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› Find signed collectible books: 'Bede's Ecclesiastical History of the English People'
Bede's Ecclesiastical History of the English People was completed in 731 and still ranks among the most popular of history books. First published in 1969, Colgrave and Mynors's edition made use for the first time of the mid-eighth-century manuscript now in Leningrad and provided a survey of the extant manuscripts and a new translation; it also brought up to date Plummer's invaluable edition. This revised edition takes into account J.M. Wallace-Hadrill's Bede's Ecclesiastical History of the English People: A Historical Commentary (Oxford Medieval Texts, 1988), enabling the reader to use the two in conjunction. [via]
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› Find signed collectible books: 'Beowulf: An Illustrated Edition'
In Beowulf warriors must back up their mead-hall boasts with instant action, monsters abound, and fights are always to the death. The Anglo-Saxon epic, composed between the 7th and 10th centuries, has long been accorded its place in literature, though its hold on our imagination has been less secure. In the introduction to his translation, Seamus Heaney argues that Beowulf's role as a required text for many English students obscured its mysteries and "mythic potency." Now, thanks to the Irish poet's marvelous recreation (in both senses of the word) under Alfred David's watch, this dark, doom-ridden work gets its day in the sun.
There are endless pleasures in Heaney's analysis, but readers should head straight for the poem and then to the prose. (Some will also take advantage of the dual-language edition and do some linguistic teasing out of their own.) The epic's outlines seem simple, depicting Beowulf's three key battles with the scaliest brutes in all of art: Grendel, Grendel's mother (who's in a suitably monstrous snit after her son's dismemberment and death), and then, 50 years later, a gold-hoarding dragon "threatening the night sky / with streamers of fire." Along the way, however, we are treated to flashes back and forward and to a world view in which a thane's allegiance to his lord and to God is absolute. In the first fight, the man from Geatland must travel to Denmark to take on the "shadow-stalker" terrorizing Heorot Hall. Here Beowulf and company set sail:
Men climbed eagerly up the gangplank,After a fearsome night victory over march-haunting and heath-marauding Grendel, our high-born hero is suitably strewn with gold and praise, the queen declaring: "Your sway is wide as the wind's home, / as the sea around cliffs." Few will disagree. And remember, Beowulf has two more trials to undergo.
sand churned in the surf, warriors loaded
a cargo of weapons, shining war-gear
in the vessel's hold, then heaved out,
away with a will in their wood-wreathed ship.
Over the waves, with the wind behind her
and foam at her neck, she flew like a bird...
Heaney claims that when he began his translation it all too often seemed "like trying to bring down a megalith with a toy hammer." The poem's challenges are many: its strong four-stress line, heavy alliteration, and profusion of kennings could have been daunting. (The sea is, among other things, "the whale-road," the sun is "the world's candle," and Beowulf's third opponent is a "vile sky-winger." When it came to over-the-top compound phrases, the temptations must have been endless, but for the most part, Heaney smiles, he "called a sword a sword.") Yet there are few signs of effort in the poet's Englishing. Heaney varies his lines with ease, offering up stirring dialogue, action, and description while not stinting on the epic's mix of fate and fear. After Grendel's misbegotten mother comes to call, the king's evocation of her haunted home may strike dread into the hearts of men and beasts, but it's a gift to the reader:
A few miles from hereIn Heaney's hands, the poem's apparent archaisms and Anglo-Saxon attitudes--its formality, blood-feuds, and insane courage--turn the art of an ancient island nation into world literature. --Kerry Fried [via]
a frost-stiffened wood waits and keeps watch
above a mere; the overhanging bank
is a maze of tree-roots mirrored in its surface.
At night there, something uncanny happens:
the water burns. And the mere bottom
has never been sounded by the sons of men.
On its bank, the heather-stepper halts:
the hart in flight from pursuing hounds
will turn to face them with firm-set horns
and die in the wood rather than dive
beneath its surface. That is no good place.
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› Find signed collectible books: 'Beowulf: A Verse Translation'
Winner of the Whitbread Prize, Seamus Heaneys translation "accomplishes what before now had seemed impossible: a faithful rendering that is simultaneously an original and gripping poem in its own right" (New York Times Book Review).
The translation that "rides boldly through the reefs of scholarship" (The Observer) is combined with first-rate annotation. No reading knowledge of Old English is assumed. Heaneys clear and insightful introduction to Beowulf provides students with an understanding of both the poems history in the canon and Heaneys own translation process. [via]More editions of Beowulf: A Verse Translation:
› Find signed collectible books: 'The Book of the City of Ladies'
"Astonishing, original....an early chapter in women's revisionary history [that] offers true eloquence resurrected from the silence of the past."The New York Times Book Review
In dialogues with three celestial ladies, Reason, Rectitude, and Justice, Christine de Pizan (1365-ca. 1429) builds an allegorical fortified city for women using examples of the important contributions women have made to Western Civilization and arguments that prove their intellectual and moral equality to men. Earl Jeffrey Richards' acclaimed translation is used nationwide in the most eminent colleges and universities in America, from Columbia to Stanford. [via]More editions of The Book of the City of Ladies:
› Find signed collectible books: 'Catherine, Called Birdy'
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› Find signed collectible books: 'The City of Ladies'
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› Find signed collectible books: 'The Civilization of the Middle Ages: A Completely Revised and Expanded Edition of Medieval History, the Life and Death of a Civilization'
[This is Part 1 of a 2-part Audiobook CASSETTE Library Edition in vinyl case.]
[Read by Frederick Davidson]
In 1963 Norman F. Cantor published his breakthrough narrative history of the Middle Ages. Here is a significant revision, update, and expansion of that work.
The Civilization of the Middle Ages incorporates newer research and novel perspectives, especially on the foundations of the Middle Ages and the late Middle Ages of the fourteenth and fifteenth centuries. A sharper focus on social history, Jewish history, women's roles in society, and popular religion and heresy distinguish the book. While the first and last sections of the book are almost entirely new and many additions have been incorporated in the intervening sections, Cantor has retained the powerful narrative flow that made earlier editions so accessible. [via]
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› Find signed collectible books: 'The Comedy of Dante Alighieri'
Dante (12651321) is the greatest of Italian poets, and his Divine Comedy is the finest of all Christian allegories. To the consternation of his more academic admirers, who believed Latin to be the only proper language for dignified verse, Dante wrote his Comedy in colloquial Italian, wanting it to be a poem for the common reader. Taking two threads of a story that everybody knew and loved the story of a vision of Hell, Purgatory and Paradise, and the story of the lover who has to brave the Underworld to find his lost lady he combined them into a great allegory of the souls search for God. He made it swift, exciting and topical, lavishing upon it all his learning and wit, all his tenderness, humour and enthusiasm, and all his poetry. In Paradise, which T. S. Eliot among others has found either incomprehensible or intensely exciting, Dante journeys through the encircling spheres of heaven towards God. Translated by and introduced by Dorothy L. Sayers [via]
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› Find signed collectible books: 'The Consolation of Philosophy'
Boethius composed De Consolation Philosophiae in the sixth century A.D. while awaiting death by torture, condemned on a charge of plotting against Gothic rule, which he protested as manifestly unjust. Though a Christian, Boethius details the true end of life as the soul's knowledge of God, and consoles himself with the tenets of Greek philosophy, not with Christian precepts. Written in a form called Meippean Satire that alternates between prose and verse, Boethius' work often consists of a story told by Ovid or Horace to illustrate the philosophy being expounded. The Consolation of Philosophy dominated the intellectual world of the Middle Ages; it inspired writers as diverse Thomas Aquinas, Jean de Meun, and Dante. In England it was rendered into Old English by Alfred the Great, into Middle English by Geoffrey Chaucer, and later Queen Elizabeth I made her own translation. The circumstances of composition, the heroic demeanor of the author, and the Meippean texture of part prose, part verse have been a fascination for students of philosophy, literature, and religion ever since. [via]
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› Find signed collectible books: 'The Consolation of Philosophy'
Boethius composed the Consolatio Philosophiae in the sixth century AD whilst awaiting death under torture. The circumstances of composition, the heroic demeanor of the author, and the `Menippean' texture have combined to exercise a fascination over students of philosophy and of literature ever since. Professor Walsh has included an introduction and explanatory notes which combined with his new translation make the text accessible to general readers and scholars alike. [via]
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› Find signed collectible books: 'The Consolation of Philosophy'
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› Find signed collectible books: 'Dante's Paradise: Translated With Notes and Commentary'
The Paradise, which Dante called the sublime canticle, is perhaps the most ambitious book of The Divine Comedy. In this climactic segment, Dante's pilgrim reaches Paradise and encounters the Divine Will. The poet's mystical interpretation of the religious life is a complex and exquisite conclusion to his magnificent trilogy. Mark Musa's powerful and sensitive translation preserves the intricacy of the work while rendering it in clear, rhythmic English. His extensive notes and introductions to each canto make accessible to all readers the diverse and often abstruse ingredients of Dante's unparalleled vision of the Absolute: elements of Ptolemaic astronomy, medieval astrology and science, theological dogma, and the poet's own personal experiences.
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› Find signed collectible books: 'Dante's Paradiso'
With the publication of Dante's Paradiso, Sandow Birk and Marcus Sanders complete their literary and artistic achievementthe retelling of The Divine Comedy in contemporary words and images. Hailed as "inspired" by the The London Review of Books, Birk and Sanders's adaptation of Dante's classic work is true to the spirit of the original and is as acerbic and shockingly funny today as in thirteenth-century Italy. With a text that incorporates modern slang and references to anachronistically recent public figures, Birk and Sanders pay tribute to Dante's linguistic approach and clever politics. Birk's striking spin on Gustave Dor's famous engravings accompany the cantos. Together they lend the timeless poem a postmodern edge. A major retrospective of all of Birk's illustrations and paintings for the trilogy will be held at the San Jose Museum of Art in August 2005 in tribute to a masterpiece for our times. [via]
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› Find signed collectible books: 'Dante's Paradiso: Paradise'
The "Divine Comedy" was entitled by Dante himself merely "Commedia," meaning a poetic composition in a style intermediate between the sustained nobility of tragedy, and the popular tone of elegy. The word had no dramatic implication at that time, though it did involve a happy ending. The poem is the narrative of a journey down through Hell, up the mountain of Purgatory, and through the revolving heavens into the presence of God. In this aspect it belongs to the two familiar medieval literary types of the Journey and the Vision. It is also an allegory, representing under the symbolism of the stages and experiences of the journey, the history of a human soul, painfully struggling from sin through purification to the Beatific Vision. Contained in this volume is the third part of the "Divine Comedy," the "Paradiso" or "Paradise," from the translation of Charles Eliot Norton. [via]
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› Find signed collectible books: 'The Divine Comedy'
Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.
[via]› Find signed collectible books: 'The Divine Comedy of Dante Alighieri'
The classic epic poem portrays an allegorical journey through hell and purgatory to reach heaven. [via]
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› Find signed collectible books: 'The Divine Comedy: Paradiso/Text and Commentary, Part 1 and 2'
More editions of The Divine Comedy: Paradiso/Text and Commentary, Part 1 and 2:
› Find signed collectible books: 'The Divine Comedy: Paradiso/Text, Part 1'
Continuing the paperback edition of Charles S. Singleton's translation of The Divine Comedy, this work provides the English-speaking reader with everything he needs to read and understand the Paradiso. This volume consists of the prose translation of Giorgio Petrocchi's Italian text (which faces the translation on each page); its companion volume of commentary is a masterpiece of erudition, offering a wide range of information on such subjects as Dante's vocabulary, his characters, and the historical sources of incidents in the poem. Professor Singleton provides a clear and profound analysis of the poem's basic allegory, and the illustrations, diagrams, and map clarify points that have previously confused readers of The Divine Comedy.
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› Find signed collectible books: 'Doomsday Book'
Connie Willis labored five years on this story of a history student in 2048 who is transported to an English village in the 14th century. The student arrives mistakenly on the eve of the onset of the Black Plague. Her dealings with a family of "contemps" in 1348 and with her historian cohorts lead to complications as the book unfolds into a surprisingly dark, deep conclusion. The book, which won Hugo and Nebula Awards, draws upon Willis' understanding of the universalities of human nature to explore the ageless issues of evil, suffering and the indomitable will of the human spirit. [via]
› Find signed collectible books: 'The Ecclesiastical History of the English Nation'
The venerable Bede (AD 672-735) was not the first historian of the British Isles, but he was the first to to list and master his documentary and oral sources. For a man who travelled little, he showed a great depth of understanding about the outside world, informing himself by commissioning others to copy documents in the Papal Regista and various episcopal and monastic archives. This new edition has been carefully revised by Gerrish Gray and is beautifully typeset in Bembo type. [via]
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› Find signed collectible books: 'Ecclesiastical History of the English Nation 1723'
This work presents the ecclesiastical history of the English nation from the coming of Julius Caesar into the island in the 60th year before the incarnation of Christ, until the year of our Lord 731, to which is prefixed a life of Bede. Due to the age and scarcity of the original we reproduced, some pages may be spotty, faded or difficult to read. Written in Old English. [via]
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› Find signed collectible books: 'Ecclesiastical History of the English People With Bede's Letter to Egbert and Cuthberts Letter on the Death of Bede'
Written in AD 731, Bede's work opens with a background sketch of Roman Britain's geography and history. It goes on to tell of the kings and bishops, monks and nuns who helped to develop Anglo-Saxon government and religion during the crucial formative years of the English people. Leo Sherley-Price's translation brings us an accurate and readable version, in modern English, of a unique historical document. This edition now includes Bede's Letter to Egbert concerning pastoral care in early Anglo-Saxon England, at the heart of which lay Bede's denunciation of the false monasteries; and The Death of Bede, an admirable eye-witness account by Cuthbert, monk and later Abbot of Jarrow, both translated by D. H. Farmer. [via]
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› Find signed collectible books: 'The Ecclesiastical History of the English People/the Greater Chronicle Bede's Letter to Egbert'
Starting with the invasion of Julius Caesar in the fifth century, Bede recorded the history of the English up to his own day in 731 A.D. A scholarly monk working in the north-east of England, Bede wrote the five books of his history in Latin. The Ecclesiastical History is his most famous work, and this edition provides the authoritative Colgrave translation, as well as a new translation of the Greater Chronicle, never before published in English. His Letter to Egbert gives his final reflections on the English Church just before his death. This is the only edition to include all three texts, and they are illuminated further by a detailed introduction and explanatory notes. [via]
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› Find signed collectible books: 'Everyman and Medieval Miracle Plays'
This book is part of the "Everyman" series which has been re-set with wide margins and easy-to-read type and includes marginal glosses and footnotes to explain difficult words and phraseology. Concentrating mainly on "Corpus Christi" pageants, this is a selection of medieval miracle plays. There is also a translation of the Cornish "Death of Pilate" to represent this branch of Celtic literature. The original words of the plays are preserved, but many archaic forms and spellings are modernized for general readers. [via]
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› Find signed collectible books: 'History of Private Life: From Pagan Rome to Byzantium'
First of the widely celebrated and sumptuously illustrated series, this book reveals in intimate detail what life was really like in the ancient world. Behind the vast panorama of the pagan Roman empire, the reader discovers the intimate daily lives of citizens and slavesfrom concepts of manhood and sexuality to marriage and the family, the roles of women, chastity and contraception, techniques of childbirth, homosexuality, religion, the meaning of virtue, and the separation of private and public spaces.
The emergence of Christianity in the West and the triumph of Christian morality with its emphasis on abstinence, celibacy, and austerity is startlingly contrasted with the profane and undisciplined private life of the Byzantine Empire. Using illuminating motifs, the authors weave a rich, colorful fabric ornamented with the results of new research and the broad interpretations that only masters of the subject can provide.
[via]More editions of History of Private Life: From Pagan Rome to Byzantium:
› Find signed collectible books: 'A History of Private Life: Revelations of the Medieval World'
All the mystery, earthiness and romance of the Middle Ages are captured in this panorama of everyday life. The evolving concepts of intimacy are explored--from the semi-obscure eleventh century through the first stirrings of the Renaissance world in the fifteenth century. Color and black-and-white illustrations. [via]
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› Find signed collectible books: 'A History of the English Church and People'
Spine Taped. Corner of Front Cover Cut off. Binding Broken, Some Pages Loose. Edges of Pages Damaged by Small Tears..Softback,Ex-Library,with usual stamps markings, ,in fair condition, suitable as a reading copy, ,341pages. [via]
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› Find signed collectible books: 'The History of the English Church and People'
Christianity History [via]
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› Find signed collectible books: 'In the Wake of the Plague: The Black Death and the World It Made'
One-third of Western Europe's population died between 1348 and 1350, victims of the Black Death. Noted medievalist Norman Cantor tells the story of the pandemic and its widespread effects in In the Wake of the Plague.
After giving an overview, Cantor describes various theories about the medical crisis, from contemporary fears of a Jewish conspiracy to poison the water (and the resulting atrocities against European Jews) to a growing belief among modern historians that both bubonic plague and anthrax caused the spiraling death rates. Cantor also details ways in which the Black Death changed history, at both the personal level (family lines dying out) and the political (the Plantagenet kings may well have been able to hold onto France had their resources not been so diminished).
Cantor veers from topic to topic, from dynastic worries to the Dance of Death, and from peasants' rights to Perpendicular Gothic. This makes for amusing reading, though those seeking an orderly narrative may be frustrated. He also seems overly concerned with rumors of homosexual behavior, and his attempt to link the savage method of Edward II's murder to a cooling in global weather is a bit farfetched.
Cantor wears his considerable scholarship lightly, but includes a very useful critical biography for further reading. While not an entry-level text on the Black Death, In the Wake of the Plague will interest readers looking for a broader interpretation of its consequences. --Sunny Delaney [via]
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› Find signed collectible books: 'The Mabinogion'
(Book Jacket Status: Not Jacketed)
Preface by John Updike
The 11 stories of The Mabinogion, first assembled on paper in the fourteenth century, reach far back into the earlier oral traditions of Welsh poetry.
Closely linked to the Arthurian legends--King Arthur himself is a character--they summon up a world of mystery and magic that is still evoked by the Welsh landscape they so vividly describe. Mingling fantasy with tales of chivalry, these stories not only prefigure the later medieval romances, but stand on their own as magnificent evocations of a golden age of Celtic civilization.
This translation of The Mabinogion has, since its first appearance in 1949, been recognized as a classic in its own right. It was last revised by Gwyn Jones and his wife, Mair, in 1993. [via]
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› Find signed collectible books: 'The Mabinogion'
A Welsh cycle of Arthurian tales. If you read, as a kid, the Lloyd Alexander series "Chronicles of Prydain," some names might seem familiar. [via]
› Find signed collectible books: 'Mabinogion'
A major illustrated edition of the classic fantasy with over 50 full-colour paintings by the celebrated artist of The Lord of the Rings. Before The Lord of the Rings there was THE MABINOGION. Widely recognized as the finest arc of Celtic mythology, the eleven stories were preserved in two Welsh collections, The White Book of Rhydderch (c.1300-1325) and The Red Book of Hergest (1375-1425), though the stories themselves hail from an oral tradition dating back to the tenth century. At its core are tales of heroes and men, birth and death, gods and beasts, penance and vindication, kinship and kingship, battles and quests. THE MABINOGION embraces much of ancient and early British culture, combining the numinous world of Celtic mythology, Arthurian legend and feudal Europe's Age of Chivalry. Indeed, scholars have identified that it was out of THE MABINOGION that the Arthurian legends were born. This new edition contains the definitive translation of the work by Lady Charlotte Guest, undoubtably the most accessible of those published, and includes the tale of Taliesin, which has been missing from the collected tales of the Mabinogion for over twenty years. It also contains 50 colour paintings by Alan Lee, many appearing here for the first time. Best known for his work on the illustrated editions of The Lord of the Rings and The Hobbit, it was always Alan Lee's ambition to illustrate THE MABINOGION, as it combines his main interests of folklore, legend and the supernatural. His style lends itself perfectly to the work and his interpretation will give enormous pleasure as the stories enter their third millennium. [via]
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› Find signed collectible books: 'The Mabinogion'
More editions of The Mabinogion:
› Find signed collectible books: 'Mabinogion'
(Book Jacket Status: Not Jacketed)
Preface by John Updike
The 11 stories of The Mabinogion, first assembled on paper in the fourteenth century, reach far back into the earlier oral traditions of Welsh poetry.
Closely linked to the Arthurian legends--King Arthur himself is a character--they summon up a world of mystery and magic that is still evoked by the Welsh landscape they so vividly describe. Mingling fantasy with tales of chivalry, these stories not only prefigure the later medieval romances, but stand on their own as magnificent evocations of a golden age of Celtic civilization.
This translation of The Mabinogion has, since its first appearance in 1949, been recognized as a classic in its own right. It was last revised by Gwyn Jones and his wife, Mair, in 1993. [via]
› Find signed collectible books: 'The Mabinogion'
Drawing on myth, folklore and history, the stories of the "Mabinogion" passed from generations of storytellers before they were written down in the thirteenth century in the form we know. Set in dual realms of the forests and valleys of Wales and the shadowy otherworld, the tales are permeated by a dreamlike atmosphere. In "Math Son of Mathonwy" two brothers plot to carry off the virginal Goewin, while in "Manawydan Son of Llyr" a chieftain roams throughout Britain after a spell is cast over his land. And King Arthur's court provides the backdrop to tales such as "How Culhwch Won Olwen", in which a young man must complete many tasks before he can marry a giant's daughter. [via]
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› Find signed collectible books: 'The Mabinogion'
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages. [via]
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› Find signed collectible books: 'The Mabinogion'
Celtic mythology, Arthurian romance, and an intriguing interpretation of British history--these are just some of the themes embraced by the anonymous authors of the eleven tales that make up the Welsh medieval masterpiece known as the Mabinogion. They tell of Gwydion the shape-shifter, who can create a woman out of flowers; of Math the magician whose feet must lie in the lap of a virgin; of hanging a pregnant mouse and hunting a magical boar. Dragons, witches, and giants live alongside kings and heroes, and quests of honour, revenge, and love are set against the backdrop of a country struggling to retain its independence.
This new translation, the first for thirty years, recreates the storytelling world of medieval Wales and re-invests the tales with the power of performance. [via]
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› Find signed collectible books: 'Medieval People'

› Find signed collectible books: 'New Worlds, New Geographies'
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› Find signed collectible books: 'The Oxford History of Medieval Europe'
Covering a thousand years of history, this volume tells the story of the creation of Western civilization in Europe and the Mediterranean. Now available in a compact, more convenient format, it offers the same text and many of the illustrations which first appeared in the widely acclaimed Oxford Illustrated History of Medieval Europe. Written by expert scholars and based on the latest research, the book explores a period of profound diversity and change, focusing on all aspects of medieval history from the empires and kingdoms of Charlemagne and the Byzantines to the new nations which fought the Hundred Years War. The Oxford History of the Medieval World also examines such intriguing cultural subjects as the chivalric code of knights, popular festivals, and the proliferation of new art forms, and the catastrophic social effect of the Black Death. Authoritative and eminently readable, this book will entertain as much as it will educate. [via]
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› Find signed collectible books: 'The Oxford Illustrated History of Medieval Europe'
Covering a thousand years of history, this richly illustrated volume tells the story of the creation of Western civilization in Europe and the Mediterranean. Written by expert scholars and based on the latest research, it offers the most authoritative account of life in medieval Europe from the fall of the Roman Empire to the coming of the Renaissance.
Exploring a period of profound diversity and change, the contributors focus on all aspects of medieval history from the empires and kingdoms of Charlemagne and the Byzantines to the new nations which fought the Hundred Years War; from the expression of religion in the great monasteries and cathedrals to the mixed ambitions of the Crusades; and from the cultural worlds of chivalric knights, popular festivals, and new art forms to the social catastrophe of the Black Death. Depicting both the strange and the familiar, they reveal that the vast upheavals of migration and new institutions of the Dark Ages between 400 and 900 far surpass anything we have endured today. Consequently, the new attitudes and ways of life that developed from 900 to 1500 remain central in modern societies. Our towns and villages, the nation state and democratic forms of government, our commerce and banking, our system of education, our literature, and our concern with the relationship between the physical and the spiritual--these all had their origins in the medieval world.
Divided between the Mediterranean world and northern Europe, the six chapters in this book demonstrate the movement of the center of gravity in European life from the Mediterranean to the north. Lavishly illustrated with over two hundred illustrations, including twenty-four in color, the volume also contains comprehensive reference material in maps, genealogies, a chronology, lists of further reading, and a full index. [via]
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› Find signed collectible books: 'Paradise'
The Divine Comedy is a complete scale of the depths and heights of human emotion," wrote T.S. Eliot. "The last canto of the Paradiso is to my thinking the highest point that poetry has ever reached or ever can reach."
The Divine Comedy stands as one of the towering creations of world literature, and its climactic section, the Paradiso, is perhaps the most ambitious poetic attempt ever made to represent the merging of individual destiny with universal order. Having passed through Hell and Purgatory, Dante is led by his beloved Beatrice to the upper sphere of Paradise, wherein lie the sublime truths of Divine will and eternal salvation, to at last experience a rapturous vision of God.
"A spectacular achievement," said poet and critic Archibald MacLeish of John Ciardi's version of Dante's masterpiece. "A text with the clarity and sobriety of a first-rate prose translation which at the same time suggests in powerful and unmistakable ways the run and rhythm of the great original." [via]
› Find signed collectible books: 'The Paradiso'
The Divine Comedy (Italian: Divina Commedia), written by Dante Alighieri between 1308 and his death in 1321, is widely considered the central epic poem of Italian literature, and is seen as one of the greatest works of world literature. The poem's imaginative and allegorical vision of the Christian afterlife is a culmination of the medieval world-view as it had developed in the Western Church. It helped establish the Tuscan dialect in which it is written as the Italian standard. The work was originally simply titled Commedia and was later christened Commedia Divina by Giovanni Boccaccio. The Divine Comedy is composed of over 14,000 lines that are divided into three canticas Inferno (Hell), Purgatorio (Purgatory), and Paradiso (Paradise) each consisting of 33 cantos. The Divine Comedy can be described simply as an allegory: Each canto, and the episodes therein, can contain many alternative meanings. Dante's allegory, however, is more complex, and, in explaining how to read the poem, he outlines other levels of meaning besides the allegory (the historical, the moral, the literal, and the anagogical). The structure of the poem, likewise, is quite complex, with mathematical and numerological patterns arching throughout the work, particularly threes and nines. The poem is often lauded for its particularly human qualities: Dante's skillful delineation of the characters he encounters in Hell, Purgatory, and Paradise; his bitter denunciations of Florentine and Italian politics; and his powerful poetic imagination. Dante's use of real characters, according to Dorothy Sayers in her introduction to her translation of "L'Inferno", allows Dante the freedom of not having to involve the reader in description, and allows him to "[make] room in his poem for the discussion of a great many subjects of the utmost importance, thus widening its range and increasing its variety."
Durante degli Alighieri (May/June c.1265 September 14, 1321), commonly known as Dante Alighieri, was a Florentine poet of the Middle Ages. His central work, the Divina Commedia (originally called Commedia and later called Divina ("divine") by Boccaccio hence Divina Commedia), is often considered the greatest literary work composed in the Italian language and a masterpiece of world literature. In Italian he is known as "the Supreme Poet" (il Sommo Poeta). Dante, Petrarch and Boccaccio are also known as "the three fountains" or "the three crowns". Dante is also called the "Father of the Italian language". The first biography written on him was by Giovanni Boccaccio (1313-1375), who wrote the Trattatello in laude di Dante. - Wikipedia [via]
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In The Inferno Dante journeyed to the depths of evil and the true nature of sin. In The Purgatorio he explored the renunciation of sin. Now, in The Paradiso, the final canticle in The Divine Comedy, Dante shares the ultimate goal of human strivingthe merging of individual destiny with universal order. One of the towering creations of world literature, this epic discovery of sublime truth is a work of almost mystical intensityan immortal hymn to God, Nature, Eternity, and, above all, the Love that moves the Sun and other stars. [via]
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Dantes Paradiso, often thrown into shadow by the first two parts of The Divine Comedy, features one of the most sublime, luminous, and exciting visions in all of literaturethat of Heaven itself.
Having climbed the mountain of Purgatory, Dante begins to ascend to the heights of the universe with his beloved Beatrice as guide. They soar through the nine spheres of heaventhe moon, Mercury, Venus, the sun, Mars, Jupiter, Saturn, the stars, and the Prime Mover. Along the way Dante meets people he knew on Earth, who now appear as dazzling jewels, and many others whom he had always wanted to meet, such as St. Thomas Aquinas, Saint Bonaventure, and his great-great-grandfather. Finally, Dante reaches Heaven, where incredibly beautiful scenesbrilliant lights and colors, and flowering gardens unfold before his eyes, always accompanied by celestial music. Heaven, he learns, is not a place of boring rest, but one of joyful activity, dancing and singing, and endless movement and surprises.
A poem of true heroic fulfillment, Paradiso stands as literatures greatest hymn to the glory of God.
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› Find signed collectible books: 'Sir Gawain and the Green Knight'
@GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right?
The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesnt he know hell be dead?
This goblin fellow is totally dead.
All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS!
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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@GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right?
The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesnt he know hell be dead?
This goblin fellow is totally dead.
All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS!
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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It is a remarkably subtle and accomplished poem, in which the hero's knightly virtues of courage, courtesy and fidelity are put to the test in a strange adventure involving a huge green knight on a green horse, a winter journey, a lady in a mysterious castle and a challenge answered. It ranks as one of the greatest works of the English Middle Ages and perhaps the greatest triumph of the English alliterative tradition.
Unlike The Canterbury Tales, however, Sir Gawain is written in a dialect belonging to Cheshire, Lancashire or Staffordshire, and this seems more remote to the modern reader than Chaucer's London language. The aim of this edition has been to remove unnecessary impediments while retaining the integrity of the original. Notes and a glossary have been provided to assist an informed, critical reading of the text.
@GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right?
The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesnt he know hell be dead?
This goblin fellow is totally dead.
All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS!
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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In translation from the West Midland dialect (sorry, prose was best I could find.) [via]
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'Be prepared to perform what you promised, Gawain; Seek faithfully till you find me ...' A New Year's feast at King Arthur's court is interrupted by the appearance of a gigantic Green Knight, resplendent on horseback. He challenges any one of Arthur's men to behead him, provided that if he survives he can return the blow a year later. Sir Gawain accepts the challenge and decapitates the knight - but the mysterious warrior cheats death and vanishes, bearing his head with him. The following winter Gawain sets out to find the Knight in the wild Northern lands and to keep his side of the bargain. One of the great masterpieces of Middle English poetry, Sir Gawain and the Green Knight magically combines elements of fairy tale and heroic sagas with the pageantry, chivalry and courtly love of medieval Romance. Brian Stone's evocative translation is accompanied by an introduction that examines the Romance genre, and the poem's epic and pagan sources. This edition also includes essays discussing the central characters and themes, theories about authorship and Arthurian legends, and suggestions for further reading and notes. @GawainsWorld So listen here, some green man came to the hall and wants someone to cut his head off. Some sort of dare? Could be fun, right? The deal is I cut off his head now, and he cuts off mine a year later. What a jester, doesn't he know he'll be dead? This goblin fellow is totally dead. All seemed fine until Ichabod Crane here fell to the floor, stood up, and picked up his head. His head, in his hands. In HIS HANDS! From Twitterature: The World's Greatest Books in Twenty Tweets or Less [via]
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A splendid new translation of the classic Arthurian tale of enchantment, adventure, and romance, presented alongside the original Middle English text.
It is the height of Christmas and New Years revelry when an enormous knight with brilliant green clothes and skin descends upon King Arthurs court. He presents a sinister challenge: he will endure a blow of the axe to his neck without offering any resistance, but whoever gives the blow must promise to take the same in exactly a year and a days time. The young Sir Gawain quickly rises to the challenge, and the poem tells of the adventures he findsan almost irresistible seduction, shockingly brutal hunts, and terrifyingly powerful villainsas he endeavors to fulfill his promise.
Capturing the pace, impact, and richly alliterative language of the original text, W. S. Merwin has imparted a new immediacy to a spellbinding narrative, written centuries ago by a poet whose name is now unknown, lost to time. Of the Green Knight, Merwin notes in his foreword: We seem to recognize himhis splendor, the awe that surrounds him, his menace and his gracewithout being able to place him . . . We will never know who the Green Knight is except in our own response to him.
From the Hardcover edition. [via]
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› Find signed collectible books: 'Sir Gawain and the Green Knight: A Verse Translation'
Sir Gawain and the Green Knight is probably the most skillfuly told story in the whole of the English Arthurian cycle. Originating from the north-west midlands of England, it is based on two ancient Celtic motifs--the Beheading and the Exchange of Winnings--brought together by the anonymous 14th century author. Acclaimed poet Keith Harrison's new translation uses a modern alliterative pattern which subtly echoes the music of the original at the same time it strives for fidelity. This is the most generously annotated edition available, complete with a detailed introduction which situates the work in the context of Arthurian Romance and analyzes its poetics and narrative structure. [via]
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The fourteenth-century poem Sir Gawain and the Green Knight is one of the greatest classics of English literature, but one of the least accessible to most twentieth-century readers. Written in an obscure dialect, it is far more difficult to digest in the original than are most other late medieval English works. Yet any translation is bound to lose much of the flavour of the original. This edition of the poem offers the original text together with a facing-page translation. With the alliterative Middle English before the reader, James Winny provides a non-alliterative and sensitively literal rendering in modern English. This edition also provides an introduction, explanatory and textual notes, a further note on some words that present particular difficulties, and, in the appendices, two contemporary stories, The Feast of Bricriu and The Knight of the Sword, which provide insight on the poem. [via]
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The classic old English tale of King Arthur's kinsman [via]
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A splendid new translation of the classic Arthurian tale of enchantment, adventure, and romance, presented alongside the original Middle English text.
It is the height of Christmas and New Years revelry when an enormous knight with brilliant green clothes and skin descends upon King Arthurs court. He presents a sinister challenge: he will endure a blow of the axe to his neck without offering any resistance, but whoever gives the blow must promise to take the same in exactly a year and a days time. The young Sir Gawain quickly rises to the challenge, and the poem tells of the adventures he findsan almost irresistible seduction, shockingly brutal hunts, and terrifyingly powerful villainsas he endeavors to fulfill his promise.
Capturing the pace, impact, and richly alliterative language of the original text, W. S. Merwin has imparted a new immediacy to a spellbinding narrative, written centuries ago by a poet whose name is now unknown, lost to time. Of the Green Knight, Merwin notes in his foreword: We seem to recognize himhis splendor, the awe that surrounds him, his menace and his gracewithout being able to place him . . . We will never know who the Green Knight is except in our own response to him. [via]
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