| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||
One of the most complete representations of this century's art to hit the shelves in years, The 20th-Century Art Book offers 500 full-page reproductions, each by a different artist. No matter how famous, each artist has but one page, accompanied by a concise, informative block of text. Presented in alphabetical order, each artist, regardless of stature, is treated in exactly the same manner as the other 499 others in the book. Some images are delightfully complimented, others deeply agitated by the work that, by chance of the alphabet, happens to lie on the facing page. [via]
More editions of The 20th Century Art Book:
More editions of The 20th Century Art Box: 50 Postcards:
More editions of The 20th Century Art Box: Selection 1 25 Different Greeting Cards With Envelopes:

› Find signed collectible books: 'The 20Th-Century Art Book'
More editions of The 20Th-Century Art Book:

› Find signed collectible books: 'After Modern Art, 1945-2000'
More editions of After Modern Art, 1945-2000:
› Find signed collectible books: 'Alfred H. Barr, Jr: Missionary for the Modern'
Art, Art History [via]
More editions of Alfred H. Barr, Jr: Missionary for the Modern:

› Find signed collectible books: 'Andy Warhol 1928-1987: Commerce into Art'
More editions of Andy Warhol 1928-1987: Commerce into Art:

› Find signed collectible books: 'Arch'
More editions of Arch:
› Find signed collectible books: 'Art in Theory 1900-1990: An Anthology of Changing Ideas'
Current debates about the status of Modernism have led to an increasing interest in critical and aesthetic theories, and to a questioning of some of the traditional assumptions and limits of art history. The aim of this substantial anthology is to equip the student, teacher and interested general reader with the necessary materials for an up-to-date understanding of twentieth-century art.
Beside the writings of the century's major artists, Art in Theory includes relevant texts by critics, philosophers, politicians and literary figures. It is organised into eight sections, from the legacy of Symbolism at the turn of the century to contemporary debates about the Postmodern. Each section is prefaced by a brief essay. There are introductions for all of the 300-plus texts, which serve to place theories and critical approaches in context. The result is both a comprehensive collection of documents on twentieth-century art and an encylopaedic history of relevant theory. [via]
More editions of Art in Theory 1900-1990: An Anthology of Changing Ideas:

› Find signed collectible books: 'Art Since 1940: Strategies of Being'
More editions of Art Since 1940: Strategies of Being:

› Find signed collectible books: 'Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords'
More editions of Art Speak: A Guide to Contemporary Ideas, Movements, and Buzzwords:

› Find signed collectible books: 'Art Speak: A Guide to Contemporary Ideas, Movements and Buzzwords, 1945 to the Present'
A collection of mini-essays which aim to simplify some of the myths of post-war art. [via]
More editions of Artspeak: A Guide to Contemporary Ideas, Movements and Buzzwords, 1945 to the Present:

› Find signed collectible books: 'Basquiat : A Quick Killing in Art'
More editions of Basquiat : A Quick Killing in Art:

› Find signed collectible books: 'Blimey!: From Bohemia to Britpop The London Artworld from Francis Bacon to Damien Hirst'
More editions of Blimey!: From Bohemia to Britpop The London Artworld from Francis Bacon to Damien Hirst:

› Find signed collectible books: 'Bonnard'
More editions of Bonnard:
› Find signed collectible books: 'Close Reading: Chuck Close and the Art of the Self-Portrait'
One of the most admired and innovative contemporary artists working today, Chuck Close has pioneered ideas of scale, form, and color through the theme of portraiture, a genre that he has fundamentally redefined. The first book to focus on Close's self-portraits and the portraits he has made of fellow artists, Close Reading is a uniquely intimate portrait of Close's life and work by the former director of the Walker Art Center, Martin Friedman, a longtime friend who has had unprecedented access to the artist.
After covering the biographical details of Close's life-including the sudden illness in 1988 that led to near-complete paralysis, and the degree of recovery that enabled him to continue his painting career-Friedman moves on to a probing examination of Close's self-portraiture. The final section deals with Close's paintings of artist subjects, among them Cindy Sherman, Francesco Clemente, Jasper Johns, and William Wegman. Included here are Close's insightful comments about these works and Friedman's discussions with the artists themselves, which reveal much about Close's accomplishments and issues of self-portraiture in both Close's art and their own. [via]
More editions of Close Reading: Chuck Close and the Art of the Self-Portrait:

› Find signed collectible books: 'Concepts of Modern Art'
More editions of Concepts of Modern Art:

› Find signed collectible books: 'Conceptual Art'
More editions of Conceptual Art:

› Find signed collectible books: 'A Concise History of Modern Painting'
More editions of A Concise History of Modern Painting:

› Find signed collectible books: 'Concise History of Modern Painting'
More editions of Concise History of Modern Painting:
› Find signed collectible books: 'Constantin Brancusi: The Essence of Things'
It's hard to imagine a more perfect depiction of love than "The Kiss," Constantin Brancusi's blocky stone sculpture of a nose-to-nose, belly-to-belly couple bound by encircling arms. Brancusi's powerful elemental shapes, carved from stone, wood, and marble, remain touchstones of modern art. But compared to contemporaries like Picasso and Modigliani, the Romania-born artist, who died in 1957, still remains something of an enigma. A slender, attractively designed book, Constantin Brancusi: The essence of things examines the artist's folkloric cultural and artistic heritage, his years in Paris and his revolutionary sculptural language. Along the way, the essayists attempt to refine the standard view of Brancusi as the poster boy for "truth to materials"-the self-reliant peasant who struck a blow for modernism around 1907 by cutting directly into the stone block and responding to its unique qualities. Unfortunately, many of the scholarly adjustments to the legend come across as nitpicking footnotes that don't illuminate the bigger picture. (So what if his father was a small landowner in a poor Romanian village, not a real peasant? Why must we therefore view his self-identification with humble folk as a phony public image?) Yet the book contains key insights into Brancusi's stunning reductions of human and animal form, some from the artist himself. About his large marble "Fish" from 1926-a smooth oval shape with a single facet-he wrote, "When you see a fish . . . you think of its speed, its floating, flashing body seen through water. . . . Well, I've tried to express just that." While a reproduction of "Fish" appears in a small photo alongside the text, quite a few of the works discussed by the essayists are not illustrated at all. Even when Brancusi is supposedly boiled down to his "essence," as in this book, it seems a shame not to grant him a better showing. The 37 full-sized color plates correspond with the contents of an exhibition organized by the Tate Modern in London and the Solomon R. Guggenheim Museum in New York (where it is on view through September 19, 2004). Cathy Curtis [via]
More editions of Constantin Brancusi: The Essence of Things:
› Find signed collectible books: 'Drawing Now'
More editions of Drawing Now:
› Find signed collectible books: 'Duchamp : A Biography'
Marcel Duchamp, born into an artistic middle-class French family in 1887, first gained recognition as an artist in 1913 when he submitted his painting Nude Descending a Staircase, No. 2 to the Armory Show in New York. The newspapers latched onto it after discovering that there was no trace of a nude, or even a real figure, in the painting, which came to symbolize the movement of modern art toward absurdity, humor, and avant-garde disregard for expectations. As an artist, Duchamp never matched the success and recognition of his most well-known work; later in his career, his works of "art" consisted of signed ceramic urinals. Calvin Tomkins, a writer for The New Yorker who befriended Duchamp in New York in the 1960s, has written the first full-length biography of the enigmatic Dadaist. [via]

› Find signed collectible books: 'Foundations of Modern Art'
More editions of Foundations of Modern Art:

› Find signed collectible books: 'From a High Place: A Life of Arshile Gorky'
More editions of From a High Place: A Life of Arshile Gorky:
› Find signed collectible books: 'Gardner's Art Through the Ages With Infotrac: The Western Perspective'
This new alternative, GARDNER'S WESTERN ART THROUGH THE AGES, offers instructors and students a brief, strictly Western approach to art history and retains all of the hallmark features of the market-leading Eleventh Edition in a concise 23-chapter format (also available in a two-volume split). Unique to books with a Western Art focus, the authors retain the chapter on Islam, providing students with insightful coverage of the Islamic tradition's impact on Western culture and art history. Featuring an outstanding art program with more color photos than any comparable art history survey textbook, the authors focus on the context and function of the role of art. [via]
More editions of Gardner's Art Through the Ages With Infotrac: The Western Perspective:

› Find signed collectible books: 'Gardners Art Through the Ages With Infotrac'
More editions of Gardners Art Through the Ages With Infotrac:
› Find signed collectible books: 'Gardners Western Art Through the Ages With Infotrac'
This new alternative, GARDNER'S WESTERN ART THROUGH THE AGES, offers instructors and students a brief, strictly Western approach to art history and retains all of the hallmark features of the market-leading Eleventh Edition in a concise 23-chapter format (also available in a two-volume split). Unique to books with a Western Art focus, the authors retain the chapter on Islam, providing students with insightful coverage of the Islamic tradition's impact on Western culture and art history. Featuring an outstanding art program with more color photos than any comparable art history survey textbook, the authors focus on the context and function of the role of art. [via]
More editions of Gardners Western Art Through the Ages With Infotrac:
› Find signed collectible books: 'Great French Paintings from the Barnes Foundation: Impressionist, Post-Impressionist, and Early Modern'
The pictures that made history as they traveled around the world on their only exhibition tour: more than a hundred masterpieces of modern French painting from one of the world's fabled repositories of great artThe Barnes Foundation in Merion, Pennsylvaniaare here published in trade paperback for the first time.
These paintings are the crowning glory of the extraordinary collection assembled in the early twentieth century by Dr. Albert C. Barnes, the bold and original collector who established the Foundation in 1922 as a school for the study of art and philosophy. Now, after six decades of limited access to visitors and a ban on color reproduction, the Barnes Foundation welcomes a wider audience both on its premises and through the publication of this magnificent volume, containing the most eagerly awaited set of reproductions in art-book history.
Manet, Renoir, Monet, Cézanne, van Gogh, Gauguin, Seurat, Toulouse-Lautrec, Rousseau, Soutine, La Fresnaye, Modigliani, Picasso, Braque, and Matissethe list of artists gives only a hint of the splendors this book contains. Here are major landmarks of modern art, including twenty-four Renoirs encompassing the entire span of his career . . . thirty monumental Cézannes, including bather groups, landscapes, still lifes, and portraits . . . Matisse's pivotal Bonheur de vivre, Three Sisters Triptych, and world-famous Dance mural (and eighteen other paintings and oil studies) . . . the finest of van Gogh's six paintings of Joseph-Etienne Roulin . . . Seurat's celebrated Models . . . The Douanier Rousseau's strange, unsettling Unpleasant Surprise . . . the tender portrait of young M. Loulou by Gauguin . . . a spectacular cluster of seven early Picassos. And this is only a sampling of the exhilarating visual banquet offered in these pages.
To describe the paintings and relate the achievements of Dr. Barnes as a collector and educator, commentaries and essays have been provided by a dozen notable American and French art historians and curators. Together they provide the historical and aesthetic setting for these glowing jewels of modern art.
For everyone to whom the paintings in the Barnes Foundation have been a legendunattainableand for every devotee of great art and beautiful books, this volume will be a joy and a treasure.
With 320 illustrations, 151 in full color, and 18 pages of gatefolds. [via]
More editions of Great French Paintings from the Barnes Foundation: Impressionist, Post-Impressionist, and Early Modern:
› Find signed collectible books: 'Great French Paintings from the Barnes Foundation: Impressionist, Post-Impressionist, and Early Modern'
The pictures that made history as they traveled around the world on their only exhibition tour: more than a hundred masterpieces of modern French painting from one of the world's fabled repositories of great artThe Barnes Foundation in Merion, Pennsylvaniaare here published in trade paperback for the first time.
These paintings are the crowning glory of the extraordinary collection assembled in the early twentieth century by Dr. Albert C. Barnes, the bold and original collector who established the Foundation in 1922 as a school for the study of art and philosophy. Now, after six decades of limited access to visitors and a ban on color reproduction, the Barnes Foundation welcomes a wider audience both on its premises and through the publication of this magnificent volume, containing the most eagerly awaited set of reproductions in art-book history.
Manet, Renoir, Monet, Cézanne, van Gogh, Gauguin, Seurat, Toulouse-Lautrec, Rousseau, Soutine, La Fresnaye, Modigliani, Picasso, Braque, and Matissethe list of artists gives only a hint of the splendors this book contains. Here are major landmarks of modern art, including twenty-four Renoirs encompassing the entire span of his career . . . thirty monumental Cézannes, including bather groups, landscapes, still lifes, and portraits . . . Matisse's pivotal Bonheur de vivre, Three Sisters Triptych, and world-famous Dance mural (and eighteen other paintings and oil studies) . . . the finest of van Gogh's six paintings of Joseph-Etienne Roulin . . . Seurat's celebrated Models . . . The Douanier Rousseau's strange, unsettling Unpleasant Surprise . . . the tender portrait of young M. Loulou by Gauguin . . . a spectacular cluster of seven early Picassos. And this is only a sampling of the exhilarating visual banquet offered in these pages.
To describe the paintings and relate the achievements of Dr. Barnes as a collector and educator, commentaries and essays have been provided by a dozen notable American and French art historians and curators. Together they provide the historical and aesthetic setting for these glowing jewels of modern art.
For everyone to whom the paintings in the Barnes Foundation have been a legendunattainableand for every devotee of great art and beautiful books, this volume will be a joy and a treasure.
With 320 illustrations, 151 in full color, and 18 pages of gatefolds. [via]
More editions of Great French Paintings from the Barnes Foundation: Impressionist, Post-Impressionist, and Early Modern:

› Find signed collectible books: 'Harlem Renaissance: Art of Black America'
More editions of Harlem Renaissance: Art of Black America:
› Find signed collectible books: 'Harlem Renaissance : Art of Black America'
In the 1920s, Harlem was "the capital of Black America" and home to an epochal African-American cultural flowering called the Harlem Renaissance. This book presents the work of the most important visual artists of the day, including Meta Warrick Fuller, Aaron Douglas and Palmer Hayden. [via]
More editions of Harlem Renaissance : Art of Black America:

› Find signed collectible books: 'Henri Matisse: The Early Years in Nice, 1916-1930'
More editions of Henri Matisse: The Early Years in Nice, 1916-1930:
› Find signed collectible books: 'History of Modern Art'
More editions of History of Modern Art:
› Find signed collectible books: 'History of Modern Art: Painting Sculpture Architecture Photography'
Authoritative and insightful, Arnason's History of Modern Art remains the definitive source of information on the art of the Modern Era from modernism's mid-nineteenth century European beginnings to today's divergent art trends. Now full-color throughout, this Fifth Edition has been completely redesigned to make it even more elegant and easy-to-use. New heads, subheads, and a glossary have been added to help the reader navigate the material and quickly identify areas of interest. [via]
More editions of History of Modern Art: Painting Sculpture Architecture Photography:
› Find signed collectible books: 'History of Modern Art: Painting, Sculpture, Architecture'
More editions of History of Modern Art: Painting, Sculpture, Architecture:
› Find signed collectible books: 'History of Modern Art: Painting, Sculpture, Architecture, Photography'
History of Modern Art has long been recognized as the authoritative, encyclopedic history of painting, photography, sculpture, and architecture from the mid-19th century, when modern art emerged, to the present day. Revising author Marla F. Prather's contributions to the new Fourth Edition include:
-- More biographical information about each artist.
-- An entirely new chapter on Cubism.
-- A lively sense of social and historical context.
-- Coverage of work in nontraditional mediums. such as video, installation, and performance art.
-- More than 30% new illustrations and text and nearly twice the number of color illustration as in previous editions.
-- A culturally diverse selection of artists and a much broader selection of works by women.
-- Chronological reorganization of the text, an updated bibliography, and a complete index. [via]
More editions of History of Modern Art: Painting, Sculpture, Architecture, Photography:

› Find signed collectible books: 'I Bought Andy Warhol'
› Find signed collectible books: 'It Hurts: New York Art from Warhol to Now'
What hurts British painter and art critic Matthew Collings these days is the current state of contemporary art. Critical theory, that heavy brick of densely packed ideas accessible only to a small group of overly educated artists and critics, is the building block of much of today's art, and Collings believes it builds a nearly impenetrable wall between art and its viewers. Unlike earlier periods when the masses simply didn't get it--the rise of impressionism for instance--it is Collings's view that today the artists themselves are responsible for whatever misunderstandings may arise in those great white boxes of SoHo and Chelsea. Having already tackled the current London art scene in his book Blimey! Collings lunges at New York's galleries with the exacting eye of someone who knows exactly the difference between what he likes and what displeases him immensely. Readers might expect It Hurts then to be a cranky tirade against the contemporary art scene. But Collings is a true art lover, and he writes of artists like Frank Stella, Alex Katz, Jules Olitski, Andy Warhol, Bruce Nauman, Donald Judd, and many, many others with intelligence, deep interest, and occasional awe. Dealers, auction houses, and collectors don't escape his attention--with this set, however, he is considerably less generous. Collings takes readers along on a romp through New York City's galleries and artist studios and shares with them his incredible knowledge of the subject in a loose, chatty manner that is refreshingly free of jargon and art-speak. He has a definite point of view, but he puts it forth with such wit that, rather than take offense, those who disagree with him might want to ask him out for a drink to talk it over. --Anna Baldwin [via]
More editions of It Hurts: New York Art from Warhol to Now:
› Find signed collectible books: 'Life Doesn't Frighten Me'
i>Shadows on the wall
Noises down the hall
Life doesn't frighten me at all"
Maya Angelou's brave, defiant poem celebrates the courage within each of us, young and old. From the scary thought of panthers in the park to the unsettling scene of a new classroom, fearsome images are summoned and dispelled by the power of faith in ourselves.
Angelou's strong words are matched by the daring vision of artist Jean-Michel Basquiat, whose childlike style reveals the powerful emotions and fanciful imaginings of childhood. Together, Angelou's words and Basquiat's paintings create a place where every child, indeed every person, may experience his or her own fearlessness.
In this brilliant introduction to poetry and contemporary art, brief biographies of Angelou and Basquiat accompany the text and artwork, focusing on the strengths they took from their lives and brought to their work. A selected bibliography of Angelou's books and a selected museum listing of Basquiat's works open the door to further inspiration through the fine arts. [via]
More editions of Life Doesn't Frighten Me:

› Find signed collectible books: 'A Life of Picasso, 1881-1906'
More editions of A Life of Picasso, 1881-1906:

› Find signed collectible books: 'Louise Nevelson: A Passionate Life'
More editions of Louise Nevelson: A Passionate Life:
› Find signed collectible books: 'Marcel Duchamp 1887-1968: Art As Anti-Art'
Marcel Duchamp (1887-1968) is best-known for his "ready-mades" - such as the urinal, entitled "Fountain" and "signed" R. Mutt. This study tackles the enigma of this major 20th-century artist. [via]
More editions of Marcel Duchamp 1887-1968: Art As Anti-Art:

› Find signed collectible books: 'Marcel Duchamp, 1887 - 1968: Art As Anti- Art'
More editions of Marcel Duchamp, 1887 - 1968: Art As Anti- Art:

› Find signed collectible books: 'Modern Art: 19th & 20th Centuries'
More editions of Modern Art: 19th & 20th Centuries:

› Find signed collectible books: 'Modern Art: A Crash Course'
More editions of Modern Art: A Crash Course:

› Find signed collectible books: 'Modern Art: Painting, Sculpture, Architecture'
Always among the most visually and intellectually stimulating books, Modern Art has now been revised to include the latest critical theory and the most recent forms of painting, sculpture, and architecture. 800 illustrations, including 350 in full color. [via]
More editions of Modern Art: Painting, Sculpture, Architecture:

› Find signed collectible books: 'Modern Art Vol. 2 : 19th and 20th Centuries'
More editions of Modern Art Vol. 2 : 19th and 20th Centuries:

› Find signed collectible books: 'MoMA Highlights: 350 Works from the Museum of Modern Art New York'
More editions of MoMA Highlights: 350 Works from the Museum of Modern Art New York:

› Find signed collectible books: 'Movements in Art Since 1945'
More editions of Movements in Art Since 1945:

› Find signed collectible books: 'The New York School: A Cultural Reckoning'
More editions of The New York School: A Cultural Reckoning:

› Find signed collectible books: 'The Painter of Modern Life'
More editions of The Painter of Modern Life:
› Find signed collectible books: 'Picaso and Braque: Pioneering Cubism'
More editions of Picaso and Braque: Pioneering Cubism:

› Find signed collectible books: 'Picasso and Braque: Pioneering Cubism'
More editions of Picasso and Braque: Pioneering Cubism:
› Find signed collectible books: 'Picasso and Portraiture: Representation and Transformation'
The first 100 years of modern art witnessed the popularization of photography and an increasing emphasis on abstraction in painting, which threatened the survival of portraiture as a genre. It continued to flourish, however, because modern painters--Picasso foremost among them--sought and found new ways to portray the human face. The hundreds of works reproduced here illustrate the multiple solutions Picasso invented to solve the "problem" of the modernist portrait. Illustrations, 230 in color. [via]
More editions of Picasso and Portraiture: Representation and Transformation:
› Find signed collectible books: 'The Shock of the New'
A beautifully illustrated hundred-year history of modern art, from cubism to pop and avant-guard. More than 250 color photos. [via]
› Find signed collectible books: 'The Story of Modern Art'
This updated edition, which includes a new chapter about art in the 1980s, explores artwork of the 20th century, from 1900 to the present day. The text examines the motives behind the main developments, and argues that they are serious and intelligent attempts to make art honest and significant. The author aims to help the reader form a relaxed and sympathetic relationship to art, while providing information and biographical details about some 200 artists. The illustrations, taken from many sources, are fully integrated with the text in order to provide easy reference and consultation. Norbert Lynton worked for some years as Director of Exhibitions for the Arts Council of Great Britain. [via]
› Find signed collectible books: 'Stuart Davis: American Painter'
An exploration of Davis's propensity for continually reworking themes and motifs throughout his career. [via]
More editions of Stuart Davis: American Painter:

› Find signed collectible books: 'The Success and Failure of Picasso'
More editions of The Success and Failure of Picasso:

› Find signed collectible books: 'Surrealism: Desire Unbound'
More editions of Surrealism: Desire Unbound:

› Find signed collectible books: 'Surrealism: Desire Unbound'
More editions of Surrealism: Desire Unbound:

› Find signed collectible books: 'Tate Modern: The Handbook'
More editions of Tate Modern: The Handbook:
› Find signed collectible books: 'This Is Modern Art'
Matthew Collings has already established a reputation for himself as one of the most irreverent and original commentators on the contemporary art world, with his books Blimey! From Bohemia to Britpop and It Hurts: New York Art from Warhol to Now. With the publication of This is Modern Art, Collings has ordered an even bigger canvas to sketch his own uniquely original version of contemporary art today, which he sees as both increasingly popular but also at different points "glamorous, mysterious, sexy, soulful, macabre, gloomy, quirky, kinky and funny". Written to accompany the television series of the same name, This is Modern Art is an in-your-face guide to modern art from Goya's "Disasters of War" to Gillian Wearing's prize-winning video of the police. Along the way, Collings addresses the questions which have both defined and plagued perplexed responses to modern art, including its desire to shock, its questionable aesthetic value, its humour and its blankness. As it moves along in a style which is at times infuriating but always direct and funny, This is Modern Art points out how far we've come since Picasso and Matisse, reverses out of the cul-de-sac of postmodernism, waves the flag for New British Artists like Damien Hirst, Tracey Emin and Sarah Lucas, and ultimately leaves his audience with a streetwise, upbeat book on the abiding value of modern art. --Jerry Brotton [via]

› Find signed collectible books: 'Visual Arts in the Twentieth Century'
More editions of Visual Arts in the Twentieth Century:
› Find signed collectible books: 'Warhol'
Andy Warhol is recognized today as the most important exponent of the Pop Art movement. He overturned the traditional understanding of art and placed in its stead a concept that retracts the individuality of the artist. Warhol was a critical observer of American society, exposing his compatriots' consumerism in his paintings ("Campbell-" and "Brillo" series), as well as their fascination for sensational journalism. In 1963 Warhol founded his "Factory" in New York, literally a manufactory of ideas and work, which influenced film in the 1960s, published the influential magazine "Interview" in the late 1970s, and also produced Warhol's own artwork: Warhol conceived the idea, and a "worker" in his factory carried it out. The work remained (consciously) unsigned - a fact which nevertheless did nothing to diminish Warhol's reputation. He once complained that rich New Yorkers would willingly hang his "Electric Chain" in their living rooms - as long as its colours co-ordinated with the wallpaper and draperies. [via]
More editions of Warhol:

› Find signed collectible books: 'The "Wild Beasts": Fauvism and Its Affinities'
More editions of The "Wild Beasts": Fauvism and Its Affinities:
› Find signed collectible books: 'The William S. Paley Collection'
More editions of The William S. Paley Collection:

› Find signed collectible books: 'Das Bildnerische Denken'
More editions of Das Bildnerische Denken:
