books tagged “modern fiction”

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  • About a Boy
    by Nick Hornby
    ISBN 0786216069 (0-7862-1606-9)
    Hardcover, Thorndike Pr

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    Book summary:

    Will Lightman is a Peter Pan for the 1990s. At 36, the terminally hip North Londoner is unmarried, hyper-concerned with his coolness quotient, and blithely living off his father's novelty-song royalties. Will sees himself as entirely lacking in hidden depths--and he's proud of it! The only trouble is, his friends are succumbing to responsibilities and children, and he's increasingly left out in the cold. How can someone brilliantly equipped for meaningless relationships ensure that he'll continue to meet beautiful Julie Christie-like women and ensure that they'll throw him over before things get too profound? A brief encounter with a single mother sets Will off on his new career, that of "serial nice guy." As far as he's concerned--and remember, concern isn't his strong suit--he's the perfect catch for the young mother on the go. After an interlude of sexual bliss, she'll realize that her child isn't ready for a man in their life and Will can ride off into the Highgate sunset, where more damsels apparently await. The only catch is that the best way to meet these women is at single-parent get-togethers. In one of Nick Hornby's many hilarious (and embarrassing) scenes, Will falls into some serious misrepresentation at SPAT ("Single Parents--Alone Together"), passing himself off as a bereft single dad: "There was, he thought, an emotional truth here somewhere, and he could see now that his role-playing had a previously unsuspected artistic element to it. He was acting, yes, but in the noblest, most profound sense of the word."

    What interferes with Will's career arc, of course, is reality--in the shape of a 12-year-old boy who is in many ways his polar opposite. For Marcus, cool isn't even a possibility, let alone an issue. For starters, he's a victim at his new school. Things at home are pretty awful, too, since his musical therapist mother seems increasingly in need of therapy herself. All Marcus can do is cobble together information with a mixture of incomprehension, innocence, self-blame, and unfettered clear sight. As fans of Fever Pitch and High Fidelity already know, Hornby's insight into laddishness magically combines the serious and the hilarious. About a Boy continues his singular examination of masculine wish-fulfillment and fear. This time, though, the author lets women and children onto the playing field, forcing his feckless hero to leap over an entirely new--and entirely welcome--set of emotional hurdles. [via]

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  • Alice Walker
    by Alice Walker
    ISBN 0671922548 (0-671-92254-8)
    Hardcover, Simon & Schuster

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  • Anansi Boys: Library Edition
    by Neil Gaiman
    ISBN 0786285109 (0-7862-8510-9)
    Hardcover, Thorndike Pr

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    Book summary:

    God is dead. Meet the kids.

    When Fat Charlie's dad named something, it stuck. Like calling Fat Charlie "Fat Charlie." Even now, twenty years later, Charlie Nancy can't shake that name, one of the many embarrassing "gifts" his father bestowed -- before he dropped dead on a karaoke stage and ruined Fat Charlie's life.

    Mr. Nancy left Fat Charlie things. Things like the tall, good-looking stranger who appears on Charlie's doorstep, who appears to be the brother he never knew. A brother as different from Charlie as night is from day, a brother who's going to show Charlie how to lighten up and have a little fun ... just like Dear Old Dad. And all of a sudden, life starts getting very interesting for Fat Charlie.

    Because, you see, Charlie's dad wasn't just any dad. He was Anansi, a trickster god, the spider-god. Anansi is the spirit of rebellion, able to overturn the social order, create wealth out of thin air, and baffle the devil. Some said he could cheat even Death himself.

    Returning to the territory he so brilliantly explored in his masterful New York Times bestseller American Gods, the incomparable Neil Gaiman offers up a work of dazzling ingenuity, a kaleidoscopic journey deep into myth that is at once startling, terrifying, exhilarating, and fiercely funny -- a true wonder of a novel that confirms Stephen King's glowing assessment of the author as "a treasure house of story, and we are lucky to have him."

    Performed by Lenny Henry

    [via]

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  • Angels & Demons
    by Dan Brown
    ISBN 1416524797 (1-4165-2479-7)
    Softcover, Pocket Books

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    Book summary:

    It takes guts to write a novel that combines an ancient secret brotherhood, the Swiss Conseil Européen pour la Recherche Nucléaire, a papal conclave, mysterious ambigrams, a plot against the Vatican, a mad scientist in a wheelchair, particles of antimatter, jets that can travel 15,000 miles per hour, crafty assassins, a beautiful Italian physicist, and a Harvard professor of religious iconology. It takes talent to make that novel anything but ridiculous. Kudos to Dan Brown (Digital Fortress) for achieving the nearly impossible. Angels & Demons is a no-holds-barred, pull-out-all-the-stops, breathless tangle of a thriller--think Katherine Neville's The Eight (but cleverer) or Umberto Eco's Foucault's Pendulum (but more accessible).

    Harvard symbologist Robert Langdon is shocked to find proof that the legendary secret society, the Illuminati--dedicated since the time of Galileo to promoting the interests of science and condemning the blind faith of Catholicism--is alive, well, and murderously active. Brilliant physicist Leonardo Vetra has been murdered, his eyes plucked out, and the society's ancient symbol branded upon his chest. His final discovery, antimatter, the most powerful and dangerous energy source known to man, has disappeared--only to be hidden somewhere beneath Vatican City on the eve of the election of a new pope. Langdon and Vittoria, Vetra's daughter and colleague, embark on a frantic hunt through the streets, churches, and catacombs of Rome, following a 400-year-old trail to the lair of the Illuminati, to prevent the incineration of civilization.

    Brown seems as much juggler as author--there are lots and lots of balls in the air in this novel, yet Brown manages to hurl the reader headlong into an almost surreal suspension of disbelief. While the reader might wish for a little more sardonic humor from Langdon, and a little less bombastic philosophizing on the eternal conflict between religion and science, these are less fatal flaws than niggling annoyances--readers should have no trouble skimming past them and immersing themselves in a heck of a good read. "Brain candy" it may be, but my! It's tasty. --Kelly Flynn [via]

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  • Angels and Demons
    by Dan Brown
    ISBN 0739326759 (0-7393-2675-9)
    Softcover, Ballantine Books

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    Book summary:

    It takes guts to write a novel that combines an ancient secret brotherhood, the Swiss Conseil Européen pour la Recherche Nucléaire, a papal conclave, mysterious ambigrams, a plot against the Vatican, a mad scientist in a wheelchair, particles of antimatter, jets that can travel 15,000 miles per hour, crafty assassins, a beautiful Italian physicist, and a Harvard professor of religious iconology. It takes talent to make that novel anything but ridiculous. Kudos to Dan Brown (Digital Fortress) for achieving the nearly impossible. Angels & Demons is a no-holds-barred, pull-out-all-the-stops, breathless tangle of a thriller--think Katherine Neville's The Eight (but cleverer) or Umberto Eco's Foucault's Pendulum (but more accessible).

    Harvard symbologist Robert Langdon is shocked to find proof that the legendary secret society, the Illuminati--dedicated since the time of Galileo to promoting the interests of science and condemning the blind faith of Catholicism--is alive, well, and murderously active. Brilliant physicist Leonardo Vetra has been murdered, his eyes plucked out, and the society's ancient symbol branded upon his chest. His final discovery, antimatter, the most powerful and dangerous energy source known to man, has disappeared--only to be hidden somewhere beneath Vatican City on the eve of the election of a new pope. Langdon and Vittoria, Vetra's daughter and colleague, embark on a frantic hunt through the streets, churches, and catacombs of Rome, following a 400-year-old trail to the lair of the Illuminati, to prevent the incineration of civilization.

    Brown seems as much juggler as author--there are lots and lots of balls in the air in this novel, yet Brown manages to hurl the reader headlong into an almost surreal suspension of disbelief. While the reader might wish for a little more sardonic humor from Langdon, and a little less bombastic philosophizing on the eternal conflict between religion and science, these are less fatal flaws than niggling annoyances--readers should have no trouble skimming past them and immersing themselves in a heck of a good read. "Brain candy" it may be, but my! It's tasty. --Kelly Flynn [via]

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  • Animal Farm
    by George Orwell
    ISBN 0451525361 (0-451-52536-1)
    Softcover, Signet

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    Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]

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  • Animal Farm
    by Naura Hayden
    ISBN 0582530083 (0-582-53008-3)
    Softcover, Longman Group United Kingdom

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    Book summary:

    Since its publication in 1946, George Orwell's fable of a workers' revolution gone wrong has rivaled Hemingway's The Old Man and the Sea as the Shortest Serious Novel It's OK to Write a Book Report About. (The latter is three pages longer and less fun to read.) Fueled by Orwell's intense disillusionment with Soviet Communism, Animal Farm is a nearly perfect piece of writing, both an engaging story and an allegory that actually works. When the downtrodden beasts of Manor Farm oust their drunken human master and take over management of the land, all are awash in collectivist zeal. Everyone willingly works overtime, productivity soars, and for one brief, glorious season, every belly is full. The animals' Seven Commandment credo is painted in big white letters on the barn. All animals are equal. No animal shall drink alcohol, wear clothes, sleep in a bed, or kill a fellow four-footed creature. Those that go upon four legs or wings are friends and the two-legged are, by definition, the enemy. Too soon, however, the pigs, who have styled themselves leaders by virtue of their intelligence, succumb to the temptations of privilege and power. "We pigs are brainworkers. The whole management and organisation of the farm depend on us. Day and night, we are watching over your welfare. It is for your sake that we drink that milk and eat those apples." While this swinish brotherhood sells out the revolution, cynically editing the Seven Commandments to excuse their violence and greed, the common animals are once again left hungry and exhausted, no better off than in the days when humans ran the farm. Satire Animal Farm may be, but it's a stony reader who remains unmoved when the stalwart workhorse, Boxer, having given his all to his comrades, is sold to the glue factory to buy booze for the pigs. Orwell's view of Communism is bleak indeed, but given the history of the Russian people since 1917, his pessimism has an air of prophecy. --Joyce Thompson [via]

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  • Brick Lane
    by Monica Ali
    ISBN 0743243315 (0-7432-4331-5)
    Softcover, Scribner

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    With its gritty Tower Hamlets setting, this sharply observed contemporary novel about the life of an Asian immigrant girl deals cogently with issues of love, cultural difference and the human spirit. The pre-publicity hype about Brick Lane was precisely the kind to set alarm bells ringing (we've heard it so often before), but, for once, the excitement is fully justified: Monica Ali's debut novel demonstrates that there is a new voice in modern fiction to be reckoned with.

    Nazneen is a teenager forced into an arranged marriage with a man considerably older than her--a man whose expectations of life are so low that misery seems to stretch ahead for her. Fearfully leaving the sultry oppression of her Bangladeshi village, Nazneen finds herself cloistered in a small flat in a high-rise block in the East End of London. Because she speaks no English, she is obliged to depend totally on her husband. But it becomes apparent that, of the two, she is the real survivor: more able to deal with the ways of the world, and a better judge of the vagaries of human behaviour. She makes friends with another Asian girl, Razia, who is the conduit to her understanding of the unsettling ways of her new homeland.

    This is a novel of genuine insight, with the kind of characterisation that reminds the reader at every turn just what the novel form is capable of. Every character (Nazneen, her disappointed husband and her resourceful friend Razia) is drawn with the complexity that can really only be found in the novel these days. In some ways, the reader is given the same all-encompassing experience as in a Dickens novel: humour and tragedy rub shoulders in a narrative that inexorably grips the reader. Whether or not Monica Ali can follow up this achievement is a question for the future; it's enough to say right now that Brick Lane is an essential read for anyone interested in current British fiction. --Barry Forshaw [via]

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  • Catch-22
    by Joseph Heller
    ISBN 0684833395 (0-684-83339-5)
    Softcover, Scribner

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    There was a time when reading Joseph Heller's classic satire on the murderous insanity of war was nothing less than a rite of passage. Echoes of Yossarian, the wise-ass bombardier who was too smart to die but not smart enough to find a way out of his predicament, could be heard throughout the counterculture. As a result, it's impossible not to consider Catch-22 to be something of a period piece. But 40 years on, the novel's undiminished strength is its looking-glass logic. Again and again, Heller's characters demonstrate that what is commonly held to be good, is bad; what is sensible, is nonsense.

    Yossarian says, "You're talking about winning the war, and I am talking about winning the war and keeping alive."
    "Exactly," Clevinger snapped smugly. "And which do you think is more important?"
    "To whom?" Yossarian shot back. "It doesn't make a damn bit of difference who wins the war to someone who's dead."
    "I can't think of another attitude that could be depended upon to give greater comfort to the enemy."
    "The enemy," retorted Yossarian with weighted precision, "is anybody who's going to get you killed, no matter which side he's on."
    Mirabile dictu, the book holds up post-Reagan, post-Gulf War. It's a good thing, too. As long as there's a military, that engine of lethal authority, Catch-22 will shine as a handbook for smart-alecky pacifists. It's an utterly serious and sad, but damn funny book. [via]

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  • Chocolat
    by Joanne Harris
    ISBN 0670881791 (0-670-88179-1)
    Hardcover, Penguin USA

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    Vianne Rocher and her six-year-old daughter Anouk arrive in the small village of Lansquenet-sous-Tannes--"a blip on the fast road between Toulouse and Bourdeaux"--during the carnival. Three days later, Vianne opens a luxuriant chocolate shop crammed with the most tempting of confections and offering a mouth-watering variety of hot chocolate drinks. It's Lent, the shop is opposite the church, it's open on Sundays and Francis Reynaud, the austere parish priest, is livid.

    One by one the locals succumb to Vianne's concoctions. Harris weaves their secrets and troubles, their loves and desires, into this, her third novel, with the lightest touch. Sad, polite Guillame and his dying dog. Thieving, beaten-up Joséphine Muscat. Schoolchildren who declare it "hypercool" when Vianne says they can help eat the window display--a gingerbread house complete with witch. And Armande, still vigorous in her 80s, who can see Anouk's "imaginary" rabbit Pantoufle, and recognises Vianne for who she really is. However, certain villagers--including Armande's snobby daughter and Joséphine's violent husband--side with Reynaud. So when Vianne announces a Grand Festival of Chocolate commencing Easter Sunday, it's all-out war. War between church and chocolate, between good and evil, between love and dogma.

    Reminiscent of Herman Hesse's short story Augustus, Chocolat is an utterly delicious novel, coated in the gentlest of magic, which proves--indisputably and without preaching--that soft centres are best. --Lisa Gee [via]

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  • The Color Purple
    by Alice Walker
    ISBN 0671019074 (0-671-01907-4)
    Softcover, Pocket Books

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    Book summary:

    Winner of the National Book Award as well as the Pulitzer Prize, "The Color Purple" established Alice Walker as a major voice in modern fiction. Her unforgettable portrait of Celie and her friends, family, and lovers is rich with passion, pain, inspiration, and an indomitable love of life. Beautifully imagined and deeply compassionate, "The Color Purple" is a classic of American literature. [via]

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  • The Crying of Lot 49
    by Thomas Pynchon
    ISBN 1568493207 (1-56849-320-7)
    Hardcover, Buccaneer Books

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    Book summary:

    The highly original satire about Oedipa Maas, a woman who finds herself enmeshed in a worldwide conspiracy, meets some extremely interesting characters, and attains a not inconsiderable amount of self knowledge.

    [via]

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  • The Crying of Lot Forty-Nine
    by Thomas Pynchon
    ISBN 0553236911 (0-553-23691-1)
    Softcover, Bantam Books

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    Book summary:

    The highly original satire about Oedipa Maas, a woman who finds herself enmeshed in a worldwide conspiracy, meets some extremely interesting characters, and attains a not inconsiderable amount of self knowledge.

    [via]

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  • Dufy
    by Pierre Camo
    ISBN 0828839824 (0-8288-3982-4)
    Softcover, French & European Pubns

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  • Extremely Loud & Incredibly Close
    by Jonathan Safran Foer
    ISBN 0618329706 (0-618-32970-6)
    Hardcover, Houghton Mifflin

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    Book summary:

    Jonathan Safran Foer emerged as one of the most original writers of his generation with his best-selling debut novel, Everything Is Illuminated. Now, with humor, tenderness, and awe, he confronts the traumas of our recent history. What he discovers is solace in that most human quality, imagination.
    Meet Oskar Schell, an inventor, Francophile, tambourine player, Shakespearean actor, jeweler, pacifist, correspondent with Stephen Hawking and Ringo Starr. He is nine years old. And he is on an urgent, secret search through the five boroughs of New York. His mission is to find the lock that fits a mysterious key belonging to his father, who died in the World Trade Center on 9/11.
    An inspired innocent, Oskar is alternately endearing, exasperating, and hilarious as he careens from Central Park to Coney Island to Harlem on his search. Along the way he is always dreaming up inventions to keep those he loves safe from harm. What about a birdseed shirt to let you fly away? What if you could actually hear everyone's heartbeat? His goal is hopeful, but the past speaks a loud warning in stories of those who've lost loved ones before. As Oskar roams New York, he encounters a motley assortment of humanity who are all survivors in their own way. He befriends a 103-year-old war reporter, a tour guide who never leaves the Empire State Building, and lovers enraptured or scorned. Ultimately, Oskar ends his journey where it began, at his father's grave. But now he is accompanied by the silent stranger who has been renting the spare room of his grandmother's apartment. They are there to dig up his father's empty coffin.
    [via]

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  • Extremely Loud and Incredibly Close
    by Jonathan Safran Foer
    ISBN 0618711651 (0-618-71165-1)
    Softcover, Houghton Mifflin

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    Book summary:

    Jonathan safran foer emerged as one of the most original writers of his generation with his best-selling debut novel, everything is illuminated. Now, with humor, tenderness, and awe, he confronts the traumas of our recent history.nine-year-old oskar schell has embarked on an urgent, secret mission that will take him through the five boroughs of new york. His goal is to find the lock that matches a mysterious key that belonged to his father, who died in the world trade center on the morning of september 11. This seemingly impossible task will bring oskar into contact with survivors of all sorts on an exhilarating, affecting, often hilarious, and ultimately healing journey [via]

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  • Eyre Affair
    by Jasper Fforde
    ISBN 0613629019 (0-613-62901-9)
    Hardcover, Bt Bound

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    Book summary:

    The first of Fforde's superior literary mysteries featuring Thursday Next and set in a strange, parallel 1985 where you can make a dodo from a home-cloning kit and the arch-villain hijacks beloved characters from the citizenry's favorite books. Author's first novel. [via]

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  • Coupland, Douglas: Generation X
    Generation X
    by Douglas Coupland
    ISBN 1417706643 (1-4177-0664-3)
    Hardcover, Bt Bound

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    Book summary:

    A riotous, raunchy tale about three 'twenty somethings' who inhabit adjoining bungalows in Palm Springs. [via]

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  • [???]: George Orwell Complete & Unabridged
    George Orwell Complete & Unabridged
    ISBN 0905712048 (0-905712-04-8)
    Hardcover, Brill Academic Pub

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  • God of Small Things
    by Arundhati Roy
    ISBN 0679309411 (0-679-30941-1)
    Softcover, Random House of Canada Ltd

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    Book summary:

    "They all crossed into forbidden territory. They all tampered with the laws that lay down who should be loved and how. And how much. " The year is 1969. In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . . Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family--their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts). When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen."  With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it. The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it. The God of Small Things takes on the Big Themes--Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic. [via]

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  • Harry Potter and the Chamber of Secrets
    by J. K. Rowling, Jim Dale
    ISBN 0807282073 (0-8072-8207-3)
    Softcover, Listening Library

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    Book summary:

    What makes the Harry Potter series so successful? Maybe it's the fact that J.K. Rowling doesn't write children's books, she writes children's stories, more in the tradition of the Brothers Grimm than Dr. Seuss. The exploits of Harry and his friends captivate even the shortest attention spans by engaging the imagination with vivid characters and fast-moving action, instead of trying to merely catch the eye with colorful pictures or pop-up effects. Not surprisingly, the Potter tales sound wonderful read aloud, and adapt to the audiobook format extremely well. Broadway actor Jim Dale's impressive vocal range gives each character in the book its own distinctive voice--a considerable task, given the pantheon of witches, warlocks, ghosts, ghouls, dwarves, and elves that Harry encounters in his second outing. And thankfully, since the book is read unabridged, no one's favorite character is omitted. Engaging for children without being childish, the audio version of Harry Potter and the Chamber of Secrets is worthy addition to the deservedly popular series. (Running time: 9 hours, 7 CDs) --Andrew Nieland [via]

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  • Harry Potter and the Goblet of Fire
    by J. K. Rowling, Mary Grandpre
    ISBN 0439139600 (0-439-13960-0)
    Softcover, Scholastic Paperbacks

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    Book summary:

    Harry Potter and the Goblet of Fire CD Set tells the story of Harry's fourth year at Hogwarts School of Witchcraft and Wizardry in 18 CDs. The audio book is also available in two volumes, Part 1 and Part 2, each containing 9 CDs.

    Harry Potter and the Goblet of Fire is the long-awaited, heavily hyped fourth instalment of a phenomenally successful series that has captured the imagination of millions of readers, young and old, across the globe. For J K Rowling the pressure is certainly on to continue to come up with thrilling, pacey storylines that allow her hero to mature into a young man without detracting from the magical secret that has made Harry into a superstar. In this book, the teenage Harry has a certain gawky charm that fits well with his advancing adolescence. As the story moves on, Harry too moves on to a new level of maturity that leaves the reader wondering how he will learn from his experiences, and liking him all the more as a character.

    Once returned to Hogwarts after his summer holiday with the dreadful Dursleys and an extraordinary outing to the Quidditch World Cup, the 14-year-old Harry and his fellow pupils are enraptured by the promise of the Triwizard Tournament: an ancient, ritualistic tournament that brings Hogwarts together with two other schools of wizardry--Durmstrang and Beauxbatons--in heated competition. But when Harry's name is pulled from the Goblet of Fire, and he is chosen to champion Hogwarts in the tournament, the trouble really begins. Still reeling from the effects of a terrifying nightmare that has left him shaken, and with the lightning-shaped scar on his head throbbing with pain (a sure sign that the evil Voldemort, Harry's sworn enemy, is close), Harry becomes at once the most popular boy in school. Yet, despite his fame, he is totally unprepared for the furore that follows.

    This is a hefty volume: 636 pages, of which probably at least 200 could have been cut without detracting from the story. The weight and complexity of the book is perhaps a hint that Rowling now has her eye sharply focused on her adult audience, and the average child-reader (particularly one who is coming to Harry Potter for the first time) may well find its girth daunting. Rowling's ironic and pointed observations on tabloid journalism and the nature of media hype is just one of the references littered through the book that will tickle the grown-ups but may well fly over the heads of her young fans.

    However, after a slow start, Harry Potter and the Goblet of Fire really starts to sparkle halfway through with Rowling's familiar magic (and yes, there is a death--sudden and tragic--and yes, Harry does start to notice girls). The crux of this story, however, is Harry's gradual coming-of-age and his handling of the increasingly determined threats to his own life.

    This book is pivotal, not just for the author for whom the heat is well and truly on, but for Harry and his readers who, by the last chapter, are left in little doubt that there is much more to come. (Ages 10 to adult) --Susan Harrison [via]

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  • Harry Potter Et La Coupe De Feu / Harry Potter and the Goblet of Fire
    by J. K. Rowling, Jean-Francois Menard
    ISBN 0320048381 (0-320-04838-1)
    Softcover, French & European Pubns

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    Dans ce quatrième tome, Harry et la Coupe de feu, le plus populaire des apprentis sorciers fait sa rentrée pour une quatrième année trépidante au collège de sorcellerie. Une fois de plus, J. K. Rowling nous effraye autant qu'elle nous ravit avec sa pléiade de dragons, d'elfes et de combats contre la mort.

    Il ne reste à son héros orphelin âgé aujourd'hui de 14 ans que deux semaines à passer dans sa famille de moldus avant de retourner au collège de sorcellerie Poudlard. Mais une nuit, une vision suffisamment obsédante pour réveiller sa cicatrice en forme d'éclair met les nerfs de Harry à vif et le pousse à contacter son parrain en sorcellerie, Sirius Black. Heureusement, la perspective d'assister au grand événement sportif de la saison, la Coupe du monde de Quidditch, suffit à faire oublier pour quelque temps à Harry que Lord Voldemort et ses sinistres comparses, les mangeurs de Mort, sont en route pour tuer.

    Lecteurs, nous allons maintenant recouvrir le reste de l'intrigue d'une immense cape d'invisibilité et nous nous bornerons à vous révéler que Qui-Vous-Savez est à la poursuite de Harry, et que cette année, il n'y aura pas de matchs de Quidditch entre Gryffondor, Serdaigle, Poufsouffle et Serpentard. Cette fois c'est Poudlard qui disputera un tournoi de sorcellerie contre deux autres écoles de magiciens, les Élégants de Beauxbaton et les Glaçons de Durmstrang. Les candidats sélectionnés devront passer trois ultimes épreuves. Harry fera-t-il partie des heureux élus ?

    Quant à vous, fans de Quidditch, ne soyez-pas déçus : nous retrouvons ce grand jeu au moment de la Coupe du monde. 100 000 sorcières et magiciens soucieux d'incognito et tentant de se faire passer pour des moldus se rassemblent sur une "charmante lande déserte". Rowling nous enchante comme toujours avec ce souci des détails qui rend son univers si vivant et si drôle. Les tentes où s'abritent des spectateurs, par exemple, sortent vraiment de l'ordinaire. L'une d'elles est un palais miniature rempli de vrais paons ; une autre est composée de trois étages surplombés de nombreuses tourelles. Sans parler de tous les accessoires et gadgets proposés au public : des badges qui couinent le nom des joueurs, des modèles réduits de balais Éclairs de feu qui volent vraiment, ainsi que des figurines de joueurs célèbres à collectionner, qui déambulent dans la paume de la main en se pavanant... Il va sans dire que les deux équipes ne se ressemblent pas du tout, et leurs mascottes non plus. La Bulgarie est soutenue par les magnifiques Veela qui enchantent en un instant tous les spectateurs - y compris les supporters d'Irlande - jusqu'à ce que des milliers de petits lutins se lancent dans un spectacle explosif de leur cru en formant une main géante pour adresser un signe vraiment très mal élevé aux Veela, à l'autre bout du terrain...

    Bien avant la parution du quatrième volume de la série, Rowling avait prévenu qu'il serait plus sombre que le précédent et il est vrai qu'à chaque moment d'hilarité correspond un moment de frayeur où nous craignons pour la vie de Harry, les émotions soulevées par la lecture du livre étant à la mesure des dangers encourus par le héros. Au cours de l'histoire sont évoqués de nouveaux personnages tel Alastor "Oeil fou", Moody, un chasseur de sorciers qui pourrait bien sombrer avec l'âge dans une totale paranoïa, ou encore Rita Skeeter qui tourne autour de Poudlard à la recherche d'un article sensationnel. (Cette as du scoop du Daily Prophet possède une plume féroce qui a l'art de transformer le moindre propos innocent en rumeur de tabloïd.)

    En prévision du cinquième livre, Rowling ne dénoue pas tous les fils de l'intrigue jusque dans sa conclusion, éblouissante. Ce fan qui vous parle est prêt à parier que l'auteur elle-même est à moitié Veela - son stylo est sa baguette magique, elle habite vraiment cet univers qu'elle a créé. À partir de 9 ans. --Kerry Fried [via]

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  • The Jaguar Smile: A Nicaraguan Journey
    by Salman Rushdie
    ISBN 0670817570 (0-670-81757-0)
    Hardcover, Penguin Group USA

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    In this timeless, haunting portrait of the people and the politics of Nicaragua, Rushdie brings to life the palpable human facts of a country in the midst of a revolution. [via]

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  • The Kite Runner
    by Khaled Hosseini
    ISBN 0385660073 (0-385-66007-3)
    Softcover, Bantam Dell Pub Group

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    The Kite Runner of Khaled Hosseini's deeply moving fiction debut is an illiterate Afghan boy with an uncanny instinct for predicting exactly where a downed kite will land. Growing up in the city of Kabul in the early 1970s, Hassan was narrator Amir's closest friend even though the loyal 11-year-old with "a face like a Chinese doll" was the son of Amir's father's servant and a member of Afghanistan's despised Hazara minority. But in 1975, on the day of Kabul's annual kite-fighting tournament, something unspeakable happened between the two boys.

    Narrated by Amir, a 40-year-old novelist living in California, The Kite Runner tells the gripping story of a boyhood friendship destroyed by jealousy, fear, and the kind of ruthless evil that transcends mere politics. Running parallel to this personal narrative of loss and redemption is the story of modern Afghanistan and of Amir's equally guilt-ridden relationship with the war-torn city of his birth. The first Afghan novel to be written in English, The Kite Runner begins in the final days of King Zahir Shah's 40-year reign and traces the country's fall from a secluded oasis to a tank-strewn battlefield controlled by the Russians and then the trigger-happy Taliban. When Amir returns to Kabul to rescue Hassan's orphaned child, the personal and the political get tangled together in a plot that is as suspenseful as it is taut with feeling.

    The son of an Afghan diplomat whose family received political asylum in the United States in 1980, Hosseini combines the unflinching realism of a war correspondent with the satisfying emotional pull of master storytellers such as Rohinton Mistry. Like the kite that is its central image, the story line of this mesmerizing first novel occasionally dips and seems almost to dive to the ground. But Hosseini ultimately keeps everything airborne until his heartrending conclusion in an American picnic park. --Lisa Alward, Amazon.ca [via]

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  • The Kite Runner: Bookclub-in-a-box Presents the Discussion Companion for Khaled Hosseini's Novel
    by Khaled Hosseini
    ISBN 1417640391 (1-4176-4039-1)
    Hardcover, Bt Bound

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    The "kite runner" of Khaled Hosseini's deeply moving fiction debut is an illiterate Afghan boy with an uncanny instinct for predicting exactly where a downed kite will land. Growing up in the city of Kabul in the early 1970s, Hassan was narrator Amir's closest friend even though the loyal 11-year-old with "a face like a Chinese doll" was the son of Amir's father's servant and a member of Afghanistan's despised Hazara minority. But in 1975, on the day of Kabul's annual kite-fighting tournament, something unspeakable happened between the two boys.

    Narrated by Amir as a 40-year-old novelist living in California, The Kite Runner tells the gripping story of a boyhood friendship destroyed by jealousy, fear, and the kind of ruthless evil that transcends mere politics. Running parallel to this personal narrative of loss and redemption is the story of modern Afghanistan and of Amir's equally guilt-ridden relationship with the war-torn city of his birth. The first Afghan novel to be written in English, The Kite Runner begins in the final days of King Zahir Shah's 40-year reign and traces the country's fall from a secluded oasis to a tank-strewn battlefield controlled by the Russians and then the trigger-happy Taliban. When Amir returns to Kabul to rescue Hassan's orphaned child, the personal and the political get tangled together in a plot that is as suspenseful as it is taut with feeling.

    The son of an Afghan diplomat whose family received political asylum in the United States in 1980, Hosseini combines the unflinching realism of a war correspondent with the satisfying emotional pull of master storytellers such as Rohinton Mistry. Like the kite that is its central image, the story line of this mesmerizing first novel occasionally dips and seems almost to dive to the ground. But Hosseini ultimately keeps everything airborne until his heartrending conclusion in an American picnic park. --Lisa Alward [via]

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  • The Liar
    by Stephen Fry
    ISBN 0939149826 (0-939149-82-6)
    Hardcover, Soho Pr Inc

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    Fry is a celebrated English actor, media personality, writer, columnist for The Listener, one half of the comedy team of Fry and Laurie, and stars in the TV series Jeeves and Wooster and Blackadder. [via]

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  • Midnight's Children
    by Salman Rushdie
    ISBN 0812976533 (0-8129-7653-3)
    Softcover, Random House Inc

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    Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.

    Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:

    I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.
    In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.

    We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber [via]

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  • Mrs Dalloway
    by Virginia Woolf
    ISBN 155111397X (1-55111-397-X)
    Softcover, Broadview Pr

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    FOR USE IN SCHOOLS AND LIBRARIES ONLY. [via]

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  • No. 1 Ladies' Detective Agency
    by Alexander McCall Smith
    ISBN 1400031346 (1-4000-3134-6)
    Softcover, Random House Inc

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    Penzler Pick, July 2001: Working in a mystery tradition that will cause genre aficionados to think of such classic sleuths as Melville Davisson Post's Uncle Abner or Robert van Gulik's Judge Dee, Alexander McCall Smith creates an African detective, Precious Ramotswe, who's their full-fledged heir.

    It's the detective as folk hero, solving crimes through an innate, self-possessed wisdom that, combined with an understanding of human nature, invariably penetrates into the heart of a puzzle. If Miss Marple were fat and jolly and lived in Botswana--and decided to go against any conventional notion of what an unmarried woman should do, spending the money she got from selling her late father's cattle to set up a Ladies' Detective Agency--then you have an idea of how Precious sets herself up as her country's first female detective. Once the clients start showing up on her doorstep, Precious enjoys a pleasingly successful series of cases.

    But the edge of the Kalahari is not St. Mary Mead, and the sign Precious orders, painted in brilliant colors, is anything but discreet. Pointing in the direction of the small building she had purchased to house her new business, it reads "THE NO. 1 LADIES DETECTIVE AGENCY. FOR ALL CONFIDENTIAL MATTERS AND ENQUIRIES. SATISFACTION GUARANTEED FOR ALL PARTIES. UNDER PERSONAL MANAGEMENT."

    The solutions she comes up with, whether in the case of the clinic doctor with two quite different personalities (depending on the day of the week), or the man who had joined a Christian sect and seemingly vanished, or the kidnapped boy whose bones may or may not be those in a witch doctor's magic kit, are all sensible, logical, and satisfying. Smith's gently ironic tone is full of good humor towards his lively, intelligent heroine and towards her fellow Africans, who live their lives with dignity and with cautious acceptance of the confusions to which the world submits them. Precious Ramotswe is a remarkable creation, and The No. 1 Ladies' Detective Agency well deserves the praise it received from London's Times Literary Supplement. I look forward with great eagerness to the upcoming books featuring the memorable Miss Ramotswe, Tears of the Giraffe and Morality for Beautiful Girls, soon to be available in the U.S. --Otto Penzler [via]

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  • The No. 1 Ladies' Detective Agency
    by R. A. McCall Smith
    ISBN 0375423877 (0-375-42387-7)
    Hardcover, Random House Inc

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    Penzler Pick, July 2001: Working in a mystery tradition that will cause genre aficionados to think of such classic sleuths as Melville Davisson Post's Uncle Abner or Robert van Gulik's Judge Dee, Alexander McCall Smith creates an African detective, Precious Ramotswe, who's their full-fledged heir.

    It's the detective as folk hero, solving crimes through an innate, self-possessed wisdom that, combined with an understanding of human nature, invariably penetrates into the heart of a puzzle. If Miss Marple were fat and jolly and lived in Botswana--and decided to go against any conventional notion of what an unmarried woman should do, spending the money she got from selling her late father's cattle to set up a Ladies' Detective Agency--then you have an idea of how Precious sets herself up as her country's first female detective. Once the clients start showing up on her doorstep, Precious enjoys a pleasingly successful series of cases.

    But the edge of the Kalahari is not St. Mary Mead, and the sign Precious orders, painted in brilliant colors, is anything but discreet. Pointing in the direction of the small building she had purchased to house her new business, it reads "THE NO. 1 LADIES DETECTIVE AGENCY. FOR ALL CONFIDENTIAL MATTERS AND ENQUIRIES. SATISFACTION GUARANTEED FOR ALL PARTIES. UNDER PERSONAL MANAGEMENT."

    The solutions she comes up with, whether in the case of the clinic doctor with two quite different personalities (depending on the day of the week), or the man who had joined a Christian sect and seemingly vanished, or the kidnapped boy whose bones may or may not be those in a witch doctor's magic kit, are all sensible, logical, and satisfying. Smith's gently ironic tone is full of good humor towards his lively, intelligent heroine and towards her fellow Africans, who live their lives with dignity and with cautious acceptance of the confusions to which the world submits them. Precious Ramotswe is a remarkable creation, and The No. 1 Ladies' Detective Agency well deserves the praise it received from London's Times Literary Supplement. I look forward with great eagerness to the upcoming books featuring the memorable Miss Ramotswe, Tears of the Giraffe and Morality for Beautiful Girls, soon to be available in the U.S. --Otto Penzler [via]

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  • Peace Like a River
    by Leif Enger
    ISBN 0802139256 (0-8021-3925-6)
    Softcover, Atlantic Monthly Pr

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    To the list of great American child narrators that includes Huck Finn and Scout Finch, let us now add Reuben "Rube" Land, the asthmatic 11-year-old boy at the center of Leif Enger's remarkable first novel, Peace Like a River. Rube recalls the events of his childhood, in small-town Minnesota circa 1962, in a voice that perfectly captures the poetic, verbal stoicism of the northern Great Plains. "Here's what I saw," Rube warns his readers. "Here's how it went. Make of it what you will." And Rube sees plenty.

    In the winter of his 11th year, two schoolyard bullies break into the Lands' house, and Rube's big brother Davy guns them down with a Winchester. Shortly after his arrest, Davy breaks out of jail and goes on the lam. Swede is Rube's younger sister, a precocious writer who crafts rhymed epics of romantic Western outlawry. Shortly after Davy's escape, Rube, Swede, and their father, a widowed school custodian, hit the road too, swerving this way and that across Minnesota and North Dakota, determined to find their lost outlaw Davy. In the end it's not Rube who haunts the reader's imagination, it's his father, torn between love for his outlaw son and the duty to do the right, honest thing. Enger finds something quietly heroic in the bred-in-the-bone Minnesota decency of America's heartland. Peace Like a River opens up a new chapter in Midwestern literature. --Claire Dederer [via]

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  • The Satanic Verses
    by Salman Rushdie
    ISBN 0670825379 (0-670-82537-9)
    Hardcover, Viking Pr

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    No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner. [via]

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  • The Vaudevilles
    by Anton Pavlovich Chekhov, Ann Dunnigan
    ISBN 0451522702 (0-451-52270-2)
    Softcover, New Amer Library Classics

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    Newly repackaged, here are the five masterpieces by one of the world's greatest playwrights, in translation by Ann Dunnigan. As Robert Brustein declares in the foreword to this edition: "in the modern theater...there are none who bring the drama to a higher realization of its human role." [via]

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  • White Teeth: A Novel
    by Zadie Smith
    ISBN 0375703861 (0-375-70386-1)
    Softcover, Alfred a Knopf Inc

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    On New Year's morning, 1975, Archie Jones sits in his car on a London road and waits for the exhaust fumes to fill his Cavalier Musketeer station wagon. Archie--working-class, ordinary, a failed marriage under his belt--is calling it quits, the deciding factor being the flip of a 20-pence coin. When the owner of a nearby halal butcher shop (annoyed that Archie's car is blocking his delivery area) comes out and bangs on the window, he gives Archie another chance at life and sets in motion this richly imagined, uproariously funny novel. Epic and intimate, hilarious and poignant, White Teeth is the story of two North London families--one headed by Archie, the other by Archie's best friend, a Muslim Bengali named Samad Iqbal. Pals since they served together in World War II, Archie and Samad are a decidedly unlikely pair. Plodding Archie is typical in every way until he marries Clara, a beautiful, toothless Jamaican woman half his age, and the couple have a daughter named Irie (the Jamaican word for "no problem"). Samad--devoutly Muslim, hopelessly "foreign"--weds the feisty and always suspicious Alsana in a prearranged union. They have twin sons named Millat and Magid, one a pot-smoking punk-cum-militant Muslim and the other an insufferable science nerd. The riotous and tortured histories of the Joneses and the Iqbals are fundamentally intertwined, capturing an empire's worth of cultural identity, history, and hope.Zadie Smith's dazzling first novel plays out its bounding, vibrant course in a Jamaican hair salon in North London, an Indian restaurant in Leicester Square, an Irish poolroom turned immigrant café, a liberal public school, a sleek science institute. A winning debut in every respect, White Teeth marks the arrival of a wondrously talented writer who takes on the big themes--faith, race, gender, history, and culture--and triumphs. [via]

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