books tagged “Non-Fiction” (non-fiction / non fiction)

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  • After Writing Culture: Epistemology and Praxis in Contemporary Anthropology
    by Association of Social Anthropologists Conference, Andrew Dawson, Allison James, Jennifer Lorna Hockey
    ISBN 041515006X (0-415-15006-X)
    Softcover, Routledge

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    Book summary:

    This collection addresses the theme of representation in anthropology. Its fourteen articles explore some of the directions in which contemporary anthropology is moving, following the questions raised by the "writing culture" debates of the 1980s.
    It includes discussion of issues such as:
    * the concept of caste in Indian society
    * scottish ethnography
    * how dreams are culturally conceptualised
    * representations of the family
    * culture as conservation
    * gardens, theme parks and the anthropologist in Japan
    * representation in rural Japan
    * people's place in the landscape of Northern Australia
    * representing identity of the New Zealand Maori. [via]

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  • Backlash: The Undeclared War Against American Women
    by Susan Faludi
    ISBN 0307345424 (0-307-34542-4)
    Softcover, Three Rivers Pr

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    A Pulitzer Prize-winning reporter for The Wall Street Journal, Faludi lays out a two-fold thesis in this aggressive work: First, despite the opinions of pop-psychologists and the mainstream media, career-minded women are generally not husband-starved loners on the verge of nervous breakdowns. Secondly, such beliefs are nothing more than anti-feminist propaganda pumped out by conservative research organizations with clear-cut ulterior motives. This backlash against the women's movement, she writes, "stands the truth boldly on its head and proclaims that the very steps that have elevated women's positions have actually led to their downfall." Meticulously researched, Faludi's contribution to this tumultuous debate is monumental and it earned the 1991 National Book Critics Circle Award for General Nonfiction. [via]

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  • Beauty Myth
    ISBN 0394222229 (0-394-22222-9)
    Softcover, Random House of Canada Ltd

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  • The Beauty Myth: How Images of Beauty are Used Against Women
    by Naomi Wolf
    ISBN 0060512180 (0-06-051218-0)
    Softcover, Harpercollins

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    Book summary:

    Explores the phenomenon of the violent backlash  against feminism that uses images of female beauty  as a political weapon against women's advancement. [via]

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  • The Beauty Myth: How Images of Female Beauty Are Used Against Women
    by Naomi Wolf
    ISBN 0688085105 (0-688-08510-5)
    Hardcover, Harpercollins

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    Book summary:

    In a country where the average woman is 5-foot-4 and weighs 140 pounds, movies, advertisements, and MTV saturate our lives with unrealistic images of beauty. The tall, nearly emaciated mannequins that push the latest miracle cosmetic make even the most confident woman question her appearance. Feminist Naomi Wolf argues that women's insecurities are heightened by these images, then exploited by the diet, cosmetic, and plastic surgery industries. Every day new products are introduced to "correct" inherently female "flaws," drawing women into an obsessive and hopeless cycle built around the attempt to reach an impossible standard of beauty. Wolf rejects the standard and embraces the naturally distinct beauty of all women. [via]

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  • Black Hawk Down
    by Mark Bowden
    ISBN 0451205146 (0-451-20514-6)
    Softcover, New Amer Library

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    Book summary:

    Journalist Mark Bowden delivers a strikingly detailed account of the 1993 nightmare operation in Mogadishu that left 18 American soldiers dead and many more wounded. This early foreign-policy disaster for the Clinton administration led to the resignation of Secretary of Defense Les Aspin and a total troop withdrawal from Somalia. Bowden does not spend much time considering the context; instead he provides a moment-by-moment chronicle of what happened in the air and on the ground. His gritty narrative tells of how Rangers and elite Delta Force troops embarked on a mission to capture a pair of high-ranking deputies to warlord Mohamed Farrah Aidid only to find themselves surrounded in a hostile African city. Their high-tech MH-60 Black Hawk helicopters had been shot down and a number of other miscues left them trapped through the night. Bowden describes Mogadishu as a place of Mad Max-like anarchy--implying strongly that there was never any peace for the supposed peacekeepers to keep. He makes full use of the defense bureaucracy's extensive paper trail--which includes official reports, investigations, and even radio transcripts--to describe the combat with great accuracy, right down to the actual dialogue. He supplements this with hundreds of his own interviews, turning Black Hawk Down into a completely authentic nonfiction novel, a lively page-turner that will make readers feel like they're standing beside the embattled troops. This will quickly be realized as a modern military classic. --John J. Miller [via]

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  • Pelzer, David J.: The Child Called It
    The Child Called It
    by David J. Pelzer
    ISBN 0929099028 (0-929099-02-8)
    Softcover, Maun Lemke

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  • A Child Called "It": One Child's Courage to Survive
    by Dave Pelzer
    ISBN 1558743669 (1-55874-366-9)
    Softcover, Hci

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    Book summary:

    David J. Pelzer's mother, Catherine Roerva, was, he writes in this ghastly, fascinating memoir, a devoted den mother to the Cub Scouts in her care, and somewhat nurturant to her children--but not to David, whom she referred to as "an It." This book is a brief, horrifying account of the bizarre tortures she inflicted on him, told from the point of view of the author as a young boy being starved, stabbed, smashed face-first into mirrors, forced to eat the contents of his sibling's diapers and a spoonful of ammonia, and burned over a gas stove by a maniacal, alcoholic mom. Sometimes she claimed he had violated some rule--no walking on the grass at school!--but mostly it was pure sadism. Inexplicably, his father didn't protect him; only an alert schoolteacher saved David. One wants to learn more about his ordeal and its aftermath, and now he's written a sequel, The Lost Boy, detailing his life in the foster-care system.

    Though it's a grim story, A Child Called "It" is very much in the tradition of Chicken Soup for the Couple's Soul and the many books in that upbeat series, whose author Pelzer thanks for helping get his book going. It's all about weathering adversity to find love, and Pelzer is an expert witness. [via]

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  • The City of Falling Angels
    by John Berendt
    ISBN 1594200580 (1-59420-058-0)
    Hardcover, Penguin Group USA

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    Past Midnight: John Berendt on the Mysteries of Venice

    Just as John Berendt's first book, Midnight in the Garden of Good and Evil, was settling into its remarkable four-year run on The New York Times bestseller list, he discovered a new city whose local mysteries and traditions were more than a match for Savannah, whose hothouse eccentricities he had celebrated in the first book. The new city was Venice, and he spent much of the last decade wandering through its canals and palazzos, seeking to understand a place that any native will tell you is easy to visit but hard to know. For travelers to Venice, whether by armchair or vaporetto, he has selected his 10 (actually 11) Books to Read on Venice. And he took the time to answer a few of our questions about his charming new book, The City of Falling Angels:

    Amazon.com: The lush, cloistered southern city of Savannah was the locale of Midnight in the Garden of Good and Evil. Venice, the setting for The City of Falling Angels, is vastly different. Was it the difference itself that drew you to Venice?

    John Berendt: Savannah and Venice actually have quite a lot in common. Both are uniquely beautiful. Both are isolated geographically, culturally, and emotionally from the world outside. Venice sits in the middle of a lagoon; Savannah is surrounded by marshes, piney woods, and the ocean. Venetians think of themselves as Venetian first, Italian second; Savannahians rarely even venture forth as far as Atlanta or Charleston. So both cities offer a writer a rich context in which to set a story, and the stories provide readers a means of escape from their own environment into another world.

    Amazon.com: I enjoyed your rather declarative author's note: that this is a work of nonfiction, and that you used everyone's real names. In your previous book you did use pseudonyms for some characters and you explained that you took a few small liberties in the service of the larger truth of the story. Why the change this time?

    Berendt: When I wrote Midnight I thought I would do a few people the favor of changing their names for the sake of privacy. But when the book came out, several of the pseudonymous characters told me they wished I'd used their real names instead. So this time, no pseudonyms. As for the storytelling liberties I took in writing Midnight, they were minor and did not change the story, but my mention of it in the author's note caused some confusion, with the result that Midnight is sometimes referred to now as a novel, which it most certainly is not. Neither is The City of Falling Angels. In fact, I dispensed with the liberties this time and made it as close to the truth as I could get it.

    Amazon.com: In The City of Falling Angels, a number of fascinating people serve as guides to the city, each with a different idea of the true nature of Venice. Who was your favorite?

    Berendt: I don't have a favorite, but Count Girolamo Marcello is certainly a memorable, highly quotable commentator. "Everyone in Venice is acting," he told me. "Everyone plays a role, and the role changes. The key to understanding Venetians is rhythm, the rhythm of the lagoon, the water, the tides, the waves. It's like breathing. High water, high pressure: tense. Low water, low pressure: relaxed. The tide changes every six hours."

    I nodded that I understood.

    "How do you see a bridge?" he went on.

    "Pardon me?" I asked, "A bridge?"

    "Do you see a bridge as an obstacle--as just another set of steps to climb to get from one side of a canal to the other? We Venetians do not see bridges as obstacles. To us, bridges are transitions. We go over them very slowly. They are part of the rhythm. They are the links between two parts of a theater, like changes in scenery. Our role changes as we go over bridges. We cross from one reality ... to another reality. From one street ... to another street. From one setting ... to another setting."

    Once I had absorbed that notion, Count Marcello continued: "Sunlight on a canal is reflected up through a window onto the ceiling, then from the ceiling onto a vase, and from the vase onto a glass. Which is the real sunlight? Which is the real reflection? What is true? What is not true? The answer is not so simple, because the truth can change. I can change. You can change. That is the Venice effect."

    I was not terribly surprised when he later told me, "Venetians never tell the truth. We mean precisely the opposite of what we say."

    Amazon.com: Now that you know Venice well enough to be a guide yourself, what would you say to a visitor looking for insight into the character of the city?

    Berendt: Tourists generally shuffle along, on narrow streets so crowded as to be nearly impassable, between the major sights of St. Mark's Square, the Rialto Bridge, and the Accademia Museum. All you have to do is to step off these heavily traveled alleyways, and in a few moments you will find yourself in quiet, much emptier surroundings. This is more like the real Venice. Another thing to do is to go into the wine bars where Venetians stand around drinking and talking. They will very likely be speaking the Venetian dialect, so you won't be able to understand them, but you will get a sampling of the true Venetian ambiance enlivened by the pronounced sing-song rhythm of the language. I'd also suggest stopping someone in the street and asking for directions. Almost invariably, you will be rewarded with a genial smile and the instructions, Sempre diritto, meaning "Straight ahead." This will only leave you more confused, because when you attempt to follow a straight line, you will be confronted by more twists and turns and forks in the road than you thought possible, given the instructions. This is part of what Count Marcello described as "the Venice effect."

    [via]

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  • The City of falling angels: a venice story
    by John Berendt
    ISBN 1594200610 (1-59420-061-0)
    Softcover, Penguin Group USA

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    Book summary:

    Past Midnight: John Berendt on the Mysteries of Venice

    Just as John Berendt's first book, Midnight in the Garden of Good and Evil, was settling into its remarkable four-year run on The New York Times bestseller list, he discovered a new city whose local mysteries and traditions were more than a match for Savannah, whose hothouse eccentricities he had celebrated in the first book. The new city was Venice, and he spent much of the last decade wandering through its canals and palazzos, seeking to understand a place that any native will tell you is easy to visit but hard to know. For travelers to Venice, whether by armchair or vaporetto, he has selected his 10 (actually 11) Books to Read on Venice. And he took the time to answer a few of our questions about his charming new book, The City of Falling Angels:

    Amazon.com: The lush, cloistered southern city of Savannah was the locale of Midnight in the Garden of Good and Evil. Venice, the setting for The City of Falling Angels, is vastly different. Was it the difference itself that drew you to Venice?

    John Berendt: Savannah and Venice actually have quite a lot in common. Both are uniquely beautiful. Both are isolated geographically, culturally, and emotionally from the world outside. Venice sits in the middle of a lagoon; Savannah is surrounded by marshes, piney woods, and the ocean. Venetians think of themselves as Venetian first, Italian second; Savannahians rarely even venture forth as far as Atlanta or Charleston. So both cities offer a writer a rich context in which to set a story, and the stories provide readers a means of escape from their own environment into another world.

    Amazon.com: I enjoyed your rather declarative author's note: that this is a work of nonfiction, and that you used everyone's real names. In your previous book you did use pseudonyms for some characters and you explained that you took a few small liberties in the service of the larger truth of the story. Why the change this time?

    Berendt: When I wrote Midnight I thought I would do a few people the favor of changing their names for the sake of privacy. But when the book came out, several of the pseudonymous characters told me they wished I'd used their real names instead. So this time, no pseudonyms. As for the storytelling liberties I took in writing Midnight, they were minor and did not change the story, but my mention of it in the author's note caused some confusion, with the result that Midnight is sometimes referred to now as a novel, which it most certainly is not. Neither is The City of Falling Angels. In fact, I dispensed with the liberties this time and made it as close to the truth as I could get it.

    Amazon.com: In The City of Falling Angels, a number of fascinating people serve as guides to the city, each with a different idea of the true nature of Venice. Who was your favorite?

    Berendt: I don't have a favorite, but Count Girolamo Marcello is certainly a memorable, highly quotable commentator. "Everyone in Venice is acting," he told me. "Everyone plays a role, and the role changes. The key to understanding Venetians is rhythm, the rhythm of the lagoon, the water, the tides, the waves. It's like breathing. High water, high pressure: tense. Low water, low pressure: relaxed. The tide changes every six hours."

    I nodded that I understood.

    "How do you see a bridge?" he went on.

    "Pardon me?" I asked, "A bridge?"

    "Do you see a bridge as an obstacle--as just another set of steps to climb to get from one side of a canal to the other? We Venetians do not see bridges as obstacles. To us, bridges are transitions. We go over them very slowly. They are part of the rhythm. They are the links between two parts of a theater, like changes in scenery. Our role changes as we go over bridges. We cross from one reality ... to another reality. From one street ... to another street. From one setting ... to another setting."

    Once I had absorbed that notion, Count Marcello continued: "Sunlight on a canal is reflected up through a window onto the ceiling, then from the ceiling onto a vase, and from the vase onto a glass. Which is the real sunlight? Which is the real reflection? What is true? What is not true? The answer is not so simple, because the truth can change. I can change. You can change. That is the Venice effect."

    I was not terribly surprised when he later told me, "Venetians never tell the truth. We mean precisely the opposite of what we say."

    Amazon.com: Now that you know Venice well enough to be a guide yourself, what would you say to a visitor looking for insight into the character of the city?

    Berendt: Tourists generally shuffle along, on narrow streets so crowded as to be nearly impassable, between the major sights of St. Mark's Square, the Rialto Bridge, and the Accademia Museum. All you have to do is to step off these heavily traveled alleyways, and in a few moments you will find yourself in quiet, much emptier surroundings. This is more like the real Venice. Another thing to do is to go into the wine bars where Venetians stand around drinking and talking. They will very likely be speaking the Venetian dialect, so you won't be able to understand them, but you will get a sampling of the true Venetian ambiance enlivened by the pronounced sing-song rhythm of the language. I'd also suggest stopping someone in the street and asking for directions. Almost invariably, you will be rewarded with a genial smile and the instructions, Sempre diritto, meaning "Straight ahead." This will only leave you more confused, because when you attempt to follow a straight line, you will be confronted by more twists and turns and forks in the road than you thought possible, given the instructions. This is part of what Count Marcello described as "the Venice effect."

    [via]

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  • Democracy in America
    by Alexis De Tocqueville
    ISBN 1425557309 (1-4255-5730-9)
    Softcover, Scholarly Pub Office Univ of

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    Book summary:

    Democracy in America is a classic of political philosophy. Hailed by John Stuart Mill and Horace Greely as the finest book ever written on the nature of democracy, it continues to be an influential text on both sides of the Atlantic, above all in the emerging democracies of Eastern Europe. De Tocqueville examines the structures, institutions and operation of democracy, and shows how Europe can learn from American success and failures. His central theme is the advancement of the rule of the people, but he also predicts that slavery will bring about the 'most horrible of civil wars', foresees that the USA and Russia will be the Superpowers of the twentieth century, and is 150 years ahead of his time in his views on the position and importance of women. [via]

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  • Democracy in America
    by Daniel J. Boorstin, Phillips Bradley, Henry Reeve, Francis Bowen, Alexis De Tocqueville
    ISBN 0679728252 (0-679-72825-2)
    Softcover, Random House Inc

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    Book summary:

    Democracy in America is the classic analysis of America's unique political character, quoted heavily by politicians and perennially popping up on history professors' reading lists. The book's enduring appeal lies in the eloquent, prophetic voice of Alexis de Tocqueville (1805-1859), a French aristocrat who visited the United States in 1831. A thoughtful young man in a still-young country, he succeeded in penning this penetrating study of America's people, culture, history, geography, politics, legal system, and economy. Tocqueville asserts, "I confess that in America I saw more than America; I sought the image of democracy itself, with its inclinations, its character, its prejudices, and its passions, in order to learn what we have to fear or hope from its progress."

    In addition to a brilliant, perceptive outline of "the philosophical method of the Americans," Volume II of Democracy in America includes the oddly modern-sounding "Why the Americans Are So Restless in the Midst of Their Prosperity," the surprising and provocative "How Americans Understand the Equality of the Sexes," and the more archaic "The Study of Greek and Latin is Peculiarly Useful in Democratic Communities." This edition--which many consider the best--contains the Henry Reeve text, revised by Francis Bowen, and further edited with introduction, editorial notes, and bibliographies by Phillips Bradley. [via]

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  • Democracy in America
    by Henry Reeve, Alexis De Tocqueville
    ISBN 1584772492 (1-58477-249-2)
    Hardcover, Lawbook Exchange Ltd

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    From America's call for a free press to its embrace of the capitalist system, Democracy in America--first published in 1835--enlightens, entertains, and endures as a brilliant study of our national government and character. Philosopher John Stuart Mill called it "among the most remarkable productions of our time." Woodrow Wilson wrote that de Tocqueville's ability to illuminate the actual workings of American democracy was "possibly without rival."

    For today's readers, de Tocqueville's concern about the effect of majority rule on the rights of individuals remains deeply meaningful. His shrewd observations about the "almost royal prerogatives" of the president and the need for virtue in elected officials are particularly prophetic. His profound insights into the great rewards and responsibilities of democratic government are words every American needs to read, contemplate, and remember.

    From America's call for a free press to its embrace of the capitalist system Democracy in America enlightens, entertains, and endures as a brilliant study of our national government and character. De Toqueville's concern about the effect of majority rule on the rights of individuals remains deeply meaningful. His insights into the great rewards and responsibilities of democratic government are words every American needs to read, contemplate, and remember. [via]

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  • Democracy in America
    by Arthur Goldhammer, Alexis De Tocqueville
    ISBN 1931082545 (1-931082-54-5)
    Hardcover, Penguin Group USA

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    Book summary:

    Alexis de Tocqueville, a young aristocratic French lawyer, came to the United States in 1831 to study its penitentiary systems. His nine-month visit and subsequent reading and reflection resulted in Democracy in America (183540), a landmark masterpiece of political observation and analysis. Tocqueville vividly describes the unprecedented social equality he found in America and explores its implications for European society in the emerging modern era. His book provides enduring insight into the political consequences of widespread property ownership, the potential dangers to liberty inherent in majority rule, the importance of civil institutions in an individualistic culture dominated by the pursuit of material self-interest, and the vital role of religion in American life, while prophetically probing the deep differences between the free and slave states. The clear, fluid, and vigorous translation by Arthur Goldhammer is the first to fully capture Tocquevilles achievements both as an accomplished literary stylist and as a profound political thinker. [via]

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  • Democracy in America
    by Harvey C. Mansfield, Alexis De Tocqueville, Delba Winthrop
    ISBN 0226805328 (0-226-80532-8)
    Hardcover, Univ of Chicago Pr

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    Book summary:

    Alexis de Tocqueville (1805-59) came to America in 1831 to see what a great republic was like. What struck him most was the country's equality of conditions, its democracy. The book he wrote on his return to France, Democracy in America, is both the best ever written on democracy and the best ever written on America. It remains the most often quoted book about the United States, not only because it has something to interest and please everyone, but also because it has something to teach everyone.
     
    When it was published in 2000, Harvey Mansfield and Delba Winthrop's new translation of Democracy in Americaonly the third since the original two-volume work was published in 1835 and 1840was lauded in all quarters as the finest and most definitive edition of Tocqueville's classic thus far. Mansfield and Winthrop have restored the nuances of Tocqueville's language, with the expressed goal "to convey Tocqueville's thought as he held it rather than to restate it in comparable terms of today." The result is a translation with minimal interpretation, but with impeccable annotations of unfamiliar references and a masterful introduction placing the work and its author in the broader contexts of political philosophy and statesmanship.
     
    [via]

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  • Democracy in America
    by J. P. Mayer, Alexis De Tocqueville
    ISBN 0060956666 (0-06-095666-6)
    Softcover, Harpercollins

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    Book summary:

    Tocqueville's monumental book is as relevant today as when it was first published in the mid-nineteenth century, and it remains the most comprehensive, penetrating, and astute picture of American life, politics, and morals ever written -- whether by an American or, as in this case, a foreign visitor. This special edition contains the entire two volumes of Democracy in America, based on the second revised and corrected text of the 1961 French edition, meticulously edited by the distinguished Tocqueville scholar J.P. Mayer. [via]

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  • Democracy in America
    by Thomas Bender, Alexis De Tocqueville
    ISBN 039432675X (0-394-32675-X)
    Hardcover, Modern Library

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    Classic analysis of america's unique political character, quoted heavily by politicians and perennially popping up on history professors' reading lists. The book's enduring appeal lies in the eloquent, prophetic voice of alexis de tocqueville (1805-1859), a french aristocrat who visited the united states in 1831. A thoughtful young man in a still-young country, he succeede in penning this penetrating study of america's people, culture, history, geography, politics, legal system, and economy. Tocqueville asserts, i confess that in america i saw more than america; i sought the image of democracy itself, with its inclinations, its character, its prejudices, and its passions, in order to learn what we have to fear or hope from its progress [via]

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  • The Electric Kool-Aid Acid Test
    by Tom Wolfe
    ISBN 0553380648 (0-553-38064-8)
    Softcover, Bantam Books

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    They say if you remember the '60s, you weren't there. But, fortunately, Tom Wolfe was there, notebook in hand, politely declining LSD while Ken Kesey and his Merry Pranksters fomented revolution, turning America on to a dangerously playful way of thinking as their Day-Glo conveyance, Further, made the most influential bus ride since Rosa Parks's. By taking On the Road's hero Neal Cassady as his driver on the cross-country revival tour and drawing on his own training as a magician, Kesey made Further into a bully pulpit, and linked the beat epoch with hippiedom. Paul McCartney's Many Years from Now cites Kesey as a key influence on his trippy Magical Mystery Tour film. Kesey temporarily renounced his literary magic for the cause of "tootling the multitudes"--making a spectacle of himself--and Prankster Robert Stone had to flee Kesey's wild party to get his life's work done. But in those years, Kesey's life was his work, and Wolfe infinitely multiplied the multitudes who got tootled by writing this major literary-journalistic monument to a resonant pop-culture moment.

    Kesey's theatrical metamorphosis from the distinguished author of One Flew over the Cuckoo's Nest to the abominable shaman of the "Acid Test" soirees that launched The Grateful Dead required Wolfe's Day-Glo prose account to endure (though Kesey's own musings in Demon Box are no slouch either). Even now, Wolfe's book gives what Wolfe clearly got from Kesey: a contact high. --Tim Appelo [via]

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  • Hegemony or Survival: America's Quest for Global Dominance
    by Noam Chomsky
    ISBN 0805076883 (0-8050-7688-3)
    Softcover, Owl Books

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    Book summary:

    Noam Chomsky is considered the father of modern linguistics. In this richly detailed criticism of American foreign policy, he seeks to redefine many of the terms commonly used in the ongoing American war on terrorism. Surveying U.S. actions in Cuba, Nicaragua, Turkey, the Far East and elsewhere over the past half a century along with the modern American war in Iraq, Chomsky indicates that America is just as much a terrorist state as any other government or rogue organization. George W. Bush's 2003 invasion of Iraq drew worldwide criticism, in part because it seemed to present a new philosophy of pre-emptive war and an appearance of global empire building. But according to Chomsky, such has been the operating philosophy of American foreign policy for decades. Opponents of the Bush administration's tactics consistently point out how the American government supported Saddam Hussein for many years prior to the 1990 invasion of Kuwait (pictures of Donald Rumsfeld shaking Saddam's hand are easy to come by) as a means of pointing out how the United States is happy to fund despots when it's in American interests. But Chomsky, armed with extensive historical notation, takes this notion further, arguing how the repression of other nations' citizenry is, in fact, the very reason Americans support certain foreign leaders. The charges made throughout the book are severe, as are the dire consequences he posits if current trends are not reversed, and Chomsky is no more likely to make friends or gain supporters from the mainstream now than he's ever been. But Hegemony or Survival is relatively dispassionate. Instead of relying on camp or shock value or personal attacks as some of his contemporaries have done, Chomsky drives his well-supported points steadily forward in an earnest and highly readable style. --John Moe [via]

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  • Hell's Angels
    by Hunter S. Thompson
    ISBN 067960331X (0-679-60331-X)
    Hardcover, Modern Library

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    Book summary:

    "California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again."  Thus begins Hunter S. Thompson's vivid account of his experiences with California's most no-torious motorcycle gang, the Hell's Angels.   In the mid-1960s, Thompson spent almost two years living with the controversial An-gels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, "For all its uninhibited and sardonic humor, Thompson's book is a thoughtful piece of work." As illuminating now as when originally published in 1967, Hell's Angels is a gripping portrait, and the best account we have of the truth behind an American legend.




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  • Holy Blood, Holy Grail
    by Michael Baigent, Richard Leigh, Henry Lincoln
    ISBN 0385338457 (0-385-33845-7)
    Softcover, Bantam Dell Pub Group

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    Is the traditional, accepted view of the life of Christ in some way incomplete? Is it possible Christ did not die on the cross? Is it possible Jesus was married, a father, and that his bloodline still exists? Is it possible that parchments found in the South of France a century ago reveal one of the best-kept secrets of Christendom? Is it possible that these parchments contain the very heart of the mystery of the Holy Grail?According to the authors of this extraordinarily provocative, meticulously researched book, not only are these things possible - they are probably true! so revolutionary, so original, so convincing, that the most faithful Christians will be moved; here is the book that has sparked worldwide controversey."Enough to seriously challenge many traditional Christian beliefs, if not alter them."- Los Angeles Times Book Review"Like Chariots of the Gods?...the plot has all the elements of an international thriller."- Newsweek [via]

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  • The Know-it-all: One Man's Humble Quest To Become The Smartest Person In The World
    by A. J. Jacobs
    ISBN 0743250621 (0-7432-5062-1)
    Softcover, Simon & Schuster

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    33,000 pages
    44 million words
    10 billion years of history
    1 obsessed man

    Part memoir and part education (or lack thereof), The Know-It-All chronicles NPR contributor A.J. Jacobs's hilarious, enlightening, and seemingly impossible quest to read the Encyclopaedia Britannica from A to Z.

    To fill the ever-widening gaps in his Ivy League education, A.J. Jacobs sets for himself the daunting task of reading all thirty-two volumes of the Encyclopaedia Britannica. His wife, Julie, tells him it's a waste of time, his friends believe he is losing his mind, and his father, a brilliant attorney who had once attempted the same feat and quit somewhere around Borneo, is encouraging but, shall we say, unconvinced.

    With self-deprecating wit and a disarming frankness, The Know-It-All recounts the unexpected and comically disruptive effects Operation Encyclopedia has on every part of Jacobs's life -- from his newly minted marriage to his complicated relationship with his father and the rest of his charmingly eccentric New York family to his day job as an editor at Esquire. Jacobs's project tests the outer limits of his stamina and forces him to explore the real meaning of intelligence as he endeavors to join Mensa, win a spot on Jeopardy!, and absorb 33,000 pages of learning. On his journey he stumbles upon some of the strangest, funniest, and most profound facts about every topic under the sun, all while battling fatigue, ridicule, and the paralyzing fear that attends his first real-life responsibility -- the impending birth of his first child.

    The Know-It-All is an ingenious, mightily entertaining memoir of one man's intellect, neuroses, and obsessions and a soul-searching, ultimately touching struggle between the all-consuming quest for factual knowledge and the undeniable gift of hard-won wisdom. [via]

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  • La Democracia En America / Democracy in America
    by Alexis De Tocqueville, Dolores Sanchez De Aleu
    ISBN 8420673463 (84-206-7346-3)
    Softcover, Alianza Editorial Sa

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  • London: The Biography
    by Peter Ackroyd
    ISBN 1856197166 (1-85619-716-6)
    Hardcover, Chatto & Windus

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    When the eminent novelist and biographer Peter Ackroyd finished writing London: The Biography, he almost immediately had a heart attack, such was the effort of his 800-page work about the "human body" that is this most fascinating of cities. And not just any human body either, but "envisaged in the form of a young man with his arms outstretched in a gesture of liberation ... it embodies the energy and exaltation of a city continually beating in great waves of progress and of confidence". Probably there is no one better placed than Ackroyd--the author of mammoth lives of Dickens and Blake, and novels such as Hawksmoor and Dan Leno and the Lime House Golem which set singular characters against the backdrop of a city constantly shifting in time--to write such a rich, sinewy account of "Infinite London". Ackroyd's London is no mere chronology. Its chapters take on such varied themes as drinking, sex, childhood, poverty, crime and punishment, sewage, food, pestilence and fire, immigration, maps, theatre, war. We learn that gin was "the demon of London for half a century", and that "it has been estimated that in the 1740s and 1750s there were 17,000 'gin-houses'". Fleet Street was an area known for its "violent delights" where "a fourteen-year-old boy, only eighteen inches high, was to be seen in 1702 at a grocer's shop called the Eagle and Child by Shoe Lane". By the mid 19th-century "London had become known as the greatest city on earth". By 1939 "one in five of the British population had become a Londoner".

    Though the variousness of London's chapters mean that it can be dipped into at random, Ackroyd is employing a skilful and continuous theme throughout, which constantly links past and present--the similarities of children's games in Lambeth in 1910 and 1999; the obsession with time--"in twenty-first century London time rushes forward and is everywhere apparent", while in 18th-century London the church clock of Newgate "regulated the times of hanging". Above all, he insists that the "dark secret life" of the metropolis is as relevant today as it was in perhaps its most appropriate period, Victorian London. Again and again Ackroyd returns to the image of London as a living organism, hence his use of the word "biography" in the title. At once awed by and intimate with this "ubiquitous" city, he stresses that "it can be located nowhere in particular ... its circumference is everywhere". --Catherine Taylor [via]

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  • Man's Search for Meaning
    by Viktor E. Frankl
    ISBN 1416524282 (1-4165-2428-2)
    Softcover, Pocket Books

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    Man's Search for Meaning by Viktor E. Frankl is among the most influential works of psychiatric literature since Freud. The book begins with a lengthy, austere and deeply moving personal essay about Frankl's imprisonment in Auschwitz and other concentration camps for five years and his struggle during this time to find reasons to live. The second part of the book, called "Logotherapy in a Nutshell" describes the psychotherapeutic method that Frankl pioneered as a result of his experiences in the concentration camps. Freud believed that sexual instincts and urges were the driving force of humanity's life; Frankl, by contrast, believes that man's deepest desire is to search for meaning and purpose. Therefore, Frankl's logotherapy is much more compatible with western religions than Freudian psychotherapy. This is a fascinating, sophisticated and very human book. At times, Frankl's personal and professional discourses merge into a style of tremendous power. "Our generation is realistic, for we have come to know man as he really is", Frankl writes. "After all, man is that being who invented the gas chambers of Auschwitz; however, he is also that being who entered those gas chambers upright, with the Lord's Prayer or the Shema Yisrael on his lips." --Christine Buttery [via]

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  • Man's Search for Ultimate Meaning
    by Viktor E. Frankl
    ISBN 0738203548 (0-7382-0354-8)
    Softcover, Perseus Books Group

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    Viktor Frankl, author of the smash bestseller Man's Search for Meaning, offers a more straightforward alternative to traditional Freudian psychoanalysis: one's problems may be rooted in a failure to find a meaning in life beyond one's interior world. The basis for his interpretation, however, is not so straightforward. It lies in Frankl's existential analysis, plumbing for the reasons that people have repressed their consciences, their love, their creativity. By legitimizing a spiritual aspect of the human mind, Frankl has separated us definitively from the animal kingdom, but it is still up to each of us to rise to our human potential. [via]

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  • A Million Little Pieces
    by James Frey
    ISBN 0307276902 (0-307-27690-2)
    Softcover, Random House Inc

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    News from Doubleday & Anchor Books

    The controversy over James Frey's A Million Little Pieces has caused serious concern at Doubleday and Anchor Books. Recent interpretations of our previous statement notwithstanding, it is not the policy or stance of this company that it doesnt matter whether a book sold as nonfiction is true. A nonfiction book should adhere to the facts as the author knows them.

    It is, however, Doubleday and Anchor's policy to stand with our authors when accusations are initially leveled against their work, and we continue to believe this is right and proper. A publisher's relationship with an author is based to an extent on trust. Mr. Frey's repeated representations of the book's accuracy, throughout publication and promotion, assured us that everything in it was true to his recollections. When the Smoking Gun report appeared, our first response, given that we were still learning the facts of the matter, was to support our author. Since then, we have questioned him about the allegations and have sadly come to the realization that a number of facts have been altered and incidents embellished.

    We bear a responsibility for what we publish, and apologize to the reading public for any unintentional confusion surrounding the publication of A Million Little Pieces.

    Note: The following editorial reviews were written before the recent revelations by James Frey and the publisher.

    Amazon.com
    The electrifying opening of James Frey's debut memoir, A Million Little Pieces, smash-cuts to the then 23-year-old author on a Chicago-bound plane "covered with a colorful mixture of spit, snot, urine, vomit and blood." Wanted by authorities in three states, without ID or any money, his face mangled and missing four front teeth, Frey is on a steep descent from a dark marathon of drug abuse. His stunned family checks him into a famed Minnesota drug treatment center where a doctor promises "he will be dead within a few days" if he starts to use again, and where Frey spends two agonizing months of detox confronting "The Fury" head on:

    I want a drink. I want fifty drinks. I want a bottle of the purest, strongest, most destructive, most poisonous alcohol on Earth. I want fifty bottles of it. I want crack, dirty and yellow and filled with formaldehyde. I want a pile of powder meth, five hundred hits of acid, a garbage bag filled with mushrooms, a tube of glue bigger than a truck, a pool of gas large enough to drown in. I want something anything whatever however as much as I can.

    One of the more harrowing sections is when Frey submits to major dental surgery without the benefit of anesthesia or painkillers (he fights the mind-blowing waves of "bayonet" pain by digging his fingers into two old tennis balls until his nails crack). His fellow patients include a damaged crack addict with whom Frey wades into an ill-fated relationship, a federal judge, a former championship boxer, and a mobster (who, upon his release, throws a hilarious surf-and-turf bacchanal, complete with pay-per-view boxing). In the book's epilogue, when Frey ticks off a terse update on everyone, you can almost hear the Jim Carroll Band's brutal survivor's lament "People Who Died" kicking in on the soundtrack of the inevitable film adaptation.

    The rage-fueled memoir is kept in check by Frey's cool, minimalist style. Like his steady mantra, "I am an Alcoholic and I am a drug Addict and I am a Criminal," Frey's use of repetition takes on a crisp, lyrical quality which lends itself to the surreal experience. The book could have benefited from being a bit leaner. Nearly 400 pages is a long time to spend under Frey's influence, and the stylistic acrobatics (no quotation marks, random capitalization, left-aligned text, wild paragraph breaks) may seem too self-conscious for some readers, but beyond the literary fireworks lurks a fierce debut. --Brad Thomas Parsons

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  • Mythology
    by Edith Hamilton
    ISBN 0316341517 (0-316-34151-7)
    Softcover, Little Brown & Co

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    Edith Hamilton loved the ancient Western myths with a passion--and this classic compendium is her tribute. "The tales of Greek mythology do not throw any clear light upon what early mankind was like," Hamilton explains in her introduction. "They do throw an abundance of light upon what early Greeks were like--a matter, it would seem, of more importance to us, who are their descendents intellectually, artistically, and politically. Nothing we learn about them is alien to ourselves." Fans of Greek mythology will find all the great stories and characters here--Perseus, Hercules, and Odysseus--each discussed in generous detail by the voice of an impressively knowledgeable and engaging (with occasional lapses) narrator. This is also an excellent primer for middle- and high-school students who are studying ancient Greek and Roman culture and literature. --Gail Hudson [via]

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  • The Omnivore's Dilemma: A Natural History of Four Meals
    by Michael Pollan
    ISBN 1594200823 (1-59420-082-3)
    Hardcover, Penguin Group USA

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    The Omnivore's Dilemma: A Natural History of Four Meals [Paperback] [via]

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  • PostSecret: Extraordinary Confessions from Ordinary Lives
    by Frank Warren
    ISBN 0060899190 (0-06-089919-0)
    Hardcover, Harpercollins

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    Book summary:

    The project that captured a nation's imagination.

    The instructions were simple, but the results were extraordinary.

    "You are invited to anonymously contribute a secret to a group art project. Your secret can be a regret, fear, betrayal, desire, confession, or childhood humiliation. Reveal anything -- as long as it is true and you have never shared it with anyone before. Be brief. Be legible. Be creative."

    It all began with an idea Frank Warren had for a community art project. He began handing out postcards to strangers and leaving them in public places -- asking people to write down a secret they had never told anyone and mail it to him, anonymously.

    The response was overwhelming. The secrets were both provocative and profound, and the cards themselves were works of art -- carefully and creatively constructed by hand. Addictively compelling, the cards reveal our deepest fears, desires, regrets, and obsessions. Frank calls them "graphic haiku," beautiful, elegant, and small in structure but powerfully emotional.

    As Frank began posting the cards on his website, PostSecret took on a life of its own, becoming much more than a simple art project. It has grown into a global phenomenon, exposing our individual aspirations, fantasies, and frailties -- our common humanity.

    Every day dozens of postcards still make their way to Frank, with postmarks from around the world, touching on every aspect of human experience. This extraordinary collection brings together the most powerful, personal, and beautifully intimate secrets Frank Warren has received -- and brilliantly illuminates that human emotions can be unique and universal at the same time.

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  • Prozac Nation
    by Elizabeth Wurtzel
    ISBN 1573225126 (1-57322-512-6)
    Softcover, Riverhead Books

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    Elizabeth Wertzel writes with her finger in the faint pulse of a generation whose ruling icons are Kurt Cobain, Xanax, and pierced tongues. A memoir of her bouts with depression and skirmishes with drugs, Prozac Nation still manages to be a witty and sharp account of the psychopharmacology of an era. [via]

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  • Stitch 'N Bitch: The Knitter's Handbook
    by Debbie Stoller, Adrienne Yan
    ISBN 0761128182 (0-7611-2818-2)
    Softcover, Workman Pub Co

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    Knitting is hot, with 4 million newcomers in the last few years joining a core group of 38,000,000 knitters nationwide. And these are primarily young, creative, connected chicks with sticks who are coming together in living rooms, knitting cafes, and chic yarn stores, and making everything from funky hats to bikinis.

    In Stitch 'n Bitch, Debbie Stoller-founder of the first Stitch 'n Bitch knitting group in New York City-covers every aspect of knitting and the knitting-together lifestyle: the how-to, the when-to, the what-to, the why-to. Writing with wit and attitude (The Knitty-Gritty, Blocking for Blockheads), she explains the different types of needles and yarns (and sheep, too) and all the techniques from basic to fancy, knit to purl to cast-off. She also shares her special brand of corrective surgery for when things go wrong, and offers fun and informative sidebars on such topics as how to find the best yarn for less, how to make a buttonhole, knitting etiquette, and what tools to keep in your knitting bag. At the heart of the book are forty stylish patterns: Alien Scarf, Big Bad Baby Blanky, Mohair Hoodie, Kitty and Devil Hat, Cell Phone Cozy, and Wonder Woman Bikini. And for anyone interested: how to start a Stitch 'n Bitch group. [via]

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  • Three Greek Plays Prometheus Bound Agamemnon the Trojan Women
    by Edith Hamilton
    ISBN 0393002039 (0-393-00203-9)
    Softcover, W W Norton & Co Inc

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    Book summary:

    Three classic Greek tragedies are translated and critically introduced by Edith Hamilton.

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  • Under the Black Flag
    by David Cordingly
    ISBN 0156005492 (0-15-600549-2)
    Softcover, Harcourt

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    Though literature, films, and folklore have romanticized pirates as gallant seaman who hunted for treasure in exotic locales, David Cordingly, a former curator at the National Maritime Museum in England, reveals the facts behind the legends of such outlaws as Captain Kidd, Blackbeard, and Calico Jack. Even stories about buried treasure are fictitious, he says, yet still the myth remains. Though pirate captains were often sadistic villains and crews endured barbarous tortures, were constantly threatened with the possibility of death by hanging, drowning in a storm, or surviving a shipwreck on a hostile coast, pirates are still idealized. Cordingly examines why the myth of the romance of piratehood endures and why so few lived out their days in luxury on the riches they had plundered. [via]

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  • Under the Black Flag: The Romance And the Reality of Life Among the Pirates
    by David Cordingly
    ISBN 081297722X (0-8129-7722-X)
    Softcover, Random House Inc

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    Book summary:

    Though literature, films, and folklore have romanticized pirates as gallant seaman who hunted for treasure in exotic locales, David Cordingly, a former curator at the National Maritime Museum in England, reveals the facts behind the legends of such outlaws as Captain Kidd, Blackbeard, and Calico Jack. Even stories about buried treasure are fictitious, he says, yet still the myth remains. Though pirate captains were often sadistic villains and crews endured barbarous tortures, were constantly threatened with the possibility of death by hanging, drowning in a storm, or surviving a shipwreck on a hostile coast, pirates are still idealized. Cordingly examines why the myth of the romance of piratehood endures and why so few lived out their days in luxury on the riches they had plundered. [via]

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  • A Year in Provence
    by Peter Mayle, Judith Clancy
    ISBN 0679731148 (0-679-73114-8)
    Softcover, Random House Inc

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    Who hasn't dreamed, on a mundane Monday or frowzy Friday, of chucking it all in and packing off to the south of France? Provençal cookbooks and guidebooks entice with provocatively fresh salads and azure skies, but is it really all Côtes-du-Rhône and fleur-de-lis? Author Peter Mayle answers that question with wit, warmth, and wicked candor in A Year in Provence, the chronicle of his own foray into Provençal domesticity.

    Beginning, appropriately enough, on New Year's Day with a divine luncheon in a quaint restaurant, Mayle sets the scene and pits his British sensibilities against it. "We had talked about it during the long gray winters and the damp green summers," he writes, "looked with an addict's longing at photographs of village markets and vineyards, dreamed of being woken up by the sun slanting through the bedroom window." He describes in loving detail the charming, 200-year-old farmhouse at the base of the Lubéron Mountains, its thick stone walls and well-tended vines, its wine cave and wells, its shade trees and swimming pool--its lack of central heating. Indeed, not 10 pages into the book, reality comes crashing into conflict with the idyll when the Mistral, that frigid wind that ravages the Rhône valley in winter, cracks the pipes, rips tiles from the roof, and tears a window from its hinges. And that's just January.

    In prose that skips along lightly, Mayle records the highlights of each month, from the aberration of snow in February and the algae-filled swimming pool of March through the tourist invasions and unpredictable renovations of the summer months to a quiet Christmas alone. Throughout the book, he paints colorful portraits of his neighbors, the Provençaux grocers and butchers and farmers who amuse, confuse, and befuddle him at every turn. A Year in Provence is part memoir, part homeowner's manual, part travelogue, and all charming fun. --L.A. Smith [via]

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  • Zen and the Art of Motorcycle Maintenance
    by Robert M. Pirsig
    ISBN 0688032079 (0-688-03207-9)
    Hardcover, Harpercollins

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    Book summary:

    In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.

    Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.

    In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]

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  • Zen and the Art of Motorcycle Maintenance: An Inquiry into Values
    by Robert M. Pirsig
    ISBN 0688002307 (0-688-00230-7)
    Hardcover, Harpercollins

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    Book summary:

    In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.

    Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.

    In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]

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  • Zen Art of Motorcycle
    by Robert Pirsig
    ISBN 055325748X (0-553-25748-X)
    Softcover, Bantam Books

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    › Find signed collectible books: 'Zen Art of Motorcycle'
    Book summary:

    In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.

    Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.

    In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]

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