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› Find signed collectible books: 'Artificios'
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› Find signed collectible books: 'Chronicle of a Death Foretold'
"EXQUISITELY HARROWING . . . . Very strange and brilliantly conceived. . . . A sort of metaphysical murder mystery. . . . The murder will stand among the innumerable murders of modern literature as one of the best and most powerfully rendered."
A mysterious and haunting tale of romance and murder, that begins with the marriage of a man and a woman in love. But when he inexplicably mistreats his beloved on the night of the wedding, he is in turn murdered by her brothers, and we are left with a strange sense of inevitability and passions gone terribly awry.
From the Paperback edition. [via]
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› Find signed collectible books: 'Collected Stories'
Short stories by the 1982 Nobel laureate in literature and author of One Hundred Years of Solitude. "The stories are rich and startling . . . confident and elegant . . . magical."John Updike, The New Yorker [via]
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› Find signed collectible books: 'Collected Fictions'
Although Jorge Luis Borges published his first book in 1923--doling out his own money for a limited edition of Fervor de Buenos Aires--he remained in Argentinian obscurity for almost three decades. In 1951, however, Ficciones appeared in French, followed soon after by an English translation. This collection, which included the cream of the author's short fictions, made it clear that Borges was a world-class (if highly unclassifiable) artist--a brilliant, lyrical miniaturist, who could pose the great questions of existence on the head of pin. And by 1961, when he shared the French Prix Formentor with Samuel Beckett, he seemed suddenly to tower over a half-dozen literary cultures, the very exemplar of modernism with a human face.
By the time of his death in 1986, Borges had been granted old master status by almost everybody (except, alas, the gentlemen of the Swedish Academy). Yet his work remained dispersed among a half-dozen different collections, some of them increasingly hard to find. Andrew Hurley has done readers a great service, then, by collecting all the stories in a single, meticulously translated volume. It's a pleasure to be reminded that Borges's style--poetic, dreamlike, and compounded of innumerable small surprises--was already in place by 1935, when he published A Universal History of Iniquity: "The earth we inhabit is an error, an incompetent parody. Mirrors and paternity are abominable because they multiply and affirm it." (Incidentally, the thrifty author later recycled the second of these aphorisms in his classic bit of bookish metaphysics, "Tlon, Uqbar, Orbis Teris.") The glories of his middle period, of course, have hardly aged a day. "The Garden of the Forking Paths" remains the best deconstruction of the detective story ever written, even in the post-Auster era, and "Pierre Menard, Author of the Quixote" puts the so-called death of the author in pointed, hilarious perspective.
But Hurley's omnibus also brings home exactly how consistent Borges remained in his concerns. As late as 1975, in "Avelino Arredondo," he was still asking (and occasionally even answering) the same riddles about time and its human repository, memory: "For the man in prison, or the blind man, time flows downstream as though down a slight decline. As he reached the midpoint of his reclusion, Arredondo more than once achieved that virtually timeless time. In the first patio there was a wellhead, and at the bottom, a cistern where a toad lived; it never occurred to Arredondo that it was the toad's time, bordering on eternity, that he sought." Throughout, Hurley's translation is crisp and assured (although this reader will always have a soft spot for "Funes, the Memorious" rather than "Funes, His Memory.") And thanks to his efforts, Borgesians will find no better--and no more pleasurable--rebuttal of the author's description of himself as "a shy sort of man who could not bring himself to write short stories." --James Marcus [via]
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› Find signed collectible books: 'Collected Fictions'
Although Jorge Luis Borges published his first book in 1923--doling out his own money for a limited edition of Fervor de Buenos Aires--he remained in Argentinian obscurity for almost three decades. In 1951, however, Ficciones appeared in French, followed soon after by an English translation. This collection, which included the cream of the author's short fictions, made it clear that Borges was a world-class (if highly unclassifiable) artist--a brilliant, lyrical miniaturist, who could pose the great questions of existence on the head of pin. And by 1961, when he shared the French Prix Formentor with Samuel Beckett, he seemed suddenly to tower over a half-dozen literary cultures, the very exemplar of modernism with a human face.
By the time of his death in 1986, Borges had been granted old master status by almost everybody (except, alas, the gentlemen of the Swedish Academy). Yet his work remained dispersed among a half-dozen different collections, some of them increasingly hard to find. Andrew Hurley has done readers a great service, then, by collecting all the stories in a single, meticulously translated volume. It's a pleasure to be reminded that Borges's style--poetic, dreamlike, and compounded of innumerable small surprises--was already in place by 1935, when he published A Universal History of Iniquity: "The earth we inhabit is an error, an incompetent parody. Mirrors and paternity are abominable because they multiply and affirm it." (Incidentally, the thrifty author later recycled the second of these aphorisms in his classic bit of bookish metaphysics, "Tlon, Uqbar, Orbis Teris.") The glories of his middle period, of course, have hardly aged a day. "The Garden of the Forking Paths" remains the best deconstruction of the detective story ever written, even in the post-Auster era, and "Pierre Menard, Author of the Quixote" puts the so-called death of the author in pointed, hilarious perspective.
But Hurley's omnibus also brings home exactly how consistent Borges remained in his concerns. As late as 1975, in "Avelino Arredondo," he was still asking (and occasionally even answering) the same riddles about time and its human repository, memory: "For the man in prison, or the blind man, time flows downstream as though down a slight decline. As he reached the midpoint of his reclusion, Arredondo more than once achieved that virtually timeless time. In the first patio there was a wellhead, and at the bottom, a cistern where a toad lived; it never occurred to Arredondo that it was the toad's time, bordering on eternity, that he sought." Throughout, Hurley's translation is crisp and assured (although this reader will always have a soft spot for "Funes, the Memorious" rather than "Funes, His Memory.") And thanks to his efforts, Borgesians will find no better--and no more pleasurable--rebuttal of the author's description of himself as "a shy sort of man who could not bring himself to write short stories." --James Marcus [via]
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› Find signed collectible books: 'Collected Novellas'
Three of Garcia Marquez's classic short novels--Leaf Storm, No One Writes to the Colonel, and Chronicle of a Death Foretold--available in one volume. [via]
› Find signed collectible books: 'Cronica De Una Muerte Anunciada'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
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› Find signed collectible books: 'Cronica De Una Muerte Anunciada / Chronicle Of A Death Foretold'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
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› Find signed collectible books: 'Cuentos De Eva Luna'

› Find signed collectible books: 'Cuentos De Eva Luna/the Stories of Eva Luna'
More editions of Cuentos De Eva Luna/the Stories of Eva Luna:
› Find signed collectible books: 'Die Satanischen Verse'
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› Find signed collectible books: 'Diez Cuentos De Eva Luna'
Diez cuentos de Eva Luna (Ten Stories of Eva Luna) is an anthology of 10 short stories by the renowned Chilean writer, Isabel Allende. Best known for her novel, The House of the Spirits, Isabel Allende is the first Latin-American woman writer to be widely published and translated. Her unique style has now gained her a reader acceptance on a par with contemporary Latin-American male writers. Designed to be used at the intermediate or advanced level, Diez cuentos de Eva Luna also includes a concise review of key elements of grammar. The stories in this anthology are all highly readable and deal with a broad range of traditional Spanish-American literary themes: love, hate, vengeance, justice, oppression, solidarity. [via]
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› Find signed collectible books: 'El General En Su Laberinto'
Gabriel García Márquez fue galadronado con el Premio Nobel de Literatura. Es uno de los escritores más destacados de las letra universales. [via]
› Find signed collectible books: 'El General En Su Laberinto / The General In His Labyrinth'
El general Simón Bolívar, El Libertador de los países de América del Sur, da, por última vez, un nostálgico viaje por el río Magdalena en el que vuelve a visitar ciudades en sus orillas donde revive sus triumfos, sus pasiones y las traiciones de toda una vida. Poseedor de un gran encanto personal, prodigiosamente afortunado en amores, en la guerra y en la política, todavía baila con tanto entusiasmo y habilidad que los que lo ven no pueden creer lo enfermo que está. Apasionado por los recuerdos del poder que tuvo, y de su sueño de unidad continental que nunca logró realizar, Bolívar es un ejemplo conmovedor de cuánto puede ganarse y perderse en una vida. [via]
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› Find signed collectible books: 'Eva Luna'
An exotic dance that beguiles and entices... The enchanted and enchanting account of a contemporary Scheherazade, a wide-eyed American teller-of-tales who triumphs over harsh reality through the creative power of her own imagination...
From the Paperback edition. [via]
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› Find signed collectible books: 'Ficciones'
En Español: Una de las colecciones literarias más importantes del siglo veinte, los dieciocho cuentos contenidos en la obra Ficciones de Jorge Luis Borges invitan al lector a reexaminar sus previas suposiciones y preocupaciones relativas a la naturaleza del universo. Desde Tlön, Uqbar, Orbis Tertius, el relato que, según muchos críticos, predijo la creación de Internet, y Examen de la obra de Herbert Quain, que combina la prueba matemática con la reseña literaria, hasta El Sur, una amalgama de fantasía, autobiografía, y folklórica argentina (y que Borges una vez dijo que era su cuento preferido), estas Ficciones abarcan lo esencial del inimitable estilo borgesiano. [via]
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› Find signed collectible books: 'The General in His Labyrinth'
General Simon Bolivar, the Liberator of five South American countries, takes a last melancholy journey down the Magdalena River, revisiting cities along its shores, and reliving the triumphs, passions, and betrayals of his life. Infinitely charming, prodigiously successful in love, war and politics, he still dances with such enthusiasm and skill that his witnesses cannot believe he is ill. Aflame with memories of the power that he commanded and the dream of continental unity that eluded him, he is a moving exemplar of how much can be wonand lostin a life.
From the Trade Paperback edition. [via]
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› Find signed collectible books: 'The General in His Labyrinth'
(Book Jacket Status: Jacketed)
Gabriel García Márquezs most political novel is the tragic story of General Simón Bolívar, the man who tried to unite a continent.
Bolívar, known in six Latin American countries as the Liberator, is one of the most revered heroes of the western hemisphere; in García Márquezs brilliant reimagining he is magnificently flawed as well. The novel follows Bolívar as he takes his final journey in 1830 down the Magdalena River toward the sea, revisiting the scenes of his former glory and lamenting his lost dream of an alliance of American nations. Forced from power, dogged by assassins, and prematurely aged and wasted by a fatal illness, the General is still a remarkably vital and mercurial man. He seems to remain alive by the sheer force of will that led him to so many victories in the battlefields and love affairs of his past. As he wanders in the labyrinth of his failing powersand still-powerful memorieshe defies his impending death until the last.
The General in His Labyrinth is an unforgettable portrait of a visionary from one of the greatest writers of our time. [via]
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› Find signed collectible books: 'The General in His Labyrinth'
After his internationally acclaimed and bestselling Love in the Time of Cholera, the Nobel Prize-winning novelist and author of the classic One Hundred Years of Solitude givesreat Simon Bolivar. Forced from power, the General embarks on a seven months' voyage down the Magdalena River, reflecting along the way on his life of campaigns and battles, love and loss. [via]
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› Find signed collectible books: 'The Hard-Boiled Wonderland and the End of the World'
The narrator, like the narrator of A Wild Sheep Chase, is a mensch--an ordinary fellow aspiring to decency and self-respect, an individual laboring under the illusion of free will. Information is the key to this society in this unnerving tale of technological espionage, brain-wave tampering, and science-fictional fear and loathing. [via]
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› Find signed collectible books: 'The Jaguar Smile: A Nicaraguan Journey'
In this timeless, haunting portrait of the people and the politics of Nicaragua, Rushdie brings to life the palpable human facts of a country in the midst of a revolution. [via]
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› Find signed collectible books: 'Kafka on the Shore'
With Kafka on the Shore, Haruki Murakami gives us a novel every bit as ambitious and expansive as The Wind-Up Bird Chronicle, which has been acclaimed both here and around the world for its uncommon ambition and achievement, and whose still-growing popularity suggests that it will be read and admired for decades to come.
This magnificent new novel has a similarly extraordinary scope and the same capacity to amaze, entertain, and bewitch the reader. A tour de force of metaphysical reality, it is powered by two remarkable characters: a teenage boy, Kafka Tamura, who runs away from home either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister; and an aging simpleton called Nakata, who never recovered from a wartime affliction and now is drawn toward Kafka for reasons that, like the most basic activities of daily life, he cannot fathom. Their odyssey, as mysterious to them as it is to us, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish (and worse) fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddleyet this, along with everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own.
Extravagant in its accomplishment, Kafka on the Shore displays one of the worlds truly great storytellers at the height of his powers. [via]
› Find signed collectible books: 'Labyrinths: Selected Stories & Other Writings'
If Jorge Luis Borges had been a computer scientist, he probably would have invented hypertext and the World Wide Web.
Instead, being a librarian and one of the world's most widely read people, he became the leading practitioner of a densely layered imaginistic writing style that has been imitated throughout this century, but has no peer (although Umberto Eco sometimes comes close, especially in Name of the Rose).
Borges's stories are redolent with an intelligence, wealth of invention, and a tight, almost mathematically formal style that challenge with mysteries and paradoxes revealed only slowly after several readings. Highly recommended to anyone who wants their imagination and intellect to be aswarm with philosophical plots, compelling conundrums, and a wealth of real and imagined literary references derived from an infinitely imaginary library. [via]
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› Find signed collectible books: 'The Master And Margarita'
Nothing in the whole of literature compares with The Master and Margarita. Full of pungency and wit, this luminous work is Bulgakov's crowning achievement, skilfully blending magical and realistic elements, grotesque situations and major ethical concerns. Written during the darkest period of Stalin's repressive reign and a devastating satire of Soviet life, it combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with incident and with historical, imaginary, frightful and wonderful characters. Although completed in 1940, The Master and Margarita was not published until 1966 when the first section appeared in the monthly magazine Moskva. Russians everywhere responded enthusiastically to the novel's artistic and spiritual freedom and it was an immediate and enduring success. This new translation has been made from the complete and unabridged Russian text.
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› Find signed collectible books: 'MASTER AND MARGARITA'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'The Master and Margarita'
Surely no stranger work exists in the annals of protest literature than The Master and Margarita. Written during the Soviet crackdown of the 1930s, when Mikhail Bulgakov's works were effectively banned, it wraps its anti-Stalinist message in a complex allegory of good and evil. Or would that be the other way around? The book's chief character is Satan, who appears in the guise of a foreigner and self-proclaimed black magician named Woland. Accompanied by a talking black tomcat and a "translator" wearing a jockey's cap and cracked pince-nez, Woland wreaks havoc throughout literary Moscow. First he predicts that the head of noted editor Berlioz will be cut off; when it is, he appropriates Berlioz's apartment. (A puzzled relative receives the following telegram: "Have just been run over by streetcar at Patriarch's Ponds funeral Friday three afternoon come Berlioz.") Woland and his minions transport one bureaucrat to Yalta, make another one disappear entirely except for his suit, and frighten several others so badly that they end up in a psychiatric hospital. In fact, it seems half of Moscow shows up in the bin, demanding to be placed in a locked cell for protection.
Meanwhile, a few doors down in the hospital lives the true object of Woland's visit: the author of an unpublished novel about Pontius Pilate. This Master--as he calls himself--has been driven mad by rejection, broken not only by editors' harsh criticism of his novel but, Bulgakov suggests, by political persecution as well. Yet Pilate's story becomes a kind of parallel narrative, appearing in different forms throughout Bulgakov's novel: as a manuscript read by the Master's indefatigable love, Margarita, as a scene dreamed by the poet--and fellow lunatic--Ivan Homeless, and even as a story told by Woland himself. Since we see this narrative from so many different points of view, who is truly its author? Given that the Master's novel and this one end the same way, are they in fact the same book? These are only a few of the many questions Bulgakov provokes, in a novel that reads like a set of infinitely nested Russian dolls: inside one narrative there is another, and then another, and yet another. His devil is not only entertaining, he is necessary: "What would your good be doing if there were no evil, and what would the earth look like if shadows disappeared from it?"
Unsurprisingly--in view of its frequent, scarcely disguised references to interrogation and terror--Bulgakov's masterwork was not published until 1967, almost three decades after his death. Yet one wonders if the world was really ready for this book in the late 1930s, if, indeed, we are ready for it now. Shocking, touching, and scathingly funny, it is a novel like no other. Woland may reattach heads or produce 10-ruble notes from the air, but Bulgakov proves the true magician here. The Master and Margarita is a different book each time it is opened. --Mary Park [via]
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› Find signed collectible books: 'Master I Margarita'
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› Find signed collectible books: 'Midnight's Children'
Anyone who has spent time in the developing world will know that one of Bombay's claims to fame is the enormous film industry that churns out hundreds of musical fantasies each year. The other, of course, is native son Salman Rushdie--less prolific, perhaps than Bollywood, but in his own way just as fantastical. Though Rushdie's novels lack the requisite six musical numbers that punctuate every Bombay talkie, they often share basic plot points with their cinematic counterparts. Take, for example, his 1980 Booker Prize-winning Midnight's Children: two children born at the stroke of midnight on August 15, 1947--the moment at which India became an independent nation--are switched in the hospital. The infant scion of a wealthy Muslim family is sent to be raised in a Hindu tenement, while the legitimate heir to such squalor ends up establishing squatters' rights to his unlucky hospital mate's luxurious bassinet. Switched babies are standard fare for a Hindi film, and one can't help but feel that Rushdie's world-view--and certainly his sense of the fantastical--has been shaped by the films of his childhood. But whereas the movies, while entertaining, are markedly mediocre, Midnight's Children is a masterpiece, brilliant written, wildly unpredictable, hilarious and heartbreaking in equal measure.
Rushdie's narrator, Saleem Sinai, is the Hindu child raised by wealthy Muslims. Near the beginning of the novel, he informs us that he is falling apart--literally:
I mean quite simply that I have begun to crack all over like an old jug--that my poor body, singular, unlovely, buffeted by too much history, subjected to drainage above and drainage below, mutilated by doors, brained by spittoons, has started coming apart at the seams. In short, I am literally disintegrating, slowly for the moment, although there are signs of an acceleration.In light of this unfortunate physical degeneration, Saleem has decided to write his life story, and, incidentally, that of India's, before he crumbles into "(approximately) six hundred and thirty million particles of anonymous, and necessarily oblivious, dust." It seems that within one hour of midnight on India's independence day, 1,001 children were born. All of those children were endowed with special powers: some can travel through time, for example; one can change gender. Saleem's gift is telepathy, and it is via this power that he discovers the truth of his birth: that he is, in fact, the product of the illicit coupling of an Indian mother and an English father, and has usurped another's place. His gift also reveals the identities of all the other children and the fact that it is in his power to gather them for a "midnight parliament" to save the nation. To do so, however, would lay him open to that other child, christened Shiva, who has grown up to be a brutish killer. Saleem's dilemma plays out against the backdrop of the first years of independence: the partition of India and Pakistan, the ascendancy of "The Widow" Indira Gandhi, war, and, eventually, the imposition of martial law.
We've seen this mix of magical thinking and political reality before in the works of Günter Grass and Gabriel García Márquez. What sets Rushdie apart is his mad prose pyrotechnics, the exuberant acrobatics of rhyme and alliteration, pun, wordplay, proper and "Babu" English chasing each other across the page in a dizzying, exhilarating cataract of words. Rushdie can be laugh-out-loud funny, but make no mistake--this is an angry book, and its author's outrage lends his language wings. Midnight's Children is Salman Rushdie's irate, affectionate love song to his native land--not so different from a Bombay talkie, after all. --Alix Wilber [via]
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› Find signed collectible books: 'The Non-Resident Indian and Other Stories'
More editions of The Non-Resident Indian and Other Stories:
› Find signed collectible books: 'Of Love and Other Demons'
On her twelfth birthday, Sierva Maria the only child of a decaying noble family in an eighteenth-century South American seaport is bitten by a rabid dog. Believed to be possessed, she is brought to a convent for observation. And into her cell stumbles Father Cayetano Delaura, who has already dreamed about a girl with hair trailing after her like a bridal train. As he tends to her with holy water and sacramental oils, Delaura feels something shocking begin to occur. He has fallen in love and it is not long until Sierva Maria joins him in his fevered misery. Unsettling and indelible, Of Love and Other Demons is an evocative, majestic tale of the most universal experiences known to woman and man. [via]
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› Find signed collectible books: 'One More River to Cross: Black and Gay in America'
In the aftermath of the historic 1993 March on Washington for gay and lesbian rights, Keith Boykin, in One More River to Cross, clarifies the relationship between blacks and gays in America by portraying the "common ground" lives of those who are both black and gay.
Against a backdrop of civil rights and the black experience in America, Boykin interviews Baptist ministers, gay political leaders, and other black gays and lesbians on issues of faith, family, discrimination, and visibility to determine what differences--real and imagined--separate the two communities. Boykin points to evidence of African and precolonial same-sex behavior, as well as figures like James Baldwin and Bayard Rustin, to dispel the myth that homosexuality is a "white thang," while his research suggests that blacks are less homophobic than whites, despite the rhetoric of rap and religion. With stories from his own experience as well as that of other black gays and lesbians, Boykin targets gay racism and black homophobia and suggests that conservative forces have substituted the common language of racism for homophobia in order to prevent a potentially powerful coalition of blacks and gays.
By portraying what it means to be black and gay, One More River to Cross offers an extraordinary window into a community that challenges this country's acceptance of its minorities, both racial and sexual. [via]
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› Find signed collectible books: 'The Satanic Verses : A Novel'
No book in modern times has matched the uproar sparked by Salman Rushdie's The Satanic Verses, which earned its author a death sentence. Furor aside, it is a marvelously erudite study of good and evil, a feast of language served up by a writer at the height of his powers, and a rollicking comic fable. The book begins with two Indians, Gibreel Farishta ("for fifteen years the biggest star in the history of the Indian movies") and Saladin Chamcha, a Bombay expatriate returning from his first visit to his homeland in 15 years, plummeting from the sky after the explosion of their jetliner, and proceeds through a series of metamorphoses, dreams and revelations. Rushdie's powers of invention are astonishing in this Whitbread Prize winner. [via]
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› Find signed collectible books: 'Selected Non-Fictions'
Jorge Luis Borges was our century's greatest miniaturist, perpetually cramming entire universes onto the head of a pin. Yet his splendid economy, along the wafer-thin proportions of such classic volumes as Ficciones and Labyrinths, has given readers the impression that Borges was miserly with his prose. In fact, he was something of a verbal spendthrift. His collected stories alone run to nearly 1,000 pages. And his nonfiction output was even more staggering: the young Borges cranked out hundreds of essays, book notes, cultural polemics, and movie reviews, and even after he lost his sight in 1955, he continued to dictate short pieces by the dozens. Eliot Weinberger has assembled just a fraction of this outpouring in Selected Non-Fictions, and the result is a 559-page Borgesian blowout, in which the Argentinean fabulist takes on being and nothingness, James Joyce and Lana Turner, and (surprisingly) racial hatred and the rise of Nazism. So much for our image of the mandarin bookworm! The very engagé author of this book seems more like a subequatorial Camus, with a dash of Siskel and Ebert on the side.
Selected Non-Fictions demonstrates just how quickly Borges began wrestling with such brainteasers as identity, time, and infinity. Indeed, the very first piece in the collection, "The Nothingness of Personality" (1922), already finds him fiddling with the self: "I, as I write this, am only a certainty that seeks out the words that are most apt to compel your attention. That proposition and a few muscular sensations, and the sight of the limpid branches that the trees place outside my window, constitute my current I." There are many such meditations here, including "A History of Eternity" (in which Borges maps out his own, disarmingly empty version of the eternal, "without a God or even a co-proprietor, and entirely devoid of archetypes"). But it's more fun--and more revelatory--to see the author venturing beyond his metaphysical stomping grounds. Borges on King Kong is a hoot, and a cornball masterpiece such as The Petrified Forest elicits this terrific nugget: "Death works in this film like hypnosis or alcohol: it brings the recesses of the soul into the light of day." His capsule biographies are a delight, his critiques of Nazi propaganda are memorably stringent, and nobody should miss him on the tango. True, the sheer variety and mind-boggling erudition of Selected Non-Fictions can be a little forbidding. But, taken as a whole, the collection surely meets the specifications that Borges laid out in a 1927 essay on literary pleasure: "If only some eternal book existed, primed for our enjoyment and whims, no less inventive in the populous morning as in the secluded night, oriented toward all hours of the world." Oh, but it does. --James Marcus [via]
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› Find signed collectible books: 'Stories Of Eva Luna'
In 1988, Isabel Allende published Eva Luna, a novel which recounted the adventurous life of a poor young Latin American woman who finds happiness and some degree of worldly success through her ability as a storyteller. In this new book, we are presented with a treasure trove of stories, showing us once more why Eva Luna--and Isabel Allende--has won such a large and devoted audience. [via]
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› Find signed collectible books: 'Workplay: Playing to Learn and Learning to Play'
WorkPlay offers you some of the most enjoyable and educational games and exercises you'll find anywhere. More than "just another" collection of structured activities, this reproducible volume includes a provocative discussion of the serious impact of fun and games on the adult learner.
WorkPlay provides training in: Leadership, team building, change, problem solving, creativity, decision making, goal setting, trust, risk taking, and more!
WorkPlay is designed to provide program designers, workshop presenters, facilitators, and consultants with creative, structured learning experiences and detailed guidance on how to use them for effective training, conferences, and workshops. It is a practical handbook containing 27 varied and versatile activities that cover a comprehensive range of learning themes. Although these activities are particularly well-suited to team building, group problem solving, and leadership training, they can be used for communication, decision making, creativity, resource management, and a multitude of other learning purposes. Each activity can serve a range of training needs and agendas. Each activity has applicability to a variety of learning themes, some of which can be explored in depth using the activity alone or in conjunction with suggested companion exercises. They can be implemented either at different times for different purposes or used singularly to accomplish a variety of related learning objectives.
WorkPlay includes:
27 reproducible activities in a convenient 3-ring binder.
Exercises include icebreakers, energizers and closing activities, scenario-based activities, and general activities for multiple objectives.
Observer/judge sheets for participants to learn by observing
Guidelines for ensuring that physically challenged participants can safely and enjoyably take part in the activities
Requirements for set-up, time, group size, materials, constraints, and safety considerations.
Development
Experiential activities can transform learning into adventure for adults in conference, academic, and work training settings. Learning is an emotional, physical and cognitive experience. Movement and feelings affect learning. Play can engage the mind and body and provoke a positive, emotional response during exercises that are designed to enhance skills and elucidate concepts and theories. Almost any topic can be explored through gaming. Learning that involves skill building and behavioral change, such as group dynamics, communication, leadership, problem solving, teamwork, and decision making are particularly well-suited to gaming.
Playing games for the serious purpose of learning creates a paradoxical situation in which participants are simultaneously involved in serious play and playful seriousness. The object of gaming is knowledge, not fun. However, the process is enjoyable and thus conducive to learning. This type of play entails the lighthearted yet earnest pursuit of educational aims within a fun-and-games context. The paradoxical nature of gaming to learn allows players freedom to experiment with new approaches, change old approaches, and even fail with impunity. After all, learning is a risky business. Safety is ensured in the imaginative realm of play.
Conducting the Activities
Each activity provides all the information necessary to conduct the experience, including directions and other handouts that can be easily copied for the participants. Some of the games do not require these handouts for participants or may have handouts to be used by the facilitator as a guide. These handouts contain all the pertinent information necessary for the group considerations. They also ensure that the group cannot project responsibility for its performance on faulty facilitator instructions, insulating the facilitator from being unwittingly drawn into authority issues that properly belong in the group.
Many of the activities are designed to accommodat [via]
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› Find signed collectible books: 'Cronica de una Muerte Anunciada'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
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› Find signed collectible books: 'Cronica De Una Muerte Anunciada'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
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› Find signed collectible books: 'Cronica De Una Muerte Anunciada / Chronicle of a Death Foretold'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
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› Find signed collectible books: 'Cronica De Una Muerte Anunciada/chronicle of a Death Foretold'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
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› Find signed collectible books: 'Cuentos De Eva Luna/the Stories of Eva Luna'
Eva Luna -- amante, revolucionaria, narradora -- reclinada en la cama con su amante, le cuenta una historia "que nunca ha contado antes a nadie," en veintitres vivdos y fascinantes relatos sobre guerrilleros y nigromantes, seductores y tiranos, diplomáticos y acróbatas. En esta estupenda colección de cuentos, Isabel Allende continúa la magia de su muy elogiada novela Eva Luna. [via]
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› Find signed collectible books: 'Del Amor Y Otros Demonios / of Love And Other Demons'
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› Find signed collectible books: 'Eva Luna'
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› Find signed collectible books: 'Ficcionario'
Reading Jorge Luis Borges is an experience akin to having the top of one's head removed for repairs. First comes the unfamiliar breeze tickling your cerebral cortex; then disorientation, even mild discomfort; and finally, the sense that the world has been irrevocably altered--and in this case, rendered infinitely more complex. First published in 1945, his Ficciones compressed several centuries' worth of philosophy and poetry into 17 tiny, unclassifiable pieces of prose. He offered up diabolical tigers, imaginary encyclopedias, ontological detective stories, and scholarly commentaries on nonexistent books, and in the process exploded all previous notions of genre. Would any of David Foster Wallace's famous footnotes be possible without Borges? Or, for that matter, the syntactical games of Perec, the metafictional pastiche of Calvino? For good or for ill, the blind Argentinian paved the way for a generation's worth of postmodern monkey business--and fiction will never be simply "fiction" again.
Its enormous influence on writers aside, Ficciones has also--perhaps more importantly--changed the way that we read. Borges's Pierre Menard, for instance, undertakes the most audacious project imaginable: to create not a contemporary version of Cervantes's most famous work but the Quixote itself, word for word. This second text is "verbally identical" to the original, yet, because of its new associations, "infinitely richer"; every time we read, he suggests, we are in effect creating an entirely new text, simply by viewing it through the distorting lens of history. "A book is not an isolated being: it is a relationship, an axis of innumerable relationships," Borges once wrote in an essay about George Bernard Shaw. "All men who repeat one line of Shakespeare are William Shakespeare," he tells us in "Tlön, Uqbar, Orbis Tertius." In this spirit, Borges is not above impersonating, even quoting, himself.
It is hard, exactly, to say what all of this means, at least in any of the usual ways. Borges wrote not with an ideological agenda, but with a kind of radical philosophical playfulness. Labyrinths, libraries, lotteries, doubles, dreams, mirrors, heresiarchs: these are the tokens with which he plays his ontological games. In the end, ideas themselves are less important to him than their aesthetic and imaginative possibilities. Like the idealist philosophers of Tlön, Borges does not "seek for the truth or even for verisimilitude, but rather for the astounding"; for him as for them, "metaphysics is a branch of fantastic literature." --Mary Park [via]
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› Find signed collectible books: 'Ficciones/ Fiction'
Reading Jorge Luis Borges is an experience akin to having the top of one's head removed for repairs. First comes the unfamiliar breeze tickling your cerebral cortex; then disorientation, even mild discomfort; and finally, the sense that the world has been irrevocably altered--and in this case, rendered infinitely more complex. First published in 1945, his Ficciones compressed several centuries' worth of philosophy and poetry into 17 tiny, unclassifiable pieces of prose. He offered up diabolical tigers, imaginary encyclopedias, ontological detective stories, and scholarly commentaries on nonexistent books, and in the process exploded all previous notions of genre. Would any of David Foster Wallace's famous footnotes be possible without Borges? Or, for that matter, the syntactical games of Perec, the metafictional pastiche of Calvino? For good or for ill, the blind Argentinian paved the way for a generation's worth of postmodern monkey business--and fiction will never be simply "fiction" again.
Its enormous influence on writers aside, Ficciones has also--perhaps more importantly--changed the way that we read. Borges's Pierre Menard, for instance, undertakes the most audacious project imaginable: to create not a contemporary version of Cervantes's most famous work but the Quixote itself, word for word. This second text is "verbally identical" to the original, yet, because of its new associations, "infinitely richer"; every time we read, he suggests, we are in effect creating an entirely new text, simply by viewing it through the distorting lens of history. "A book is not an isolated being: it is a relationship, an axis of innumerable relationships," Borges once wrote in an essay about George Bernard Shaw. "All men who repeat one line of Shakespeare are William Shakespeare," he tells us in "Tlön, Uqbar, Orbis Tertius." In this spirit, Borges is not above impersonating, even quoting, himself.
It is hard, exactly, to say what all of this means, at least in any of the usual ways. Borges wrote not with an ideological agenda, but with a kind of radical philosophical playfulness. Labyrinths, libraries, lotteries, doubles, dreams, mirrors, heresiarchs: these are the tokens with which he plays his ontological games. In the end, ideas themselves are less important to him than their aesthetic and imaginative possibilities. Like the idealist philosophers of Tlön, Borges does not "seek for the truth or even for verisimilitude, but rather for the astounding"; for him as for them, "metaphysics is a branch of fantastic literature." --Mary Park [via]
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› Find signed collectible books: 'Ficciones/ Fictions'
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› Find signed collectible books: 'General En Su Laberinto / the General in His Labyrinth'
This a one of the most important novels written by this author which everyone must read. [via]
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› Find signed collectible books: 'Jorge Luis Borges'
EN ESPANOL. In Spanish. Book Description: Barcelona, Emecé Editores/Alianza Editorial (El Libro de Bolsillo, 32w0), 1984 (12th printing). Binding is Paperback. Unites two Borges titles (with some modifications): "El Jardín de los Senderos que se Bifurcan" (1941) and "Artificios" (1944) 206p. [via]
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