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› Find signed collectible books: 'Alas, Babylon'
Those fateful words heralded the end. When the unthinkable nightmare of nuclear holocaust ravaged the United States, it was instant death for tens of millions of people; for survivors, it was a nightmare of hunger, sickness, and brutality. Overnight, a thousand years of civilization were stripped away.
But for one small Florida town, spared against all the odds, the struggle was just beginning, as men and women of all ages and races found the courage to join together and push against the darkness. [via]
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› Find signed collectible books: 'Book of Blood No. 7'
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› Find signed collectible books: 'A Canticle for Leibowitz'
Walter M. Miller's acclaimed SF classic A Canticle for Leibowitz opens with the accidental excavation of a holy artifact: a creased, brittle memo scrawled by the hand of the blessed Saint Leibowitz, that reads: "Pound pastrami, can kraut, six bagels--bring home for Emma." To the Brothers of Saint Leibowitz, this sacred shopping list penned by an obscure, 20th-century engineer is a symbol of hope from the distant past, from before the Simplification, the fiery atomic holocaust that plunged the earth into darkness and ignorance. As 1984 cautioned against Stalinism, so 1959's A Canticle for Leibowitz warns of the threat and implications of nuclear annihilation. Following a cloister of monks in their Utah abbey over some six or seven hundred years, the funny but bleak Canticle tackles the sociological and religious implications of the cyclical rise and fall of civilization, questioning whether humanity can hope for more than repeating its own history. Divided into three sections--Fiat Homo (Let There Be Man), Fiat Lux (Let There Be Light), and Fiat Voluntas Tua (Thy Will Be Done)--Canticle is steeped in Catholicism and Latin, exploring the fascinating, seemingly capricious process of how and why a person is canonized. --Paul Hughes [via]
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› Find signed collectible books: 'A Canticle for Leibowitz'
Walter M. Miller's acclaimed SF classic A Canticle for Leibowitz opens with the accidental excavation of a holy artifact: a creased, brittle memo scrawled by the hand of the blessed Saint Leibowitz, that reads: "Pound pastrami, can kraut, six bagels--bring home for Emma." To the Brothers of Saint Leibowitz, this sacred shopping list penned by an obscure, 20th-century engineer is a symbol of hope from the distant past, from before the Simplification, the fiery atomic holocaust that plunged the earth into darkness and ignorance. As 1984 cautioned against Stalinism, so 1959's A Canticle for Leibowitz warns of the threat and implications of nuclear annihilation. Following a cloister of monks in their Utah abbey over some six or seven hundred years, the funny but bleak Canticle tackles the sociological and religious implications of the cyclical rise and fall of civilization, questioning whether humanity can hope for more than repeating its own history. Divided into three sections--Fiat Homo (Let There Be Man), Fiat Lux (Let There Be Light), and Fiat Voluntas Tua (Thy Will Be Done)--Canticle is steeped in Catholicism and Latin, exploring the fascinating, seemingly capricious process of how and why a person is canonized. --Paul Hughes [via]
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› Find signed collectible books: 'Cat's Cradle'
Cat's Cradle, one of Vonnegut's most entertaining novels, is filled with scientists and G-men and even ordinary folks caught up in the game. These assorted characters chase each other around in search of the world's most important and dangerous substance, a new form of ice that freezes at room temperature. At one time, this novel could probably be found on the bookshelf of every college kid in America; it's still a fabulous read and a great place to start if you're young enough to have missed the first Vonnegut craze. [via]
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› Find signed collectible books: 'The Chrysalids'
The terrifying story of a world paralyzed by genetic mutation. In a community where deviations are rooted out as abominations, David's ability to communicate by "thought shapes" is a dangerous secret. When his ability is discovered, the results are horrific. [via]
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› Find signed collectible books: 'Cliffsnotes Lord of the Flies'
Great for writing a report for this particular book, and enhancing your understanding of the particulars of the book. It also describe the characters of the story and what they may represent whether within the story or within someone's life. [via]
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› Find signed collectible books: 'Cronicas Marcianas'
date in first page [via]
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› Find signed collectible books: 'Die letzen kinder von Schewenborn (Junge Erwachsene): (A Book of Stories)'
Schnitt minimal lagerspurig [via]
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› Find signed collectible books: 'El Senor De Las Moscas'
spanish fiction william golding novel [via]
› Find signed collectible books: 'Fail Safe'
Something has gone wrong. A group of American bombers armed with nuclear weapons is streaking past the fail-safe point, beyond recall, and no one knows why. Their destination -- Moscow.
In a bomb shelter beneath the White House, the calm young president turns to his Russian translator and says, "I think we are ready to talk to Premier Kruschchev." Not far away, in the War Room at the Pentagon, the secretary of defense and his aides watch with growing anxiety as the luminous blips crawl across a huge screen map. High over the Bering Strait in a large Vindicator bomber, a colonel stares in disbelief at the attack code number on his fail-safe box and wonders if it could possibly be a mistake.
First published in 1962, when America was still reeling from the Cuban missle crisis, Fail-Safe reflects the apocalyptic attitude that pervaded society during the height of the Cold War, when disaster could have struck at any moment. As more countries develop nuclear capabilities and the potential for new enemies lurks on the horizon, Fail-Safe and its powerful issues continue to respond.
[via]› Find signed collectible books: 'Farnham's Freehold'
You Would Have Peace? Then Prepare for War! Hugh Farnham was a practical, self-made man. And when he saw the clouds of nuclear war gathering, he built a bomb shelter under his house, hoping for peace and preparing for war. What he hadn't expected was that when the apocalypse came, a thermonuclear blast would tear apart the fabric of time and hurl his shelter into a world with no sign of other human beings. But Farnham's small group had barely settled down to the back-breaking business of low-tech survival when they found that they were not alone after all. The same nuclear war that had catapulted Farnham two thousand years into the future had destroyed all civilization in the northern hemisphere. And the world had changed in more ways than one. In the new world order, Farnham and his family, being members of the race that had nearly destroyed the world, were fit only to be slaves. After surviving a nuclear war, Farnham had no intention of being anybody's slave, but the tyrannical power of the Chosen Race reached throughout the world. Even if he managed to escape. Where could he run to...? [via]

› Find signed collectible books: 'Hiroshima'
When the atomic bomb was dropped on Hiroshima, few could have anticipated its potential for devastation. Pulitzer prize-winning author John Hersey recorded the stories of Hiroshima residents shortly after the explosion and, in 1946, Hiroshima was published, giving the world first-hand accounts from people who had survived it. The words of Miss Sasaki, Dr. Fujii, Mrs. Nakamara, Father Kleinsorg, Dr. Sasaki, and the Reverend Tanimoto gave a face to the statistics that saturated the media and solicited an overwhelming public response. Whether you believe the bomb made the difference in the war or that it should never have been dropped, "Hiroshima" is a must read for all of us who live in the shadow of armed conflict. [via]
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› Find signed collectible books: 'Hundredth Monkey'

› Find signed collectible books: 'The Last Children of Schevenborn'
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› Find signed collectible books: 'Level 7'
Level 7 is the diary of Officer X-127, who is assigned to stand guard at the "Push Buttons," a machine devised to activate the atomic destruction of the enemy, in the countrys deepest bomb shelter. Four thousand feet underground, Level 7 has been built to withstand the most devastating attack and to be self-sufficient for five hundred years. Selected according to a psychological profile that assures their willingness to destroy all life on Earth, those who are sent down may never return.
Originally published in 1959, and with over 400,000 copies sold, this powerful dystopian novel remains a horrific vision of where the nuclear arms race may lead, and is an affirmation of human life and love. Level 7 merits comparison to Huxleys A Brave New World and Orwells 1984 and should be considered a must-read by all science fiction fans.
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› Find signed collectible books: 'Level 7'
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› Find signed collectible books: 'Literature Made Easy Lord of the Flies'
TheLiterature Made Easy Series is more than just plot summaries. Each book describes a classic novel and drama by explaining themes, elaborating on characters, and discussing each author's unique literary style, use of language, and point of view. Extensive illustrations and imaginative, enlightening use of graphics help to make each book in this series livelier, easier, and more fun to use than ordinary literature plot summaries. An unusual feature, "Mind Map" is a diagram that summarizes and interrelates the most important details that students need to understand about a given work. Appropriate for middle and high school students. [via]
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› Find signed collectible books: 'Lord of the Flies'
Before The Hunger Games there was Lord of the Flies Lord of the Flies remains as provocative today as when it was first published in 1954, igniting passionate debate with its startling, brutal portrait of human nature. Though critically acclaimed, it was largely ignored upon its initial publication. Yet soon it became a cult favorite among both students and literary critics who compared it to J.D. Salinger's The Catcher in the Rye in its influence on modern thought and literature. Labeled a parable, an allegory, a myth, a morality tale, a parody, a political treatise, even a vision of the apocalypse, Lord of the Flies has established itself as a true classic. [via]
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› Find signed collectible books: 'Lord Of The Flies, 50Th Anniversary Edition'
Lord of the Flies , William Golding's classic tale about a group of English schoolboys who are plane-wrecked on a deserted island, is just as chilling and relevant today as when it was first published in 1954. At first, the stranded boys cooperate, attempting to gather food, make shelters, and maintain signal fires. Overseeing their efforts are Ralph, "the boy with fair hair," and Piggy, Ralph's chubby, wisdom-dispensing sidekick whose thick spectacles come in handy for lighting fires. Although Ralph tries to impose order and delegate responsibility, there are many in their number who would rather swim, play, or hunt the island's wild pig population. Soon Ralph's rules are being ignored or challenged outright. His fiercest antagonist is Jack, the redheaded leader of the pig hunters, who manages to lure away many of the boys to join his band of painted savages. The situation deteriorates as the trappings of civilization continue to fall away, until Ralph discovers that instead of being hunters, he and Piggy have become the hunted: "He forgot his words, his hunger and thirst, and became fear; hopeless fear on flying feet." Golding's gripping novel explores the boundary between human reason and animal instinct, all on the brutal playing field of adolescent competition. --Jennifer Hubert [via]
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› Find signed collectible books: 'The Martian Chronicles'
From "Rocket Summer" to "The Million-Year Picnic," Ray Bradbury's stories of the colonization of Mars form an eerie mesh of past and future. Written in the 1940s, the chronicles drip with nostalgic atmosphere--shady porches with tinkling pitchers of lemonade, grandfather clocks, chintz-covered sofas. But longing for this comfortable past proves dangerous in every way to Bradbury's characters--the golden-eyed Martians as well as the humans. Starting in the far-flung future of 1999, expedition after expedition leaves Earth to investigate Mars. The Martians guard their mysteries well, but they are decimated by the diseases that arrive with the rockets. Colonists appear, most with ideas no more lofty than starting a hot-dog stand, and with no respect for the culture they've displaced.
Bradbury's quiet exploration of a future that looks so much like the past is sprinkled with lighter material. In "The Silent Towns," the last man on Mars hears the phone ring and ends up on a comical blind date. But in most of these stories, Bradbury holds up a mirror to humanity that reflects a shameful treatment of "the other," yielding, time after time, a harvest of loneliness and isolation. Yet the collection ends with hope for renewal, as a colonist family turns away from the demise of the Earth towards a new future on Mars. Bradbury is a master fantasist and The Martian Chronicles are an unforgettable work of art. --Blaise Selby [via]
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› Find signed collectible books: 'On the Beach'
"The most shocking fiction I have read in years. What is shocking about it is both the idea and the sheer imaginative brilliance with which Mr. Shute brings it off."
THE SAN FRANCISCO CHRONICLE
They are the last generation, the innocent victims of an accidental war, living out their last days, making do with what they have, hoping for a miracle. As the deadly rain moves ever closer, the world as we know it winds toward an inevitable end.... [via]
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› Find signed collectible books: 'The Postman'
Gordon Krantz survived the Doomwar only to spend years crossing a post-apocalypse United States looking for something or someone he could believe in again. Ironically, when he's inadvertently forced to assume the made-up role of a "Restored United States" postal inspector, he becomes the very thing he's been seeking: a symbol of hope and rebirth for a desperate nation. Gordon goes through the motions of establishing a new postal route in the Pacific Northwest, uniting secluded towns and enclaves that are starved for communication with the rest of the world. And even though inside he feels like a fraud, eventually he will have to stand up for the new society he's helping to build or see it destroyed by fanatic survivalists. This classic reprint is not one of David Brin's best books, but the moving story he presents overcomes mediocre writing and contrived plots. [via]

› Find signed collectible books: 'Ray Bradbury's the Martian Chronicles'
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› Find signed collectible books: 'Resurrection Day'
› Find signed collectible books: 'The Road'
Best known for his Border Trilogy, hailed in the San Francisco Chronicle as "an American classic to stand with the finest literary achievements of the century," Cormac McCarthy has written ten rich and often brutal novels, including last year's bestselling No Country for Old Men, and this year's The Road. Profoundly dark, told in spare, searing prose, The Road is a post-apocalyptic masterpiece, one of the best books we've read this year, but in case you need a second (and expert) opinion, we asked Dennis Lehane, author of equally rich, occasionally bleak and brutal novels, to read it and give us his take. Read his glowing review below. --Daphne Durham
Dennis Lehane, master of the hard-boiled thriller, generated a cult following with his series about private investigators Patrick Kenzie and Angela Gennaro, wowed readers with the intense and gut-wrenching Mystic River, blew fans away with the mind-bending Shutter Island, and switches gears with Coronado, his new collection of gritty short stories (and one play).More editions of The Road:

› Find signed collectible books: 'A Swiftly Tilting Planet'
Fifteen-year-old Charles Wallace Murry, whom readers first met in A Wrinkle in Time, has a little task he must accomplish. In 24 hours, a mad dictator will destroy the universe by declaring nuclear war--unless Charles Wallace can go back in time to change one of the many Might-Have-Beens in history. In an intricately layered and suspenseful journey through time, this extraordinary young man psychically enters four different people from other eras. As he perceives through their eyes "what might have been," he begins to comprehend the cosmic significance and consequences of every living creature's actions. As he witnesses first-hand the transformation of civilization from peaceful to warring times, his very existence is threatened, but the alternative is far worse.
The Murry family, also appearing in A Wind in the Door and Many Waters, acts as a carrier of Madeleine L'Engle's unique message about human responsibility for the world. Themes of good versus evil, time and space travel, and the invincibility of the human spirit predominate. Even while she entertains, L'Engle kindles the intellect, inspiring young people to ask questions of the world, and learn by challenging. (Ages 9 and older) --Emilie Coulter [via]
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› Find signed collectible books: 'Thinking about the Next War'
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› Find signed collectible books: 'The Third World War: August 1985'
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› Find signed collectible books: 'The Third World War, August 1985'
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› Find signed collectible books: 'War Day and the Journey Onward'
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› Find signed collectible books: 'Warday'
The unthinkable happened five years ago and now two writers have set out to find what's left of America. New York, Washington D.C., San Antonio, and parts of the Central and Western states are gone, and famine, epidemics, border wars and radiation diseases have devastated the countryside in between. It was a "limited" nuclear war, just a 36-minute exchange of missiles that abruptly ended when the superpowers' communication systems broke down. But Warday destroyed much of civilization. Whitley Strieber and James Kunetka, old friends and writers, take a dangerous odyssey across the former United States, sometimes hopeful that a new, peaceful world can be built over the old, sometimes despairing over the immense losses and embittered people they meet. In an eerie blend of fact and imagination, Strieber (author of "The Wolfen" and "The Hunger") and Kunetka (author of "City of Fire: Los Alamos and The Atomic Age", "1943-1945" and "Oppenheimer: The Years of Risk") cut through the doublespeak of military bureaucracy and the rhetoric of the 1980's peace movement to portray America after Warday. [via]
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› Find signed collectible books: 'Watchmen'
Has any comic been as acclaimed as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns, but Watchmen remains the critics' favorite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to gather praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterization is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling; rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the finepace of the writing and its humanity mean that Watchmen more than stands up--it keeps its crown as the best the genre has yet produced. --Mark Thwaite
A Q&A with Dave Gibbons on the Making of Watchmen
Question: You were tasked with drawing new illustrations of key shots from the new Watchmen film. Was it a difficult challenge to re-imagine your work in this movie format?
Dave Gibbons: I dont think that I actually did many key shots from the film. I had to actually imagine them rather than exactly recreate what was going to be in the movie. But as far as the drawings I did for the licensing purposes, accuracy was the real key so that they looked exactly like the movie. Whereas doing the graphic novel was creating stuff afresh and being very creative, this was more the case of interpreting something that already existed. So it was rather more a commercial art job than a creative thing.
Q: How many scenes from the original graphic novel did you redraw in the new "movie" format?
DG: I kind of did them piecemeal, these licensing drawings. I did do a section of storyboarding for Zack Snyder. There is a part of the movie that isnt in the graphic novel and he wanted to see how I would have drawn it, if it had been in the graphic novel. So I redid the storyboards as three pages of comic on the nine-panel grid, also getting it coloured by John Higgins so it looked authentic. But I think there were probably only 3 or 4 scenes that I drew, which were from the movie.
Q: What was your working method for producing these new illustrations from the film? And how has it changed from when you originally illustrated Watchmen?
DG: When youre producing things from existing material, you have to look at and assemble the references... you know, keep looking backwards and forwards to make sure what youre drawing is accurate to whats in the photos. I did have lots of photos from the movie and in some cases I had more or less the illustration I was going to do in photo form, which made it a lot easier. On others I had to construct it from various references: really just the usual illustrators job of drawing something to reference. And on the original illustrations of Watchmen, I was free to come up with exactly the angles and exactly the costumes and everything that I wanted to. When youve designed a costume and drawn it a few times, you actually internalize it and you find you can draw it without having to refer to reference at all. So in some ways its more creative and in some ways its easier!
Q: In Watchmen: The Art of the Film, there are concept designs by other artists of their visions of your iconic characters. What do you think of their versions and did you offer any guidance while they were working on these?
DG: Its always really interesting to see versions of your characters drawn by other artists. You tend to see things in them that you hadnt noticed before. So I really enjoyed looking at those. I certainly didnt offer them any guidance. The purpose of getting those kinds of drawings done is to get a fresh perspective on what exists. I noticed actually that they really stuck more closely to my original designs than those, but I really enjoyed seeing them.
Q: Watchmen: Portraits is Clay Enoss stunning black and white collection of photos of each character from the Watchmen movie. What was it like looking through this book at all the characters you had conceived years ago now being brought to life by actors?
DG: Its rather interesting; you know if you look at the Watching the Watchmen book you can see these characters as fairly sketchy rough conceptual versions. Then when you look at Clays book you can actually see them right down to counting the number of pores on the skin on the end of their noses! Its incredible high focus! Its like zooming in through space and time to look at the surface of some moon of Saturn or something. I thoroughly enjoyed his book... it had a real artistic quality to it that was really so good. And of course to see these actors who so much are the embodiment of what I drew, that its a tremendous thrill to see them made flesh!
Q: Watchmen: The Film Companion features some stills from the animated version of The Black Freighter. What do you think of the look and design of this animated feature?
DG: It looks really interesting! Although I drew my version in the comic book in a kind of horror-comic style, these are very much in a savage manga style. I think they work really well... theyve got the kind of manic intensity, which I think that work should have and I really cant wait to see the whole feature. Ive seen the trailer for it and that looks great and again theyve used a lot of the compositions that I came up with but just translated them to this kind of very modern drawn animation.
Q: How much time did you spend on the set of Watchmen? Was it a surreal experience to see your work recreated like this?
DG: I was on the set of Watchmen for a couple of days and it really was surreal to walk through a door and then suddenly be in the presence of all these people in living breathing flesh! I was there for what you would call the Crimebusters meeting where they were all there in costume in the same room, which was incredible. They had obviously planned that so I would get to see everyone. It was surreal though quite a wonderful experience to see it come to life.
[via]› Find signed collectible books: 'Watchmen : The Absolute Edition'
Has any comic been as lauded as Alan Moore and Dave Gibbons' Watchmen? Possibly only Frank Miller's The Dark Knight Returns but Watchmen remains the critics' favourite. Why? Because Moore is a better writer, and Watchmen a more complex and dark and literate creation than Miller's fantastic, subversive take on the Batman myth. Moore, renowned for many other of the genre's finest creations (Saga of the Swamp Thing, V for Vendetta, and recently From Hell, with Eddie Campbell) first put out Watchmen in 12 issues for DC in 1986-87. It won a comic award at the time (the 1987 Jack Kirby Comics Industry Awards for Best Writer/Artist combination) and has continued to garner praise since.
The story concerns a group called the Crimebusters and a plot to kill and discredit them. Moore's characterisation is as sophisticated as any novel's. Importantly the costumes do not get in the way of the storytelling, rather they allow Moore to investigate issues of power and control--indeed it was Watchmen, and to a lesser extent Dark Knight, that propelled the comic genre forward, making "adult" comics a reality. The artwork of Gibbons (best known for 2000AD's Rogue Trooper and DC's Green Lantern) is very fine too, echoing Moore's paranoid mood perfectly throughout. Packed with symbolism, some of the overlying themes (arms control, nuclear threat, vigilantes) have dated but the intelligent social and political commentary, the structure of the story itself, its intertextuality (chapters appended with excerpts from other "works" and "studies" on Moore's characters, or with excerpts from another comic book being read by a child within the story), the fine pace of the writing and its humanity mean that Watchmen more than stands up--it retains its crown as the best the genre has yet produced. --Mark Thwaite [via]
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› Find signed collectible books: 'When the Wind Blows'
Raymond Briggs' now famous bestselling comic cartoon book depicts the effects of a nuclear attack on an elderly couple in his usual humorous yet macabre way. [via]
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› Find signed collectible books: 'William Golding's Lord of the Flies'
The classic tale of a group of English school boys who are left stranded on an unpopulated island, and who must confront not only the defects of their society but the defects of their own natures. [via]
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› Find signed collectible books: 'Z for Zachariah'
A gripping, thought-provoking story about life after a nuclear holocaust, by a Newbery Medalist. [via]
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› Find signed collectible books: 'El Senor De Las Moscas'
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› Find signed collectible books: 'El Senor De Las Moscas/ Lord of the Flies'
Urdida en torno a la situacion limite de una treintena de muchachos en una isla desierta, El Senor de las Moscas es una magnifica novela que admite lecturas diferentes e incluso opuestas. En efecto, si algunos pueden ver en esta indagacion de William Golding en la condicion humana la ilustracion de que la agresividad criminal se halla entre los instintos basicos del hombre, otros podran considerarla como una parabola que cuestiona un tipo de educacion represiva que no hace sino incubar explosiones de barbarie prestas a estallar en cuanto los controles se relajan. [via]
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