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› Find signed collectible books: 'Anne of Green Gables'
When Marilla Cuthbert's brother, Matthew, returns home to Green Gables with a chatty redheaded orphan girl, Marilla exclaims, "But we asked for a boy. We have no use for a girl." It's not long, though, before the Cuthberts can't imagine how they could ever do without young Anne of Green Gables--but not for the original reasons they sought an orphan. Somewhere between the time Anne "confesses" to losing Marilla's amethyst pin (which she never took) in hopes of being allowed to go to a picnic, and when Anne accidentally dyes her hated carrot-red hair green, Marilla says to Matthew, "One thing's for certain, no house that Anne's in will ever be dull." And no book that she's in will be, either. This adapted version of the classic, Anne of Green Gables, introduces younger readers to the irrepressible heroine of L.M. Montgomery's many stories. Adapter M.C. Helldorfer includes only a few of Anne's mirthful and poignant adventures, yet manages to capture the freshness of one of children's literature's spunkiest, most beloved characters. There's just enough to make beginning readers want more--luckily, there's a lot more in the originals! Illustrator Ellen Beier creates vibrant pictures to portray the beauty of the land around Green Gables and the spirited nature of Anne herself. (Ages 5 to 8) --Emilie Coulter [via]
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› Find signed collectible books: 'Anne of Green Gables'
More editions of Anne of Green Gables:
› Find signed collectible books: 'Anne Of Green Gables'
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› Find signed collectible books: 'Anne of Green Gables'
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› Find signed collectible books: 'Best English Short Stories 4'
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› Find signed collectible books: 'The Book of Lamentations'
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› Find signed collectible books: 'The Captive'
The Modern Librarys fifth volume of In Search of Lost Time contains both The Captive (1923) and The Fugitive (1925). In The Captive, Prousts narrator describes living in his mothers Paris apartment with his lover, Albertine, and subsequently falling out of love with her. In The Fugitive, the narrator loses Albertine forever. Rich with irony, The Captive and The Fugitive inspire meditations on desire, sexual love, music, and the art of introspection.
For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartins acclaimed reworking of C. K. Scott Moncrieffs translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989). [via]
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› Find signed collectible books: 'Fathers and Children'
paperback book [via]
› Find signed collectible books: 'Fathers and Children'
Introduction by John Bayley; Translation by Avril Pyman [via]
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› Find signed collectible books: 'Fathers and Sons'
The era in which faith and reason conflicted in a profound manner seems far away, and perhaps even a bit incomprehensible, to citizens of the modern world. Most of us take for granted our right to choose the life of the mind over that of the spirit without feeling remorse. At the very least, we've learned that the two need not be mutually exclusive. But this is hard-won ease, born of a conflict that began with the Victorians. Edmund Gosse's Father and Son (1907) traces his own reckoning--as well as that of his father, the eminent British zoologist Philip Gosse--with the clash. His story is, as he declares, "The diagnosis of a dying Puritanism."
The only Puritanism that dies here, however, is the author's. His parents were Christian fundamentalists and as a result, young Edmund was denied interaction with other children as well as all variety of fictional tales. "Here was perfect purity," Gosse writes, "perfect intrepidity, perfect abnegation; yet there was also narrowness, isolation, and absence of perspective, let it boldly be admitted, an absence of humanity." Despite all of this, the child maintained his sense of humor, which adds much levity to a tale of such potentially grim proportions.
When Edmund was 8, his mother died of cancer, leaving him the care of a man in whom "sympathetic imagination ... was singularly absent." Philip Gosse held on to his faith in God above all else--so much so, in fact, that when evolutionary theory was announced to the world, he dismissed it entirely because it discounted the book of Genesis. Little by little, Edmund began to chafe against the traditions he had inherited. By the age of 11, he already saw himself "imprisoned for ever in the religious system which had caught me and would whurl my helpless spirit." At this point he believed his fate was sealed and went through the motions of piety. It is not until he goes off to boarding school, and discovers the Greeks and Romantic poetry, that he slowly chooses his own path. Eventually he comes to realize that he and his father "walked in opposite hemispheres of the soul." Their split encapsulates a particular moment in history but also embodies their destiny: "one was born to fly backward, the other could not help being carried forward." --Melanie Rehak [via]
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› Find signed collectible books: 'The Guermantes Way'
The Guermantes Way, in this the third volume of In Search of Lost Time, refers to the path that leads to the Duc and Duchess de Guermantess château near Combray. It also represents the narrators passage into the rarefied social kaleidoscope of the Guermantess Paris salon, an important intellectual playground for Parisian society, where he becomes a party to the wit and manners of the Guermantess drawing room. Here he encounters nobles, officers, socialites, and assorted consorts, including Robert de Saint Loup and his prostitute mistress Rachel, the Baron de Charlus, and the Prince de Borodino.
For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartins acclaimed reworking of C. K. Scott Moncrieffs translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989). [via]
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› Find signed collectible books: 'The Hard-Boiled Wonderland and the End of the World'
The narrator, like the narrator of A Wild Sheep Chase, is a mensch--an ordinary fellow aspiring to decency and self-respect, an individual laboring under the illusion of free will. Information is the key to this society in this unnerving tale of technological espionage, brain-wave tampering, and science-fictional fear and loathing. [via]
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› Find signed collectible books: 'Mason & Dixon'
A sprawling, complex, and comic work from one of the country's most celebrated and idiosyncratic authors, Mason & Dixon is Thomas Pynchon's Most Magickal reinvention of the 18th-century novel. It follows the lifelong partnership and adventures of the English surveyors Charles Mason and Jeremiah Dixon (of Mason-Dixon Line fame) as they travel the world mapping and measuring through an uncharted pre-Revolutionary America of Native Americans, white settlers, taverns, and bawdy establishments of ill-repute. Fans of the postmodern master of paranoia will recognize Pynchon's personality in the novel's first phrase: "Snow-Balls have flown their Arcs," a brief echo of the rockets that curve across the skies in the writer's masterpiece Gravity's Rainbow. [via]
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› Find signed collectible books: 'Microserfs'
Microserfs is not about Microsoft--it's about programmers who are searching for lives. A hilarious but frighteningly real look at geek life in the '90's, Coupland's book manifests a peculiar sense of how technology affects the human race and how it will continue to affect all of us. Microserfs is the hilarious journal of Dan, an ex-Microsoft programmer who, with his coder comrades, is on a quest to find purpose in life. This isn't just fodder for techies. The thoughts and fears of the not-so-stereotypical characters are easy for any of us to relate to, and their witty conversations and quirky view of the world make this a surprisingly thought-provoking book.
" ... just think about the way high-tech cultures purposefully protract out the adolescence of their employees well into their late 20s, if not their early 30s," muses one programmer. "I mean, all those Nerf toys and free beverages! And the way tech firms won't even call work 'the office,' but instead, 'the campus.' It's sick and evil." [via]

› Find signed collectible books: 'The Mill on the Floss'
But it's bad - it's bad,' Mr Tulliver added - 'a woman's no business wi' being so clever; it'll turn to trouble, I doubt.' Rebellious and affectionate, Maggie Tulliver is always in trouble. Recalling her own experiences as a girl, George Eliot describes Maggie's turbulent childhood with a sympathetic engagement that makes the early chapters of The Mill on the Floss among the most immediately attractive she ever wrote. As Maggie Tulliver approaches adulthood, her spirited temperament brings her into conflict with her family, her community, and her much-loved brother Tom. Still more painfully, she finds her own nature divided between the claims of moral responsibility and her passionate hunger for self-fulfilment. George Eliot's searching exploration of Maggie's complex dilemma has made this one of the most enduringly popular of her works. This edition offers the definitive Clarendon text with a new introduction that gives an account of the book's place in Eliot's life and the intellectual context of the time, as well as providing close textual analysis. [via]
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› Find signed collectible books: 'The Pickwick Papers'
In 1836 the 23-year-old Dickens was invited by his publishers to write `a monthly something' illustrated by sporting plates. Thus the Pickwick Club was born: its supposed `papers' soom outgrew their origins and became a brilliantly comic novel, still among Dicken's most popular works. This book is intended for general; courses on early 19th-century English novel; courses specifically on Dickens [via]
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› Find signed collectible books: 'The Pickwick Papers : The Posthumous Papers of the Pickwick Club'
Relates the various activities and adventures of the members of the Pickwick Club. [via]
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› Find signed collectible books: 'Posthumous Papers of the Pickwick Club'
(Book Jacket Status: Not Jacketed)Charles Dickenss satirical masterpiece, The Pickwick Papers, catapulted the young writer into literary fame when it was first serialized in 183637. It recounts the rollicking adventures of the members of the Pickwick Club as they travel about England getting into all sorts of mischief. Laugh-out-loud funny and endlessly entertaining, the book also reveals Dickenss burgeoning interest in the parliamentary system, lawyers, the Poor Laws, and the ills of debtors prisons. As G. K. Chesterton noted, Before [Dickens] wrote a single real story, he had a kind of vision . . . a map full of fantastic towns, thundering coaches, clamorous market-places, uproarious inns, strange and swaggering figures. That vision was Pickwick. [via]
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› Find signed collectible books: 'Rebecca'
After their honeymoon, wealthy Max de Winter and his bride return to his country estate in Cornwall. But the unsettling presence of Rebecca, the deceased first Mrs. de Winter, lingers in the mansion and in reminders from the strange housekeeper, Mrs. Danvers. [via]
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› Find signed collectible books: 'Remembrance of Things Past : Swann's Way and Within a Budding Grove'
Here are the first two volumes of Prousts monumental achievement, Swanns Way and Within a Budding Grove. The famous overture to Swann's Way sets down the grand themes that govern In Search of Lost Time: as the narrator recalls his childhood in Paris and Combray, exquisite memories, long since passedhis mothers good-night kiss, the water lilies on the Vivonne, his love for Swanns daughter Gilbertespring vividly into being. In Within a Budding Grovewhich won the Prix Goncourt in 1919, bringing the author instant famethe narrator turns from his childhood recollections and begins to explore the memories of his adolescence. As his affections for Gilberte grow dim, the narrator discovers a new object of attention in the bright-eyed Albertine. Their encounters unfold by the shores of Balbec. One of the great works of Western literature, now in the new definitive French Pleiade edition translated by C.K. Scott Moncrieff and Terence Kilmartin.
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› Find signed collectible books: 'Sodom and Gomorrah'
Sodom and Gomorrah opens a new phase of In Search of Lost Time. While watching the pollination of the Duchess de Guermantess orchid, the narrator secretly observes a sexual encounter between two men. Flower and plant have no conscious will, Samuel Beckett wrote of Prousts representation of sexuality. They are shameless, exposing their genitals. And so in a sense are Prousts men and women . . . shameless. There is no question of right and wrong.
For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartins acclaimed reworking of C. K. Scott Moncrieffs translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989). [via]
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› Find signed collectible books: 'Swann's Way'
Swann's Way begins with one of the most famous incidents in all of literature -- the taste of a madeleine and tea that reawakens the elusive childhood memories of the narrator, Marcel. An image of Charles Swann, a wealthy and fashionable neighbor, precipitates Marcel's recollection of Swann's marriage to Odette de Crecy, a beautiful, manipulative woman far beneath him in social standing, and of the jealousy, aroused by Odette's many affairs with both men and women, that eventually destroys Swarm. Marcel recounts, too, his own initiation into the aesthetic pleasures and sexual intrigues of belle-epoque Paris. The themes introduced in Swann's Way -- the destructive force of obsessive love, the allure and the consequences of transgressive sex, and the selective eye that shapes memories -- form the threads that unite all the volumes of Remembrance of Things Past. [via]
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› Find signed collectible books: 'Swann's Way'
In Swann's Way, the themes of Proust's masterpiece are introduced, and the narrator's childhood in Paris and Combray is recalled, most memorably in the evocation of the famous maternal good-night kiss. The recollection of the narrato'.s love for Swann's daughter Gilberte leads to an account of Swann's passion for Odette and the rise of the nouveaux riches Verdurins.
For this authoritative English-language edition, D. J. Enright has revised the late Terence Kilmartin's acclaimed reworking of C. K. Scott Moncrieff's translation to take into account the new definitive French editions of Á la recherché du temps perdu (the final volume of these new editions was published by the Bibliothèque de la Pléiade in 1989). [via]
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› Find signed collectible books: 'Vineland'
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› Find signed collectible books: 'A Widow for One Year: A Novel'
John Irving fans will not be startled to find that A Widow for One Year is a sprawling farce-tragedy crawling with characters who are writers. In the opening scene, 4-year-old Ruth Cole walks in on her melancholy mother, Marion, who is in flagrante with 16-year-old Eddie, the driver for drunken Ted (Ruth's dad and Marion's estranged, womanizing husband).
Eddie spends the rest of his life obsessively writing novels like Sixty Times, his roman à clef about his 60 seductions by Marion. Ted is a failed novelist who gets rich and famous writing creepy children's stories based on tales he tells Ruth (such as The Mouse Crawling Between the Walls). Marion abandons Ruth, Ted, and Eddie and becomes a successful pseudonymous novelist. And Ruth becomes the most richly celebrated writer of them all because of her early training by Ted, who not only told her stories, but also helped her craft narratives to explain their home's many photographs of her brothers, who died in a gory car wreck the year before she was born. Grief over the boys is why Ruth's mother does not dare to love her.
Ruth, Irving's first female main character, works brilliantly, first as an imaginative, almost Salingeresque child coming to terms with her bewildering family, then as a grownup striving to understand her mother's motives--or at least to track her down. Ted is a mordantly funny caricature, interestingly sinister and plausibly self-justifying when most inexcusable. Eddie is a lovable schlemiel, yet not too sentimentally drawn. And what set pieces Irving can write! The story of the boys' death is horrific and effective in dramatizing the character of Ted, who narrates it. Ted's attempted murder by a spurned lover is as hilarious as the VW-down-the-marble-stairway scene in A Prayer for Owen Meany (which has been adapted by Disney Studios), though not quite on a par with the celebrated "Pension Grillparzer" episode in The World According to Garp (reissued in a 20th anniversary edition by Modern Library).
Irving has the effrontery to get away with practically any scene that comes into his head--Ruth winds up an eyewitness to a hooker's murder in Amsterdam, a Dutch detective starts tracking her down (just as Ruth is hunting Marion), and the multiple plot strands all converge in a finale that neatly echoes the opening scene. It's all done with the outrageously coincidental yet minutely realistic brio of Charles Dickens, with a sad, self-conscious jokiness like that of Irving's mentor, Kurt Vonnegut. --Tim Appelo [via]
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› Find signed collectible books: 'Within a Budding Grove'
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› Find signed collectible books: 'Women in Love'
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› Find signed collectible books: 'Die Blechtrommel'
Nachdem sich der vor der Gendarmerie flüchtende Brandstifter Joseph Koljaiczekauf einem kaschubischen Kartoffelacker unter den Röcken Anna Bronskis versteckthatte, bringt diese neun Monate später ihre Tochter Agnes zur Welt. Späterheiratet Agnes den arglosen Rheinländer Alfred Matzerath, obwohl sie zugleicheine erotische Beziehung zu ihrem Vetter Jan führt. Ihr Kind Oskar Matzerath,gezeugt von Jan, erblickt 1924 das Licht dieser Welt in Gestalt zweierSechzig-Watt-Glühbirnen. Von Beginn an durchschaut er die Erwachsenenweltund beschließt an seinem dritten Geburtstag, an dem er eine Blechtrommelgeschenkt bekommt, durch einen beabsichtigten Sturz von der Kellertreppesein Wachstum einzustellen. Seine Größe, sein infantiles Benehmen und seineBlechtrommel täuschen über Oskars geistige und körperliche Reife hinweg,früh meldet sich sein sexuelles Begehren. Er erlebt die Machtergreifungder Nationalsozialisten, die Reichskristallnacht und den Kriegsausbruch.Seiner Familie bringt Oskar nur wenig Glück Am Tod seiner Mutter sowieseiner beiden Väter ist er nicht ganz unschuldig. Bei Kriegsende beschließtOskar Matzerath wieder zu wachsen, doch ist dieses Vorhaben nur mäßig erfolgreichZwar wächst er tatsächlich einige Zentimeter, doch drückt sich seine Schuldnun auch äußerlich durch Verwachsungen aus, insbesondere durch einen Buckel.Mit seinem Kindermädchen Maria, der er vermutlich ein Kind geschenkt hat,zieht er nach Düsseldorf, wo er als Jazzschlagzeuger ein reicher Mann wird.Der Ermordung einer Krankenschwester angeklagt, wird er in ein Irrenhauseingeliefert. [via]

› Find signed collectible books: 'Anne, la Maison aux Pignons Verts'
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› Find signed collectible books: 'El Tambor De Hojalata/the Tin Drum'
On the day of his third birthday the main character, Oskar Matzerath, decides to stop growing. The same day he receives his first tin drum, which will be with him as he travels around Europe. He works as an artist's model, enrolls in a troupe of traveling musicians, deals in the black market, and becomes a leader of a group of anarchists. the drum will be the key to all Oskar's memories, even when some time after the war he is confined to a mental institution convicted of a murder he did not commit.
Blurb in Spanish:
El día de su tercer cumpleaños es un fecha determinante en la vida de Oscar, el pequeño que no quería crecer. No sólo es el día en que toma la decisión de dejar crecer, sino que recibe su primer tambor de hojalata, objeto que habrá de convertirse en compañero inseparable para el resto de sus días. La crítica mordaz, la ironía despiadada, el espectacular sentido del humor y la libertad creadora con que Günter Grass construye esta obra maestra convierten a "El tambor de hojalata" en uno de los títulos más deatacados de la historia de la literatura. [via]
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