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books tagged “New Yorker”
books tagged “New Yorker”
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About the New Yorker and Me: A Sentimental Journalby E.J. KahnISBN 0140114289 (0-14-011428-9)
Hardcover, Penguin Books
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› Find signed collectible books: 'About the New Yorker and Me: A Sentimental Journal'Book summary:Celebrated "New Yorker" writer, E.J. Kahn, Jr. wrote a witty, literate, and marvelously entertaining memoir in 1979. A veteran writer, Kahn, Jr. has seen it all at "The New Yorker", one of NYC's major magazines. [via]
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About Town: The New Yorker and the World It Madeby Ben YagodaISBN 0306810239 (0-306-81023-9)
Softcover, Da Capo Pr
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› Find signed collectible books: 'About Town: The New Yorker and the World It Made'Book summary:"The New Yorker will be the magazine which is not edited for the old lady in Dubuque."
This now-famous line first appeared in the prospectus Harold Ross wrote for a humor magazine he was hoping to start, and, in fact, epitomized the publication's early years. For, as contributing editor E.B. White once ruefully wrote in response to a query about what kind of submissions were wanted, "I myself have only the vaguest idea what sort of manuscripts The New Yorker wants. I have, however, a pretty clear idea of what it doesn't want."
Plenty of books have been written about The New Yorker over the years--many by people who were intimately connected with it. Ben Yagoda's About Town is the first, however, to concentrate on the magazine itself, rather than the personalities who shaped it. In his introduction Yagoda writes: "What I had in mind was a critical and cultural history. It would consider, first, the content of the magazine--how its original form came to be, and how and why it evolved over the years. Second, I would look at the role the New Yorker has played in American cultural life." Yagoda is as good as his word as he takes readers from the founding of the magazine in 1919 up until 1987, the year William Shawn was forcibly retired from his position as editor in chief. An epilogue covers the Robert Gottlieb, Tina Brown, and David Remnick years, but the author considers that with Shawn's departure, the curtain came down on The New Yorker as "a unique and influential institution in our culture."
Of course devotees of Harold Ross's brainchild could be expected to eat this book up, but About Town is more than just the story of how a magazine was made. Yagoda provides a window on a lost age--New York in the '20s, '30s, and '40s before the advent of television, when magazines and newspapers were at the center of the nation's cultural and intellectual life. He writes well, evoking the times, the people, and the places with such clarity that Harold Ross himself would have been pleased. And it is to Ross that Yagoda and the reader owe much of About Town, for it seems The New Yorker's founding editor kept meticulous records--as did those with whom he worked. When S.I. Newhouse took control of the magazine in 1985, its editorial files--all 2,500 archival boxes of them--ended up at the New York Public Library. Letters from editors to writers and vice versa, minutes from art meetings, memos, editorial queries, and marked-up manuscripts are the raw materials from which Yagoda shapes his story, and he tells it so well that it often reads like a novel. The section dealing with the magazine's decision to run John Hersey's Hiroshima in its entirety is positively gripping.
But perhaps the best thing about About Town--for those readers who, like Alice in Wonderland, demand pictures and conversations in their stories--is the plethora of memorable quotes (and even a few photographs) that bring to life The New Yorker in its heyday. Consider this letter from Vladimir Nabokov concerning a short story the magazine had bought:
A man called Ross started to "edit" it, and I wrote to Mrs. White telling her that I could not accept any of those ridiculous and exasperating alterations (odds and ends inserted in order to "link up" ideas and make them clear to the "average reader"). Nothing like it has ever happened to me in my life.
Or this snippet from Ross's letter to H.L. Mencken: "We have carried editing to a very high degree of fussiness here, probably to a point approaching the ultimate. I don't know how to get it under control."Lovers of The New Yorker can thank their stars that Harold Ross never did get his fussiness under control. And they can thank Ben Yagoda for writing this comprehensive and satisfying biography of one of America's most enduring literary institutions. --Alix Wilber [via]
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The Assassins' Gate: America in Iraqby George PackerISBN 0374530556 (0-374-53055-6)
Softcover, Farrar Straus & Giroux
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› Find signed collectible books: 'The Assassins' Gate: America in Iraq'Book summary:As the death toll mounts in the Iraq War, Americans are agonizing over how the mess started and what to do now. George Packer, a staff writer at The New Yorker, joins the debate with his thoughtful book The Assassins' Gate. Packer describes himself as an ambivalent pro-war liberal "who supported a war [in Iraq] by about the same margin that the voting public had supported Al Gore." He never believed the argument that Iraq should be invaded because of weapons of mass destruction. Instead, he saw the war as a way to get rid of Saddam Hussein and build democracy in Iraq, in the vein of the U.S. interventions in Haiti and Bosnia.
How did such lofty aims get so derailed? How did the U.S. get stuck in a quagmire in the Middle East? Packer traces the roots of the war back to a historic shift in U.S. policy that President Bush made immediately after 9/11. No longer would the U.S. be hamstrung by multilateralism or working through the UN. It would act unilaterally around the world--forging temporary coalitions with other nations where suitable--and defend its status as the sole superpower. But when it came to Iraq, even Bush administration officials were deeply divided. Packer takes readers inside the vicious bureaucratic warfare between the Pentagon and State Department that turned U.S. policy on Iraq into an incoherent mess. We see the consequences in the second half of The Assassins' Gate, which takes the reader to Iraq after the bombs have stopped dropping. Packer writes vividly about how the country deteriorated into chaos, with U.S. authorities in Iraq operating in crisis mode. The book fails to capture much of the debate about the war among Iraqis themselves--instead relying mostly on the views of one prominent Iraqi exile--but it is an insightful contribution to the debate about the decisions--and blunders--behind the war. --Alex Roslin [via]
More editions of The Assassins' Gate: America in Iraq:
- The Assassins' Gate: America in Iraq: ISBN 078628451X (0-7862-8451-X)
Hardcover, Thorndike Pr - The Assassins' Gate: America in Iraq: ISBN 0374299633 (0-374-29963-3)
Hardcover, Farrar Straus & Giroux - The Assassins' Gate: America in Iraq: ISBN 0374530556 (0-374-53055-6)
Softcover, Farrar Straus & Giroux
- The Assassins' Gate: America in Iraq: ISBN 078628451X (0-7862-8451-X)
The Benchley Roundupby Nathaniel Benchley, Robert BenchleyISBN 0226042189 (0-226-04218-9)
Softcover, Univ of Chicago Pr
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Constant Readerby Dorothy ParkerISBN 067023916X (0-670-23916-X)
Hardcover, Viking Press
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Essays of E.B. Whiteby E. B. WhiteISBN 0060932236 (0-06-093223-6)
Softcover, Harpercollins
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› Find signed collectible books: 'Essays of E.B. White'Book summary:The classic collection by one of the greatest essayists of our time. [via]
More editions of Essays of E.B. White:
- Essays of E.B. White: ISBN 0844671959 (0-8446-7195-9)
Hardcover, Peter Smith Pub Inc - Essays of E.B. White: ISBN 0060906626 (0-06-090662-6)
Softcover, Harpercollins - Essays of E.B. White: ISBN 0060145765 (0-06-014576-5)
Hardcover, Harper & Row - Essays of E.B. White: ISBN 0060932236 (0-06-093223-6)
Softcover, Harpercollins
- Essays of E.B. White: ISBN 0844671959 (0-8446-7195-9)
Fierce Pajamas: An Anthology of Humor Writing from the New Yorkerby David Remnick, Henry FinderISBN 0375761276 (0-375-76127-6)
Softcover, Random House Inc
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The Fun of It: Stories from the Talk of the Townby Lillian RossISBN 0375756493 (0-375-75649-3)
Softcover, Modern Library
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› Find signed collectible books: 'The Fun of It: Stories from the Talk of the Town'Book summary:William Shawn once called The Talk of the Town the soul of the magazine. The section began in the first issue, in 1925. But it wasn't until a couple of years later, when E. B. White and James Thurber arrived, that the Talk of the Town story became what it is today: a precise piece of journalism that always gets the story and has a little fun along the way.
The Fun of It is the first anthology of Talk pieces that spans the magazine's life. Edited by Lillian Ross, the longtime Talk reporter and New Yorker staff writer, the book brings together pieces by the section's most original writers. Only in a collection of Talk stories will you find E. B. White visiting a potter's field; James Thurber following Gertrude Stein at Brentano's; Geoffrey Hellman with Cole Porter at the Waldorf Towers; A. J. Liebling on a book tour with Albert Camus; Maeve Brennan ventriloquizing the long-winded lady; John Updike navigating the passageways of midtown; Calvin Trillin marching on Washington in 1963; Jacqueline Onassis chatting with Cornell Capa; Ian Frazier at the Monster Truck and Mud Bog Fall Nationals; John McPhee in virgin forest; Mark Singer with sixth-graders adopting Hudson River striped bass; Adam Gopnik in Flatbush visiting the ìgrandest theatre devoted exclusively to the movies; Hendrik Hertzberg pinning down a Sulzberger on how the Times got colorized; George Plimpton on the tennis court with Boris Yeltsin; and Lillian Ross reporting good little stories for more than forty-five years. They and dozens of other Talk contributors provide an entertaining tour of the most famous section of the most famous magazine in the world. [via]More editions of The Fun of It: Stories from the Talk of the Town:
Genius in Disguise: Harold Ross of the New Yorkerby Thomas KunkelISBN 0786703237 (0-7867-0323-7)
Softcover, Carroll & Graf Pub
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Gone : The Last Days of the New Yorkerby Renata AdlerISBN 0684808161 (0-684-80816-1)
Hardcover, Simon & Schuster
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› Find signed collectible books: 'Gone : The Last Days of the New Yorker'Book summary:Renata Adler's fulminating, fascinating defense and prosecution of her longtime employer The New Yorker may not be the best book ever written on the subject. Brendan Gill's Here at the New Yorker remains the classic, and Nancy Franklin's profile of Katharine White in Life Stories is more graceful and insightful. But Gone is without doubt the hottest (as ex-editor Tina Brown might say) chronicle of the magazine's history: a scathing portrait of a world with the mad logic of Alice's Wonderland and intrigues as viciously intricate as anything in le Carré.
Adler's narrative zooms like a speedboat through decade after decade of controversy. Still, Gone is essentially a heart-shredding account of the fall of a dynasty--that of longtime editor William Shawn, one of the century's crucial journalistic geniuses. "Mr. Shawn was the father," recalls Adler, "Lillian Ross, the mother. The son was Jonathan Schell; the spirit was J.D. Salinger. This family, it seemed to me, was ferociously judgmental." Yet nobody is more ferocious than the author herself, who was taken into the bosom of this family and stomps all its members to smithereens.
According to Adler, she was one of the lucky few invited into the circle of Mr. Shawn's biological clan, not to mention the parallel world of his mistress and "office wife" Lillian Ross. The author is quick to take Ross to task for her own trash-talking memoir of Shawn. Yet Adler is hardly a whit less destructive in Gone, although she wields the shiv with far greater literary skill. Indeed, those who still worship at the late editor's shrine will be shocked at her portrait of Shawn as a cruel despot who nurtured and destroyed talent according to meticulously articulated, infinitely arbitrary, altogether lunatic rules adjudicated by himself alone. Apparently he had three main responses to criticism: silence, lies, and high-handedness cloaked as high-mindedness. Adler rages at Shawn's hypocrisy, citing his refusal to give his son Wallace Shawn a job on the basis of the magazine's "No Nepotism rule." Not only was this rule nonexistent but the editor rubbed salt in the wound by hiring Schell instead, who happened to be the younger Shawn's college roommate.
Adler notes that the writers who bullied the conflict-averse Shawn tended to prosper, while those who revered him withered away, unpublished. Amazingly, she blames literature's loss of Salinger on Shawn: the ever-elusive author of The Catcher in the Rye "said that the reason he chose not to publish the material he had been working on was to spare Mr. Shawn the burden of having to read, and to decide whether to publish, Salinger writing about sex." Space, alas, prevents full comment on all of Adler's red-hot disclosures. Suffice it to say, however, that like a certain Truman Capote piece she insists on trashing, Adler's memoir of her office family is written in cold blood indeed. --Tim Appelo [via]
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Here at the New Yorkerby Brendan GillISBN 0306808102 (0-306-80810-2)
Softcover, Da Capo Pr
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› Find signed collectible books: 'Here at the New Yorker'Book summary:Brendan Gill sold his first story to the New Yorker in 1936, when he was 21, and has worked there ever since. When his irreverent memoir appeared in 1975, it caused the most delightful of frissons, because the outside world then knew little about his workplace. Gill declares that "in the old Ross-Shawn days, what hadn't happened at the magazine was more worthy of note than what had." In reality, of course, a great deal was happening, and Gill seems to have heard and remembered it all. (This edition also contains a 1997 introduction, complete with acute and politic comments on the Bob Gottlieb and Tina Brown regimes.) But Here at the New Yorker is far from an exposé, consisting instead of the recollections of a lucky man who loves his work and many of his fellows.
Each reader will have his or her favorite anecdotes. Gill remembers taking the subway with Marianne Moore, who was squeezed next to two high school musicians. "Miss Moore stared with admiration at the drum, then said to the boy holding the drumsticks, 'Sonny, when the time comes, give it a big bang just for me.'" And, speaking of big bangs, the old New Yorker was far more squeamish--an organ in which bare nipples were nowhere to be found. Its first editor, Harold Ross, shown a cartoon complete with one such entity, growled: "Take that goddam tit up to Mrs. White and ask her what to do about it." His successor, William Shawn, shared his modesty though not his speech patterns. When Mr. Shawn asked the novelist Henry Green what led him to write Loving, Green's reply wasn't quite what he had expected. Alas, readers, you must turn to page 386 of this endlessly charming book for the offending response. [via]
Here Is New Yorkby E. B. White, Roger AngellISBN 1892145022 (1-892145-02-2)
Hardcover, Little Bookroom
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I, Wabenzi: A Souvenir, Aporiaby Rafi ZaborISBN 9780374299 (978-037-429-9)
Hardcover, Farrar, Straus and Giroux
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Janet Flanner's World: Uncollected Writings, 1932-1975by Janet Flanners, Irving DrutmanISBN 015645971X (0-15-645971-X)
Softcover, Harcourt
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› Find signed collectible books: 'Janet Flanner's World: Uncollected Writings 1932 - 1975'Book summary:The pieces collected here include an early profile of Hitler, reports on the Nuremberg trials, portraits of Thomas Mann, Bette Davis, Picasso, and concerts and art exhibits. Edited by Irving Drutman. Preface by William Shawn.[via]More editions of Janet Flanner's World: Uncollected Writings, 1932-1975:
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Just Enough Liebling: Classic Work By The Legendary New Yorker Writerby A. J. Liebling, David RemnickISBN 0374104433 (0-374-10443-3)
Hardcover, Farrar Straus & Giroux
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› Find signed collectible books: 'Just Enough Liebling: Classic Work By The Legendary New Yorker Writer'Book summary:The restaurants of the Latin Quarter and the city rooms of midtown Manhattan; the beachhead of Normandy and the boxing gyms of Times Square; the trackside haunts of bookmakers and the shadowy redoubts of Southern politicians--these are the places that A.J. Liebling shows to us in his unforgettable New Yorker articles, brought together here so that a new generation of readers might discover Liebling as if for the first time.[via]
Born a hundred years ago, Abbott Joseph "Joe" Liebling was the first of the great New Yorker writers, a colorful and tireless figure who helped set the magazine's urbane style. Today, he is best known as a celebrant of the "sweet science" of boxing or as a "feeder" who ravishes the reader with his descriptions of food and wine. But as David Remnick, a Liebling devotee, suggests in his fond and insightful introduction, Liebling was a writer bounded only by his intelligence, taste, and ardor for life. Like his nemesis William Randolph Hearst, he changed the rules of modern journalism, banishing the distinctions between reporting and storytelling, between news and art. Whatever his role, Liebling is a most companionable figure, and to read the pieces in this grand and generous book is to be swept along on a thrilling adventure in a world of confidence men, rogues, press barons and political cronies, with an inimitable writer as one's guide.More editions of Just Enough Liebling: Classic Work By The Legendary New Yorker Writer:
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Just Enough Liebling: Classic Work by the Legendary New Yorker Writerby David RemnickISBN 0865477272 (0-86547-727-2)
Softcover, North Point Pr
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› Find signed collectible books: 'Just Enough Liebling: Classic Work by the Legendary New Yorker Writer'Book summary:Abbott Joseph Liebling was one of the greatest of all New Yorker writers, a colorful figure who helped set the magazine's urbane tone and style. Just Enough Liebling gathers in one volume the vividest and most enjoyable of his pieces. Charles McGrath (in The New York Times Book Review) praised it as "a judicious sampling-a useful window on Liebling's vast body of writing and a reminder, to those lucky enough to have read him the first time around, of why he was so beloved." Today Liebling is best known as a celebrant of the "sweet science" of boxing, and as a "feeder" who ravishes the reader with his descriptions of food and wine. But as David Remnick observes in his fond and insightful introduction, Liebling is "boundlessly curious, a listener, a boulevardier, a man of appetites and sympathy"-and a writer who, with his great friend and colleague Joseph Mitchell, deftly traversed the boundaries between reporting and storytelling, between news and art.[via]More editions of Just Enough Liebling: Classic Work by the Legendary New Yorker Writer:
Let Me Finishby Roger AngellISBN 0786288701 (0-7862-8870-1)
Hardcover, Thorndike Pr
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Liebling Abroadby A. J. LieblingISBN 0872236439 (0-87223-643-9)
Softcover, Wideview Books
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› Find signed collectible books: 'Liebling Abroad'Book summary:softcover book [via]
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Life Stories: Profiles from the New Yorkerby David RemnickISBN 0375757511 (0-375-75751-1)
Softcover, Random House Inc
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› Find signed collectible books: 'Life Stories: Profiles from the New Yorker'Book summary:Way back in 1926 the founding editor of The New Yorker suggested that the title Profiles be registered with the copyright bureau. Harold Ross had ample reason, for though he didn't invent the word itself, he certainly invested it with new significance. Over the years, New Yorker Profiles came to represent a new kind of biography: concise, well-researched, and impeccably written sketches of personalities who were often famous--but just as often not. Take for example "Mr. Hunter's Grave," Joseph Mitchell's 1956 Profile of George H. Hunter, the 87-year-old chairman of the board of trustees of the African Methodist church on Staten Island. This delightful piece leads off a select group of Profiles culled from The New Yorker's first 75 years and collected in Life Stories, edited by David Remnick. More a study of a place and a way of life than of a particular man, Mitchell's Profile stretched the parameters of the form.
The very next piece, Mark Singer's "Secrets of the Magus," is a prime example of what The New Yorker does best. In Ricky Jay, "perhaps the most gifted sleight-of-hand artist alive," Singer has hit on a quirky, eccentric, and fascinating subject--one that offers plenty of scope for writer and reader alike to dip into an arcane and little-known world of magicians, mountebanks, card handlers, and confidence men. Alva Johnston achieves similar success in "The Education of a Prince," his 1932 Profile of con man Harry F. Gerguson, who spent years masquerading as the lost Prince Michael Alexandrovitch Dmitry Obolensky Romanoff:
The Prince had a glittering career in New York, Boston, Newport, on Long Island, in high-caste settlements along the Hudson, and among the aristocracies of a dozen American cities. Twice he swept over Hollywood in a confetti shower of bad checks. He was repeatedly exposed, but exposure does not embarrass him greatly. He is widely admired today, not for his title but for his own sake. He has convinced a fairly large public that a good imposter is preferable to the average prince.
Of course The New Yorker covered plenty of household names, as well, and Life Stories contains sketches of such celebrities as Mikhail Baryshnikov, Johnny Carson, Richard Pryor and Marlon Brando. The arts are well represented by pieces on Ernest Hemingway, Anatole Broyard, and David Salle, and even the contributors are stellar, including such well-known scribes as Henry Louis Gates Jr., Truman Capote, and John McPhee.But where is that famous Profile of the sea by Rachel Carson, you ask? Pauline Kael's piece on Cary Grant or Janet Malcolm's controversial study of psychoanalyst Aaron Green? In his introduction Remnick acknowledges the many great Profiles that did not make it into this volume, explaining that he decided to publish pieces only in full. "I wanted the reader to get the real thing--no excerpts, no snippets," he writes. "As a result the reader will have to go elsewhere for a range of long or multipart Profiles." What's here is choice, though, and die-hard New Yorker aficionados who turn to the Profiles even before perusing the cartoons won't be disappointed by what they find. All in all, Life Stories makes a fine 75th anniversary bouquet for the magazine's many devoted readers. --Alix Wilber [via]
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The Long-Winded Lady: Notes from the New Yorkerby Maeve BrennanISBN 0395893631 (0-395-89363-1)
Softcover, Houghton Mifflin
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Love Stories from the New Yorkerby Roger Angell, New Yorker Magazine StaffISBN 0679457011 (0-679-45701-1)
Hardcover, Random House Publishing Group
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Maeve Brennan: Homesick At The New Yorkerby Angela BourkeISBN 1582432295 (1-58243-229-5)
Hardcover, Counterpoint
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The New Gilded Ageby David RemnickISBN 0375757155 (0-375-75715-5)
Softcover, Modern Library
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› Find signed collectible books: 'The New Gilded Age'Book summary:The New Yorker caters to America's upper classes; it's the kind of magazine meant to be accompanied by a glass of pricey Merlot. Over the years its elitism has waxed and waned. Ex-editor Tina Brown worked valiantly to inject a dose of pop-cultural crassness into its ivory-tower sensibilities: profiling celebrities and publishing fashion issues where models stared out from every page, looking chilly. When David Remnick took over in the late '90s, the magazine shifted, grew quieter and more circumspect, and the old guard breathed a collective sigh of relief.
The New Gilded Age collects essays and profiles from 1999 and 2000 and reveals Remnick's New Yorker to be obsessed with money and business--arguably less interesting than celebrity, but also deeper ways of looking at America and power. The title refers to the period of technological revolution symbolized by the rise of Microsoft, the booming of Silicon Valley, and the end of the belief that an Ivy League education will get you anywhere.
What's admirable about this New Yorker is its timeliness; the way, without seeming like a panicked "edge" magazine, it managed to document and acknowledge the shifting sands of the millennial moment. Standouts in this regard: William Finnegan on the protesters behind the 1999 WTO riots in Seattle; Ken Auletta following Bill Gates through various meltdowns as he comes to terms with the federal government's antitrust lawsuit against Microsoft. These are painstakingly reported pieces in which style is submerged. The more audacious writers tend to be women. In "Everywoman.com," Joan Didion describes Martha Stewart in a flood of rapt lyricism:
This is not a story about a woman who made the best of traditional skills. This is a story about a woman who did her own I.P.O. This is the "woman's pluck" story, the dust-bowl story, the burying-your-child-on-the-trail story, the I-will-never-go-hungry-again story, the Mildred Pierce story, the story about how the sheer nerve of even professionally unskilled women can prevail, show the men; the story that has historically encouraged women in this country, even as it has threatened men.
In "Landing from the Sky," Adrian Nicole LeBlanc creates a portrait of a young Puerto Rican woman with too many kids and too much trouble. The writing here is exquisite and passionate: "Jessica created an aura of intimacy wherever she went. You could be talking to her in the middle of Tremont and feel as if a confidence were being exchanged beneath a tent of sheets."Jessica's story seems far from the world of The New Yorker's target audience. When in "My Misspent Youth" Meghan Daum laments her poverty and credit card debt, then reveals she lives alone in a $1,500-a-month apartment on Manhattan's Upper West Side, you have to wonder: Did the poor thing ever hear of roommates? As both a document and celebration of such rarefied and privileged attitudes, The New Gilded Age is a rich, informative glimpse into America at the turn of the millennium--before the NASDAQ crashed and the dot-com kids went home to count their losses. --Emily White [via]
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The New Yorker 75th Anniversary Cartoon Collectionby Robert MankoffISBN 067103555X (0-671-03555-X)
Hardcover, Pocket Books
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› Find signed collectible books: 'The New Yorker 75th Anniversary Cartoon Collection'Book summary:This 75th anniversary collection pulls together a variety of cartoonists ranging from James Thurber and his ever-battling sexes to Bruce Eric Kaplan and his modern urbans. Readers who are put off by The New Yorker's reputation for stodginess may be pleasantly surprised: a city lot offers Extreme Parking, and one of George Booth's crotchety old ladies urges a silent ogler to "Whistle, you dumb bastard!" There are plenty of sight gags and silly puns (a worried buffalo complains about his cell phone's roaming charges), but don't expect to get through without picking up on a literary reference or two. Roz Chast revisits Eloise at the Plaza hotel at the age of 46 and chronicles the Dialogues of Plato over what to have for lunch. And of course no New Yorker collection would be complete without the sly ghoulishness of Charles Addams. The perfect book for anyone who has ever flipped through a copy of The New Yorker just for the cartoons. --Ali Davis [via]
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The New Yorker Book of Cat Cartoonsby New YorkerISBN 0394587952 (0-394-58795-2)
Hardcover, Random House Inc
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› Find signed collectible books: 'The New Yorker Book of Cat Cartoons'Book summary:Here are the funniest and most feline cats ever assembled in 101 cartoons, the cream of the cream, from sixty-five years of the New Yorker. [via]
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The New Yorker Book of Literary Cartoonsby Bob MankoffISBN 0671035584 (0-671-03558-4)
Softcover, Simon & Schuster
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› Find signed collectible books: 'The New Yorker Book of Literary Cartoons'Book summary:Welcome to "The New Yorker Book of Literary Cartoons," a timeless tribute to the peerless power of the literary landscape. In 104 drawings, each of them certified by experts to be worth a thousand words (and some of them quite amusing), the essence of reading, writing, publishing, and shelving books is explored in all its glory and absurdity, from the stunning and sublime to the purple and pretentious. Here is Emma Bovary shrugging off those pesky bouts with existential boredom (on the tennis court), Dickens' fateful encounter with a martini (olive or twist?), and T.S. Eliot's "The Waste Land" thoughtfully rewritten for the Beavis and Butt-Head market ("April sucks"). Here is a long-awaited and wholly unprecedented comic takedown of that loftiest of all cultural arenas, the world of belles lettres. It is a world where books stamped with promises from Oprah stand alongside others arranged by the attention span they require, a world where the Bible can now be found in the self-help section. Here, finally, are dead-on portraits and eye-opening ruminations on all things bookish, writerly, and readerly, courtesy of "The New Yorker's" renowned stable of cartoonists, from Charles Barsotti to Roz Chast, Ed Koren to J.B. Handelsman, and Jack Ziegler to Victoria Roberts. In the bestselling tradition of such classics as "The New Yorker Book of Lawyer Cartoons" and "The New Yorker Book of Cat Cartoons -- THE NEW YORKER BOOK OF LITERARY CARTOONS" is manna straight from bookworm heaven. [via]
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The New Yorker Cartoon Album 1975-1985ISBN 067974276X (0-679-74276-X)
Softcover, Random House Inc
Find This BookBook summary:THE BOOK HAS NO DUST JACKET AND THE COVER HAS WEAR.THE INSIDE IS IN VERY GOOD CONDITION [via]
More editions of The New Yorker Cartoon Album 1975-1985:
- The New Yorker Cartoon Album 1975-1985: ISBN 0140081119 (0-14-008111-9)
Softcover, Penguin Group USA - The New Yorker Album of Drawings, 1925-1975: ISBN 0670509272 (0-670-50927-2)
Hardcover, Viking Press - The New Yorker Cartoon Album 1975-1985: ISBN 0670806773 (0-670-80677-3)
Hardcover, Viking - The New Yorker Book of Cat Cartoons/Miniature Edition: ISBN 067974276X (0-679-74276-X)
Softcover, Random House Inc
- The New Yorker Cartoon Album 1975-1985: ISBN 0140081119 (0-14-008111-9)
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Nobody's Perfect: Writings from the New Yorkerby Anthony LaneISBN 0375714340 (0-375-71434-0)
Softcover, Vintage Books
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› Find signed collectible books: 'Nobody's Perfect: Writings from the New Yorker'Book summary:In an aside that reads like a declaration of intent, Anthony Lane writes that he never quite thrilled to the battle pitched between mainstream and art cinema which is to say that he glories in highbrow and lowbrow alike, and respectfully suggests that the ideal literary diet consists of trash and classics . . . books you can read without thinking, and books you have to read if you want to think at all.
In almost ten years as a critic for The New Yorker, Lane has not only written an indispensable column on the latest movie releases, great and small. He has also turned his gaze upon subjects as various as Evelyn Waugh, Shakespeare, the glory of cookbooks, and the fine art of the obituary. Whether he is examining Alfred Hitchcock or astronauts, to read him is to be carried along on a current of urgent inquiry ( What is the point of Demi Moore? ), wry reflection, and penetrating wit. An essay on The Sound of Music leads him to consider not only singing nuns but the comedy of our cultural memories ( For all our searchings and suppressings, the past comes unbidden or not at all ); his now infamous pieces on the best-seller lists both celebrate the exultantly bad prose of Judith Krantz and deride the marshes of the middlebrow, where serious novelists lumber around with too many ideas on their back. His writings on the poetry of Matthew Arnold, A. E. Housman, and especially T. S. Eliot showcase his erudition, dispensed with a piercing insight into human folly. In his survey of events as disparate as Oscar night, a Walker Evans retrospective, and the craziness of a Chanel show in Paris, the acuity of Lanes intellect is matched by a quality of heart that is his alone, and by a willingness to be carried away. His writings remind us of what criticism can achieve at its best.
Arguably the most gifted reviewer at work today, Anthony Lane sets the standardas a reader, as a critic, and as an observer of life. Nobody's Perfect is a must for fans old and new. [via]More editions of Nobody's Perfect: Writings from the New Yorker:
Nothing but Youby Roger AngellISBN 0375751505 (0-375-75150-5)
Softcover, Random House Inc
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One Man's Meatby E. B. WhiteISBN 0884481921 (0-88448-192-1)
Softcover, Tilbury House Pub
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› Find signed collectible books: 'One Man's Meat'Book summary:NonfictionLarge Print EditionIn print for fifty-five years, One Mans Meat continues to delight readers with E.B. Whites witty, succinct observations on daily life at a Maine saltwater farm. Too personal for an almanac, too sophisticated for a domestic history, and too funny and self-doubting for a literary journal, One Mans Meat can best be described as a primer of a countrymans lessons a timeless recounting of experience that will never go out of style. [via]
More editions of One Man's Meat:
- One Man's Meat: ISBN 0060804203 (0-06-080420-3)
Softcover, Harpercollins - One Man's Meat: ISBN 006091081X (0-06-091081-X)
Softcover, Harpercollins - One Man's Meat: ISBN 0060150602 (0-06-015060-2)
Hardcover, Harpercollins - One Man's Meat: ISBN 0783883218 (0-7838-8321-8)
Hardcover, Thorndike Pr - One Man's Meat: ISBN 0884481921 (0-88448-192-1)
Softcover, Tilbury House Pub
- One Man's Meat: ISBN 0060804203 (0-06-080420-3)
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Paris to the Moonby Adam GopnikISBN 0375758232 (0-375-75823-2)
Softcover, Random House Inc
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› Find signed collectible books: 'Paris to the Moon'Book summary:In 1995 Gopnik was offered the plush assignment of writing the "Paris Journals" for the New Yorker. He spent five years in Paris with his wife, Martha, and son, Luke, writing dispatches now collected here along with previously unpublished journal entries. A self-described "comic-sentimental essayist," Gopnik chose the romance of Paris in its particulars as his subject. Gopnik falls in unabashed love with what he calls Paris's commonplace civilization--the cafés, the little shops, the ancient carousel in the park, and the small, intricate experiences that happen in such settings. But Paris can also be a difficult city to love, particularly its pompous and abstract official culture with its parallel paper universe. The tension between these two sides of Paris and the country's general brooding over the decline of French dominance in the face of globalization (haute couture, cooking, and sex, as well as the economy, are running deficits) form the subtexts for these finely wrought and witty essays. With his emphasis on the micro in the macro, Gopnik describes trying to get a Thanksgiving turkey delivered during a general strike and his struggle to find an apartment during a government scandal over favoritism in housing allocations. The essays alternate between reports of national and local events and accounts of expatriate family life, with an emphasis on "the trinity of late-century bourgeois obsessions: children and cooking and spectator sports, including the spectator sport of shopping." Gopnik describes some truly delicious moments, from the rites of Parisian haute couture, to the "occupation" of a local brasserie in protest of its purchase by a restaurant tycoon, to the birth of his daughter with the aid of a doctor in black jeans and a black silk shirt, open at the front. Gopnik makes terrific use of his status as an observer on the fringes of fashionable society to draw some deft comparisons between Paris and New York ("It is as if all American appliances dreamed of being cars while all French appliances dreamed of being telephones") and do some incisive philosophizing on the nature of both. This is masterful reportage with a winning infusion of intelligence, intimacy, and charm. --Lesley Reed [via]
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Paris Was Yesterday: 1925-1939by Janet Flanner, Irving DrutmanISBN 0156709902 (0-15-670990-2)
Softcover, Harcourt
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› Find signed collectible books: 'Paris Was Yesterday: 1925-1939'Book summary:In 1925 Flanner began her New Yorker Letter from Paris, from which most of the pieces in this collection are drawn. They give an incomparable view of French life before World War II. Edited by Irving Drutman; Index.[via]More editions of Paris Was Yesterday: 1925-1939:
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Pure Drivelby Steve MartinISBN 078688505X (0-7868-8505-X)
Softcover, Hyperion Books
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› Find signed collectible books: 'Pure Drivel'Book summary:Steve Martins talent has always defied definition: a seasoned actor, a razor-sharp screenwriter, an acclaimed playwright, and, of course, the ingenious comedian who turned King Tut into a national craze. In this widely praised collection of humourous riffs, Martin shows he is also a master of the written word. From a wildly imaginative meditation on who Lolita would be at age fifty to a send-up of the warning labels on medicine bottles, these pieces, many of which first appeared in The New Yorker, hilariously and intelligently skewer the topic at hand. Pure Drivel will have readers crying with laughterand marveling that in addition to all of his many talents, Steve Martin is also a superb writer. Like the fuzzy little puff of marabou on the instep of a coquettes satin bedroom slipper... Martins book of diminutive, often hilarious essays [is]... effortless and silly even as its subtly erudite. ? Salon Martin is a gorgeous writer capable of being at once melancholy and tart, achingly innocent and astonishingly ironic. He is a master at revealing the surreal poetry in pure drivel. ? Elle [via]
The Rejection Collection: Cartoons You Never Saw, and Never Will See, in the New Yorkerby Matthew Diffee, Robert MankoffISBN 1416933395 (1-4169-3339-5)
Hardcover, Simon Spotlight Entertainment
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Remembering Mr. Shawn's New Yorker: The Invisible Art of Editingby Ved MehtaISBN 0879517077 (0-87951-707-7)
Softcover, Penguin Group USA
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› Find signed collectible books: 'Remembering Mr. Shawn's New Yorker: The Invisible Art of Editing'Book summary:Ved Mehta has often been accused of being the least lively, most irrelevant writer at the New Yorker magazine. But his vivid, eccentric, almost Thurberesquely embittered memoir of his life there stands as the most revealing book yet on the most fascinating magazine in modern history. That's right, it's more revealing than Brendan Gill's classic Here at the New Yorker, Jay McInerney's cocaine-edged satirical roman à clef, Bright Lights, Big City, and Here but Not Here: A Love Story, by Lillian Ross, the mistress of the mag's legendary editor William Shawn.
It speaks volumes about the nature of the New Yorker that Mehta is capable of saying--apropos of one of his articles about theologians--that "writing about God presented special difficulties, both because of the nature of the subject and because of the sensibilities of the various believers." Mehta is dead serious here, as he apparently always is. Only in the New Yorker, kids, could anyone in the magazine biz get away with the sky-high idealism Mehta eloquently describes. And only a guy like Mehta could describe the specifics of Shawn's invisible art of editing and the human maelstrom that swirled around him.
Writing about Mr. Shawn presents special difficulties because he worked in mysterious ways and thwarted attempts to cast light on him as effectively as a black hole in outer space. But Mehta was a sort of surrogate son to Shawn, not only part of the innermost circle of the xenophobic publication but sometimes the sole non-family member invited to the Shawns' Thanksgiving feasts. Mehta takes us to the parties where the phenomenally repressed Shawn "cut loose" (who would've guessed this was one of his favorite phrases?), pounding out "Anything Goes" and "Don't Fence Me In" on the piano in a rocking stride style.
The best stuff in the book is its portrait of Mr. Shawn's intriguing wife, Cecille, the comments of their movie-famous son Wallace (coauthor of My Dinner with Andre), and the bilious dinner-table and office gossip that Mehta lets us overhear. Did you know that the talented writer Maeve Brennan went insane and lived in the New Yorker's ladies' room until she started smashing the glass portion of the business manager's door? (For the full story, see William Maxwell's introduction to Brennan's brilliant Springs of Affection, posthumously released in 1997.) Mehta is also in some ways in a better position than Lillian Ross to explain her function in William Shawn's life: "desk-bound as he was, and hemmed in by his phobias, [Shawn] relied on Lillian as his special eyes and ears, to keep him abreast of things going on in the city and in the culture at large."
Alas, times in the publishing industry changed brutally, while Mr. Shawn did not. Mehta gives good dirt about the bloody battle for succession to Shawn's throne--one of the plotters was dubbed "the Slasher." He never gives deeper insights than when he tells a story about the New Yorker's troubles as only an insider could while entirely, sublimely missing the point as only a New Yorker insider can. He's so loyal to his editor that he seems unaware that sometimes the man and the magazine were simply wrong, particularly when facts were altered in small ways in essays not billed as fiction.
Yet as countless New Yorker writers will tell you in person, but few have described in print, Mr. Shawn was also an editorial genius and a titanic soul. It is a privilege to be introduced to him by Mr. Mehta. --Tim Appelo [via]
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Selected Letters of James Thurberby James Thurber, Edward Weeks, Helen ThurberISBN 0140063536 (0-14-006353-6)
Softcover, Penguin Books
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› Find signed collectible books: 'Selected Letters of James Thurber'Book summary:A collection of letters written by James Thurber to and about many of his literary and theatrical contemporaries. Entertaining. [via]
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Show and Tell: New Yorker Profilesby John LahrISBN 1585670626 (1-58567-062-6)
Hardcover, Penguin USA
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Some Times in Americaby Alexander ChancellorISBN 0747543372 (0-7475-4337-2)
Hardcover, Bloomsbury Pub Ltd
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› Find signed collectible books: 'Some Times in America'Book summary:By way of Eton, Cambridge, Reuters, ITN, "The Spectator" and "The Sunday Telegraph", Alexander Chancellor arrived in America as Washington correspondent for "The Independent" in 1986. He has since joined the New Yorker and this work is his "take" on life in America. [via]
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Some Times in America: And a Life in a Year at the New Yorkerby Alexander ChancellorISBN 0786707100 (0-7867-0710-0)
Hardcover, Carroll & Graf Pub
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Theories of Everything: Selected, Collected, Health-inspected Cartoons, 1978-2006by Roz ChastISBN 158234423X (1-58234-423-X)
Hardcover, St Martins Pr
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› Find signed collectible books: 'Theories of Everything: Selected, Collected, Health-inspected Cartoons, 1978-2006'Book summary:[via]At last, the comprehensive book of cartoons from beloved New Yorker cartoonist Roz Chast.More editions of Theories of Everything: Selected, Collected, Health-inspected Cartoons, 1978-2006:
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The Thurber Carnivalby James ThurberISBN 0060932872 (0-06-093287-2)
Softcover, Harpercollins
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› Find signed collectible books: 'The Thurber Carnival'Book summary:After the chuckles and amidst the chortles, the first-time reader of The Thurber Carnival is bound to utter a discreetly voiced "Huh?" Like Cracker Jacks, there are surprises inside James Thurber's delicious 1945 smorgasbord of essays, stories, and sketches. This festival is, surprises and all, a collection of earlier collections (mostly), including, among others, gems from My World--and Welcome to It, Let Your Mind Alone!, and The Middle Aged Man on the Flying Trapeze. Needless to say, there are also numerous cartoons that, by themselves, are worth the price of admission. While redoubling Thurber's deserved reputation as a laugh-out-loud humorist and teller-of-gentle-tales, it reintroduces him as a thinker-of-thoughts. To wit: his 1933 "Preface to a Life," in which he observes himself while discussing "writers of light pieces running from a thousand to two thousand words":
To call such persons "humorists," a loose-fitting and ugly word, is to miss the nature of their dilemma and the dilemma of their nature. The little wheels of their invention are set in motion by the damp hand of melancholy.
Enjoy the surprises, certainly, but revel in the candy-coated popcorn and peanuts. As in "More Alarms at Night," in which a teenaged Thurber intrudes upon his sleeping father, a skittish man named Charles, because he can't recall the name Perth Amboy, New Jersey. Coincidentally, his father has just been frightened half to death by Thurber's brother, who had earlier stalked into his room saying coldly, "Buck, your time has come.""Listen," I said. "Name some towns in New Jersey quick!" It must have been around three in the morning. Father got up, keeping the bed between him and me, and started to pull his trousers on. "Don't bother about dressing," I said. "Just name some towns in New Jersey." While he hastily pulled on his clothes--I remember he left his socks off and put his shoes on his bare feet--father began to name, in a shaky voice, various New Jersey cities. I can still see him reaching for his coat without taking his eyes off me. "Newark," he said, "Jersey City, Atlantic City, Elizabeth, Paterson, Passaic, Trenton, Jersey City, Trenton, Paterson--" "It has two names," I snapped. "Elizabeth and Paterson," he said.
Of course, things turn out fine, as well they should. And why not? The best of Thurber, which The Thurber Carnival arguably is, is sublime; surprising insight and wry observations tossed lightly and served constantly with effortless good humor and an obvious love for all things gently eccentric. --Michael Hudson [via]More editions of The Thurber Carnival:
- The Thurber Carnival: ISBN 0060904453 (0-06-090445-3)
Softcover, Harpercollins - The Thurber Carnival: ISBN 0394604741 (0-394-60474-1)
Hardcover, Random House Publishing Group - The Thurber Carnival: ISBN 0679600892 (0-679-60089-2)
Hardcover, Random House Publishing Group - The Thurber Carnival: ISBN 0060932872 (0-06-093287-2)
Softcover, Harpercollins
- The Thurber Carnival: ISBN 0060904453 (0-06-090445-3)
Thurber Countryby James ThurberISBN 0671729012 (0-671-72901-2)
Softcover, Simon & Schuster
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Thurber Country : A Collection of Pieces about Males and Females, Mainly of Our Own Speciesby Lillian Ross, James ThurberISBN 0743233409 (0-7432-3340-9)
Hardcover, Simon & Schuster
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› Find signed collectible books: 'Thurber Country : A Collection of Pieces about Males and Females, Mainly of Our Own Species'Book summary:First published in 1949, Thurber Country remains a benchmark of satirical writing. Now, in this Simon & Schuster Classic Edition, is the original book, with a new introduction by Lillian Ross.
The fact that James Thurber
wrote this collection
of pieces
is,
of course,
a publisher's blurb
in itself.
It therefore is necessary
simply to give
the reader
some factual idea
of
what sort of pieces
they are.
There are
26 of them.
Most
(including "File and Forget,"
a correspondence
with his publishers
which is not
recommended to people
who have
a tendency
to get bad hiccoughs
from
too much laughing)
have
already appeared
in The New Yorker.
Seven pieces
have appeared
in The Bermudian
and have therefore
never
been published
in this country.
You will find
Thurber Country
a place
not difficult to enter,
but
hard to leave. [via]More editions of Thurber Country : A Collection of Pieces about Males and Females, Mainly of Our Own Species:
Thurber Country: A Collection of Pieces About Males and Females, Mainly of Our Speciesby James ThurberISBN 0671459309 (0-671-45930-9)
Softcover, Simon & Schuster
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The Tipping Point: How Little Things Can Make a Big Differenceby Malcolm GladwellISBN 0316346624 (0-316-34662-4)
Softcover, Back Bay Books
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› Find signed collectible books: 'The Tipping Point: How Little Things Can Make a Big Difference'Book summary:"The best way to understand the dramatic transformation of unknown books into bestsellers, or the rise of teenage smoking, or the phenomena of word of mouth or any number of the other mysterious changes that mark everyday life," writes Malcolm Gladwell, "is to think of them as epidemics. Ideas and products and messages and behaviors spread just like viruses do." Although anyone familiar with the theory of memetics will recognize this concept, Gladwell's The Tipping Point has quite a few interesting twists on the subject.
For example, Paul Revere was able to galvanize the forces of resistance so effectively in part because he was what Gladwell calls a "Connector": he knew just about everybody, particularly the revolutionary leaders in each of the towns that he rode through. But Revere "wasn't just the man with the biggest Rolodex in colonial Boston," he was also a "Maven" who gathered extensive information about the British. He knew what was going on and he knew exactly whom to tell. The phenomenon continues to this day--think of how often you've received information in an e-mail message that had been forwarded at least half a dozen times before reaching you.
Gladwell develops these and other concepts (such as the "stickiness" of ideas or the effect of population size on information dispersal) through simple, clear explanations and entertainingly illustrative anecdotes, such as comparing the pedagogical methods of Sesame Street and Blue's Clues, or explaining why it would be even easier to play Six Degrees of Kevin Bacon with the actor Rod Steiger. Although some readers may find the transitional passages between chapters hold their hands a little too tightly, and Gladwell's closing invocation of the possibilities of social engineering sketchy, even chilling, The Tipping Point is one of the most effective books on science for a general audience in ages. It seems inevitable that "tipping point," like "future shock" or "chaos theory," will soon become one of those ideas that everybody knows--or at least knows by name. --Ron Hogan [via]
More editions of The Tipping Point: How Little Things Can Make a Big Difference:
- The Tipping Point: How Little Things Can Make a Big Difference: ISBN 0316316962 (0-316-31696-2)
Hardcover, Little Brown & Co - The Tipping Point: How Little Things Can Make a Big Difference: ISBN 0316679070 (0-316-67907-0)
Softcover, Warner Books Inc - The Tipping Point: How Little Things Can Make a Big Difference: ISBN 0316648523 (0-316-64852-3)
Hardcover, Little Brown & Co - The Tipping Point: How Little Things Can Make a Big Difference: ISBN 0316346624 (0-316-34662-4)
Softcover, Back Bay Books
- The Tipping Point: How Little Things Can Make a Big Difference: ISBN 0316316962 (0-316-31696-2)
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Up in the Old Hotelby Joseph MitchellISBN 0679746315 (0-679-74631-5)
Softcover, Vintage Books
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› Find signed collectible books: 'Up in the Old Hotel and Other Stories'Book summary:Journalist Joseph Mitchell, whose death in in May 1996 at the age of 87 merited a half-page obituary in the New York Times, pioneered a style of journalism while crafting brilliant magazine pieces for the New Yorker from the 1930s to the early 1960s. Up in the Old Hotel, a collection of his best reporting, is a 700-page joy to read.
Mitchell lovingly chronicled the lives of odd New York characters. In the pages of Up In the Old Hotel, the reader passes through places such as McSorley's Old Ale House or the Fulton Fish Market that many observers might have found ordinary. But when experienced through Mitchell's gifted eye, the reader will see that these haunts of old New York possess poetry, beauty, and meaning. [via]
Wonderful Townby David Remnick, Susan ChoiISBN 037575752X (0-375-75752-X)
Softcover, Modern Library
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The World of Charles Addamsby Charles AddamsISBN 067974813X (0-679-74813-X)
Softcover, Knopf Publishing Group
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› Find signed collectible books: 'The World of Charles Addams'Book summary:From 1932 until his death in 1988, CHarles Addams contributed more than 1,300 cartoons and covers to The New Yorker. This large, beautifully printed volume brings together 300 of the most wonderful of them, as well as 24 pages of covers in brilliant full color. A retrospective celebration of the ominous, lovable, dark, and infinitely hilarious "Addams family." [via]
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The World Through a Monocle: The New Yorker at Midcenturyby Mary F. CoreyISBN 0674961935 (0-674-96193-5)
Hardcover, Harvard Univ Pr
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› Find signed collectible books: 'The World Through a Monocle: The New Yorker at Midcentury'Book summary:Today The New Yorker is one of a number of general-interest magazines published for a sophisticated audience, but in the post-World War II era the magazine occupied a truly significant niche of cultural authority. A self-selected community of 250,000 readers, who wanted to know how to look and sound cosmopolitan, found in its pages information about night spots and polo teams. They became conversant with English movies, Italian Communism, French wine, the bombing of the Bikini Atoll, prêt-à-porter, and Caribbean vacations. A well-known critic lamented that "certain groups have come to communicate almost exclusively in references to the [magazine's] sacred writings." The World through a Monocle is a study of these "sacred writings."
Mary Corey mines the magazine's editorial voice, journalism, fiction, advertisements, cartoons, and poetry to unearth the preoccupations, values, and conflicts of its readers, editors, and contributors. She delineates the effort to fuse liberal ideals with aspirations to high social status, finds the magazine's blind spots with regard to women and racial and ethnic stereotyping, and explores its abiding concern with elite consumption coupled with a contempt for mass production and popular advertising. Balancing the consumption of goods with a social conscience which prized goodness, the magazine managed to provide readers with what seemed like a coherent and comprehensive value system in an incoherent world.
Viewing the world through a monocle, those who created The New Yorker and those who believed in it cultivated a uniquely powerful cultural institution serving an influential segment of the population. Corey's work illuminates this extraordinary enterprise in our social history.
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Writings and Drawingsby James ThurberISBN 1883011221 (1-883011-22-1)
Hardcover, Penguin USA
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› Find signed collectible books: 'Writings and Drawings'Book summary:The shy Midwesterner James Thurber became a famed cartoonist and humor writer almost, it seems, by accident: Thurber in person was often depressed and self-conscious, darker strains that emerge fitfully in his sly, absurdist work. Garrison Keillor, a sunnier brand of Midwestern humorist, has assembled four longer works with many of Thurber's drawings and short pieces for the Library of America edition of Thurber's selected works. Many of these cartoons and writings are now classics, and Thurber's edgy, modernist humor--not to mention his usually bewildered protagonists--has influenced many of the best cartoonists today. [via]
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Writings from the New Yorker: 1927-1976by E. B. White, Rebecca M. DaleISBN 0060921234 (0-06-092123-4)
Softcover, Harpercollins
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Year of Change: More About the New Yorker and Meby E.J. KahnISBN 0670824119 (0-670-82411-9)
Hardcover, Penguin Group USA
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Years With Rossby James ThurberISBN 0060959711 (0-06-095971-1)
Softcover, Harpercollins
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› Find signed collectible books: 'Years With Ross'Book summary:At the helm of America's most influential literary magazine for more than half a century, Harold Ross introduced the country to a host of exciting talent, including Robert Benchley, Alexander Woolcott, Ogden Nash, Peter Arno, Charles Addams, and Dorothy Parker. But no one could have written about this irascible, eccentric genius more affectionately or more critically than James Thurber -- an American icon in his own right -- whose portrait of Ross captures not only a complex literary giant but a historic friendship and a glorious era as well. "If you get Ross down on paper," warned Wolcott Gibbs to Thurber," nobody will ever believe it." But readers of this unforgettable memoir will find that they do.
[via]
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