books tagged “modern lit”

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  • 100 Years of Solitude
    by Gabriel Garcia Marquez, Gregory Rabassa
    ISBN 0060919655 (0-06-091965-5)
    Softcover, Harpercollins

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    Book summary:

    "Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."

    It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:

    A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
    "Holy Mother of God!" Úrsula shouted.

    The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."

    With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber [via]

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  • Animal Farm
    by George Orwell, Ralph Steadman
    ISBN 0151002177 (0-15-100217-7)
    Hardcover, Harcourt

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    Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]

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  • At Swim-Two-Birds
    by Flann O'Brien
    ISBN 0141182687 (0-14-118268-7)
    Hardcover, Penguin Uk

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    If you try to read it too closely, the structure of this book will drive you crazy. Ask me how I know. On the first level, it seems to emanate from the addled mind of a navel-gazing Irish university student stumbling around thinking about writing a book or a school paper. As I said, you can go nuts trying to follow it. Yet At Swim-Two-Birds is a modernist masterpiece, the best-known fictional work of Irish newspaper writer Flann O'Brien. Published in 1939, the book's great charm is O'Brien's constant reinvention of the English language, fueled and altered by an Irish sensibility and language; the sentences come out in a torrent of musical, drunken ramblings. [via]

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  • Brave New World Brave New World Revisited
    by Aldous Huxley, Christopher Hitchens
    ISBN 0060776099 (0-06-077609-9)
    Softcover, Harpercollins

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    Book summary:

    When the novel "Brave New World first appeared in 1932, its shocking analysis of a scientific dictatorship seemed a projection into the remote future.

    Here, in one of the most important and fascinating books of his career, Aldous Huxley uses his tremendous knowledge of human relations to compare the modern-day world with his prophetic fantasy. He scrutinizes threats to humanity, such as overpopulation, propaganda, and chemical persuasion, and explains why we have found it virtually impossible to avoid them. "Brave New World Revisited" is a trenchant plea that humankind should educate itself for freedom before it is too late. [via]

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  • Burgess, Anthony: A Clockwork Orange
    A Clockwork Orange
    by Anthony Burgess
    ISBN 0091683815 (0-09-168381-5)
    Softcover, Hutchinson

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  • The Crying of Lot 49
    by Thomas Pynchon
    ISBN 006091307X (0-06-091307-X)
    Softcover, Harpercollins

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    Book summary:

    The highly original satire about Oedipa Maas, a woman who finds herself enmeshed in a worldwide conspiracy, meets some extremely interesting characters, and attains a not inconsiderable amount of self knowledge.

    [via]

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  • Delta of Venus
    by Anais Nin
    ISBN 0151246564 (0-15-124656-4)
    Hardcover, Harcourt

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    Anais Nin's Delta of Venus is a stunning collection of sexual encounters from the queen of literary erotica. From Mathilde's lust-filled Peruvian opium den to the Hungarian baron driven insane by his insatiable desire, the passions and obsessions of this dazzling cast of characters are vivid and unforgettable. Delta of Venus is a deep and sensual world that evokes the very essence of sexuality. [via]

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  • Flaubert's Parrot
    by Julian Barnes
    ISBN 0070037485 (0-07-003748-5)
    Softcover, McGraw-Hill

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    Just what sort of book is Flaubert's Parrot, anyway? A literary biography of 19th-century French novelist, radical, and intellectual impresario Gustave Flaubert? A meditation on the uses and misuses of language? A novel of obsession, denial, irritation, and underhanded connivery? A thriller complete with disguises, sleuthing, mysterious meetings, and unknowing targets? An extended essay on the nature of fiction itself?

    On the surface, at first, Julian Barnes's book is the tale of an elderly English doctor's search for some intriguing details of Flaubert's life. Geoffrey Braithwaite seems to be involved in an attempt to establish whether a particularly fine, lovely, and ancient stuffed parrot is in fact one originally "borrowed by G. Flaubert from the Museum of Rouen and placed on his worktable during the writing of Un coeur simple, where it is called Loulou, the parrot of Felicité, the principal character of the tale."

    What begins as a droll and intriguing excursion into the minutiae of Flaubert's life and intellect, along with an attempt to solve the small puzzle of the parrot--or rather parrots, for there are two competing for the title of Gustave's avian confrere--soon devolves into something obscure and worrisome, the exploration of an arcane Braithwaite obsession that is perhaps even pathological. The first hint we have that all is not as it seems comes almost halfway into the book, when after a humorously cantankerous account of the inadequacies of literary critics, Braithwaite closes a chapter by saying, "Now do you understand why I hate critics? I could try and describe to you the expression in my eyes at this moment; but they are far too discoloured with rage." And from that point, things just get more and more curious, until they end in the most unexpected bang.

    One passage perhaps best describes the overall effect of this extraordinary story: "You can define a net in one of two ways, depending on your point of view. Normally, you would say that it is a meshed instrument designed to catch fish. But you could, with no great injury to logic, reverse the image and define the net as a jocular lexicographer once did: he called it a collection of holes tied together with string." Julian Barnes demonstrates that it is possible to catch quite an interesting fish no matter how you define the net. --Andrew Himes [via]

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  • Foucault's Pendulum
    by Umberto Eco
    ISBN 0151327653 (0-15-132765-3)
    Hardcover, Harcourt

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    Book Department Fouault's Pendulum by Umberto Eco [via]

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  • The Grapes of Wrath
    by John Steinbeck, Peter Lisca, Kevin Hearle
    ISBN 0140247750 (0-14-024775-0)
    Softcover, Penguin Group USA

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    Book summary:

    When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

    The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

    The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]

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  • Ackroyd, Peter: Hawksmoor
    Hawksmoor
    by Peter Ackroyd
    ISBN 0060913908 (0-06-091390-8)
    Softcover, Harpercollins

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  • The Heart of the Matter
    by Graham Greene
    ISBN 0140283323 (0-14-028332-3)
    Softcover, Penguin Group USA

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    Book summary:

    Graham Greene's masterpiece The Heart of the Matter tells the story of a good man enmeshed in love, intrigue, and evil in a West African coastal town. Scobie is bound by strict integrity to his role as assistant police commissioner and by severe responsibility to his wife, Louise, for whom he cares with a fatal pity.

    When Scobie falls in love with the young widow Helen, he finds vital passion again yielding to pity, integrity giving way to deceit and dishonora vortex leading directly to murder. As Scobie's world crumbles, his personal crisis makes for a novel that is suspenseful, fascinating, and, finally, tragic.

    Originally published in 1948, The Heart of the Matter is the unforgettable portrait of one man, flawed yet heroic, destroyed and redeemed by a terrible conflict of passion and faith.

    [via]

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  • I, Claudius
    by Robert Graves
    ISBN 0140003185 (0-14-000318-5)
    Hardcover, Penguin Books

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    Having never seen the famous 1970s television series based on Graves' historical novel of ancient Rome and being generally uneducated about matters both ancient and Roman, I wasn't prepared for such an engaging book. But it's a ripping good read, this fictional autobiography set in the Roman Empire's days of glory and decadence. As a history lesson, it's fabulous; as a novel it's also wonderful. Best is Claudius himself, the stutterer who let everyone think he was an idiot (to avoid getting poisoned) but who reveals himself in the narrative to be a wry and likable observer. His story continues in Claudius the God. [via]

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  • Incest: From a Journal of Love The Unexpurgated Diary of Anias Nin, 1932-1934
    by Anais Nin
    ISBN 0151443661 (0-15-144366-1)
    Hardcover, Texas Bookman

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    Book summary:

    This previously unpublished portion of the author's diary includes details of her relationships with Henry Miller and his wife, June; writer and actor Antonin Artaud; and her father. By the author of Little Birds. 15,000 first printing. [via]

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  • Jeeves and the Feudal Spirit
    by P.G. Wodehouse
    ISBN 0060806664 (0-06-080666-4)
    Softcover, Harpercollins

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    Against a stormy background, a giant drama begins to unfold, involving Bertie's possession of a stolen necklace and the soul-shattering prospect of a trip to the marriage altar. [via]

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  • Galati, Frank: John Steinbeck's the Grapes of Wrath
    John Steinbeck's the Grapes of Wrath
    by Frank Galati
    ISBN 0140482326 (0-14-048232-6)
    Softcover, Penguin Group USA

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  • The Jungle Book
    by Rudyard Kipling, Daniel Karlin
    ISBN 0140183167 (0-14-018316-7)
    Softcover, Penguin Group USA

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    Book summary:

    This is the classic story of friendship between man and beast. Saved from the jaws of the evil tiger Shere Khan, young Mowgli is adopted by a wolf pack and taught the law of the jungle by lovable old Baloo the bear and Bhageera the panther. The adventures of Rikki-Tikki-Tavi the snake-fighting mongoose, little Toomai and the elephant's secret dance, and Kotick the white seal are all part of Mowgli's extraordinary journey with his animal friends. [via]

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  • Junky
    by William S. Burroughs, Allen Ginsberg
    ISBN 0140043519 (0-14-004351-9)
    Softcover, Penguin Group (Canada)

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    Before his 1959 breakthrough, Naked Lunch, an unknown William S. Burroughs wrote Junk, his first book, a candid, eyewitness account of times and places that are now long gone. This book brings them vividly to life again; it is an unvarnished field report from the American postwar underground. For this definitive 50th-anniversary edition, eminent Burroughs scholar Oliver Harris has painstakingly re-created the author's original text, word by word, from archival typescripts. Here for the first time are Burroughs's own unpublished Introduction and an entire omitted chapter, along with many "lost" passages and auxiliary texts by Allen Ginsberg and others. Harris's comprehensive Introduction reveals the composition history of Junk's text and places its contents against a lively historical background.

    [via]

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  • Light in August
    by William Faulkner
    ISBN 007553648X (0-07-553648-X)
    Softcover, McGraw-Hill College

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    To declare that Light in August is William Faulkner's finest work would be to invoke debate of irreconcilable conclusion. Yet for many followers of Faulkner, this novel showcases many of his best moments and characters. As usual, he mines the rich soil of Mississippi mud to create his subjects, this time in the form of Reverend Gail Hightower, Lena Grove and Joe Christmas. The issue of black and white and rich and poor is prevalent, though to draw lines that clear would be a disservice to Faulkner's immensely layered text and the multicolored beauty of his writing. [via]

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  • Little Prince
    by Antoine De Saint-Exupery
    ISBN 0151528209 (0-15-152820-9)
    Hardcover, Harcourt Brace Jovanovich

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    An aviator whose plane is forced down in the Sahara Desert encounters a little man from a small planet who describes his adventures in the universe seeking the secret of what is really important in life. [via]

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  • The Little Prince
    by Richard Howard, Antoine De Saint-Exupery
    ISBN 0152023984 (0-15-202398-4)
    Hardcover, Harcourt Childrens Books

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    Antoine de Saint-Exupéry first published The Little Prince in 1943, only a year before his Lockheed P-38 vanished over the Mediterranean during a reconnaissance mission. More than a half century later, this fable of love and loneliness has lost none of its power. The narrator is a downed pilot in the Sahara Desert, frantically trying to repair his wrecked plane. His efforts are interrupted one day by the apparition of a little, well, prince, who asks him to draw a sheep. "In the face of an overpowering mystery, you don't dare disobey," the narrator recalls. "Absurd as it seemed, a thousand miles from all inhabited regions and in danger of death, I took a scrap of paper and a pen out of my pocket." And so begins their dialogue, which stretches the narrator's imagination in all sorts of surprising, childlike directions.

    The Little Prince describes his journey from planet to planet, each tiny world populated by a single adult. It's a wonderfully inventive sequence, which evokes not only the great fairy tales but also such monuments of postmodern whimsy as Italo Calvino's Invisible Cities. And despite his tone of gentle bemusement, Saint-Exupéry pulls off some fine satiric touches, too. There's the king, for example, who commands the Little Prince to function as a one-man (or one-boy) judiciary:

    I have good reason to believe that there is an old rat living somewhere on my planet. I hear him at night. You could judge that old rat. From time to time you will condemn him to death. That way his life will depend on your justice. But you'll pardon him each time for economy's sake. There's only one rat.
    The author pokes similar fun at a businessman, a geographer, and a lamplighter, all of whom signify some futile aspect of adult existence. Yet his tale is ultimately a tender one--a heartfelt exposition of sadness and solitude, which never turns into Peter Pan-style treacle. Such delicacy of tone can present real headaches for a translator, and in her 1943 translation, Katherine Woods sometimes wandered off the mark, giving the text a slightly wooden or didactic accent. Happily, Richard Howard (who did a fine nip-and-tuck job on Stendhal's The Charterhouse of Parma in 1999) has streamlined and simplified to wonderful effect. The result is a new and improved version of an indestructible classic, which also restores the original artwork to full color. "Trying to be witty," we're told at one point, "leads to lying, more or less." But Saint-Exupéry's drawings offer a handy rebuttal: they're fresh, funny, and like the book itself, rigorously truthful. --James Marcus [via]

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  • Lord of the Flies
    by William Golding
    ISBN 0140283331 (0-14-028333-1)
    Softcover, Penguin Group USA

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    In the PENGUIN STUDY NOTES series and originally published in 1986 as GOLDING'S LORD OF THE FLIES, a study guide to the novel, aimed at those preparing for the GCSE examination. It includes character studies, summaries of the plot with examinations of the background and major themes, as well as suggesting topics for discussion. [via]

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  • The Luck of the Bodkins
    by Wodehouse. P. G.
    ISBN 0140009868 (0-14-000986-8)
    Softcover, Penguin Group USA

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    Monty Bodkin's wooing of Gertrude Butterwick on the R.M.S. Atlantic is not progressing as it should. And the cause of all the trouble is Miss Lotus Blossum, the brightest star in Hollywood's firmament. The easy camaraderie of Miss Blossom, coupled with the idea that Monty is the only person who can send the errant Ambrose back to her welcoming arms, is causing Mr Bodkin moments of acute distress. [via]

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  • Lucky Jim
    by Kingsley Amis
    ISBN 0140186301 (0-14-018630-1)
    Softcover, Penguin Group USA

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    Although Kingsley Amis's acid satire of postwar British academic life has lost some of its bite in the four decades since it was published, it's still a rewarding read. And there's no denying how big an impact it had back then--Lucky Jim could be considered the first shot in the Oxbridge salvo that brought us Beyond the Fringe, That Was the Week That Was, and so much more.

    In Lucky Jim, Amis introduces us to Jim Dixon, a junior lecturer at a British college who spends his days fending off the legions of malevolent twits that populate the school. His job is in constant danger, often for good reason. Lucky Jim hits the heights whenever Dixon tries to keep a preposterous situation from spinning out of control, which is every three pages or so. The final example of this--a lecture spewed by a hideously pickled Dixon--is a chapter's worth of comic nirvana. The book is not politically correct (Amis wasn't either), but take it for what it is, and you won't be disappointed. [via]

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  • The Mating Season
    by P.G. Wodehouse
    ISBN 0060806591 (0-06-080659-1)
    Softcover, Harper & Row

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    Having dispatched Aunt Agatha's young son Thos to his seaside borstal, Bertie Wooster intends to pay a visit to Deverill Hall to lend a hand with the village entertainment. He soon ends up in a fix when an imposter posing as Bertie Wooster turns up. [via]

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  • Midnight's Children
    by Salman Rushdie
    ISBN 0140132708 (0-14-013270-8)
    Softcover, Penguin Group USA

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    Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.

    Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:

    I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.
    In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.

    We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber [via]

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  • Mrs Dalloway
    by Virginia Woolf
    ISBN 0099470454 (0-09-947045-4)
    Softcover, Random House Uk Ltd

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    As Clarissa Dalloway walks through London on a fine June morning, a sky-writing plane captures her attention. Crowds stare upwards to decipher the message while the plane turns and loops, leaving off one letter, picking up another. Like the airplane's swooping path, Virginia Woolf's Mrs. Dalloway follows Clarissa and those whose lives brush hers--from Peter Walsh, whom she spurned years ago, to her daughter Elizabeth, the girl's angry teacher, Doris Kilman, and war-shocked Septimus Warren Smith, who is sinking into madness.

    As Mrs. Dalloway prepares for the party she is giving that evening, a series of events intrudes on her composure. Her husband is invited, without her, to lunch with Lady Bruton (who, Clarissa notes anxiously, gives the most amusing luncheons). Meanwhile, Peter Walsh appears, recently from India, to criticize and confide in her. His sudden arrival evokes memories of a distant past, the choices she made then, and her wistful friendship with Sally Seton.

    Woolf then explores the relationships between women and men, and between women, as Clarissa muses, "It was something central which permeated; something warm which broke up surfaces and rippled the cold contact of man and woman, or of women together.... Her relation in the old days with Sally Seton. Had not that, after all, been love?" While Clarissa is transported to past afternoons with Sally, and as she sits mending her green dress, Warren Smith catapults desperately into his delusions. Although his troubles form a tangent to Clarissa's web, they undeniably touch it, and the strands connecting all these characters draw tighter as evening deepens. As she immerses us in each inner life, Virginia Woolf offers exquisite, painful images of the past bleeding into the present, of desire overwhelmed by society's demands. --Joannie Kervran Stangeland [via]

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  • Mrs. Dalloway Reader
    by Francine Prose
    ISBN 0151010447 (0-15-101044-7)
    Hardcover, Harvest Books

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    This first volume of its kind contains the complete text of and guide to Virginia Woolf's masterpiece plus Mrs. Dalloway's Party, and numerous journal entries and letters by Virginia Woolf relating to the book's genesis and writing. The distinguished novelist Francine Prose has selected these pieces as well as essays and appreciations, critical views, and commentary by writers famous and unknown. This complete volume illuminates the creation of a beloved book and the genius of its author.
    [via]

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  • Vidal, Gore: Myra Breckinridge ; Myron
    Myra Breckinridge ; Myron
    by Gore Vidal
    ISBN 0141180285 (0-14-118028-5)
    Softcover, Penguin Group USA

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  • The Name of the Rose
    by Umberto Eco
    ISBN 0151446474 (0-15-144647-4)
    Hardcover, Harcourt

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    It is the year 1327. Franciscans in an Italian abbey are suspected of heresy, but Brother William of Baskervilles investigation is suddenly overshadowed by seven bizarre deaths. Translated by William Weaver. A Helen and Kurt Wolff Book
    [via]

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  • Of Mice & Men
    by Sarat Austin
    ISBN 0140188290 (0-14-018829-0)
    Softcover, Penguin Group USA

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    Nobel Prize winning author John Steinbeck, one of the greatest American writers of the twentieth century, offers a powerful but tragic tale in "Of Mice and Men". 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place'. George and his large, simple-minded friend Lennie are drifters, following wherever work leads them. Arriving in California's Salinas Valley, they get work on a ranch. If they can just stay out of trouble, George promises Lennie, then one day they might be able to get some land of their own and settle down some place. But kind-hearted, childlike Lennie is a victim of his own strength. Seen by others as a threat, he finds it impossible to control his emotions. And one day not even George will be able to save him from trouble. "Of Mice and Men" is a tragic and moving story of friendship, loneliness and the dispossessed. "A thriller, a gripping tale that you will not set down until it is finished. Steinbeck has touched the quick". ("New York Times"). Nobel Prize-winning author John Steinbeck is remembered as one of the greatest and best-loved American writers of the twentieth century. His complete works are published by Penguin and include "Cannery Row", "The Pearl", "The Winter of Our Discontent" and "The Grapes of Wrath". [via]

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  • Of Mice and Men
    by John Steinbeck
    ISBN 0140177396 (0-14-017739-6)
    Softcover, Penguin Group USA

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    Celebrating its 75th anniversary, John Steinbeck's Of Mice and Men remains on of America's most widely read and beloved novels. An unlikely pair, George and Lennie, two migrant workers in California during the Great Depression, grasp for their American Dream in a tale of commitment, loneliness, hope and loss. From the Nobel Prize-winning author of The Grapes of Wrath and East of Eden , this Steinbeck Centennial Edition features French flaps and deckled pages. George and his simple-minded friend Lenny dream, as drifters will, of a place to call their own-a couple of acres and a few pigs, chickens, and rabbits back in Hill Country where land is cheap. But after they come to work on a ranch in the fertile Salinas Valley of California, their hopes, like "the best laid schemes o'mice an' men," begin to go awry. Of Mice and Men also represents an experiment in form, as Steinbeck described his work, "a kind of playable novel, written in novel form but so scened and set that it can be played as it stands." A rarity in American letters, it achieved remarkable success as a novel, a Broadway play, and three acclaimed films. Susan Shillinglaw is a professor of English at San Jose State University and scholar in residence at the National Steinbeck Center. She has published widely on Steinbeck, most recently A Journey into Steinbeck's California (2006) and a forthcoming biography of Carol and John Steinbeck. [via]

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  • One Flew over the Cuckoo's Nest
    by Ken Kesey
    ISBN 0140043128 (0-14-004312-8)
    Softcover, Penguin Group USA

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    "Powerful, poetic realism...makes the tired old subject of life in a mental hospital into an absorbing Orwellian microcosm of all humanity."- Life . An international bestseller and the basis for a hugely successful film, Ken Kesey 's One Flew Over the Cuckoo's Nest was one of the defining works of the 1960s. This Viking Critical Library edition is accompanied by essays, discussion topics, a chronology, and a bibliography. A mordant, wickedly subversive parable set in a mental ward, the novel chronicles the head-on collision between its hell-raising, life-affirming hero Randle Patrick McMurphy and the totalitarian rule of Big Nurse. McMurphy swaggers into the mental ward like a blast of fresh air and turns the place upside down, starting a gambling operation, smuggling in wine and women, and egging on the other patients to join him in open rebellion. But McMurphy's revolution against Big Nurse and everything she stands for quickly turns from sport to a fierce power struggle with shattering results. With One Flew Over the Cuckoo's Nest , Kesey created a work without precedent in American literature, a novel at once comic and tragic that probes the nature of madness and sanity, authority and vitality. Greeted by unanimous acclaim when it was first published, the book has become and enduring favorite of readers. [via]

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  • One Hundred Years of Solitude
    by Gabriel García Márquez
    ISBN 0060740450 (0-06-074045-0)
    Softcover, HarperCollins Canada, Limited

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    "Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."

    It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:

    A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
    "Holy Mother of God!" Úrsula shouted.

    The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."

    With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber [via]

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  • One Hundred Years of Solitude
    by Gregory Rabassa, Gabriel Garcia Marquez
    ISBN 0060883286 (0-06-088328-6)
    Softcover, Harpercollins

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    Book summary:

    "Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice."

    It is typical of Gabriel García Márquez that it will be many pages before his narrative circles back to the ice, and many chapters before the hero of One Hundred Years of Solitude, Buendía, stands before the firing squad. In between, he recounts such wonders as an entire town struck with insomnia, a woman who ascends to heaven while hanging laundry, and a suicide that defies the laws of physics:

    A trickle of blood came out under the door, crossed the living room, went out into the street, continued on in a straight line across the uneven terraces, went down steps and climbed over curbs, passed along the Street of the Turks, turned a corner to the right and another to the left, made a right angle at the Buendía house, went in under the closed door, crossed through the parlor, hugging the walls so as not to stain the rugs, went on to the other living room, made a wide curve to avoid the dining-room table, went along the porch with the begonias, and passed without being seen under Amaranta's chair as she gave an arithmetic lesson to Aureliano José, and went through the pantry and came out in the kitchen, where Úrsula was getting ready to crack thirty-six eggs to make bread.
    "Holy Mother of God!" Úrsula shouted.

    The story follows 100 years in the life of Macondo, a village founded by José Arcadio Buendía and occupied by descendants all sporting variations on their progenitor's name: his sons, José Arcadio and Aureliano, and grandsons, Aureliano José, Aureliano Segundo, and José Arcadio Segundo. Then there are the women--the two Úrsulas, a handful of Remedios, Fernanda, and Pilar--who struggle to remain grounded even as their menfolk build castles in the air. If it is possible for a novel to be highly comic and deeply tragic at the same time, then One Hundred Years of Solitude does the trick. Civil war rages throughout, hearts break, dreams shatter, and lives are lost, yet the effect is literary pentimento, with sorrow's outlines bleeding through the vibrant colors of García Márquez's magical realism. Consider, for example, the ghost of Prudencio Aguilar, whom José Arcadio Buendía has killed in a fight. So lonely is the man's shade that it haunts Buendía's house, searching anxiously for water with which to clean its wound. Buendía's wife, Úrsula, is so moved that "the next time she saw the dead man uncovering the pots on the stove she understood what he was looking for, and from then on she placed water jugs all about the house."

    With One Hundred Years of Solitude Gabriel García Márquez introduced Latin American literature to a world-wide readership. Translated into more than two dozen languages, his brilliant novel of love and loss in Macondo stands at the apex of 20th-century literature. --Alix Wilber [via]

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  • The Pearl
    by John Steinbeck
    ISBN 014017737X (0-14-017737-X)
    Softcover, Penguin Group USA

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    Today, nearly forty years after his death, Nobel Prize winner John Steinbeck remains one of America's greatest writers and cultural figures. Over the next year, his many works published as black-spine Penguin Classics for the first time and will feature eye-catching, newly commissioned art.Penguin Classics is proud to present these seminal works to a new generation of readers-and to the many who revisit them again and again." [via]

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  • Steinbeck, John: The Pearl the Red Pony
    The Pearl the Red Pony
    by John Steinbeck
    ISBN 0140042326 (0-14-004232-6)
    Softcover, Penguin Group USA

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  • The Plague
    by Albert Camus, Stuart Gilbert
    ISBN 0075536498 (0-07-553649-8)
    Softcover, McGraw-Hill College

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    The Nobel prize-winning Albert Camus, who died in 1960, could not have known how grimly current his existentialist novel of epidemic and death would remain. Set in Algeria, in northern Africa, The Plague is a powerful study of human life and its meaning in the face of a deadly virus that sweeps dispassionately through the city, taking a vast percentage of the population with it. [via]

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  • The Quiet American
    by Graham Greene, John Clark Pratt
    ISBN 014024350X (0-14-024350-X)
    Softcover, Penguin Group USA

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    While the French Army in Indo-China is grappling with the Vietminh, back in Saigon a young and high-minded American named Pyle begins to channel economic aid to a "Third Force."

    Caught between French colonialists and the Vietminh, Fowler, the narrator and seasoned foreign correspondent, observes: "I never knew a man who had better motives for all the trouble he caused." As young Pyle's policies blunder on into bloodshed, the older man finds it impossible to stand aside as an observer. But Fowler's motives for intervening are suspect, both to the police and to himself: for Pyle has robbed him of his Vietnamese mistress.
    [via]

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  • Flaubert, Gustave: Salammbo
    Salammbo
    by Gustave Flaubert, A.J. Krailsheimer
    ISBN 0140443282 (0-14-044328-2)
    Softcover, Penguin Group USA

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  • The Shadow of the Wind
    by Lucia Graves, Carlos Ruiz Zafon
    ISBN 0143034901 (0-14-303490-1)
    Softcover, Penguin Group USA

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    The Shadow of the Wind [Paperback] by Carlos Ruiz Zaf_n; Lucia Graves [via]

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  • Ulysses
    by James Joyce
    ISBN 014003000X (0-14-003000-X)
    Hardcover, Penguin

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    Ulysses has been labeled dirty, blasphemous, and unreadable. In a famous 1933 court decision, Judge John M. Woolsey declared it an emetic book--although he found it sufficiently unobscene to allow its importation into the United States--and Virginia Woolf was moved to decry James Joyce's "cloacal obsession." None of these adjectives, however, do the slightest justice to the novel. To this day it remains the modernist masterpiece, in which the author takes both Celtic lyricism and vulgarity to splendid extremes. It is funny, sorrowful, and even (in a close-focus sort of way) suspenseful. And despite the exegetical industry that has sprung up in the last 75 years, Ulysses is also a compulsively readable book. Even the verbal vaudeville of the final chapters can be navigated with relative ease, as long as you're willing to be buffeted, tickled, challenged, and (occasionally) vexed by Joyce's sheer command of the English language.

    Among other things, a novel is simply a long story, and the first question about any story is: What happens?. In the case of Ulysses, the answer might be Everything. William Blake, one of literature's sublime myopics, saw the universe in a grain of sand. Joyce saw it in Dublin, Ireland, on June 16, 1904, a day distinguished by its utter normality. Two characters, Stephen Dedalus and Leopold Bloom, go about their separate business, crossing paths with a gallery of indelible Dubliners. We watch them teach, eat, stroll the streets, argue, and (in Bloom's case) masturbate. And thanks to the book's stream-of-consciousness technique--which suggests no mere stream but an impossibly deep, swift-running river--we're privy to their thoughts, emotions, and memories. The result? Almost every variety of human experience is crammed into the accordian folds of a single day, which makes Ulysses not just an experimental work but the very last word in realism.

    Both characters add their glorious intonations to the music of Joyce's prose. Dedalus's accent--that of a freelance aesthetician, who dabbles here and there in what we might call Early Yeats Lite--will be familiar to readers of Portrait of an Artist As a Young Man. But Bloom's wistful sensualism (and naive curiosity) is something else entirely. Seen through his eyes, a rundown corner of a Dublin graveyard is a figure for hope and hopelessness, mortality and dogged survival: "Mr Bloom walked unheeded along his grove by saddened angels, crosses, broken pillars, family vaults, stone hopes praying with upcast eyes, old Ireland's hearts and hands. More sensible to spend the money on some charity for the living. Pray for the repose of the soul of. Does anybody really?" --James Marcus [via]

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  • The Unbearable Lightness of Being
    by Milan Kundera, Michael Henry Heim
    ISBN 0060932139 (0-06-093213-9)
    Softcover, Harpercollins

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    When The Unbearable Lightness of Being was first published in English, it was hailed as "a work of the boldest mastery, originality, and richness" by critic Elizabeth Hardwick and named one of the best books of 1984 by the New York Times Book Review. It went on to win the Los Angeles Times Book Prize for Fiction and quickly became an international bestseller. Twenty years later, the novel has established itself as a modern classic. To commemorate the anniversary of its first English-language publication, HarperCollins is proud to offer a special hardcover edition.

    A young woman in love with a man torn between his love for her and his incorrigible womanizing; one of his mistresses and her humbly faithful lover -- these are the two couples whose story is told in this masterful novel.

    Controlled by day, Tereza's jealousy awakens by night, transformed into ineffably sad death-dreams, while Tomas, a successful surgeon, alternates loving devotion to the dependent Tereza with the ardent pursuit of other women. Sabina, an independent, free-spirited artist, lives her life as a series of betrayals -- of parents, husband, country, love itself -- whereas her lover, the intellectual Franz, loses all because of his earnest goodness and fidelity.

    In a world in which lives are shaped by irrevocable choices and by fortuitous events, a world in which everything occurs but once, existence seems to lose its substance, its weight. Hence we feel, says the novelist, "the unbearable lightness of being" -- not only as the consequence of our private acts but also in the public sphere, and the two inevitably intertwine.

    This magnificent novel encompasses the extremes of comedy and tragedy, and embraces, it seems, all aspects of human existence. It juxtaposes geographically distant places (Prague, Geneva, Paris, Thailand, the United States, a forlorn Bohemian village); brilliant and playful reflections (on "eternal return," on kitsch, on man and animals -- Tomas and Tereza have a beloved doe named Karenin); and a variety of styles (from the farcical to the elegiac) to take its place as perhaps the major achievement of one of the world's truly great writers.

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  • Zen And The Art Of Motorcycle Maintenance: An Inquiry Into Values
    by Robert M. Pirsig
    ISBN 0060589469 (0-06-058946-9)
    Softcover, Harpercollins

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    In his now classic Zen and the Art of Motorcycle Maintenance, Robert Pirsig brings us a literary chautauqua, a novel that is meant to both entertain and edify. It scores high on both counts.

    Phaedrus, our narrator, takes a present-tense cross-country motorcycle trip with his son during which the maintenance of the motorcycle becomes an illustration of how we can unify the cold, rational realm of technology with the warm, imaginative realm of artistry. As in Zen, the trick is to become one with the activity, to engage in it fully, to see and appreciate all details--be it hiking in the woods, penning an essay, or tightening the chain on a motorcycle.

    In his autobiographical first novel, Pirsig wrestles both with the ghost of his past and with the most important philosophical questions of the 20th century--why has technology alienated us from our world? what are the limits of rational analysis? if we can't define the good, how can we live it? Unfortunately, while exploring the defects of our philosophical heritage from Socrates and the Sophists to Hume and Kant, Pirsig inexplicably stops at the middle of the 19th century. With the exception of Poincaré, he ignores the more recent philosophers who have tackled his most urgent questions, thinkers such as Peirce, Nietzsche (to whom Phaedrus bears a passing resemblance), Heidegger, Whitehead, Dewey, Sartre, Wittgenstein, and Kuhn. In the end, the narrator's claims to originality turn out to be overstated, his reasoning questionable, and his understanding of the history of Western thought sketchy. His solution to a synthesis of the rational and creative by elevating Quality to a metaphysical level simply repeats the mistakes of the premodern philosophers. But in contrast to most other philosophers, Pirsig writes a compelling story. And he is a true innovator in his attempt to popularize a reconciliation of Eastern mindfulness and nonrationalism with Western subject/object dualism. The magic of Zen and the Art of Motorcycle Maintenance turns out to lie not in the answers it gives, but in the questions it raises and the way it raises them. Like a cross between The Razor's Edge and Sophie's World, Zen and the Art of Motorcycle Maintenance takes us into "the high country of the mind" and opens our eyes to vistas of possibility. --Brian Bruya [via]

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French

  • Le Petit Prince
    by Antoine De Saint-Exupery
    ISBN 0152164154 (0-15-216415-4)
    Hardcover, Harcourt Childrens Books

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    Imaginez-vous perdu dans le désert, loin de tout lieu habité, et face à un petit garçon tout blond, surgi de nulle part. Si de surcroît ce petit garçon vous demande avec insistance de dessiner un mouton, vous voilà plus qu'étonné ! À partir de là, vous n'aurez plus qu'une seule interrogation : savoir d'où vient cet étrange petit bonhomme et connaître son histoire.

    S'ouvre alors un monde étrange et poétique, peuplé de métaphores, décrit à travers les paroles d'un "petit prince" qui porte aussi sur notre monde à nous un regard tout neuf, empli de naïveté, de fraîcheur et de gravité. Très vite, vous découvrez d'étranges planètes, peuplées d'hommes d'affaires, de buveurs, de vaniteux, d'allumeurs de réverbères.

    Cette évocation onirique, à laquelle participent les aquarelles de l'auteur, a tout d'un parcours initiatique, où l'enfant apprendra les richesses essentielles des rapports humains et le secret qui les régit : "On ne voit bien qu'avec le coeur, l'essentiel est invisible pour les yeux."

    Oeuvre essentielle de la littérature, ce livre de Saint-Exupéry est un ouvrage que l'on aura à coeur de raconter à son enfant, page après page, histoire aussi de redécouvrir l'enfant que l'on était autrefois, avant de devenir une grande personne ! --Xavier Marciniak [via]

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Spanish

  • Las Uvas De LA Ira
    by John Steinbeck, Maria Coy
    ISBN 0142002534 (0-14-200253-4)
    Softcover, Penguin Group USA

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    Las uvas de la ira es un hito en la literatura norteamericana que explora el conflicto entre ricos y pobres, analiza la reacción feroz de un hombre contra la injusticia y el estoicismo de una mujer igualmente heróica, y refleja los horrores de la Gran Depresión. Aunque sigue la migración de miles personas del Dust Bowl, Las uvas de la ira se enfoca en la historia de una familia de Oklahoma, los Joads, echados de su hogar y forzados a viajar rumbo a esa Tierra Prometida que era por ese entoncesy que de algun modo sigue siendoCalifornia. De sus desventurasen un país dividido surge un drama sobre la dignidad humana, a un tiempo trágico y majestuoso en su grandeza su valentía moral.

    Publicada por primera vez en 1939, la novela reflejó su época como Uncle Tom's Cabin reflejó los años antes de la Guerra Civil norteamericana. John Steinbeck, un escritor que simpatizaba con la crítica fascista y comunista, insistió en que la versión integral del "Himno de batalla de la República" fuese impresa en la primera edición del libro, que adopta en su título unas palabras del primer verso: "Está pisoteando la vendimia donde se conservan las uvas de la ira." La crónica de Steinbeck sobre el avergonzante maltrato de las clases sociales de los años treinta es tal vez el más "americano" de todos los clásicos norteamericanos. 

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