books tagged “literary”

The thrilling jailbreak adventure of Edmond Nantes, a dashing hero who plots revenge against the enemies who betrayed him and sent him to spend the rest of his days in jail. [via]

This elegant paperback edition with sixty lithographs by Louis Le Brocquy is a reprint of the famous privately printed Dolmen Press edition of 1986. [via]

Ella Minnow Pea is an epistolary novel set in the fictional island of Nollop situated off the coast of South Carolina and home to the inventor the pangram The Quick Brown Fox Jumps Over The Lazy Dog. Now deceased, the islanders have erected a monument to honor their hero, but one day a tile with the letter z falls from the statue. The leaders interpret the falling tile as a message from beyond the grave and the letter is banned from use. On an island where the residents pride themselves on their love of language, this is seen as a tragedy. They are still reeling from the shock, when another tile falls and then another.... Mark Dunn takes us on a journey against time through the eyes of Ella Minnow Pea and her family as they race to find another phrase containing all the letters of the alphabet to save them from being unable to communicate. Eventually, the only letters remaining are LMNOP, when Ella finally discovers the phrase that will save their language. [via]

A guide to reading "Wuthering Heights" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]

Of all Jane Austen's heroines, Emma Woodhouse is the most flawed, the most infuriating, and, in the end, the most endearing. Pride and Prejudice's Lizzie Bennet has more wit and sparkle; Catherine Morland in Northanger Abbey more imagination; and Sense and Sensibility's Elinor Dashwood certainly more sense--but Emma is lovable precisely because she is so imperfect. Austen only completed six novels in her lifetime, of which five feature young women whose chances for making a good marriage depend greatly on financial issues, and whose prospects if they fail are rather grim. Emma is the exception: "Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her." One may be tempted to wonder what Austen could possibly find to say about so fortunate a character. The answer is, quite a lot.

For Emma, raised to think well of herself, has such a high opinion of her own worth that it blinds her to the opinions of others. The story revolves around a comedy of errors: Emma befriends Harriet Smith, a young woman of unknown parentage, and attempts to remake her in her own image. Ignoring the gaping difference in their respective fortunes and stations in life, Emma convinces herself and her friend that Harriet should look as high as Emma herself might for a husband--and she zeroes in on an ambitious vicar as the perfect match. At the same time, she reads too much into a flirtation with Frank Churchill, the newly arrived son of family friends, and thoughtlessly starts a rumor about poor but beautiful Jane Fairfax, the beloved niece of two genteelly impoverished elderly ladies in the village. As Emma's fantastically misguided schemes threaten to surge out of control, the voice of reason is provided by Mr. Knightly, the Woodhouse's longtime friend and neighbor. Though Austen herself described Emma as "a heroine whom no one but myself will much like," she endowed her creation with enough charm to see her through her most egregious behavior, and the saving grace of being able to learn from her mistakes. By the end of the novel Harriet, Frank, and Jane are all properly accounted for, Emma is wiser (though certainly not sadder), and the reader has had the satisfaction of enjoying Jane Austen at the height of her powers. --Alix Wilber [via]

When The Grapes of Wrath was published in 1939, America, still recovering from the Great Depression, came face to face with itself in a startling, lyrical way. John Steinbeck gathered the country's recent shames and devastations--the Hoovervilles, the desperate, dirty children, the dissolution of kin, the oppressive labor conditions--in the Joad family. Then he set them down on a westward-running road, local dialect and all, for the world to acknowledge. For this marvel of observation and perception, he won the Pulitzer in 1940.

The prize must have come, at least in part, because alongside the poverty and dispossession, Steinbeck chronicled the Joads' refusal, even inability, to let go of their faltering but unmistakable hold on human dignity. Witnessing their degeneration from Oklahoma farmers to a diminished band of migrant workers is nothing short of crushing. The Joads lose family members to death and cowardice as they go, and are challenged by everything from weather to the authorities to the California locals themselves. As Tom Joad puts it: "They're a-workin' away at our spirits. They're a tryin' to make us cringe an' crawl like a whipped bitch. They tryin' to break us. Why, Jesus Christ, Ma, they comes a time when the on'y way a fella can keep his decency is by takin' a sock at a cop. They're workin' on our decency."

The point, though, is that decency remains intact, if somewhat battle-scarred, and this, as much as the depression and the plight of the "Okies," is a part of American history. When the California of their dreams proves to be less than edenic, Ma tells Tom: "You got to have patience. Why, Tom--us people will go on livin' when all them people is gone. Why, Tom, we're the people that live. They ain't gonna wipe us out. Why, we're the people--we go on." It's almost as if she's talking about the very novel she inhabits, for Steinbeck's characters, more than most literary creations, do go on. They continue, now as much as ever, to illuminate and humanize an era for generations of readers who, thankfully, have no experiential point of reference for understanding the depression. The book's final, haunting image of Rose of Sharon--Rosasharn, as they call her--the eldest Joad daughter, forcing the milk intended for her stillborn baby onto a starving stranger, is a lesson on the grandest scale. "'You got to,'" she says, simply. And so do we all. --Melanie Rehak [via]

The Iliad (Ancient Greek ?????, Ilias) is, together with the Odyssey, one of two ancient Greek epic poems attributed to Homer, a supposedly blind Ionian poet. The epics are considered by most modern scholars to be the oldest literature in the Greek language. The Iliad concerns events during the tenth and final year in the siege of the city of Ilion, or Troy, by the Greeks. The Odyssey (Greek: ????????, Odusseia)is commonly dated circa 800 to 600 BC. The poem is, in part, a sequel to Homer's Iliad and mainly concerns the events that befall the Greek hero Odysseus (or Ulysses) in his long journeys after the fall of Troy and when he at last returns to his native land of Ithaca. [via]

This translation provides an accurate text of the Iliad in a modern English poetic form. It has been designed, first and foremost, for people who are reading Homer's Iliad for the first time. The book is accompanied by a complete glossary, maps and other study aids intended to help ensure that one's initial venture into the world of the Iliad is a fruitful one. [via]

Goethe's masterpiece translated by the eminent English poet and translator Louis MacNeice. [via]

5 stories in one the grapes of wrath the moon is down cannery row east of eden of mice and men [via]

The Grapes of Wrath / The Moon Is Down / Cannery Row / East of Eden / Of Mice and Men [via]

When it was published in 1932, this then-shocking and revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-Century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism. [via]

When it was published in 1932, this then-shocking and revolutionary first fiction redefined the art of the novel with its black humor, its nihilism, and its irreverent, explosive writing style, and made Louis-Ferdinand Celine one of France's--and literature's--most important 20th-Century writers. The picaresque adventures of Bardamu, the sarcastic and brilliant antihero of Journey to the End of the Night move from the battlefields of World War I (complete with buffoonish officers and cowardly soldiers), to French West Africa, the United States, and back to France in a style of prose that's lyrical, hallucinatory, and hilariously scathing toward nearly everybody and everything. Yet, beneath it all one can detect a gentle core of idealism. [via]

Upton Sinclair's The Jungle is a vivid portrait of life and death in a turn-of-the-century American meat-packing factory. A grim indictment that led to government regulations of the food industry, The Jungle is Sinclair's extraordinary contribution to literature and social reform. [via]

With its high-interest adaptations of classic literature and plays, this series inspires reading success and further exploration for all students. These classics are skillfully adapted into concise, softcover books of 80-136 pages. Each retains the integrity and tone of the original book.

Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters. [via]

Perhaps the most famous of Lawrence's novels, the 1928 Lady Chatterley's Lover is no longer distinguished for the once-shockingly explicit treatment of its subject matter--the adulterous affair between a sexually unfulfilled upper-class married woman and the game keeper who works for the estate owned by her wheelchaired husband. Now that we're used to reading about sex, and seeing it in the movies, it's apparent that the novel is memorable for better reasons: namely, that Lawrence was a masterful and lyrical writer, whose story takes us bodily into the world of its characters. [via]

Book Details:

• Format: Paperback
• Publication Date: 6/1/2003
• Pages: 217
• Reading Level: Age 9 and Up

The acclaimed native American poet captures a fictional portrait of the characters, themes, and language of the Spokane Indian Reservation. By the author of I Would Steal Horses. 25,000 first printing. National ad/promo. Tour. [via]

Flaubert avait beau affirmer qu'il désirait faire du style le coeur d'un "livre sur rien", son premier roman n'en est pas moins un récit, un roman de la "fatalité", comme le souligne innocemment Charles Bovary, sans même savoir qu'il s'agit d'une fatalité d'ordre narratologique qui imbrique imperceptiblement les éléments du texte pour rendre l'issue inévitable. Tableau des Moeurs de province, Madame Bovary dépeint avec tant d'efficacité la dynamique de la frustration que le mélange d'ennui profond, d'apathie et d'exaltation romanesque qui caractérise son héroïne a donné naissance au terme de bovarysme. De Tostes à Yonville-l'Abbaye, Emma Bovary traîne sa morne existence jalonnée d'adultères. Certes, ses échappées à bord de l'Hirondelle, l'express qui relie Yonville à Rouen, pimentent sa vie. Mais elle est conduite par Hivert, vouée au retour ironique et incontournable. Quelles que soient les tentatives d'évasion, le bovarysme triomphe. Dans le portrait de cette petite bourgeoise normande, Flaubert a poussé l'écriture objective, neutralité indispensable afin de se fondre dans les personnages, au point de rendre si vivantes les aspirations d'Emma que le roman lui valut un procès. --Sana Tang-Léopold Wauters [via]

A unique adaptation of the Melville Classic designed for young readers. Graphic book. Moby Dick 150th Anniversary Edition. [via]

Cliffs Test Preparation Guides help students prepare for and improve their performance on standardized tests ACT Preparation Guide CBEST Preparation Guide CLAST Preparation Guide ELM Review GMAT Preparation Guide GRE Preparation Guide LSAT Preparation Guide MAT Preparation Guide MATH Review for Standardized Tests MSAT Preparation Guide Memory Power for Exams Police Officer Examination Preparation Guide Police Sergeant Examination Preparation Guide Police Management Examinations Preparation Guide Postal Examinations Preparation Guide Praxis I: PPST Preparation Guide Praxis II: NTE Core Battery Preparation Guide SAT Preparation Guide SAT II Writing Preparation Guide TASP Preparation Guide TOEFL Preparation Guide with 2 cassettes Advanced Practice for the TOEFL with 2 cassettes Verbal Review for Standardized Tests Writing Proficiency Examinations You Can Pass the GED Cliffs Quick Reviews help students in introductory college courses or Advanced Placement classes Algebra I Algebra II Anatomy & Physiology Basic Math and Pre-Algebra Biology Calculus Chemistry Differential Equations Economics Geometry Linear Algebra Microbiology Physics Statistics Trigonometry Cliffs Advanced Placement Preparation Guides help high school students taking Advanced Placement courses to earn college credit AP Biology AP Calculus AB AP Chemistry AP English Language & Composition AP English Literature & Composition AP United States History Cliffs Complete Study Editions are comprehensive study guides with complete text, running commentary and glossary Chaucer's Prologue Chaucer's Wife of Bath Hamlet Julius Caesar King Henry IV, Part I King Lear Macbeth The Merchant of Venice Othello Romeo and Juliet The Tempest Twelfth Night See inside back cover for listing of Cliffs Notes titles Registered trademarks include: GRE, MSAT, the Praxis Series, and TOEFL (Educational Testing Service): AP, Advanced Placement Program, and SAT (College Entrance Examination Board); GMAT (Graduate Management Admission Council); and LSAT (Law School Admission Council.) Moby-Dick [via]

Between 1930 and 1935, William Faulkner came into full possession of the genius and creativity that made him America's greatest writer of the twentieth century. "As I Lay Dying" is a dark comedy, full of horror and compassion, of a rural Mississippi family bearing the corpse of their matriarch to burial in town. "Sanctuary," a violent novel of sex and social class that moves from Mississippi back roads to the flesh-pots of Memphis, features a sadistic gangster named Popeye and a debutante with an affinity for evil. "Light in August," a near-religious vision of the hopeful stubbornness of ordinary life, is perhaps Faulkner's most moving work. "Pylon," a tale of barnstorming aviators, examines the bonds of loyalty and desire among three men and a woman. All are presented in restored texts as part of The Library of America's new, authoritative edition of Faulker's complete works. [via]

Anne Elliot, heroine of Austen's last novel, did something we can all relate to: Long ago, she let the love of her life get away. In this case, she had allowed herself to be persuaded by a trusted family friend that the young man she loved wasn't an adequate match, social stationwise, and that Anne could do better. The novel opens some seven years after Anne sent her beau packing, and she's still alone. But then the guy she never stopped loving comes back from the sea. As always, Austen's storytelling is so confident, you can't help but allow yourself to be taken on the enjoyable journey. [via]

Fictional Novel, Classic Fiction [via]

Beginning with the memorable line, "In our family, there was no clear line between religion and fly fishing," Maclean paints an evocative portrait of the sons of a small-town Montana minister, two brothers headed in very different directions. Fly-fishing for trout is one thing that unites father and sons, and, in the end, it is the language of the river that provides understanding and acceptance in the most difficult of times.

A River Runs Through It is arguably the best piece of fly-fishing literature ever written, and the paperback edition includes two great non-fly fishing stories. [via]

paperback,like new condition,ship fast [via]

Visitors call seldom at Blackwood House. Taking tea at the scene of a multiple poisoning, with a suspected murderess as one's host, is a perilous business. For a start, the talk tends to turn to arsenic. "It happened in this very room, and we still have our dinner in here every night," explains Uncle Julian, continually rehearsing the details of the fatal family meal. "My sister made these this morning," says Merricat, politely proffering a plate of rum cakes, fresh from the poisoner's kitchen. We Have Always Lived in the Castle, Shirley Jackson's 1962 novel, is full of a macabre and sinister humor, and Merricat herself, its amiable narrator, is one of the great unhinged heroines of literature. "What place would be better for us than this?" she asks, of the neat, secluded realm she shares with her uncle and with her beloved older sister, Constance. "Who wants us, outside? The world is full of terrible people." Merricat has developed an idiosyncratic system of rules and protective magic, burying talismanic objects beneath the family estate, nailing them to trees, ritually revisiting them. She has made "a powerful taut web which never loosened, but held fast to guard us" against the distrust and hostility of neighboring villagers.

Or so she believes. But at last the magic fails. A stranger arrives--cousin Charles, with his eye on the Blackwood fortune. He disturbs the sisters' careful habits, installing himself at the head of the family table, unearthing Merricat's treasures, talking privately to Constance about "normal lives" and "boy friends." Unable to drive him away by either polite or occult means, Merricat adopts more desperate methods. The result is crisis and tragedy, the revelation of a terrible secret, the convergence of the villagers upon the house, and a spectacular unleashing of collective spite.

The sisters are propelled further into seclusion and solipsism, abandoning "time and the orderly pattern of our old days" in favor of an ever-narrowing circuit of ritual and shadow. They have themselves become talismans, to be alternately demonized and propitiated, darkly, with gifts. Jackson's novel emerges less as a study in eccentricity and more--like some of her other fictions--as a powerful critique of the anxious, ruthless processes involved in the maintenance of normality itself. "Poor strangers," says Merricat contentedly at last, studying trespassers from the darkness behind the barricaded Blackwood windows. "They have so much to be afraid of." --Sarah Waters [via]

"Wuthering Heights" seems bafflingly unlike other novels yet constantly speaks to popular imagination. This edition for students and teachers engages with some of the key issues in contemporary critical theory. [via]