea coiled round it; and like sea-shells were her ears, and her lips were like sea-coral. The cold waves dashed over her cold breasts, and the salt glistened upon her eyelids. So beautiful was she that when the young Fisherman saw her he was filled with wonder, and he put out his hand and drew the net close to him, and leaning over the side he clasped her in his arms. And when he touched her, she gave a ... [via]
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› Find signed collectible books: 'El Ratrato De Dorian Grey'
More editions of El Ratrato De Dorian Grey:
› Find signed collectible books: 'El Retrato De Dorian Gray / The Picture of Dorian Gray'
More editions of El Retrato De Dorian Gray / The Picture of Dorian Gray:
