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› Find signed collectible books: 'Basic Writings of Nietzsche'
A better title for this book might be The Indispensable Writings of Nietzsche. Indeed, the six selections contained in Walter Kaufmann's volume are not only critical elements of Nietzsche's oeuvre, they are must-reads for any aspiring student of philosophy. Those coming to Nietzsche for the first time will be pleased to find three of his best-known works--The Birth of Tragedy, Beyond Good and Evil, and On the Genealogy of Morals--as well as a collection of 75 aphorisms drawn from Nietzsche's celebrated aphoristic work. In addition, there are two lesser known, but important, pieces in The Case of Wagner and Ecce Homo. Kaufmann's lucid and accurate translations have been the gold standard of Nietzsche scholarship since the 1950s, and this volume does not disappoint.
Anyone who has slogged their way through the swamps of German philosophical writing---in Kant or Hegel or Heidegger--will find Nietzsche a refreshing and exhilarating change. The selections are well chosen, and a cover-to-cover read will aptly depict Nietzsche's philosophy. In this volume the reader will find many of Nietzsche's polemical (and frequently misunderstood) ratiocinations on Christianity, Socrates, Germany, and art. Here, too, are his seminal and unforgettable critiques of Western morality ("That lambs dislike great birds of prey does not seem strange: only it gives no ground for reproaching these birds of prey for bearing off little lambs"). For philosophical fireworks, Nietzsche can hardly be matched. His brazen defiance of intellectualism's conventions still rings in contemporary thought because he practiced philosophy with a hammer. --Eric de Place [via]
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› Find signed collectible books: 'Beyond Good and Evil'
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - 1. The Will to Truth, which is to tempt us to many a hazardous enterprise, the famous Truthfulness of which all philosophers have hitherto spoken with respect, what questions has this Will to Truth not laid before us! What strange, perplexing, questionable questions! It is already a long story; yet it seems as if it were hardly commenced. Is it any wonder if we at last grow distrustful, lose patience, and turn impatiently away? That this Sphinx teaches us at last to ask questions ourselves? WHO is it really that puts questions to us here? WHAT really is this "Will to Truth" in us? In fact we made a long halt at the question as to the origin of this Will - until at last we came to an absolute standstill before a yet more fundamental question. We inquired about the VALUE of this Will. Granted that we want the truth: WHY NOT RATHER untruth? And uncertainty? Even ignorance? The problem of the value of truth presented itself before us - or was it we who presented ourselves before the problem? Which of us is the Oedipus here? Which the Sphinx? It would seem to be a rendezvous of questions and notes of interrogation. And could it be believed that it at last seems to us as if the problem had never been propounded before, as if we were the first to discern it, get a sight of it, and RISK RAISING it? For there is risk in raising it, perhaps there is no greater risk. [via]
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› Find signed collectible books: 'Beyond Good And Evil'
He's one of the most debated writers of the 19th century: Nietzsche and his works have been by turns vilified, lauded, and subjected to numerous contradictory interpretations, and yet he remains a figure of profound import, and his works a necessary component of a well-rounded education. This 1885 book serves as both vital introduction to and valuable summation of Nietzsche's philosophy as a whole. Here, broken down into bite-size segments are the great thinker's outlook on philosophical bias, religion, morality, virtue, nationalism, free-spiritedness, scholarship, gender relations, and other weighty topics. German psychologist and philosopher FRIEDRICH WILHELM NIETZSCHE (1844-1900) was appointed special professor of classical philology at the University of Basel at the precocious age of 24, but soon found himself dissatisfied with academic life and created an alternative intellectual society for himself among friends including composer Richard Wagner, historian Jakob Burckhardt, and theologian Franz Overbeck. Among his philosophical works are Thus Spoke Zarathustra, Beyond Good and Evil, and Ecce Homo. ______________________________________ ALSO FROM COSIMO Nietzsche's The Use and Abuse of History, Thus Spake Zarathustra, and The Anti-Christ [via]
› Find signed collectible books: 'Beyond Good and Evil:Prelude to a Philosophy of the Future: Prelude to a Philosophy of the Future'
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› Find signed collectible books: 'The Book of Virtues'
Responsibility. Courage. Compassion. Honesty. Friendship. Persistence. Faith. Everyone recognizes these traits as essentials of good character. In order for our children to develop such traits, we have to offer them examples of good and bad, right and wrong. And the best places to find them are in great works of literature and exemplary stories from history.
William J. Bennett has collected hundreds of stories in The Book of Virtues, an instructive and inspiring anthology that will help children understand and develop character -- and help adults teach them. From the Bible to American history, from Greek mythology to English poetry, from fairy tales to modern fiction, these stories are a rich mine of moral literacy, a reliable moral reference point that will help anchor our children and ourselves in our culture, our history, and our traditions -- the sources of the ideals by which we wish to live our lives. Complete with instructive introductions and notes, The Book of Virtues is a book the whole family can read and enjoy -- and learn from -- together. [via]
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› Find signed collectible books: 'El Retrato De Dorian Gray / The Picture of Dorian Gray'
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› Find signed collectible books: 'Friedrich Nietzsche: On the Genealogy of Morality'
Friedrich Nietzsche is one of the most influential thinkers of the past 150 years and On the Genealogy of Morality (1887) is his most important work on ethics and politics. A polemical contribution to moral and political theory, it offers a critique of moral values and traces the historical evolution of concepts such as guilt, conscience, responsibility, law and justice. This is a revised and updated 2006 edition of one of the most successful volumes to appear in Cambridge Texts in the History of Political Thought. Keith Ansell-Pearson modified his introduction to Nietzsche's classic text, and Carol Diethe incorporated a number of changes to the translation itself, reflecting the considerable advances in our understanding of Nietzsche. In this guise the Cambridge Texts edition of Nietzsche's Genealogy should continue to enjoy widespread adoption, at both undergraduate and graduate level. [via]
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› Find signed collectible books: 'The Genealogy of Morals'
Major work on ethics, by one of the most influential thinkers of the last two centuries, deals with master/slave morality and modern man's current moral practices; the evolution of man's feelings of guilt and bad conscience; and how ascetic ideals help maintain human life under certain conditions. [via]
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![A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra (051714641X) by [???] [???]: A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra](http://ecx.images-amazon.com/images/P/051714641X.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'Los hermanos Karamazov / The Brothers Karamazov'
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› Find signed collectible books: 'Mas Alla Del Bien Y Del Mal'
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› Find signed collectible books: 'Nietzsche on the Genealogy of Morality and Other Writings'
A Genealogy of Morality is Nietzsche's most important work on morality. A polemical contribution to moral and political theory, it traces the history of concepts such as guilt, responsibility, and justice, offering insight into Nietzsche's assessment of modern times as the epoch of nihilism. This volume contains new translations of the Genealogy and The Greek State and sections from other of Nietzsche's work to which he refers within it (Human All Too Human, Daybreak, The Joyful Science, and Beyond Good and Evil). [via]
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› Find signed collectible books: 'On the Genealogy of Morality'
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› Find signed collectible books: 'On the Genealogy of Morality: A Polemic'
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› Find signed collectible books: 'On the Genealogy of Morals: A Polemic By Way of Clarification and Supplement to My Last Book Beyond Good and Evil'
On the Genealogy of Morals (1887) is a book about interpretation and the history of ethics which raises profoundly disquieting issues about the violence of both. This is the most sustained of Nietzsche's later works and offers one of the fullest expressions of his characteristic concerns. The introduction places his ideas within the cultural context of his own time and stresses the relevance of his work for a contemporary audience. [via]
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› Find signed collectible books: 'On the Genealogy of Morals: A Polemic By Way of Clarification and Supplement to My Last Book Beyond Good and Evil'
On the Genealogy of Morals (1887) is a book about interpretation and the history of ethics which raises profoundly disquieting issues about the violence of both. This is the most sustained of Nietzsche's later works and offers one of the fullest expressions of his characteristic concerns. The introduction places his ideas within the cultural context of his own time and stresses the relevance of his work for a contemporary audience. [via]
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› Find signed collectible books: 'On the Genealogy of Morals/Ecce Homo'
The great philosopher's major work on ethics, along with ECCE HOMO, Nietzche's remarkable review of his life and works. Translated by Walter Kaufmann. [via]
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› Find signed collectible books: 'Oscar Wilde's the Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Gray and Other Writings by Oscar Wilde'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'Picture of Dorian Gray and Selected Stories'
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› Find signed collectible books: 'Plays, Prose Writings & Poems'
Famed as a wit and bon viveur, Oscar Wilde lived up to his reputation. This selection of plays, poems and prose writings, introduced by Terry Eagleton, includes "The Importance of Being Earnest", "Lady Windermere's Fan", "The Picture of Dorian Gray", "The Critic as an Artist", Apologia", "The Soul of a Man Under Socialism", "Letter to Robert Ross", "Requiescat" and "The Ballad of Reading Goal". Terry Eagleton is the author of "Criticism and Ideology", "Marxism and Literary Criticsm" and "Literary Theory: An Introduction". [via]
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› Find signed collectible books: 'Skipping Towards Gomorrah: The Seven Deadly Sins and the Pursuit of Happiness in America'
Dan Savage is irreverent, irrepressible, and opinionated. He's held his own on Politically Incorrect, told tales on This American Life, continues to write a beloved nationally syndicated column-and he's had it up to here (my hand is higher than my head) with the moral, conservative scolds who proclaim America is slouching towards Gomorrah (to use Robert Bork's phrase). Are we really that bad?
Yes, we are! And in Skipping Towards Gomorrah, Dan Savage eviscerates those cynics as he commits each of the Seven Deadly Sins himself (or tries to) and finds those everyday Americans who take particular delight in their sinful pursuits. Among them:
Greed: Gamblers reveal secrets behind outrageous fortune.
Lust: "We're swingers!"-you won't believe who's doing it.
Gluttony: Dan meets gluttons with attitude at a pro-fat conference.
Sloth: Leave it to Dan to find a way to celebrate this sin that will get him in trouble with his mother.
Anger: Texans shoot off some rounds and then listen to Dan fire off on his own about guns, control, and the Second Amendment.
Envy: Meet the rich-then be glad you're not one of them.
Pride: You'll never look at a gay pride parade the same way again.
Couple all this sinning with a unique history of the Seven Deadly Sins, a new interpretation of the biblical stories of Sodom and Gomorrah, and enough Bork, Bennett, Buchanan, et al, bashing to more than make up for their incessant carping, and you've got the most provocative book of the fall. [via]
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› Find signed collectible books: 'La Genealogia De La Moral / the Moral Genealogy'
Nietzsche narra en este libro la historia natural de la moral, y piensa la relacion entre naturaleza y cultura desde la optica original de su genealogia. Genealogia es un metodo con el que se detectan, bajo las ideas o los valores, las tendencias vitales que los originan. Al aplicar este metodo a la moral, Nietzsche no oculta un cierto aristocratismo intempestivo, pues concluye que dos mil anos de cristianismo, de metafisica dualista y de ciencia mecanizadora e instrumentalizadora han llevado a una completa inversion de las nociones de bien y de mal, debilitando cada vez mas los espiritus fuertes y sanos para que los debiles y enfermos ejercieran el poder. Asi se ha impedido que los individuos mas nobles y con una voluntad mas energica lideraran la dinamica social y contrarrestaran el inmovilismo y la mediocridad. [via]
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› Find signed collectible books: 'La Genealogia De La Moral/ the Genealogy of the Moral'
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› Find signed collectible books: 'Guerras Justas E Injustas/ Just and Unjust Wars: Un Razonamiento Moral Con Ejemplos Historicos / a Moral Argument With Historical Illustrations'
El presente libro, que considera la guerra como la más severa prueba a que puedan enfrentarse hombres y mujeres, es una obra maestra de la teoría política y moral. En la obra se mezclan los ejemplos históricos, las opiniones de los decisores y participantes en conflictos armados, así como la tradición filosófica, teológica y politológica sobre el tema. Concretamente, se ocupa del ius ad bellum, justicia o injusticia del recurso de la guerra; del ius in bellum, la justicia o injustica de las conductas que se dan o pueden darse una vez iniciadas las hostilidades; y del ius post bellum, la justicia o injusticia de los acuerdos y tratados de paz. En los tres campos la aportación de Walzer es novedosa, alejada del pensamiento convencional acerca de la guerra convencional dominante en la teoría internacional, y apropiada para analizar la conflictividad armada de la posguerra fría, donde los conflictos armados entre Estados son la excepción. Esta edición aborda en su prefacio el problema de las implicaciones morales de la intervención en los incontables conflictos interétnicos que fueron moneda corriente en la pasada década de los noventa, y aporta una serie de ejemplos históricos que van desde el ataque de los atenienses a la isla-Estado de Melos hasta la masacre de My-Lay. "En nuestros días, el lenguaje de la teoría de la guerra justa se utiliza prácticamente en todas partes, y lo mismo está en boca de los gobernantes legítimos que en la de los ilegítimos. Es difícil imaginar una intervención militar que no reciba el apoyo de sus promotores... De hecho, únicamente en los Estados democráticos pueden los ciudadanos unirse a la polémica con libertad y sentido crítico. Este libro fue escrito para ellos, en la creencia de que la teoría de la guerra justa es una guía necesaria para la toma de decisiones democráticas."MICHAEL WALZER [via]
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› Find signed collectible books: 'Los Hermanos Karamasov/the Karamasov Brothers'
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› Find signed collectible books: 'Los Hermanos Karamazov / the Brothers Karamazov'
Fiódor Dostoyevski es uno de los principales escritores de su época en la Rusia Zarista; la literatura de Dostoyevski explora la psicología humana en el complejo contexto político, social y espiritual de la sociedad rusa del siglo XIX. Walter Kaufmann citó las Memorias del subsuelo (1864), escritas con la amarga voz del anónimo «hombre subterráneo», como «la mejor obertura para el existencialismo jamás escrita». En el mismo sentido, el prestigioso intelectual y escritor austriaco Stefan Zweig consideró al escritor ruso como «el mejor conocedor del alma humana de todos los tiempos». Su obra, aunque escrita en el siglo XIX, refleja al hombre y la sociedad de hoy. Sigmund Freud dijo en su obra Dostoievski y el parricidio que el capítulo de «El gran inquisidor», de la novela Los hermanos Karamazov, era una de las cumbres de la literatura universal. Cabe resaltar, asimismo, la influencia ejercida sobre Nietzsche, quien afirmó: Dostoyevski, el único psicólogo, por cierto, del cual se podía aprender algo, es uno de los accidentes más felices de mi vida, más incluso que el descubrimiento de Stendhal. [via]
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› Find signed collectible books: 'Mas Alla Del Bien Y Del Mal'
Pese a los elementos tematicos que comparte con Asi hablo Zaratustra mismos completamente distinto. Entre una y otra obra hay, fundamentalmente, un reajuste de la mirada: el paso del simbolo al concepto, de la poesia a la psicologia, de la confianza a la sospecha, de la lejania que permite dejar de lado los defectos a la optica microscopica que pone de relieve las miserias. [via]
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› Find signed collectible books: 'Matar Un Ruisenor / to Kill a Mockingbird'
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› Find signed collectible books: 'El Ratrato De Dorian Grey'
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› Find signed collectible books: 'El Retrato De Dorian Gray / The Picture of Dorian Gray'
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› Find signed collectible books: 'Jenseits Von Gut Und Bose'
gebundene Ausgabe [via]
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› Find signed collectible books: 'Jenseits Von Gut Und Bose: Vorspiel Einer Philosophie Der Zukunft'
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› Find signed collectible books: 'Borgerlige Partisaner'
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