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› Find signed collectible books: 'Bleak House'
Bleak House is a satirical look at the Byzantine legal system in London as it consumes the minds and talents of the greedy and nearly destroys the lives of innocents--a contemporary tale indeed. Dickens's tale takes us from the foggy dank streets of London and the maze of the Inns of Court to the peaceful countryside of England. Likewise, the characters run from murderous villains to virtuous girls, from a devoted lover to a "fallen woman," all of whom are affected by a legal suit in which there will, of course, be no winner. The first-person narrative related by the orphan Esther is particularly sweet. The articulate reading by the acclaimed British actor Paul Scofield, whose distinctive broad English accent lends just the right degree of sonority and humor to the text, brings out the color in this classic social commentary disguised as a Victorian drama. However, to abridge Dickens is, well, a Dickensian task, the results of which make for a story in which the author's convoluted plot lines and twists of fate play out in what seems to be a fast-forward format. Listeners must pay close attention in order to keep up with the multiple narratives and cast of curious characters, including the memorable Inspector Bucket and Mr. Guppy. Fortunately, the publisher provides a partial list of characters on the inside jacket. (Running time: 3 hours; 2 cassettes) [via]
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› Find signed collectible books: 'Bleak House'
More editions of Bleak House:
› Find signed collectible books: 'Bleak House: An Authoritative and Annotated Text, Illustrations, a Note on the Text, Genesis and Composition, Backgrounds, Criticism'
Bleak House is a satirical look at the Byzantine legal system in London as it consumes the minds and talents of the greedy and nearly destroys the lives of innocents--a contemporary tale indeed. Dickens's tale takes us from the foggy dank streets of London and the maze of the Inns of Court to the peaceful countryside of England. Likewise, the characters run from murderous villains to virtuous girls, from a devoted lover to a "fallen woman," all of whom are affected by a legal suit in which there will, of course, be no winner. The first-person narrative related by the orphan Esther is particularly sweet. The articulate reading by the acclaimed British actor Paul Scofield, whose distinctive broad English accent lends just the right degree of sonority and humor to the text, brings out the color in this classic social commentary disguised as a Victorian drama. However, to abridge Dickens is, well, a Dickensian task, the results of which make for a story in which the author's convoluted plot lines and twists of fate play out in what seems to be a fast-forward format. Listeners must pay close attention in order to keep up with the multiple narratives and cast of curious characters, including the memorable Inspector Bucket and Mr. Guppy. Fortunately, the publisher provides a partial list of characters on the inside jacket. (Running time: 3 hours; 2 cassettes) [via]
More editions of Bleak House: An Authoritative and Annotated Text, Illustrations, a Note on the Text, Genesis and Composition, Backgrounds, Criticism:
› Find signed collectible books: 'Bleak House: Riverside Edition'
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› Find signed collectible books: 'The Brethren'
John Grisham's novels have all been so systematically successful that it is easy to forget he is just one man toiling away silently with a pen, experimenting and improving with each book. While not as gifted a prose stylist as Scott Turow, Grisham is among the best plotters in the thriller business, and he infuses his books with a moral valence and creative vision that set them apart from their peers.
The Brethren is in many respects his most daring book yet. The novel grows from two separate subplots. In the first, three imprisoned ex-judges (the "brethren" in the title), frustrated by their loss of power and influence, concoct an elaborate blackmail scheme that preys on wealthy, closeted gay men. The second story traces the rise of presidential candidate Aaron Lake, a puppet essentially created by CIA director Teddy Maynard to fulfill Maynard's plans for restoring the power of his beleaguered agency.
Grisham's tight control of the two meandering threads leaves the reader guessing through most of the opening chapters how and when these two worlds will collide. Also impressive is Grisham's careful portraiture. Justice Hatlee Beech in particular is a fascinating, tragic anti-hero: a millionaire judge with an appointment for life who was rendered divorced, bankrupt, and friendless after his conviction for a drunk-driving homicide.
The book's cynical view of presidential politics and criminal justice casts a somewhat gloomy shadow over the tale. CIA director Teddy Maynard is an all-powerful demon with absolute knowledge and control of the public will and public funds. Even his candidate, Congressman Lake, is a pawn in Maynard's egomaniacal game of ad campaigns, illicit contributions, and international intrigue. In the end, The Brethren marks a transition in Grisham's career toward a more thoughtful narrative style with less interest in the big-payoff blockbuster ending. But that's not to say that the last 50 pages won't keep your reading light turned on late. --Patrick O'Kelley [via]
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› Find signed collectible books: 'The Brethren'
John Grisham's novels have all been so systematically successful that it is easy to forget he is just one man toiling away silently with a pen, experimenting and improving with each book. While not as gifted a prose stylist as Scott Turow, Grisham is among the best plotters in the thriller business, and he infuses his books with a moral valence and creative vision that set them apart from their peers.
The Brethren is in many respects his most daring book yet. The novel grows from two separate subplots. In the first, three imprisoned ex-judges (the "brethren" in the title), frustrated by their loss of power and influence, concoct an elaborate blackmail scheme that preys on wealthy, closeted gay men. The second story traces the rise of presidential candidate Aaron Lake, a puppet essentially created by CIA director Teddy Maynard to fulfill Maynard's plans for restoring the power of his beleaguered agency.
Grisham's tight control of the two meandering threads leaves the reader guessing through most of the opening chapters how and when these two worlds will collide. Also impressive is Grisham's careful portraiture. Justice Hatlee Beech in particular is a fascinating, tragic anti-hero: a millionaire judge with an appointment for life who was rendered divorced, bankrupt, and friendless after his conviction for a drunk-driving homicide.
The book's cynical view of presidential politics and criminal justice casts a somewhat gloomy shadow over the tale. CIA director Teddy Maynard is an all-powerful demon with absolute knowledge and control of the public will and public funds. Even his candidate, Congressman Lake, is a pawn in Maynard's egomaniacal game of ad campaigns, illicit contributions, and international intrigue. In the end, The Brethren marks a transition in Grisham's career toward a more thoughtful narrative style with less interest in the big-payoff blockbuster ending. But that's not to say that the last 50 pages won't keep your reading light turned on late. --Patrick O'Kelley [via]
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› Find signed collectible books: 'The Client'
Mark Sway, age 11 but years wiser thanks to a drunken dad who abused his mom, is out in the woods behind his Memphis trailer park teaching his kid brother, Ricky, how to smoke Virginia Slims heisted from Mom's purse. He's a pretty upright kid--he's determined to protect his brother from drugs, and he once defended his mom with a baseball bat.
The dangers of smoking rapidly escalate when Mark glimpses a guy trying to commit suicide by carbon monoxide in his car nearby and tries to stop him. The guy is Jerome, a lawyer who tells Mark that his Mafia client has murdered Senator Boyd Boyette and buried him in the concrete under his garage in New Orleans. Then Jerome puts a bullet in his own head. Little Ricky flips out, and so does Barry the Blade Muldanno, who doesn't want blustery U.S. attorney Reverend Roy Foltrigg to find the corpse and bust him. Caught in a ruthless game between the Mob and the amoral authorities, Mark's family has no defense in the world except Reggie Love, a 50ish divorcée who has just turned her life around by becoming a lawyer. Does she have what it takes to help Mark beat the system? The life-or-death chase is on!
Mark has seen a lot of movies, and he sees life in cinematic terms. So does Grisham. Even if this novel had never been filmed, it would still be a really good, fast-paced movie. Its literary limitation is also its filmlike virtue: The Client is a rush. [via]
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› Find signed collectible books: 'El Cliente / The Client'
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› Find signed collectible books: 'El Testamento'
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› Find signed collectible books: 'The Firm'
Book [via]
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› Find signed collectible books: 'The Firm'
D.W. Moffett uses his youthful voice to outstanding effect in this excellent abridgment of Grisham's bestselling thriller about a Harvard Law grad aggressively recruited by a curiously obscure firm. "We're small and very selective... we screened over two thousand third-year law students at the best schools. Only one letter was sent." They've decided he's their man and to get him they offer top dollar, dangle a BMW, and woo his wife with offers impossible to refuse. But as the wide-eyed youngsters soon discover, there's a catch. Moffett gives an excellent performance, bringing the story to life with vibrant and believable characterizations and a smooth, knowing narrative. (Running time: 3 hours, 2 cassettes) --George Laney [via]
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› Find signed collectible books: 'Harper Lee's to Kill a Mockingbird'
More editions of Harper Lee's to Kill a Mockingbird:
› Find signed collectible books: 'Harper Lee's to Kill a Mockingbird'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. A guide to reading ""To Kill A Mockingbird"" with a critical and appreciative mind. Includes background on the author's life and times, sample tests, term paper suggestions, and a reading list. [via]
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› Find signed collectible books: 'Harper Lee's to Kill a Mockingbird'
Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers. [via]
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› Find signed collectible books: 'The King of Torts'
John Grisham's The King of Torts demonstrates that his narrative skills remain as impeccable as ever. Grisham knows exactly what he's doing when it comes to transfixing the reader.
Within the high-powered milieu of the public defender's office in Washington DC, Grisham's protagonist is an ambitious young lawyer who finds himself saddled with what appears to be a nothing case: one of a wave of crack cocaine killings that are the bane of the capital. But as Clay Carter investigates, he finds that something more than a random street murder is involved here and a massive conspiracy becomes apparent. The stakes are suddenly very high indeed.
If the skulduggery here (involving one of the largest pharmaceutical companies in the world) is a tad familiar, Grisham remains nonpareil when it comes to delivering a smoothly engineered plot. A fresh touch is Carter's desire to break free from the routine cases he has been handling: this quickly becomes a case of beware what you wish for. Another innovative touch is the refusal to tie up the narrative in the expected ways: The King of Torts has much more verisimilitude in this area than most legal thrillers. One more thing, Grisham's prose now has a sardonic, satirical quality that suggests the Tom Wolfe of Bonfire of the Vanities. --Barry Forshaw [via]
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› Find signed collectible books: 'La Tapadera / The Firm'
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› Find signed collectible books: 'Le Testament / the Testament'
Troy Phelan n'aura réussi qu'une chose : bâtir une fortune de onze milliards de dollars. Quand pour lui sonne le glas, ses trois ex-femmes et ses six enfants se frottent les mains... Mais le vieillard a déshérité tout ce beau monde au profit d'une septième enfant adultérine, Rachel. Problème : celle qui devient potentiellement une des femmes les plus riches du monde est en mission humanitaire au Pantanal, Brésil, une des régions les plus reculées du globe. Nate O'Riley, un avocat alcoolique et suicidaire est envoyé à sa recherche.
Sur le thème "l'argent rend fou, l'alcool aussi", John Grisham livre un nouveau best-seller. A mi-chemin entre le roman d'aventures et ses habituels thrillers inspirés de son expérience d'avocat, l'auteur de L'affaire Pélican tisse la toile d'un récit passionnant, marqué par les délires des familles légitimes et surtout par les personnalités de l'avocat alcoolique et de l'héritière, la seule justement à être désintéressée ! La description du Pantanal est hallucinante. --Bruno Ménard [via]
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› Find signed collectible books: 'Matar UN Ruisenor/to Kill a Mockingbird'
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› Find signed collectible books: 'The Pelican Brief'
In suburban Georgetown, a killer's Reeboks whisper on the floor of a posh home. In a seedy D.C. porno house, a patron is swiftly garroted to death. The next day America learns that two of its Supreme Court justices have been assassinated. And in New Orleans, a young law student prepares a legal brief. To Darby Shaw it was no more than a legal shot in the dark, a brilliant guess. To the Washington establishment it's political dynamite. Suddenly Darby is witness to a murder-a murder intended for her. Going underground, she finds that there is only one person-an ambitious reporter after a newsbreak hotter than Watergate-she can trust to help her piece together the deadly puzzle. Somewhere between the bayous of Louisiana and the White House's inner sanctums, a violent cover-up is being engineered. For someone has read Darby's brief-someone who will stop at nothing to destroy the evidence of an unthinkable crime. [via]
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› Find signed collectible books: 'The Pelican Brief'
John Grisham's head was full of movies when he wrote The Pelican Brief, which is such a brisk page-turner you could use it to dry your hair. He had Julia Roberts in mind for the heroine, Darby Shaw, a brilliant Tulane law student who comes up with an ingenious theory to explain the baffling assassinations of two Supreme Court justices in one day. They were shot and strangled by ace international terrorist Khamel, who loves the film Three Days of the Condor, but government gumshoes don't get what connects the deaths. Silly government guys! They died so the conservative president, who just wants to be left alone to play golf, will appoint new, conservative justices who will help out a case involving an industrialist who is the enemy of pelicans and other living things. It's all spelled out for them in Darby's brief. She likes to do legal feats to impress her boyfriend, her boyish law prof Thomas (who, like Grisham, prefers to shave at most once a week, and is cool, smart, and antiauthoritarian). The prof likes to paint her toes red, in homage to Susan Sarandon in Bull Durham. (Sarandon also starred in the film version of Grisham's The Client.)
But when Thomas gets splattered by a car bomb meant for Darby, she escapes the hospital and hooks up with a Washington Post reporter, Gray Grantham, who sleuths like the guys in All the President's Men.
Grisham wishes he hadn't written The Pelican Brief quite so quickly (his first novel, A Time to Kill, went through dozens of drafts), but Pelican's very breathlessness contributes to its dreamy, cinematic chase-o-rama atmosphere. [via]
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› Find signed collectible books: 'The Street Lawyer'
John Grisham is back with his latest courtroom conundrum, The Street Lawyer. This time the lord of legal thrillers dives deep into the world of the homeless, particularly their barely audible legal voice in a world dominated by large, all-powerful law firms. Our hero, Michael Brock, is on the fast track to partnership at D.C.'s premier law firm, Sweeny & Drake. His dream of someday raking in a million-plus a year is finally within reach. Nothing can stop him, not even 90-hour workweeks and a failing marriage--until he meets DeVon Hardy, a.k.a. "Mister," a Vietnam vet with a grudge against his landlord--and a few lawyers to fry. Hardy, with no clear motive, takes Brock and eight of his colleagues hostage in a boardroom, demanding their tax returns and interrogating them with a conviction that would have put perpetrators of the Spanish Inquisition to shame. Hardy, a man of few words and a lot of ammunition, mumbles cryptically, "Who are the evictors?" as he points a .44 automatic within inches of Brock's face. The violent outcome of the hostage situation triggers an abrupt soul-searching for the young lawyer, and Hardy's mysterious question continues to haunt him. Brock learns that Hardy had been in and out of homeless shelters most of his life, but he had recently begun paying rent in a rundown building; that means he has legal recourse when a big money-making outfit such as Sweeny & Drake boots him with no warning. When Brock realizes that his profession caters to the morally challenged, he sets out on an aimless search through the dicier side of D.C., ending up at the 14th Street Legal Clinic. The clinic's director, a gargantuan man named Mordecai Green, woos Brock to the clinic with a $90,000 cut in pay and the chance to redeem his soul. Brock takes it--and some of the story's credibility along with it; it's hard to believe that a Yale graduate who sacrificed everything--including his marriage--to succeed in the legal profession would quickly jump at the opportunity for low-paying, charitable work. However, Brock's search for corruption in the swanky upper echelons of Sweeny & Drake (via the toughest streets of D.C.) is filled with colorful characters and realistic, gritty descriptions. In the The Street Lawyer, Grisham once again defends the voiceless and powerless. In the words of Mordecai Green, "That's justice, Michael. That's what street law is all about. Dignity." [via]
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› Find signed collectible books: 'The Street Lawyer'
John Grisham is back with his latest courtroom conundrum, The Street Lawyer. This time the lord of legal thrillers dives deep into the world of the homeless, particularly their barely audible legal voice in a world dominated by large, all-powerful law firms. Our hero, Michael Brock, is on the fast track to partnership at D.C.'s premier law firm, Sweeny & Drake. His dream of someday raking in a million-plus a year is finally within reach. Nothing can stop him, not even 90-hour workweeks and a failing marriage--until he meets DeVon Hardy, a.k.a. "Mister," a Vietnam vet with a grudge against his landlord--and a few lawyers to fry. Hardy, with no clear motive, takes Brock and eight of his colleagues hostage in a boardroom, demanding their tax returns and interrogating them with a conviction that would have put perpetrators of the Spanish Inquisition to shame. Hardy, a man of few words and a lot of ammunition, mumbles cryptically, "Who are the evictors?" as he points a .44 automatic within inches of Brock's face. The violent outcome of the hostage situation triggers an abrupt soul-searching for the young lawyer, and Hardy's mysterious question continues to haunt him. Brock learns that Hardy had been in and out of homeless shelters most of his life, but he had recently begun paying rent in a rundown building; that means he has legal recourse when a big money-making outfit such as Sweeny & Drake boots him with no warning. When Brock realizes that his profession caters to the morally challenged, he sets out on an aimless search through the dicier side of D.C., ending up at the 14th Street Legal Clinic. The clinic's director, a gargantuan man named Mordecai Green, woos Brock to the clinic with a $90,000 cut in pay and the chance to redeem his soul. Brock takes it--and some of the story's credibility along with it; it's hard to believe that a Yale graduate who sacrificed everything--including his marriage--to succeed in the legal profession would quickly jump at the opportunity for low-paying, charitable work. However, Brock's search for corruption in the swanky upper echelons of Sweeny & Drake (via the toughest streets of D.C.) is filled with colorful characters and realistic, gritty descriptions. In the The Street Lawyer, Grisham once again defends the voiceless and powerless. In the words of Mordecai Green, "That's justice, Michael. That's what street law is all about. Dignity." [via]
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› Find signed collectible books: 'A Time to Kill'
This addictive tale of a young lawyer defending a black Vietnam war hero who kills the white druggies who raped his child in tiny Clanton, Mississippi, is John Grisham's first novel, and his favorite of his first six. He polished it for three years and every detail shines like pebbles at the bottom of a swift, sunlit stream. Grisham is a born legal storyteller and his dialogue is pitch perfect.
The plot turns with jeweled precision. Carl Lee Hailey gets an M-16 from the Chicago hoodlum he'd saved at Da Nang, wastes the rapists on the courthouse steps, then turns to attorney Jake Brigance, who needs a conspicuous win to boost his career. Folks want to give Carl Lee a second medal, but how can they ignore premeditated execution? The town is split, revealing its social structure. Blacks note that a white man shooting a black rapist would be acquitted; the KKK starts a new Clanton chapter; the NAACP, the ambitious local reverend, a snobby, Harvard-infested big local firm, and others try to outmaneuver Jake and his brilliant, disbarred drunk of an ex-law partner. Jake hits the books and the bottle himself. Crosses burn, people die, crowds chant "Free Carl Lee!" and "Fry Carl Lee!" in the antiphony of America's classical tragedy. Because he's lived in Oxford, Mississippi, Grisham gets compared to Faulkner, but he's really got the lean style and fierce folk moralism of John Steinbeck. --Tim Appelo [via]
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› Find signed collectible books: 'To Kill a Mockingbird'
"When he was nearly thirteen, my brother Jem got his arm badly broken at the elbow.... When enough years had gone by to enable us to look back on them, we sometimes discussed the events leading to his accident. I maintain that the Ewells started it all, but Jem, who was four years my senior, said it started long before that. He said it began the summer Dill came to us, when Dill first gave us the idea of making Boo Radley come out."
Set in the small Southern town of Maycomb, Alabama, during the Depression, To Kill a Mockingbird follows three years in the life of 8-year-old Scout Finch, her brother, Jem, and their father, Atticus--three years punctuated by the arrest and eventual trial of a young black man accused of raping a white woman. Though her story explores big themes, Harper Lee chooses to tell it through the eyes of a child. The result is a tough and tender novel of race, class, justice, and the pain of growing up.
Like the slow-moving occupants of her fictional town, Lee takes her time getting to the heart of her tale; we first meet the Finches the summer before Scout's first year at school. She, her brother, and Dill Harris, a boy who spends the summers with his aunt in Maycomb, while away the hours reenacting scenes from Dracula and plotting ways to get a peek at the town bogeyman, Boo Radley. At first the circumstances surrounding the alleged rape of Mayella Ewell, the daughter of a drunk and violent white farmer, barely penetrate the children's consciousness. Then Atticus is called on to defend the accused, Tom Robinson, and soon Scout and Jem find themselves caught up in events beyond their understanding. During the trial, the town exhibits its ugly side, but Lee offers plenty of counterbalance as well--in the struggle of an elderly woman to overcome her morphine habit before she dies; in the heroism of Atticus Finch, standing up for what he knows is right; and finally in Scout's hard-won understanding that most people are essentially kind "when you really see them." By turns funny, wise, and heartbreaking, To Kill a Mockingbird is one classic that continues to speak to new generations, and deserves to be reread often. --Alix Wilber [via]
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› Find signed collectible books: 'To Kill a Mockingbird'
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› Find signed collectible books: 'El Informe Pelicano / The Pelican Brief'
More editions of El Informe Pelicano / The Pelican Brief:
› Find signed collectible books: 'Matar UN Ruisenor/to Kill a Mockingbird'
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› Find signed collectible books: 'El Rey De Los Pleitos / The King of Torts'
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› Find signed collectible books: 'La Firme / the Firm'
Le jeune juriste Mitchell Y. McDeere est récompensé de ses brillantes études à Harvard : à Memphis, le très sélect cabinet d'avocats Bendini, Lambert & Locke lui offre un véritable pont d'or pour l'engager. Son épouse Abby est ravie, même si la firme semble bien indiscrète sur leur vie privée et si Mitch doit travailler comme un forcené pour mériter son salaire mirobolant. Les choses se gâtent quand des collaborateurs meurent mystérieusement et qu'un agent du FBI apprend au jeune homme la terrifiante vérité sur les véritables activités du cabinet d'avocats. Il semble que l'on ne sorte de chez Bendini, Lambert & Locke que les pieds devant. Mitch devra courir vite pour sauver sa vie...
Incarné au cinéma par Tom Cruise dans La Firme, le personnage de Mitch McDeere est celui qui a révélé John Grisham au grand public. Vendu à plus de trois millions d'exemplaires aux États-Unis, ce roman a permis à l'auteur d'arrêter sa carrière de juriste pour se consacrer à l'écriture de best-sellers, comme L'Affaire Pélican, L'Associé, L'Idéaliste, Le Testament, La Loi du plus faible. Un suspense mené de main de maître. --Bruno Ménard [via]
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› Find signed collectible books: 'Die Bruderschaft / the Brethren'
Die Romane von John Grisham sind alle auf so geradezu systematische Weise erfolgreich gewesen, dass man leicht vergisst, dass er auch nur ein Schriftsteller ist, der sich still mit seinem Kugelschreiber abmüht, herumexperimentiert und mit jedem Buch besser wird. Wenn er als Prosa-Stilist auch nicht so begabt ist wie ein Scott Turow, so ist Grisham doch einer der besten Storyschreiber im Krimigeschäft. Seine Bücher sind von einer moralischen Anziehungskraft und einer kreativen Vision, die sie deutlich von denen seiner Kollegen abheben.
Die Bruderschaft ist in vielerlei Hinsicht sein bisher kühnstes Werk. Die Geschichte entwickelt sich aus zwei unterschiedlichen Nebenhandlungen heraus. In der ersten hecken drei inhaftierte ehemalige Richter (die im Titel erwähnte "Bruderschaft"), frustriert von ihrem Verlust von Macht und Einfluss, einen ausgeklügelten Erpressungsplan aus, der wohlhabende, verdeckt homosexuelle Männer zum Opfer haben soll. Die zweite Geschichte zeichnet den Aufstieg des Präsidentschaftskandidaten Aaron Lake nach, einer Marionette des machtgierigen CIA-Chefs Teddy Maynard.
Beide Erzählstränge werden im im Laufe der Handlung zusammengeführt. Grishams sorgfältige Personenbeschreibungen sind besonders beeindruckend. Ex-Richter Hatlee Beech beispielsweise ist ein faszinierender, tragischer Antiheld: ein Millionär mit lebenslanger Berufung auf sein Richteramt, der sich nach seiner Verurteilung wegen Trunkenheit am Steuer mit Todesfolge als einsamer, von Ehefrau und Freunden verlassener Mann wieder findet und obendrein noch pleite ist.
Die zynische Betrachtung der präsidialen Politik und des Strafrechts Amerikas wirft einen düsteren Schatten auf die Geschichte. CIA-Direktor Maynard ist ein allmächtiger Dämon, der sich bestens mit dem öffentlichen Willen und den öffentlichen Geldern auskennt und auch Macht über sie ausübt. Sogar sein Präsidentschaftskandidat, der Kongressabgeordnete Lake, ist eine Schachfigur in Maynards egomanischem Spiel um Anzeigenkampagnen, illegale Spenden und internationale Intrigen. Spannung bis zum Schluss! --Patrick O'Kelley [via]
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