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› Find signed collectible books: 'Ancient Irish Tales'
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› Find signed collectible books: 'Ancient Myths'
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› Find signed collectible books: 'Ancient Myths: Vivid Recreations of the Oldest Stories in the World...'
A writer of consummate skill and sound scholarship here collects the important myths of Greece, Egypt, India, Persia, Crete, Sumer, and Rome--golden tales that tell of love and adventure, tragedy and terror, the rise and fall of great civilizations, the splendor of empires, and the feats of heroes. [via]
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› Find signed collectible books: 'Art and Myth in Ancient Greece: A Handbook'
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› Find signed collectible books: 'Black Ships Before Troy'
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› Find signed collectible books: 'The Book of Lost Tales'
This second part of THE BOOK OF LOST TALES includes the tale of Beneren and Luthien, Turin and the Dragon, Necklace of the Dwarves, and the Fall of Gondolin. Each tale is followed by a commentary in the form of a short essay, together with the texts of associated poems, as well as information on names and vocabulary in the earliest Elvish languages. [via]
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› Find signed collectible books: 'The Book of Lost Tales, Part 1'
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› Find signed collectible books: 'British and Irish Mythology: An Encyclopedia of Myth and Legend'
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› Find signed collectible books: 'Cassell's Dictionary of Classical Mythology'
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› Find signed collectible books: 'The Children of Llyr'
› Find signed collectible books: 'Chimera'
In CHIMERAJohn Barth injects his signature wit into the tales of Scheherezade of the Thousand and One Nights, Perseus, the slayer of Medusa, and Bellerophon, who tamed the winged horse Pegasus. In a book that the Washington Post called "stylishly maned, tragically songful, and serpentinely elegant," Barth retells these tales from varying perspectives, examining the myths" relationship to reality and their resonance with the contemporary world. A winner of the National Book Award, this feisty, witty, sometimes bawdy book provoked Playboy to comment, "There"s every chance in the world that John Barth is a genius." [via]
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› Find signed collectible books: 'Creatures of Light and Darkness'
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› Find signed collectible books: 'A Dictionary Of Celtic Mythology'
The full richness of Celtic mythology, with legends, sagas, and folklore, with traditions, places, and personalities, are now evocatively yet concisely conveyed in James MacKillop's dictionary. The 4,000 entries include brief descriptions (such as the short explanation of Arthen, the bear-and-river god of early Wales) as well as extended stories of bloody vengeance (following actual or supposed treachery), romantic love, and frequent adultery, plus tales of mysterious monsters on lonely hillocks. From Deirdre and Cúchulainn to leprechauns, from Galahad, cauldrons, and archaeology to druids, MacKillop provides an impressive amount of lore and research in a reliable, browsable, and enjoyable dictionary. --Stephanie Gold [via]
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› Find signed collectible books: 'Dictionary of Native American Mythology'
Passed down from generation to generation, the myths and rituals of Native Americans form a rich religious and cultural base from which all members of each society can create and maintain a sense of community, physical and emotional health, identity, family, and self. Such traditions, handed down through stories and rites, stand as the lifeblood of every Native American culture. This thoroughly illustrated and carefully researched guide explores the amazing array of mythical beasts, heroic humans, and nurturing spirits that make up the fascinating spectrum of Native American mythology. With over one thousand alphabetically arranged entries, representing over one hundred different Native American cultures, readers can quickly explore the meaning of hundreds of elements of Native lore--from names, phrases, and symbols, to images, motifs, and themes. Accompanying essays take a closer look at other issues related to the origin, development, and perpetuation of Native American mythology, such as the Christian influence on myth, varying mythology between tribes, storytelling, and more. We learn about such mythical creatures as Apotamkin of the Maliseet-Passamaquoddy tribe of the Southeast (a bogey monster with long hair and huge teeth who, through the fear he generates, keeps small children from straying onto thin, newly frozen ice in the winter and unguarded beaches in the summer), ritual healing ceremonials such as the Southwestern Navajo's Uglyway ceremony (a ceremony to remove and protect against the forces of chaos and disorder that give rise to illness), and the Marau ceremony of the Hopi Indians of the Southeast (a complex ceremony concerned with rain, the ripening of corn, and the fertility of women, as well as rites of initiating new members into the society). This compelling volume honors the richness of the beliefs and values of the many peoples of native North America, from northern Mexico to the Artic Circle. In addition, a complete bibliography of primary sources and secondary sources points the way to further research, making this the perfect reference for anyone interested in the mythical history of America's original inhabitants. [via]
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› Find signed collectible books: 'Dionysus: Myth and Cult'
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› Find signed collectible books: 'Egyptian Myth and Legend: With Historical Narrative Notes on Race Problems, Comparative Beliefs, Etc.'
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› Find signed collectible books: 'Egyptian Myths and Legends'
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› Find signed collectible books: 'Field Guide to the Little People'
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› Find signed collectible books: 'Goddesses and Gods of Old Europe, 6500-3500 B.C.: Myths, and Cult Images'
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› Find signed collectible books: 'Goddesses and Gods of Old Europe, 7000 to 3500 B. C.: Myths, Legends, and Cult Images'
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› Find signed collectible books: 'The Hollowing'
After the disappearance of his son into the mysterious depths of Ryhope Wood, a father braves the powerful forces of the strange, magical forest on a quest that takes him from ancient North America to medieval Europe to the age of Greek myth on a search for his son. [via]
› Find signed collectible books: 'In Search of the Indo-Europeans: Language, Archaeology, and Myth'
In Search of the Indo-Europeans: Language, Archaeology and Myth [via]
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› Find signed collectible books: 'King Arthur and His Knights of the Round Table'
This work is based on "Morte d' Arthur" written by Sir Thomas Malory. This story, which has so deeply impressed itself upon the hearts and minds of men, centers on the shadowy but heroic figure of Arthur, king of the Britons in the 5th or 6th century. It has flowed over time by being told by various authors, and on this current it carried the elements of all the influences and ideals that were gradually determining the nature and standards of the English-speaking world. Handsomely illustrated. [via]
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› Find signed collectible books: 'King Arthur and His Knights: Selected Tales'
This thoroughly readable collection of Malory's famous stories of King Arthur includes the familiar legends, plots, exploits, and characters which have become part of the cultural tradition of the English-speaking world. [via]
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› Find signed collectible books: 'Language and Myth'
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› Find signed collectible books: 'Le Morte D'Arthur'

› Find signed collectible books: 'Legends of the World'
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› Find signed collectible books: 'The Minotaur Takes a Cigarette Break'
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› Find signed collectible books: 'Mythic Ireland'
The age of the myth lives on in Ireland - in folk tales and literature, in place-names and language, in ceremonies and monuments. This work explores Ireland's four provinces to discover the places at the root of Irish myth and legend. Focal mythic sites such as St Patrick's Purgatory in Ulster, Loster Gur in Munster and Dublin in Leinster, are described in detail. Finally Ireland is surveyed from a fifth province "Mide" where the entire island is seen to be held in a web of pre-historic sites aligned with solar-lunar events. Ireland's sacred locations take on contemporary relevance as the book shows that the underlying concerns of myth - conservation and recurrence - are increasingly present concerns. [via]

› Find signed collectible books: 'Mythical Monsters'
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› Find signed collectible books: 'Mythologies of the Ancient World'
Ten leading scholars take a fresh look at ancient mythologies in a work that can be read with pleasure and intellectual profit by both the specialist and the general reader. Includes chapters on the mythologies of ancient Egypt, the Middle East, Greece, India, China, and more. [via]
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› Find signed collectible books: 'The New Larousse Encyclopedia of Mythology'
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› Find signed collectible books: 'The Oxford Companion to World Mythology'
Cave paintings at Lascaux, France and Altamira, Spain, fraught with expression thousands of years later; point to an early human desire to form a cultural identity. In the Oxford Companion to World Mythology, David Leeming explores the role of mythology, or myth-logic, in history and determines that the dreams of specific cultures add up to a larger collective story of humanity. Stopping short of attempting to be all-inclusive, this fascinating volume will nonetheless be comprehensive, opening with an introduction exploring the nature and dimensions of myth and proposing a definition as a universal language. Briefly dipping into the ways our understanding of myth has changed from Aristotle and Plato to modern scholars such as Joseph Campbell, the introduction loosely places the concept in its present context and precedes articles on influential mythologists and mythological approaches that appear later in the Companion.
The main body of Leeming's work consists of A-Z entries covering all aspects of mythology, including substantial essays on the world's major mythological traditions (Greek, Native American, Indian, Japanese, Sumerian, Egyptian), mythological types and motifs (Descent to the Underworld, the Hero, the Trickster, Creation, the Quest), mythological figures (Odysseus, Zeus, Osiris, Spider Woman, and Inanna) as well as numerous interrelated subjects such as fairly tales and legends. The Companion also locates myth in our lives today, relating it to language patterns, psychology, religion, politics, art, and gender attitudes. Many of the better-known and more significant myths are vividly retold in this volume that will be illustrated with maps, more than 70 black and white images, and eight pages of color highlighting the central role art has often played in the transmission and perpetuation of myth. Following the entries, a rich section of appendices will include family trees of the major pantheons, equivalency charts for the gods of Greece and Rome, Babylon and Sumer, as well as other traditions, an extensive bibliography, and an index. [via]
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› Find signed collectible books: 'Pearl Cleanness, Patience and Sir Gawain and the Green Knight'
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› Find signed collectible books: 'Romance of King Arthur and His Knights'
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› Find signed collectible books: 'The Romance Of Tristan And Iseult'
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
@GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right?
The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesnt he know hell be dead?
This goblin fellow is totally dead.
All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS!
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
About this book - One of the greatest works of the Middle Ages, in a marvelous translation Composed in the fourteenth century, Sir Gawain and the Green Knight is as beloved as it is venerable, combining the hallmarks of medieval romancepageantry, chivalry, and courtly lovewith the charm of fairy tales and heroic sagas. When a mysterious green knight rides on horseback into King Arthurs court, interrupting a New Years feast, he issues a challenge: if any of King Arthurs men can behead him and he survives, then a year later he is entitled to return the strike. Sir Gawain takes up the challenge and decapitates the green knight, only to see him pick up his severed head and ride away, leaving Gawain to seek him out to fulfill their pact. Blending Celtic myth and Christian faith, Sir Gawain and the Green Knight is a Middle English masterpiece of magic, chivalry, and seduction. Translated by J. R. R. Tolkien Reviews 'The introduction to Gawain is a little masterpiece.' Times Higher Educational Supplement 'This magnificent Arthurian tale of love, sex, honour, social tact, personal integrity and folk-magic is one of the greatest and most approachable narrative poems in the language. Tolkien's version makes it come triumphantly alive, a moving and consoling elegy.' Birmingham Post "Quite simply the best edition there is!"--Nancy P. Stork, Stanford University [via]
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
@GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right?
The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesnt he know hell be dead?
This goblin fellow is totally dead.
All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS!
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
It is a remarkably subtle and accomplished poem, in which the hero's knightly virtues of courage, courtesy and fidelity are put to the test in a strange adventure involving a huge green knight on a green horse, a winter journey, a lady in a mysterious castle and a challenge answered. It ranks as one of the greatest works of the English Middle Ages and perhaps the greatest triumph of the English alliterative tradition.
Unlike The Canterbury Tales, however, Sir Gawain is written in a dialect belonging to Cheshire, Lancashire or Staffordshire, and this seems more remote to the modern reader than Chaucer's London language. The aim of this edition has been to remove unnecessary impediments while retaining the integrity of the original. Notes and a glossary have been provided to assist an informed, critical reading of the text.
@GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right?
The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesnt he know hell be dead?
This goblin fellow is totally dead.
All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS!
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
In translation from the West Midland dialect (sorry, prose was best I could find.) [via]
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
'Be prepared to perform what you promised, Gawain; Seek faithfully till you find me ...' A New Year's feast at King Arthur's court is interrupted by the appearance of a gigantic Green Knight, resplendent on horseback. He challenges any one of Arthur's men to behead him, provided that if he survives he can return the blow a year later. Sir Gawain accepts the challenge and decapitates the knight - but the mysterious warrior cheats death and vanishes, bearing his head with him. The following winter Gawain sets out to find the Knight in the wild Northern lands and to keep his side of the bargain. One of the great masterpieces of Middle English poetry, Sir Gawain and the Green Knight magically combines elements of fairy tale and heroic sagas with the pageantry, chivalry and courtly love of medieval Romance. Brian Stone's evocative translation is accompanied by an introduction that examines the Romance genre, and the poem's epic and pagan sources. This edition also includes essays discussing the central characters and themes, theories about authorship and Arthurian legends, and suggestions for further reading and notes. @GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right? The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesn't he know he'll be dead? This goblin fellow is totally dead. All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS! From Twitterature: The World's Greatest Books in Twenty Tweets or Less [via]
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
A splendid new translation of the classic Arthurian tale of enchantment, adventure, and romance, presented alongside the original Middle English text.
It is the height of Christmas and New Years revelry when an enormous knight with brilliant green clothes and skin descends upon King Arthurs court. He presents a sinister challenge: he will endure a blow of the axe to his neck without offering any resistance, but whoever gives the blow must promise to take the same in exactly a year and a days time. The young Sir Gawain quickly rises to the challenge, and the poem tells of the adventures he findsan almost irresistible seduction, shockingly brutal hunts, and terrifyingly powerful villainsas he endeavors to fulfill his promise.
Capturing the pace, impact, and richly alliterative language of the original text, W. S. Merwin has imparted a new immediacy to a spellbinding narrative, written centuries ago by a poet whose name is now unknown, lost to time. Of the Green Knight, Merwin notes in his foreword: We seem to recognize himhis splendor, the awe that surrounds him, his menace and his gracewithout being able to place him . . . We will never know who the Green Knight is except in our own response to him.
From the Hardcover edition. [via]
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
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› Find signed collectible books: 'Sir Gawain and the Green Knight: A Verse Translation'
Sir Gawain and the Green Knight is probably the most skillfuly told story in the whole of the English Arthurian cycle. Originating from the north-west midlands of England, it is based on two ancient Celtic motifs--the Beheading and the Exchange of Winnings--brought together by the anonymous 14th century author. Acclaimed poet Keith Harrison's new translation uses a modern alliterative pattern which subtly echoes the music of the original at the same time it strives for fidelity. This is the most generously annotated edition available, complete with a detailed introduction which situates the work in the context of Arthurian Romance and analyzes its poetics and narrative structure. [via]
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› Find signed collectible books: 'Sir Gawain and the Green Knight, Pearl, and Sir Orfeo'
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› Find signed collectible books: 'Sir Gawain and the Green Knight, Pearl, Cleanness, Patience'
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› Find signed collectible books: 'Songlines'
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› Find signed collectible books: 'The Songlines/in Patagonia'
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› Find signed collectible books: 'The Story of King Arthur and His Knights'
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› Find signed collectible books: 'The Summer Tree'
It all began with a lecture that introduced five university students to a man who would change their lives, a wizard who would take them from Earth to the heart of the first of all worlds--Fionavar. And take them Loren Silvercloak did, for his need--the need of Fionavar and all the worlds--was great indeed.
And in a marvelous land of men and dwarves, of wizards and gods, five young people discovered who they were truly meant to be. For they are a long-awaited part of the pattern known as the Fionavar Tapestry, and only if they accepted their destiny would the armies of the Light stand any chance of surviving the wrath the Unraveller and his minions of darkness intend to unleash upon the world&
› Find signed collectible books: 'Tam Lin'
In the ancient Scottish ballad "Tam Lin," headstrong Janet defies Tam Lin to walk in her own land of Carterhaugh . . . and then must battle the Queen of Faery for possession of her lovers body and soul. In this version of "Tam Lin," masterfully crafted by Pamela Dean, Janet is a college student, "Carterhaugh" is Carter Hall at the university where her father teaches, and Tam Lin is a boy named Thomas Lane. Set against the backdrop of the early 1970s, imbued with wit, poetry, romance, and magic, Tam Lin has become a cult classicand once you begin reading, youll know why. This reissue features an updated introduction by the books original editor, the acclaimed Terri Windling. [via]
› Find signed collectible books: 'Tibetan Book of the Dead'
The Tibetan Book of the Dead is one of the texts that, according to legend, Padma-Sambhava was compelled to hide during his visit to Tibet in the late 8th century. The guru hid his books in stones, lakes, and pillars because the Tibetans of that day and age were somehow unprepared for their teachings. Now, in the form of the ever-popular Tibetan Book of the Dead, these teachings are constantly being discovered and rediscovered by Western readers of many different backgrounds--a phenomenon which began in 1927 with Oxford's first edition of Dr. Evans-Wentz's landmark volume. While it is traditionally used as a mortuary text, to be read or recited in the presence of a dead or dying person, this book--which relates the whole experience of death and rebirth in three intermediate states of being--was originally understood as a guide not only for the dead but also for the living. As a contribution to the science of death and dying--not to mention the belief in life after death, or the belief in rebirth--The Tibetan Book of the Dead is unique among the sacred texts of the world, for its socio-cultural influence in this regard is without comparison.
This fourth edition features a new foreword, afterword, and suggested further reading list by Donald S. Lopez, author of Prisoners of Shangri-La: Tibetan Buddhism and the West. Lopez traces the whole history of the late Evans-Wentz's three earlier editions of this book, fully considering the work of contributors to previous editions (C. G. Jung among them), the sections that were added by Evans-Wentz along the way, the questions surrounding the book's translation, and finally the volume's profound importance in engendering both popular and academic interest in the religion and culture of Tibet. Another key theme that Lopez addresses is the changing nature of this book's audience--from the prewar theosophists to the beat poets to the hippies to contemporary exponents of the hospice movement--and what these audiences have found (or sought) in its very old pages. [via]
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› Find signed collectible books: 'The Tibetan Book of the Dead: First Complete Translation The Great Liberation by Hearing In the Intermediate States'
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› Find signed collectible books: 'The Tibetan Book of the Dead: Or, the After-Death Experiences on the Bardo Plane, According to Lama Kazi Dawa-Samdup's English Rendering'
The Tibetan Book of the Dead is one of the texts that, according to legend, Padma-Sambhava was compelled to hide during his visit to Tibet in the late 8th century. The guru hid his books in stones, lakes, and pillars because the Tibetans of that day and age were somehow unprepared for their teachings. Now, in the form of the ever-popular Tibetan Book of the Dead, these teachings are constantly being discovered and rediscovered by Western readers of many different backgrounds--a phenomenon which began in 1927 with Oxford's first edition of Dr. Evans-Wentz's landmark volume. While it is traditionally used as a mortuary text, to be read or recited in the presence of a dead or dying person, this book--which relates the whole experience of death and rebirth in three intermediate states of being--was originally understood as a guide not only for the dead but also for the living. As a contribution to the science of death and dying--not to mention the belief in life after death, or the belief in rebirth--The Tibetan Book of the Dead is unique among the sacred texts of the world, for its socio-cultural influence in this regard is without comparison.
This fourth edition features a new foreword, afterword, and suggested further reading list by Donald S. Lopez, author of Prisoners of Shangri-La: Tibetan Buddhism and the West. Lopez traces the whole history of the late Evans-Wentz's three earlier editions of this book, fully considering the work of contributors to previous editions (C. G. Jung among them), the sections that were added by Evans-Wentz along the way, the questions surrounding the book's translation, and finally the volume's profound importance in engendering both popular and academic interest in the religion and culture of Tibet. Another key theme that Lopez addresses is the changing nature of this book's audience--from the prewar theosophists to the beat poets to the hippies to contemporary exponents of the hospice movement--and what these audiences have found (or sought) in its very old pages. [via]
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› Find signed collectible books: 'To Reign in Hell'

› Find signed collectible books: 'Who's Who in Greek and Roman Myth'
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› Find signed collectible books: 'Who's Who in Greek and Roman Mythology'
Dust jacket shows ordinary signs of shelf wear and use (especially at the edges and spine), but all pages are clean and bright in tight binding. SHIPS NEXT BUSINESS DAY! [via]
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› Find signed collectible books: 'Women of Classical Mythology: A Biographical Dictionary'
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› Find signed collectible books: 'Sir Gawain and the Green Knight : A New Verse Translation'
A splendid new translation of the classic Arthurian tale of enchantment, adventure, and romance, presented alongside the original Middle English text.
It is the height of Christmas and New Years revelry when an enormous knight with brilliant green clothes and skin descends upon King Arthurs court. He presents a sinister challenge: he will endure a blow of the axe to his neck without offering any resistance, but whoever gives the blow must promise to take the same in exactly a year and a days time. The young Sir Gawain quickly rises to the challenge, and the poem tells of the adventures he findsan almost irresistible seduction, shockingly brutal hunts, and terrifyingly powerful villainsas he endeavors to fulfill his promise.
Capturing the pace, impact, and richly alliterative language of the original text, W. S. Merwin has imparted a new immediacy to a spellbinding narrative, written centuries ago by a poet whose name is now unknown, lost to time. Of the Green Knight, Merwin notes in his foreword: We seem to recognize himhis splendor, the awe that surrounds him, his menace and his gracewithout being able to place him . . . We will never know who the Green Knight is except in our own response to him. [via]
More editions of Sir Gawain and the Green Knight : A New Verse Translation:
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