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› Find signed collectible books: '1984'
Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmare vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life--the ubiquity of television, the distortion of the language--and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written. [via]
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› Find signed collectible books: '1984'
Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmare vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life--the ubiquity of television, the distortion of the language--and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written. [via]
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› Find signed collectible books: 'Animal Farm'
Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
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› Find signed collectible books: 'Animal Farm'
Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
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› Find signed collectible books: 'Animal Farm'
Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
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› Find signed collectible books: 'Animal Farm With Connections'
Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]
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› Find signed collectible books: 'Beneath the Wheel'
› Find signed collectible books: 'Fahrenheit 451'
In Fahrenheit 451, Ray Bradbury's classic, frightening vision of the future, firemen don't put out fires--they start them in order to burn books. Bradbury's vividly painted society holds up the appearance of happiness as the highest goal--a place where trivial information is good, and knowledge and ideas are bad. Fire Captain Beatty explains it this way, "Give the people contests they win by remembering the words to more popular songs.... Don't give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy."
Guy Montag is a book-burning fireman undergoing a crisis of faith. His wife spends all day with her television "family," imploring Montag to work harder so that they can afford a fourth TV wall. Their dull, empty life sharply contrasts with that of his next-door neighbor Clarisse, a young girl thrilled by the ideas in books, and more interested in what she can see in the world around her than in the mindless chatter of the tube. When Clarisse disappears mysteriously, Montag is moved to make some changes, and starts hiding books in his home. Eventually, his wife turns him in, and he must answer the call to burn his secret cache of books. After fleeing to avoid arrest, Montag winds up joining an outlaw band of scholars who keep the contents of books in their heads, waiting for the time society will once again need the wisdom of literature.
Bradbury--the author of more than 500 short stories, novels, plays, and poems, including The Martian Chronicles and The Illustrated Man--is the winner of many awards, including the Grand Master Award from the Science Fiction Writers of America. Readers ages 13 to 93 will be swept up in the harrowing suspense of Fahrenheit 451, and no doubt will join the hordes of Bradbury fans worldwide. --Neil Roseman [via]
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![[???]: George Orwell Complete & Unabridged [???]: George Orwell Complete & Unabridged](http://ecx.images-amazon.com/images/P/0905712048.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'George Orwell's 1984'
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› Find signed collectible books: 'The Handmaid's Tale'
Throughout her career, Margaret Atwood has played with different literary genres in her novels--historical fiction (Alias Grace), pulp fiction (The Blind Assassin), the comedy of manners (The Robber Bride)--but no foray into genre fiction has been as successful as her turn to speculative fiction in The Handmaid's Tale. Published in 1985, it echoes Orwell's 1984 and Huxley's Brave New World, but a vibrant feminism drives Atwood's portrait of a futuristic dystopia. In the Republic of Gilead, we see a world devastated by toxic chemicals and nuclear fallout and dominated by a repressive Christian fundamentalism. The birthrate has plunged, and most women can no longer bear children. Offred is one of Gilead's Handmaids, who as official breeders are among the chosen few who can still become pregnant.
The Handmaid's Tale is an imaginatively audacious novel that is at once a page-turning psychological thriller, a moving love story, and a chilling warning about what might be waiting for us around the corner. What ultimately makes it stand out is Atwood's ability to balance a passionate political statement with finely wrought literary fiction. The Handmaid's Tale is a remarkable work by one of Canada's most inventive writers. --Jeffrey Canton [via]
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› Find signed collectible books: 'Harry Potter'
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› Find signed collectible books: 'Harry Potter And the Order of the Phoenix'
Book Description--Special Features of the Deluxe Edition
This cloth-covered deluxe edition features full-color printed endpapers and a foil-stamped title on the spine, and comes complete with a full-color slipcase with matte lamination and foil-stamping. Best of all, the removable, suitable-for-framing book jacket is emblazoned with exclusive, original artwork (that's different than the regular edition) by illustrator Mary GrandPré--a one-of-a-kind keepsake that you won't find anywhere else.
Award-winning artist, conceptual illustrator, animated film scenery developer, ad designer, and, oh yes, illustrator for a worldwide children's book phenomenon, Mary GrandPré somehow manages to juggle all her hats quite well, to mix a metaphor. It seems appropriate to mix metaphors when you're talking about someone who has mixed her media--and her genres--so gracefully ever since she was a child.
As a 5-year-old, GrandPré began drawing. Five or six years later she was experimenting with Salvador Dali-style oil painting. Next she moved on to copying black-and-white photos out of the encyclopedia. Later still she decided to go to art school (Minneapolis College of Art and Design), where she learned that being an artist and being an illustrator were not mutually exclusive.
A couple of decades later, after working in corporate advertising, film (GrandPré created the environment and scenery art for the animated film Antz), and book publishing, this multitalented artist received a call asking if she might like to work on a book cover and some black-and-white illustrations for a book about a young wizard named Harry Potter. The rest--dare we say it?--is history.
You've read Harry Potter and the Order of the Phoenix--what do you think? Mary GrandPré: I think it's wonderful. It's unique, it's different from the rest. I think it's a really exciting part of the Harry Potter series. Amazon.com: Which Harry Potter book have you liked the best? GrandPré: I think they all stand alone, so I appreciate them separately, but when you tie them all together into the story you can't really have one without the other. I don't have a favorite. They're all great. Amazon.com: What was your original artistic inspiration for the first Harry Potter book? How did Harry end up looking like Harry? GrandPré:
When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing--she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision. Amazon.com: How closely do you work with J.K. Rowling? GrandPré: I've only met her once, a couple years ago. The publisher shows her sketches and gets feedback, but she and I don't communicate. This is pretty typical for illustrator/author relationships: they keep our visions and voices separate. Amazon.com: How are you handling Harry growing up? GrandPré:
It's exciting. I kind of feel like his mom--or maybe his step-mom. J.K. Rowling is his mom. But I feel like it's a tricky thing to create a character and then age him. You have to take careful note of how that happens because any little tiny difference in a face can make the whole person look very different. Over the years Harry has become pretty solid in my mind. I just do a lot of experimenting on the drawing board, playing with how I would technically change this or that part of his face. What's really exciting is how Harry's personality changes from book to book, his level of confidence, things you see in normal kids. It's really fun to bring that into the drawings.
I'd say Maurice Sendak is one of them. As a kid I was really, really inspired by early Walt Disney. That sense of magic is something I want to bring into my work in my own way. It's hard to say who's my favorite--it changes. It's more about favorite pieces of art. I do like a variety of artwork. I don't feel fresh doing the same thing over and over, so I like to view a lot of art and be inspired by it according to subject or story, more so than just by illustrators or authors. Amazon.com: What do you think of the artwork in the international editions? GrandPré: I've only seen a couple of these editions. Everybody has their own vision of the story and what it should look like. To be honest, I really just focus on what I need to do with the books. That's even true for the movie and Harry Potter as a product, I try to stay focused on what's happening in my studio with Harry. Amazon.com: It must have been amazing to see the characters you worked with come to life in the movies. GrandPré:
It was pretty cool. I thought they were really good. It was so much fun to see the magic on the screen. Once in a while I would catch a glimpse of something that might have been inspired by something they saw in one of the books that I had drawn and that was great. I don't know if it was in there or not, but I'd like to think so! Amazon.com: Do you have a favorite character in all the books? GrandPré: Besides Harry, who's my favorite, obviously, I would say Hagrid because he's like my favorite people in my life. He's a lot like my dad: protective and loyal and big and sweet; and he's a lot like my dog, who's part St. Bernard and has the same qualities. I kind of have a personal connection with Hagrid. Amazon.com: Any advice for a budding illustrator? GrandPré:
Yes, I would just say keep working hard and don't give up. Illustration, like any form of art, is up for criticism, but it has to come from the heart or it's not good. If you're not enjoying what you're doing, keep trying new things because your best work will come from work you enjoy. Constantly try to listen to your inner voice about who you are as an artist and what you do and what you know. I don't know about magic but I know that I'm moved by it--I have been since I was a little kid--and it tends to come into my work even when I'm not illustrating things of magic. Just continue to try and be relaxed and natural about how you draw. Try to bring yourself out in your work. Amazon.com: If you could choose to live your life exactly the way you wanted to, no holds barred, what would change? GrandPré: I'd have a lot more time to do personal work. No holds barred, I would probably paint for myself, just go nuts, experiment, be my own art director, be my own critic, experience total freedom in my artwork. I try to do that in my work now, but it's hard to do when you are problem solving and illustrating other people's visions. I'm starting to write my own picture books now, so part of that dream is coming into view for me. More editions of Harry Potter And the Order of the Phoenix:
› Find signed collectible books: 'Harry Potter Y La Orden Del Fenix / Harry Potter and the Order of the Phoenix'
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› Find signed collectible books: 'Margaret Atwood's the Handmaid's Tale'
Margaret Atwood's The Handmaid's Tale, part of Chelsea House Publishers' Bloom's Guides collection, presents concise critical excerpts from The Handmaid's Tale to provide a scholarly overview of the work. This comprehensive study guide also features "The Story Behind the Story," which details the conditions under which The Handmaid's Tale was written. This title also includes a short biography on Margaret Atwood and a descriptive list of characters. [via]
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› Find signed collectible books: 'Margaret Atwood's the Handmaid's Tale'
Atwood's best-known novel depicts one woman's struggle to survive in a futuristic society in which women have become property.
The title, Margaret Atwoods The Handmaid's Tale, part of Chelsea House Publishers Modern Critical Interpretations series, presents the most important 20th-century criticism on Margaret Atwoods The Handmaid's Tale through extracts of critical essays by well-known literary critics. This collection of criticism also features a short biography on Margaret Atwood, a chronology of the authors life, and an introductory essay written by Harold Bloom, Sterling Professor of the Humanities, Yale University. [via]
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› Find signed collectible books: 'Nineteen Eighty-Four'
Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmare vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life--the ubiquity of television, the distortion of the language--and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written. [via]
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› Find signed collectible books: 'Orwell's Nineteen Eighty-Four: Text, Sources, Criticism'
Among the seminal texts of the 20th century, Nineteen Eighty-Four is a rare work that grows more haunting as its futuristic purgatory becomes more real. Published in 1949, the book offers political satirist George Orwell's nightmare vision of a totalitarian, bureaucratic world and one poor stiff's attempt to find individuality. The brilliance of the novel is Orwell's prescience of modern life--the ubiquity of television, the distortion of the language--and his ability to construct such a thorough version of hell. Required reading for students since it was published, it ranks among the most terrifying novels ever written. [via]
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› Find signed collectible books: 'Persepolis'
Marjane Satrapi's Persepolis is an exemplary autobiographical graphic novel, in the tradition of Art Spiegelman's classic Maus. Set in Iran during the Islamic Revolution, young Satrapi is the six-year-old daughter of two committed and well-to-do Marxists. As she grows up, she witness first-hand the effects that the revolution and the war with Iraq have on her home, family and school.
Like Maus, the main strength of Persepolis is its ability to make the political personal.
Told through the eyes of a child (as reflected in Satrapi's simplistic yet expressive black-and-white artwork), young Marjane learns about her family history and how it is entwined with the history of Iran, and watches her liberal parents cope with a fundamentalist regime that gets increasingly rigid as it gains more power. Outspoken and intelligent, Marjane chafes at Iran's increasingly conservative interpretation of Islamic law, especially as she grows into a bright and independent teenager. Throughout, Marjane remains a hugely likeable young woman
Persepolis gives the reader a snapshot of daily life in a country struggling with an internal cultural revolution and a bloody war, but within an intensely personal context. It's a very human history, beautifully and sympathetically told. --Robert Burrow [via]
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› Find signed collectible books: 'Persepolis 2: The Story of a Return'
Picking up the thread where her debut memoir-in-comics concluded, Persepolis 2: The Story of a Return details Marjane Satrapi's experiences as a young Iranian woman cast abroad by political turmoil in her native country. Older, if not exactly wiser, Marjane reconciles her upbringing in war-shattered Tehran with new surroundings and friends in Austria. Whether living in the company of nuns or as the sole female in a house of eight gay men, she creates a niche for herself with friends and acquaintances who feel equally uneasy with their place in the world.
After a series of unfortunate choices and events leave her literally living in the street for three months, Marjane decides to return to her native Iran. Here, she is reunited with her family, whose liberalism and emphasis on Marjane's personal worth exert as strong an influence as the eye-popping wonders of Europe. Having grown accustomed to recreational drugs, partying, and dating, Marjane now dons a veil and adjusts to a society officially divided by gender and guided by fundamentalism. Emboldened by the example of her feisty grandmother, she tests the bounds of the morality enforced on the streets and in the classrooms. With a new appreciation for the political and spiritual struggles of her fellow Iranians, she comes to understand that "one person leaving her house while asking herself, 'is my veil in place?' no longer asks herself 'where is my freedom of speech?'"
Satrapi's starkly monochromatic drawing style and the keenly observed facial expressions of her characters provide the ideal graphic environment from which to appeal to our sympathies. Bereft of fine detail, this graphic novel guides the reader's attention instead toward a narrative rich with empathy. Don't be fooled by the glowering self-portrait of the author on the back flap; its nearly impossible to read Persepolis 2 without feeling warmth toward Marjane Satrapi. --Ryan Boudinot [via]
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› Find signed collectible books: 'Rebelion En La Granja / Animal Farm'
Esta es una fabula en la que la adjudicacion de las aflicciones y las necesidades humanas a los animales protagonistas vencio la resistencia nacional de los primeros lectores a mirar lo que no querian mirar. Lo que nos cuenta el autor ya estaba en los periodicos: la historia sobre los crimenes estalinistas en la Union Sovietica. [via]
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› Find signed collectible books: 'The Scarlet Letter'
This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a background note about the book, an author's biography, and a lively afterword. Acclaimed by educators nationwide, the Townsend Library is helping millions of young adults discover the pleasure and power of reading. [via]
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› Find signed collectible books: '1984'
En esta novela encontramos al lider unico cuya presencia es ante todo una abstraccion, la negacion del individuo, la sustraccion de la informacion: el Gran Hermano. Es, al mismo tiempo, una advertencia y un deseo. El autor ha construido una metafora del imaginario social del siglo XX, al describir un pais carcelario, vigilado por un lugar desde donde se ve a el y a todos. [via]
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› Find signed collectible books: 'Bajo LA Rueda'
Hermana Hesse nos ofrece en la serie de sus no-velas y relatos la vision de un mundo esencial-mente intimo. Aseguraba no haber escrito otra cosa que lo que ""queria salir de el"", y nos lego una obra que hay que considerar, en su conjunto, como una confesion, una descripcion de su manera de pensar y de su vida, ""idealizacion no, solo confesion"", escribio.La obra de Hesse es ""juego e intento"" de superar las propias experiencias y sensaciones. Para el comenzaba siempre un nuevo trabajo en el instante en que vislumbraba un personaje que durante algun tiempo podia convertirse en simbolo y portador de su experiencia, de sus pensamientos, de sus problemas. Por eso llamaba a sus trabajos ""biografias del alma"", en el fondo son monologos en los que una sola persona se contempla en sus relaciones con el mundo y el propio yo. [via]
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› Find signed collectible books: 'Bajo las ruedas'
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› Find signed collectible books: 'Harry Potter Y La Orden Del Fenix / Harry Potter and the Order of the Phoenix'
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› Find signed collectible books: 'Nineteen Eighty-four'
En esta novela encontramos al lider unico cuya presencia es ante todo una abstraccion, la negacion del individuo, la sustraccion de la informacion: el Gran Hermano. Es, al mismo tiempo, una advertencia y un deseo. El autor ha construido una metafora del imaginario social del siglo XX, al describir un pais carcelario, vigilado por un lugar desde donde se ve a el y a todos. [via]
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› Find signed collectible books: 'Persepolis 2'
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› Find signed collectible books: 'Rebelion En La Granja / Animal Farm'
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› Find signed collectible books: 'Fahrenheit 451'
All books are shipped from Austria! [via]
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› Find signed collectible books: 'Unterm Rad'
?Unterm Rad? beschreibt das Schicksal eines begabten Kindes, dem der Ehrgeiz seines Vaters und der Lokalpatriotismus seiner Heimatstadt eine Rolle aufnötigen, die ihm nicht entspricht und es »unters Rad« drängt. [via]
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› Find signed collectible books: 'Unterm Rad: Erzahlg'
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› Find signed collectible books: 'Les Damnes De La Terre'
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› Find signed collectible books: 'La Prisonniere'
Août 1972, un coup d'État est tenté contre le roi du Maroc Hassan II. Son ministre le plus fidèle, le Général Oufkir, est alors impliqué dans l'attentat et trouve la mort dans de mystérieuses circonstances. Commence alors pour sa femme et ses cinq enfants un calvaire qui durera près de quinze ans. Assignés à résidence, emprisonnés, séparés les uns des autres et isolés de tout contact avec le monde, ils parviennent malgré tout à survivre et à s'échapper. L'aînée des enfants du Général, Malika Oufkir, adoptée à l'âge de cinq ans par le roi Mohammed V - père de Hassan II - aura connu la cage dorée des honneurs et des fastes de la vie royale, privée de sa vraie famille. Mais elle aura aussi connu le cachot, l'isolement, la faim, la survie et l'humiliation des exclus, entourée des siens, en châtiment d'un crime qui n'est pas le sien.
Grâce à l'aide et l'amitié de Michèle Fitoussi, écrivain et journaliste, Malika Oufkir nous ouvre sa mémoire, ses souvenirs d'enfant chérie de la cour ou de "bannie", n'omettant rien des souffrances de sa famille. Le combat, le courage, la fierté, apparaissent à chaque ligne de ce témoignage poignant d'une femme au destin hors du commun, qui a reçu en 1999 le prix des Maisons de la presse. --Marine Segalen [via]
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