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› Find signed collectible books: 'After Modernity What? Agenda for Theology'
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› Find signed collectible books: 'Against Post Modernism: A Marxist Critique'
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› Find signed collectible books: 'Against the Nations: War and Survival in a Liberal Society'
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› Find signed collectible books: 'Albers And Moholy-Nagy: From the Bauhaus to the New World'
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› Find signed collectible books: 'Alice to the Lighthouse: Children's Books and Radical Experiments in Art'
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› Find signed collectible books: 'Apollinaire on Art: Essays and Reviews, 1902-1918'
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› Find signed collectible books: 'Archaism, Modernism, and the Art of Paul Manship'
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› Find signed collectible books: 'Ariel'
First published in 1900 Uruguay, Ariel is Latin America's most famous essay on esthetic and philosophical sensibility, as well as its most discussed treatise on hemispheric relations. Though Rodó protested the interpretation, his allegorical conflict between Ariel, the lover of beauty and truth, and Caliban, the evil spirit of materialism and positivism, has come to be regarded as a metaphor for the conflicts and cultural differences between Latin America and the United States. Generations of statesmen, intellectuals, and literary figures have been formed by this book, either in championing its teachings or in reacting against them. This edition of Ariel, prepared especially with teaehers and students in mind, contains a reader's guide to names, places, and important movements, as well as notes and a comprehensive annotated English/Spanish bibliography.
[via]› Find signed collectible books: 'Art and Politics in the Weimar Period: The New Sobriety, 1917-1933'
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› Find signed collectible books: 'Art of the Twentieth Century: A Reader'
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› Find signed collectible books: 'Austerity Binge: The Decorative Arts of the Forties and Fifties'
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› Find signed collectible books: 'The Awakening'
This Second Edition of a perennial favorite in the Norton Critical Edition series represents an extensive revision of its predecessor.
The text is that of the first edition of the novel, published by Herbert S. Stone in 1899. It has been annotated by the editor and includes translations of French phrases and information about New Orleans locales, customs, and lore, the Bayou region, and Creole culture. "Bibliographical and Historical Contexts", expanded and introduced by a new Editors Note, presents biographical, historical, and cultural documents contemporary with the novels publication. Included are a biographical essay by the acclaimed Chopin biographer Emily Toth, "An Etiquette/Advice Book Sampler" with selections from the conduct books of the period in which Chopin lived and wrote, and period fashion plates from Harpers Bazar. A comprehensive "Criticism" section, introduced by a new Editors Note, contains expanded selections from hard-to-find contemporary reviews of the novel; two letters of mysterious origin written in response to the novel; and Chopins "Retraction," which followed The Awakenings negative reception. These are followed by twenty-seven interpretive essays, twelve of them new to the Second Edition, that provide a variety of perspectives on The Awakening, including essays by Cynthia Griffin Wolff, Nancy Walker, Elizabeth Fox-Genovese, Paula A. Treichler, Sandra M. Gilbert, Lee R. Edwards, Patricia S. Yaeger, Elizabeth Ammons, and Elaine Showalter. A Chronology of Chopins life and an updated Selected Bibliography are also included. [via]
› Find signed collectible books: 'Barren Lives'
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› Find signed collectible books: 'Bluest Eye'
Oprah Book Club® Selection, April 2000: Originally published in 1970, The Bluest Eye is Toni Morrison's first novel. In an afterword written more than two decades later, the author expressed her dissatisfaction with the book's language and structure: "It required a sophistication unavailable to me." Perhaps we can chalk up this verdict to modesty, or to the Nobel laureate's impossibly high standards of quality control. In any case, her debut is nothing if not sophisticated, in terms of both narrative ingenuity and rhetorical sweep. It also shows the young author drawing a bead on the subjects that would dominate much of her career: racial hatred, historical memory, and the dazzling or degrading power of language itself.
Set in Lorain, Ohio, in 1941, The Bluest Eye is something of an ensemble piece. The point of view is passed like a baton from one character to the next, with Morrison's own voice functioning as a kind of gold standard throughout. The focus, though, is on an 11-year-old black girl named Pecola Breedlove, whose entire family has been given a cosmetic cross to bear:
You looked at them and wondered why they were so ugly; you looked closely and could not find the source. Then you realized that it came from conviction, their conviction. It was as though some mysterious all-knowing master had given each one a cloak of ugliness to wear, and they had each accepted it without question.... And they took the ugliness in their hands, threw it as a mantle over them, and went about the world with it.There are far uglier things in the world than, well, ugliness, and poor Pecola is subjected to most of them. She's spat upon, ridiculed, and ultimately raped and impregnated by her own father. No wonder she yearns to be the very opposite of what she is--yearns, in other words, to be a white child, possessed of the blondest hair and the bluest eye.
This vein of self-hatred is exactly what keeps Morrison's novel from devolving into a cut-and-dried scenario of victimization. She may in fact pin too much of the blame on the beauty myth: "Along with the idea of romantic love, she was introduced to another--physical beauty. Probably the most destructive ideas in the history of human thought. Both originated in envy, thrived in insecurity, and ended in disillusion." Yet the destructive power of these ideas is essentially colorblind, which gives The Bluest Eye the sort of universal reach that Morrison's imitators can only dream of. And that, combined with the novel's modulated pathos and musical, fine-grained language, makes for not merely a sophisticated debut but a permanent one. --James Marcus [via]
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› Find signed collectible books: 'The Bohemians: The Birth of Modern Art, Paris 1900-1930'
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› Find signed collectible books: 'The Challenge of the Avant-Garde'
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› Find signed collectible books: 'Cien Anos De Soledad / 100 Years of Solitude'
Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo.
Con estas palabras empieza una novela ya legendaria en los anales de la literatura universal, una de las aventuras literarias más fascinantes del siglo xx. Millones de ejemplares de Cien años de soledad leídos en todas las lenguas y el Premio Nobel de Literatura coronando una obra que se había abierto paso a boca a boca como gusta decir el escritor son la más palpable demostración de que la aventura fabulosa de la familia Buendía-Iguarán, con sus milagros, fantasías, obsesiones, tragedias, incestos, adulterios, rebeldías, descubrimientos y condenas, representaba al mismo tiempo el mito y la historia, la tragedia y el amor del mundo entero. [via]
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› Find signed collectible books: 'Close Up 1927-1933: Cinema and Modernism'
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› Find signed collectible books: 'The Collected Poems of Theodore Roethke'
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› Find signed collectible books: 'A Companion to James Joyce's Ulysses: Biographical and Historical Contexts, Critical History, and Essays from Five Contemporary Critical Perspectives'
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› Find signed collectible books: 'Contemporary Composers on Contemporary Music'
Contemporary Composers on Contemporary Music first appeared in 1967 and immediately became a standard for those with an interest in what--in our time--has come to be known as "music of our time." Even three decades ago it was a bit disingenuous to call some of these interviews and essays "contemporary"; it's been a while since Ferruccio Busoni (1866-1924), Claude Debussy (1862-1918), or Erik Satie (1866-1925) could properly be thought of as contemporary or even recent. A better title back then and certainly now might have been 20th-Century Composers on 20th-Century Music. Still, Debussy's section is invaluable, not least for its humor, and if there are a few musical frauds represented in these pages, there is also plenty of useful information and insight into the thought processes of significant composers of the last few decades. But a number of important composers, including Philip Glass, are noticeably absent while far more obscure musicians get the full treatment. The editors' tastes run to serialism, electronic music, and other more dissonant, less traditionalist, and less tonal trends. And since the range of contributors is broad, the quality of the essays and interviews is at times inconsistent. Still, particularly with this expanded edition, Contemporary Composers on Contemporary Music remains an important work for those concerned with what the editors call "new attitudes" in serious music. --Sarah Bryan Miller [via]
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› Find signed collectible books: 'The Crisis of Reason: European Thought, 1848-1914'
This elegant and skilful book explores the history of ideas in Europe from the revolutions of 1848 to the beginning of the First World War. Broader than a straight survey, deeper and richer than a textbook, the work seeks to place the reader in the position of 'an informed eavesdropper on the intellectual conversations of the past'. After an introductory chapter which introduces the mental world of the mid-nineteenth century, Burrow explores the impact of science and social thought on European intellectual life, considering ideas in physics, through social evolution and Social Darwinism, to anxieties about modernity and personal identity. His discussion also takes in powerful and fashionable concepts in evolution, art, myth, the occult and the unconscious mind, considers the rise of the great cities of Berlin, Paris and London, and the work of literary writers, philosophers and composers. The text is populated by most of the great and many of the lesser known intellectual figures of the age, from Mill, Bakunin, Nietzsche, Bergson and Renan to Pater, Proust, Clough, Flaubert, Wagner and Wilde. A work of rare distinction and considerable erudition, the book is written in a graceful, entertaining style, which will ensure its accessibility to the widest range of scholars, students and general readers. [via]
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› Find signed collectible books: 'Dan Friedman: Radical Modernism'
Dan Friedman is internationally known as an artist, teacher, graphic designer, and furniture designer. His innovative and arresting work is in many public and private collections, including the Museum of Modern Art and Cooper-Hewitt Museum in New York, the Art Institute of Chicago, and Seibu in Tokyo. This book is Friedman's meditation on behalf of "radical modernism", a term he coins to avoid the constraints of orthodox modernism and the jargon and anarchy of postmodernism. A key figure in the current debate over design, Friedman provides inspiration and encouragement to those who are still open to risk, experimentation and optimism. To illustrate his ideas, he draws on both media images and a wide array of his own work-including his experimental furniture, sculpture, posters, logos, installations, typographic lessons, and his apartment, which has been called a living museum. Friedman argues that design is in crisis, searching for a new sense of balance and vision in a period of historic transformation. Throughout the book he emphasizes the responsibility of designers to see their work as an important creative aspect of a larger cultural context. He also discusses the impact of digital technology on visual art education; the relationship between theory and practice; the ways in which appropriation, simulation, reuse, and eclecticism challenge our notions of originality, beauty, and authenticity; and the basis for reappraising modernism so that it gives new substance to ritual, fantasy, diversity, spirituality, humanism, and ecology. Essays by experts from the cutting edge of art, design, and architecture add insights to both the philosophy behind Friedman's work and the critical response to it. [via]
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› Find signed collectible books: 'Dawn of Modern Science: From the Ancient Greeks to the Renaissance'
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› Find signed collectible books: 'The Dead'
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› Find signed collectible books: 'The Decline of Modernism'
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› Find signed collectible books: 'Dialogues With Marcel Duchamp'
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› Find signed collectible books: 'El Monje Que Vendio Su Ferrari'
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› Find signed collectible books: 'English Art and Modernism, 1900-1939'
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› Find signed collectible books: 'Ferdydurke'
In this bitterly funny novel by the renowned Polish author Witold Gombrowicz, a writer finds himself tossed into a chaotic world of schoolboys by a diabolical professor who wishes to reduce him to childishness. Originally published in Poland in 1937, Ferdydurke became an instant literary sensation and catapulted the young author to fame. Deemed scandalous and subversive by Nazis, Stalinists, and the Polish Communist regime in turn, the novel (as well as all of Gombrowicz's other works) was officially banned in Poland for decades. It has nonetheless remained one of the most influential works of twentieth-century European literature.Ferdydurke is translated here directly from the Polish for the first time. Danuta Borchardt deftly captures Gombrowicz's playful and idiosyncratic style, and she allows English speakers to experience fully the masterpiece of a writer whom Milan Kundera describes as "one of the great novelists of our century." [via]

› Find signed collectible books: 'Film As Film: Understanding and Judging Movies'
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› Find signed collectible books: 'Frankenstein'
This revision of a widely adopted critical edition presents the 1831 text of mary shelley's english romantic novel along with critical essays that introduce students to frankenstein from contemporary psychoanalytic, marxist, feminist, gender, and cultural studies perspectives. An additional essay demonstrates how various critical perspectives can be combined. In the second edition, 3 of the 6 essays are new. The text and essays are complemented by contextual documents, introductions (with bibliographies), and a glossary of critical and theoretical terms [via]
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› Find signed collectible books: 'Frankenstein Mary Shelley'
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› Find signed collectible books: 'Georgia O'Keeffe'
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› Find signed collectible books: 'Grammars of Creation'
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› Find signed collectible books: 'Grammars of Creation: Originating in the Gifford Lectures of 1990'
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› Find signed collectible books: 'The Illustrated Odyssey'
The most famous book in mythology, 251 pages of pure Grecian culture, gorgeous pictures of Greece, pottery, gods and goddesses throughout the book, easy read. [via]
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› Find signed collectible books: 'An Inquiry into the Good'
A translation of Nishida's earliest book which represented the foundation of his philosophy - reflecting both his study of Zen Buddhism and his thorough analysis of Western philosophy. The book provides an account of this 20th-century Japanese philosopher's ideas. [via]
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› Find signed collectible books: 'Institutions of Modernism : Literary Elites and Public Culture'
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› Find signed collectible books: 'Jakob Von Gunten'
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› Find signed collectible books: 'Juan Gris'
This book presents a study of Juan Gris and Cubism. It is published to coincide with an exhibition at the Whitechapel Art Gallery in London on 18th September. Gris was the first of the major Cubists to die. His career ended in 1927, while those of Picasso, Braque and Leger continued for many decades further. However, his historical significance as a leading Cubist whose work offers insights into the phenomenon of Cubism as a whole remains. His career as a painter (1910-1917) exactly correlates with the years of Cubism's greatest notoriety. This book, by offering a close scrutiny of his work, offers also a succession of observations on Cubism from the period before 1914 through the 1914-18 war, into the period of the post-war "Rappel a l'ordre". The main body of the book consists of seven essays by Christopher Green. They are not written to form a narrative but to analyze different aspects of Gris' work in the context of Cubism. The issues addressed include the construction of Gris' image as a Cubist alongside Picasso and Braque, the status of his reputation as "the demon of logic" and the painter of a new Platonism, the acceptance and then rejection of his "late" work, the role of gender, nationalism and notions of tradition in his figure-painting and the workings of metaphorical and of theatrical allusion in his still-lives. Both Gris and Cubism are re-examined as elements of a wide-ranging cultural history which covers a fundamental change in the France of the Third Republic. Karin von Maur contributes a study on the theme of music in Gris' work and Christian Derouet contributes a discussion on the 150 letters discovered which were written by Gris between 1915 and 1921. [via]
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› Find signed collectible books: 'Lolita'
Despite its lascivious reputation, the pleasures of Lolita are as much intellectual as erogenous. It is a love story with the power to raise both chuckles and eyebrows. Humbert Humbert is a European intellectual adrift in America, haunted by memories of a lost adolescent love. When he meets his ideal nymphet in the shape of 12-year-old Dolores Haze, he constructs an elaborate plot to seduce her, but first he must get rid of her mother. In spite of his diabolical wit, reality proves to be more slippery than Humbert's feverish fantasies, and Lolita refuses to conform to his image of the perfect lover.
Playfully perverse in form as well as content, riddled with puns and literary allusions, Nabokov's 1955 novel is a hymn to the Russian-born author's delight in his adopted language. Indeed, readers who want to probe all of its allusive nooks and crannies will need to consult the annotated edition. Lolita is undoubtedly, brazenly erotic, but the eroticism springs less from the "frail honey-hued shoulders ... the silky supple bare back" of little Lo than it does from the wantonly gorgeous prose that Humbert uses to recount his forbidden passion:
She was musical and apple-sweet ... Lola the bobby-soxer, devouring her immemorial fruit, singing through its juice ... and every movement she made, every shuffle and ripple, helped me to conceal and to improve the secret system of tactile correspondence between beast and beauty--between my gagged, bursting beast and the beauty of her dimpled body in its innocent cotton frock.Much has been made of Lolita as metaphor, perhaps because the love affair at its heart is so troubling. Humbert represents the formal, educated Old World of Europe, while Lolita is America: ripening, beautiful, but not too bright and a little vulgar. Nabokov delights in exploring the intercourse between these cultures, and the passages where Humbert describes the suburbs and strip malls and motels of postwar America are filled with both attraction and repulsion, "those restaurants where the holy spirit of Huncan Dines had descended upon the cute paper napkins and cottage-cheese-crested salads." Yet however tempting the novel's symbolism may be, its chief delight--and power--lies in the character of Humbert Humbert. He, at least as he tells it, is no seedy skulker, no twisted destroyer of innocence. Instead, Nabokov's celebrated mouthpiece is erudite and witty, even at his most depraved. Humbert can't help it--linguistic jouissance is as important to him as the satisfaction of his arrested libido. --Simon Leake [via]
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› Find signed collectible books: 'Long Day's Journey into Night'
This work is interesting enough for its history. Completed in 1940, Long Day's Journey Into Night is an autobiographical play Eugene O'Neill wrote that--because of the highly personal writing about his family--was not to be released until 25 years after his death, which occurred in 1953. But since O'Neill's immediate family had died in the early 1920s, his wife allowed publication of the play in 1956. Besides the history alone, the play is fascinating in its own right. It tells of the "Tyrones"--a fictional name for what is clearly the O'Neills. Theirs is not a happy tale: The youngest son (Edmond) is sent to a sanitarium to recover from tuberculosis; he despises his father for sending him; his mother is wrecked by narcotics; and his older brother by drink. In real-life these factors conspired to turn O'Neill into who he was--a tormented individual and a brilliant playwright. [via]
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› Find signed collectible books: 'Man Ray: American Artist'
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› Find signed collectible books: 'Merce Cunningham: Dancing in Space and Time'
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› Find signed collectible books: 'Minimal Art: The Critical Perspective'
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› Find signed collectible books: 'Minimalism: Art and Polemics in the 1960s'
What is minimalism? The answer to this simple question has defied simple answers. In this highly readable history of minimalist art James Meyer argues that 'minimalism' was not a coherent movement but a field of overlapping and sometimes opposed practices. He traces in comprehensive detail the emergence of six figures associated with the development - Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris and Anne Truitt - and how the notion of minimalism came to be constructed around their art in the 1960s. Despite distinctive differences in method and points of view, Meyer shows how these artists became equated in a series of important exhibitions and texts that led to their designation as minimalists. Beginning with the first reviews of minimalist shows, the book tracks the development of an art that critics dubbed Cool Art, ABC Art, and Primary Structures before settling on the deprecating label 'minimal art'. Suggesting that such work was overly reduced in form and facture, this term implied that the new abstraction was barely legible as fine art to some viewers. Meyer describes the heated polemic that unfolded in response to these practices, the differing claims of the artists and the sometimes intense rivalries that developed within a highly competitive, fashion-minded New York art scene. The book culminates with an analysis of minimalism's canonisation in the late sixties, its reception in Europe and its discrediting by leftist viewers who associated the new art with American capitalist-imperialism of the Vietnam War. [via]
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› Find signed collectible books: 'Minimalism: Art And Polemics In The Sixties'
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› Find signed collectible books: 'Modern Architecture: Romanticism and Reintegration'
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› Find signed collectible books: 'The Modern Language of Architecture'
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› Find signed collectible books: 'Modern Life and Modern Subjects: British Art in the Early Twentieth Century'
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› Find signed collectible books: 'Modernism and the Decorative Arts in France: Art Nouveau to Le Corbusier'
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› Find signed collectible books: 'Modernism in American Silver: 20th-century Design'
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› Find signed collectible books: 'Modernism's History: A Study in Twentieth-Century Art and Ideas'
If you are interested in how art movements become popular and how style changes, Modernism's History is for you. It takes a series of art movements and reorganizes them as a cohesive whole. Author Bernard Smith offers very specific and often academic explanations for the rise of an art that he terms the "Formalesque": "The emergence of the Formalesque as a period style is basically the story of the reduction of the concept of style to that of form under the overarching conditions of cultural imperialism ... the desire to create a universal art with an authentic European look." He traces the Formalesque's beginnings from the very end of the 19th century up through what he calls high Formalesque in the 1960s. Smith touches on the Formalesque's relationships to World War I, primitivism, dada, psychoanalysis, Marxism, and philosophy--among other varied topics. His approach is a holistic, albeit slightly conspiracy-theory-based, one; politics, language, and the avant-garde all play a part in this reinterpretation of modernism. Tight arguments strongly support what might otherwise be called sweeping generalizations in Smith's attempts to illustrate how the Formalesque changed definitions of beauty by universalizing the terms and then became "an effective imperialising project" around the globe. This is not an easy read, but it's well worth the effort for readers who want to learn more about contemporary art history. --Jennifer Cohen [via]
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› Find signed collectible books: 'Molly Blooms: A Polylogue on "Penelope" and Cultural Studies'
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› Find signed collectible books: 'Music by Philip Glass'
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› Find signed collectible books: 'Mysteries'

› Find signed collectible books: 'New World Coming: The 1920s and the Making of Modern America'
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› Find signed collectible books: 'Night Studio: A Memoir of Philip Guston'
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› Find signed collectible books: 'Out of the Ordinary: Architecture/Urbanism/Design'
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› Find signed collectible books: 'The Painter of Modern Life and Other Essays'
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› Find signed collectible books: 'Painting and Sculpture in Europe 1880-1940'
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› Find signed collectible books: 'Patron Saints: Five Rebels Who Opened America to a New Art 1928-1943'
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› Find signed collectible books: 'Pedro Paramo'
Deserted villages of rural Mexico, where images and memories of the past linger like unquiet ghosts, haunted the imaginations of two artistswriter Juan Rulfo and photographer Josephine Sacabo. In one such village of the mind, Comala, Rulfo set his classic novel Pedro Páramo, a dream-like tale that intertwines a man's quest to find his lost father and reclaim his patrimony with the father's obsessive love for a woman who will not be possessedSusana San Juan. Recognizing that "Rulfo was describing a world I already knew" and feeling "a very personal response, particularly to Susana San Juan and her dilemma," Josephine Sacabo used Rulfo's novel as the starting point for a series of evocative photographs she calls "The Unreachable World of Susana San Juan: Homage to Juan Rulfo."
This volume brings together Rulfo's novel and Sacabo's photographs to offer a dual artistic vision of the same unforgettable story. Margaret Sayers Peden's superb translation renders the novel as poetic and mysterious in English as it is in Spanish. Josephine Sacabo's photographs tell, in her words, "the story of a woman forced to take refuge in madness as a means of protecting her inner world from the ravages of the forces around her: a cruel and tyrannical patriarchy, a church that offers no redemption, the senseless violence of revolution, death itself."
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› Find signed collectible books: 'Primitivism, Cubism, Abstraction: The Early Twentieth Century'
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› Find signed collectible books: 'The Prince'
A classic of the western tradition, Machiavelli's "The Prince" has influenced political and philosophical thought since its publication four centuries ago. Political power, Machiavelli taught, has no limits. It leaves no room for the sacred, and it subordinates right and wrong to success. In this new edition of Machiavelli's book, Angelo Codevilla provides a translation faithful to the original and sensitive to the author's use of verbal imprecision, including puns, double meanings, and the subjunctive mood. The volume includes an introduction by Codevilla that places Machiavelli in the context of his own times, demonstrates his relevance to the history of political thought, and inquiries into the place of Machiavelli's ideas in modern debates. This edition also contains three essays that explore some of the most important ways "The Prince" clashes with the other main branch of western civilization - the Socratic and Judeo-Christian traditions: "Machiavelli's realism" by Carnes Lord, "Machiavelli and modernity" by W.B. Allen, and "Machiavelli and America" by Hadley Arkes. [via]

› Find signed collectible books: 'Queer Poetics: Five Modernist Women Writers'
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› Find signed collectible books: 'Reading Joyce's Ulysses'
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› Find signed collectible books: 'Reading Poe, Reading Freud: The Romantic Imagination in Crisis'
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› Find signed collectible books: 'Riceyman Steps'
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› Find signed collectible books: 'The Rise Of The Sixties: American And European Art In The Era Of Dissent'
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› Find signed collectible books: 'Selected Letters of Rebecca West'
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› Find signed collectible books: 'Stanley Spencer: An English Vision'
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› Find signed collectible books: 'Stravinsky: Glimpses of a Life'
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› Find signed collectible books: 'A Temple of Texts'
From one of the most admired essayists and novelists at work today: a new collection of essayshis first since Tests of Time, winner of the National Book Critics Circle Award for Criticism.
These twenty-five essays speak to the nature and value of writing and to the books that result from a deep commitment to the word. Here is Gass on Rilke and Gertrude Stein; on friends such as Stanley Elkin, Robert Coover, and William Gaddis; and on a company of healthy dissidents, among them Rabelais, Elias Canetti, John Hawkes, and Gabriel García Márquez.
In the title essay, Gass offers an annotated list of the fifty books that have most influenced his thinking and his work and writes about his first reaction to reading each. Among the books: Ludwig Wittgensteins Tractatus Logico-Philosophicus (A lightning bolt, Gass writes. Philosophy was not dead after all. Philosophical ambitions were not extinguished. Philosophical beauty had not fled prose.) . . . Ben Jonsons The Alchemist (A man after my own heart. He is capable of the simplest lyrical stroke, as bold and direct as a line by Matisse, but he can be complex in a manner that could cast Nabokov in the shade . . . Shakespeare may have been smarter, but he did not know as much.) . . . Gustave Flauberts letters (Here I learnedand learnedand learned.) And after reading Malorys Le Morte dArthur, Gass writes I began to eat books like an alien worm.
In the concluding essay, Evil, Gass enlarges upon the themes of artistic quality and cultural values that are central to the books he has considered, many of which seek to reveal the worst in people while admiring what they do best.
As Gass writes, The true alchemists do not change lead into gold, they change the world into words.
A Temple of Texts is Gass at his most alchemical. [via]
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Muchos años después, frente al pelotón de fusilamiento, el coronel Aureliano Buendía había de recordar aquella tarde remota en que su padre lo llevó a conocer el hielo.
Con estas palabras empieza una novela ya legendaria en los anales de la literatura universal, una de las aventuras literarias más fascinantes del siglo xx. Millones de ejemplares de Cien años de soledad leídos en todas las lenguas y el Premio Nobel de Literatura coronando una obra que se había abierto paso a boca a boca como gusta decir el escritor son la más palpable demostración de que la aventura fabulosa de la familia Buendía-Iguarán, con sus milagros, fantasías, obsesiones, tragedias, incestos, adulterios, rebeldías, descubrimientos y condenas, representaba al mismo tiempo el mito y la historia, la tragedia y el amor del mundo entero. [via]
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