| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||
› Find signed collectible books: 'Artificios'
More editions of Artificios:
› Find signed collectible books: 'Bel Canto'
In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. His hosts hope that Mr. Hosokawa can be persuaded to build a factory in their Third World backwater. Alas, in the opening sequence, just as the accompanist kisses the soprano, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry.
Among the hostages are not only Hosokawa and Roxane Coss, the American soprano, but an assortment of Russian, Italian, and French diplomatic types. Reuben Iglesias, the diminutive and gracious vice president, quickly gets sideways of the kidnappers, who have no interest in him whatsoever. Meanwhile, a Swiss Red Cross negotiator named Joachim Messner is roped into service while vacationing. He comes and goes, wrangling over terms and demands, and the days stretch into weeks, the weeks into months.
With the omniscience of magic realism, Ann Patchett flits in and out of the hearts and psyches of hostage and terrorist alike, and in doing so reveals a profound, shared humanity. Her voice is suitably lyrical, melodic, full of warmth and compassion. Hearing opera sung live for the first time, a young priest reflects:
Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven.Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give, even in a novel so imbued with the rich imaginative potential of magic realism. But in a fractious world, Bel Canto remains a gentle reminder of the transcendence of beauty and love. --Victoria Jenkins [via]
› Find signed collectible books: 'Chronicle of a Death Foretold'
"EXQUISITELY HARROWING . . . . Very strange and brilliantly conceived. . . . A sort of metaphysical murder mystery. . . . The murder will stand among the innumerable murders of modern literature as one of the best and most powerfully rendered."
A mysterious and haunting tale of romance and murder, that begins with the marriage of a man and a woman in love. But when he inexplicably mistreats his beloved on the night of the wedding, he is in turn murdered by her brothers, and we are left with a strange sense of inevitability and passions gone terribly awry.
From the Paperback edition. [via]
More editions of Chronicle of a Death Foretold:
› Find signed collectible books: 'Cronica De Una Muerte Anunciada'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
More editions of Cronica De Una Muerte Anunciada:
› Find signed collectible books: 'Cronica De Una Muerte Anunciada / Chronicle Of A Death Foretold'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
More editions of Cronica De Una Muerte Anunciada/Chronicle of a Death Foretold:
› Find signed collectible books: 'Daughter of Fortune'
Oprah Book Club® Selection, February 2000: Until Isabel Allende burst onto the scene with her 1985 debut, The House of the Spirits, Latin American fiction was, for the most part, a boys' club comprising such heavy hitters as Gabriel García Márquez, Jorge Luis Borges, and Mario Vargas Llosa. But the Chilean Allende shouldered her way in with her magical realist multi-generational tale of the Trueba family, followed it up with four more novels and a spate of nonfiction, and has remained in a place of honor ever since. Her sixth work of fiction, Daughter of Fortune, shares some characteristics with her earlier works: the canvas is wide, the characters are multi-generational and multi-ethnic, and the protagonist is an unconventional woman who overcomes enormous obstacles to make her way in the world. Yet one cannot accuse Allende of telling the same story twice; set in the mid-1800s, this novel follows the fortunes of Eliza Sommers, Chilean by birth but adopted by a British spinster, Rose Sommers, and her bachelor brother, Jeremy, after she is abandoned on their doorstep.
"You have English blood, like us," Miss Rose assured Eliza when she was old enough to understand. "Only someone from the British colony would have thought to leave you in a basket on the doorstep of the British Import and Export Company, Limited. I am sure they knew how good-hearted my brother Jeremy is, and felt sure he would take you in. In those days I was longing to have a child, and you fell into my arms, sent by God to be brought up in the solid principles of the Protestant faith and the English language."The family servant, Mama Fresia, has a different point of view, however: "You, English? Don't get any ideas, child. You have Indian hair, like mine." And certainly Eliza's almost mystical ability to recall all the events of her life would seem to stem more from the Indian than the Protestant side.
As Eliza grows up, she becomes less tractable, and when she falls in love with Joachin Andieta, a clerk in Jeremy's firm, her adoptive family is horrified. They are even more so when a now-pregnant Eliza follows her lover to California where he has gone to make his fortune in the 1849 gold rush. Along the way Eliza meets Tao Chi'en, a Chinese doctor who saves her life and becomes her closest friend. What starts out as a search for a lost love becomes, over time, the discovery of self; and by the time Eliza finally catches up with the elusive Joachin, she is no longer sure she still wants what she once wished for. Allende peoples her novel with a host of colorful secondary characters. She even takes the narrative as far afield as China, providing an intimate portrait of Tao Chi'en's past before returning to 19th-century San Francisco, where he and Eliza eventually fetch up. Readers with a taste for the epic, the picaresque, and romance that is satisfyingly complex will find them all in Daughter of Fortune. --Margaret Prior [via]
More editions of Daughter of Fortune:

› Find signed collectible books: 'Del Amor Y Otros Demonios / of Love And Other Demons'
Set in the lush, coastal tropics of 18-century colonial Colombia, this is the story of Sierva Maria and the priest Cayetano Delaura, whose chaste love affair leads to their destruction.
More editions of Del Amor Y Otros Demonios / of Love And Other Demons:
› Find signed collectible books: 'El General En Su Laberinto'
Gabriel García Márquez fue galadronado con el Premio Nobel de Literatura. Es uno de los escritores más destacados de las letra universales. [via]
› Find signed collectible books: 'El General En Su Laberinto / The General In His Labyrinth'
El general Simón Bolívar, El Libertador de los países de América del Sur, da, por última vez, un nostálgico viaje por el río Magdalena en el que vuelve a visitar ciudades en sus orillas donde revive sus triumfos, sus pasiones y las traiciones de toda una vida. Poseedor de un gran encanto personal, prodigiosamente afortunado en amores, en la guerra y en la política, todavía baila con tanto entusiasmo y habilidad que los que lo ven no pueden creer lo enfermo que está. Apasionado por los recuerdos del poder que tuvo, y de su sueño de unidad continental que nunca logró realizar, Bolívar es un ejemplo conmovedor de cuánto puede ganarse y perderse en una vida. [via]
More editions of El General En Su Laberinto / The General In His Labyrinth:
› Find signed collectible books: 'Ficciones'
Reading Jorge Luis Borges is an experience akin to having the top of one's head removed for repairs. First comes the unfamiliar breeze tickling your cerebral cortex; then disorientation, even mild discomfort; and finally, the sense that the world has been irrevocably altered--and in this case, rendered infinitely more complex. First published in 1945, his Ficciones compressed several centuries' worth of philosophy and poetry into 17 tiny, unclassifiable pieces of prose. He offered up diabolical tigers, imaginary encyclopedias, ontological detective stories, and scholarly commentaries on nonexistent books, and in the process exploded all previous notions of genre. Would any of David Foster Wallace's famous footnotes be possible without Borges? Or, for that matter, the syntactical games of Perec, the metafictional pastiche of Calvino? For good or for ill, the blind Argentinian paved the way for a generation's worth of postmodern monkey business--and fiction will never be simply "fiction" again.
Its enormous influence on writers aside, Ficciones has also--perhaps more importantly--changed the way that we read. Borges's Pierre Menard, for instance, undertakes the most audacious project imaginable: to create not a contemporary version of Cervantes's most famous work but the Quixote itself, word for word. This second text is "verbally identical" to the original, yet, because of its new associations, "infinitely richer"; every time we read, he suggests, we are in effect creating an entirely new text, simply by viewing it through the distorting lens of history. "A book is not an isolated being: it is a relationship, an axis of innumerable relationships," Borges once wrote in an essay about George Bernard Shaw. "All men who repeat one line of Shakespeare are William Shakespeare," he tells us in "Tlön, Uqbar, Orbis Tertius." In this spirit, Borges is not above impersonating, even quoting, himself.
It is hard, exactly, to say what all of this means, at least in any of the usual ways. Borges wrote not with an ideological agenda, but with a kind of radical philosophical playfulness. Labyrinths, libraries, lotteries, doubles, dreams, mirrors, heresiarchs: these are the tokens with which he plays his ontological games. In the end, ideas themselves are less important to him than their aesthetic and imaginative possibilities. Like the idealist philosophers of Tlön, Borges does not "seek for the truth or even for verisimilitude, but rather for the astounding"; for him as for them, "metaphysics is a branch of fantastic literature." --Mary Park [via]
› Find signed collectible books: 'Fictions'
Reading Jorge Luis Borges is an experience akin to having the top of one's head removed for repairs. First comes the unfamiliar breeze tickling your cerebral cortex; then disorientation, even mild discomfort; and finally, the sense that the world has been irrevocably altered--and in this case, rendered infinitely more complex. First published in 1945, his Ficciones compressed several centuries' worth of philosophy and poetry into 17 tiny, unclassifiable pieces of prose. He offered up diabolical tigers, imaginary encyclopedias, ontological detective stories, and scholarly commentaries on nonexistent books, and in the process exploded all previous notions of genre. Would any of David Foster Wallace's famous footnotes be possible without Borges? Or, for that matter, the syntactical games of Perec, the metafictional pastiche of Calvino? For good or for ill, the blind Argentinian paved the way for a generation's worth of postmodern monkey business--and fiction will never be simply "fiction" again.
Its enormous influence on writers aside, Ficciones has also--perhaps more importantly--changed the way that we read. Borges's Pierre Menard, for instance, undertakes the most audacious project imaginable: to create not a contemporary version of Cervantes's most famous work but the Quixote itself, word for word. This second text is "verbally identical" to the original, yet, because of its new associations, "infinitely richer"; every time we read, he suggests, we are in effect creating an entirely new text, simply by viewing it through the distorting lens of history. "A book is not an isolated being: it is a relationship, an axis of innumerable relationships," Borges once wrote in an essay about George Bernard Shaw. "All men who repeat one line of Shakespeare are William Shakespeare," he tells us in "Tlön, Uqbar, Orbis Tertius." In this spirit, Borges is not above impersonating, even quoting, himself.
It is hard, exactly, to say what all of this means, at least in any of the usual ways. Borges wrote not with an ideological agenda, but with a kind of radical philosophical playfulness. Labyrinths, libraries, lotteries, doubles, dreams, mirrors, heresiarchs: these are the tokens with which he plays his ontological games. In the end, ideas themselves are less important to him than their aesthetic and imaginative possibilities. Like the idealist philosophers of Tlön, Borges does not "seek for the truth or even for verisimilitude, but rather for the astounding"; for him as for them, "metaphysics is a branch of fantastic literature." --Mary Park [via]
› Find signed collectible books: 'The General in His Labyrinth'
General Simon Bolivar, the Liberator of five South American countries, takes a last melancholy journey down the Magdalena River, revisiting cities along its shores, and reliving the triumphs, passions, and betrayals of his life. Infinitely charming, prodigiously successful in love, war and politics, he still dances with such enthusiasm and skill that his witnesses cannot believe he is ill. Aflame with memories of the power that he commanded and the dream of continental unity that eluded him, he is a moving exemplar of how much can be wonand lostin a life.
From the Trade Paperback edition. [via]
More editions of The General and His Labyrinth:
› Find signed collectible books: 'The General in His Labyrinth'
(Book Jacket Status: Jacketed)
Gabriel García Márquezs most political novel is the tragic story of General Simón Bolívar, the man who tried to unite a continent.
Bolívar, known in six Latin American countries as the Liberator, is one of the most revered heroes of the western hemisphere; in García Márquezs brilliant reimagining he is magnificently flawed as well. The novel follows Bolívar as he takes his final journey in 1830 down the Magdalena River toward the sea, revisiting the scenes of his former glory and lamenting his lost dream of an alliance of American nations. Forced from power, dogged by assassins, and prematurely aged and wasted by a fatal illness, the General is still a remarkably vital and mercurial man. He seems to remain alive by the sheer force of will that led him to so many victories in the battlefields and love affairs of his past. As he wanders in the labyrinth of his failing powersand still-powerful memorieshe defies his impending death until the last.
The General in His Labyrinth is an unforgettable portrait of a visionary from one of the greatest writers of our time. [via]
More editions of The General in His Labyrinth:
› Find signed collectible books: 'The General in His Labyrinth'
After his internationally acclaimed and bestselling Love in the Time of Cholera, the Nobel Prize-winning novelist and author of the classic One Hundred Years of Solitude givesreat Simon Bolivar. Forced from power, the General embarks on a seven months' voyage down the Magdalena River, reflecting along the way on his life of campaigns and battles, love and loss. [via]
More editions of The General in His Labyrinth:
› Find signed collectible books: 'Hija De La Fortuna / Daughter of Fortune'
Eliza Sommers es una joven chilena que vive en Valparaíso en 1849, el año en que se descubre oro en California. Su amante, Joaquín Andieta, parte hacia el norte decidido a encontrar fortuna, y ella decide seguirlo. El viaje infernal, escondida en la cala de un velero, y la búsqueda de su amante en una tierra de hombres solos y prostitutas atraídos por la fiebre del oro, transforman a la joven inocente en una mujer fuera de lo común. Eliza recibe ayuda y afecto de Tao Chi'en, un médico chino, quien la conducirá de la mano en un itinerario memorable por los misterios y contradicciónes de la condición humana. hija de la fortuna es un retrato palpitante de una época marcada por la violencia y la codicia en la cual los protagonistas rescatan el amor, la amistad, la compasión y el valor.
[via]More editions of Hija De La Fortuna / Daughter of Fortune:
› Find signed collectible books: 'How the Garcia Girls Lost Their Accents'
FOR USE IN SCHOOLS AND LIBRARIES ONLY. Eagerly embracing their new American culture in Miami, the four Garcia women iron their hair, smoke cigarettes, date American men, forget their Spanish, and lose their accents, all in their journey toward adulthood. [via]
More editions of How the Garcia Girls Lost Their Accents:
› Find signed collectible books: 'I, Rigoberta Menchu: An Indian Woman in Guatemala'
Interviews with a Guatemalan national leader discuss her country's political situation and the resulting violence, which has claimed the lives of her brother, mother, and father. [via]
More editions of I, Rigoberta Menchu: An Indian Woman in Guatemala:
› Find signed collectible books: 'In the Time of the Butterflies'
From the author of How the Garcia Girls Lost Their Accents comes this tale of courage and sisterhood set in the Dominican Republic during the rise of the Trujillo dictatorship. A skillful blend of fact and fiction, In the Time of the Butterflies is inspired by the true story of the three Mirabal sisters who, in 1960, were murdered for their part in an underground plot to overthrow the government. Alvarez breathes life into these historical figures--known as "las mariposas," or "the butterflies," in the underground--as she imagines their teenage years, their gradual involvement with the revolution, and their terror as their dissentience is uncovered.
Alvarez's controlled writing perfectly captures the mounting tension as "the butterflies" near their horrific end. The novel begins with the recollections of Dede, the fourth and surviving sister, who fears abandoning her routines and her husband to join the movement. Alvarez also offers the perspectives of the other sisters: brave and outspoken Minerva, the family's political ringleader; pious Patria, who forsakes her faith to join her sisters after witnessing the atrocities of the tyranny; and the baby sister, sensitive Maria Teresa, who, in a series of diaries, chronicles her allegiance to Minerva and the physical and spiritual anguish of prison life.
In the Time of the Butterflies is an American Library Association Notable Book and a 1995 National Book Critics Circle Award nominee. [via]
More editions of In the Time of the Butterflies:

› Find signed collectible books: 'Jorge Luis Borges: El Aleph/ Ficciones/ Antologia Poetica / El Aleph/ Fictions/ Poetic Anthology'
More editions of Jorge Luis Borges: El Aleph/ Ficciones/ Antologia Poetica / El Aleph/ Fictions/ Poetic Anthology:

› Find signed collectible books: 'Las Venas Abiertas De America Latina'
More editions of Las Venas Abiertas De America Latina:
› Find signed collectible books: 'Living to Tell the Tale'
Living to Tell the Tale, the first of three projected volumes in the memoirs of Nobel Laureate Gabriel Garcia Márquez, narrates what, on the surface appears to be the portrait of the young artist through the mid-1950s. But the masterful work, which draws on the craft of the author's best fiction, has a depth and richness that transcends straightforward autobiography.
Echoing Vladimir Nabokov's Speak, Memory: An Autobiography Revisited, Márquez uses his memoir as justification for telling an artful story that challenges notions of authoritative record or chronology. Time is porous in Márquez's Colombia, flowing back and forth among the mythic moments of his personal history to accommodate his fascination for place. While recalling a trip he took as an adult to his grandparents' house in Aracataca, he veers suddenly back to childhood and his earliest infant memories in that house. Nearly one hundred pages have passed before he returns effortlessly to the pivotal moment on the trip when he declares to himself and family: "I'm going to be a writer... Nothing but a writer.'
Similarly, Márquez toys with the boundaries of truth and fiction throughout his book. He acknowledges that his memory is often faulty, especially with regards to his crucial, formative years with his grandparents. And his explorations of key moments in his life show that, despite his vivid mental snapshots, the events were often temporally impossible. Further, he colors his tale with recollections of ghostly presences and occult events that pass without a wink into his narrative, alongside the documented accounts of his early successes as a poet and singer or details of his first published writings.
With its play on time and truth, memory and storytelling, Living to Tell the Tale's literary form acts as early evidence for Márquez's inevitable calling as a writer, and the language of Edith Grossman's translation, which frequently skirts the boundaries of poetry, mirrors Márquez's effort. While he meanders on his picaresque artistic journey--distracted by trysts with a married woman, the tumult of Colombian politics, and the raw energy of the journalist's life--he ends this first volume with the tantalizing promise of the literary career about to explode, and the impossible prospect of even greater riches for his readers. --Patrick OKelley [via]
More editions of Living to Tell the Tale:
› Find signed collectible books: 'Me Llamo Rigoberta Menchu Y Asi Me Nacio LA Conciencia'
More editions of Me Llamo Rigoberta Menchu Y Asi Me Nacio LA Conciencia:

› Find signed collectible books: 'News of a Kidnapping'

› Find signed collectible books: 'The Non-Resident Indian and Other Stories'
More editions of The Non-Resident Indian and Other Stories:

› Find signed collectible books: 'Noticia De Un Secuestro / News of a Kidnapping'
The Nobel Prize-winning author of Love in the Time of Cholera and One Hundred Years of Solitude probes the 1990 kidnapping of journalists in Colombia by Pablo Escobar, the head of the Medellin drug cartel. [via]
More editions of Noticia De Un Secuestro / News of a Kidnapping:
› Find signed collectible books: 'One More River to Cross: Black and Gay in America'
In the aftermath of the historic 1993 March on Washington for gay and lesbian rights, Keith Boykin, in One More River to Cross, clarifies the relationship between blacks and gays in America by portraying the "common ground" lives of those who are both black and gay.
Against a backdrop of civil rights and the black experience in America, Boykin interviews Baptist ministers, gay political leaders, and other black gays and lesbians on issues of faith, family, discrimination, and visibility to determine what differences--real and imagined--separate the two communities. Boykin points to evidence of African and precolonial same-sex behavior, as well as figures like James Baldwin and Bayard Rustin, to dispel the myth that homosexuality is a "white thang," while his research suggests that blacks are less homophobic than whites, despite the rhetoric of rap and religion. With stories from his own experience as well as that of other black gays and lesbians, Boykin targets gay racism and black homophobia and suggests that conservative forces have substituted the common language of racism for homophobia in order to prevent a potentially powerful coalition of blacks and gays.
By portraying what it means to be black and gay, One More River to Cross offers an extraordinary window into a community that challenges this country's acceptance of its minorities, both racial and sexual. [via]
More editions of One More River to Cross: Black and Gay in America:
› Find signed collectible books: 'Open Veins of Latin America: Five Centuries of the Pillage of a Continent'
Since its U.S. debut in 1973, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx.
Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe.
Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably.
This classic is now further honored by Isabel Allende's inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.
[via]More editions of Open Veins of Latin America: Five Centuries of the Pillage of a Continent:
› Find signed collectible books: 'Vivir Para Contarla / Live to Tell'
Pocos libros han despertado tanta expectación en todo el mundo como la autobiografía de Gabriel García Márquez, autor de Cien años de soledad y ganador del Premio Nobel de Literatura. En sus memorias, García Márquez nos habla de su infancia y primera juventud en Colombia, ofreciéndonos una crónica de los años que modelaron su imaginación y que, andando el tiempo, cristalizarían en algunos de los relatos y novelas más importantes del siglo XX. En sus páginas el lector se encontrará con episodios como el conmovedor retrato de sus abuelos, con quienes se crió en su aldea natal de Aracataca, o la descripción del asesinato de un candidato presidencial en Bogotá, del que fue testigo ocular. García Márquez da cuenta de las gentes, los lugares y los sucesos que le sirvieron de acicate como periodista y como narrador. Desbordante de humor y sabiduría, el autor se adentra por igual en los misterios de la escritura y de la vida, brindándonos un relato apasionante de la búsqueda de sus orígenes que despierta ecos de los mejores momentos de la prosa de su ficción. Además de un escrito de extraordinario mérito literario, Vivir para contarla constituye una guía indispensable para entender el resto de su obra. [via]
More editions of Vivir Para Contarla / Live to Tell:
› Find signed collectible books: 'Vivir Para Contarla / Living to Tell the Tale'
Pocos libros han despertado tanta expectación en todo el mundo como la autobiografía de Gabriel García Márquez, autor de Cien años de soledad y ganador del Premio Nobel de Literatura. En sus memorias, García Márquez nos habla de su infancia y primera juventud en Colombia, ofreciéndonos una crónica de los años que modelaron su imaginación y que, andando el tiempo, cristalizarían en algunos de los relatos y novelas más importantes del siglo XX. En sus páginas el lector se encontrará con episodios como el conmovedor retrato de sus abuelos, con quienes se crió en su aldea natal de Aracataca, o la descripción del asesinato de un candidato presidencial en Bogotá, del que fue testigo ocular. García Márquez da cuenta de las gentes, los lugares y los sucesos que le sirvieron de acicate como periodista y como narrador. Desbordante de humor y sabiduría, el autor se adentra por igual en los misterios de la escritura y de la vida, brindándonos un relato apasionante de la búsqueda de sus orígenes que despierta ecos de los mejores momentos de la prosa de su ficción. Además de un escrito de extraordinario mérito literario, Vivir para contarla constituye una guía indispensable para entender el resto de su obra. [via]
More editions of Vivir Para Contarla / Living to Tell the Tale:
› Find signed collectible books: 'Amor Y Otros Demonios'
Set in the lush, coastal tropics of 18-century colonial Colombia, this is the story of Sierva Maria and the priest Cayetano Delaura, whose chaste love affair leads to their destruction.
More editions of Amor Y Otros Demonios:
› Find signed collectible books: 'Cronica de una Muerte Anunciada'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
More editions of Cronica de una Muerte Anunciada:
› Find signed collectible books: 'Cronica De Una Muerte Anunciada'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
More editions of Cronica De Una Muerte Anunciada:
› Find signed collectible books: 'Cronica De Una Muerte Anunciada / Chronicle of a Death Foretold'
Anda, nina: dinos quien fue. Ella se demoro apenas el tiempo necesario para decir el nombre. Lo busco en las tinieblas, lo encontro a primera vista entre los tantos y tantos nombres confundibles de es mundo y del otro y lo dejo clavado en la pared con su dardo certero, como a una mariposa cuya sentencia estaba escrita desde siempre. -Santiago Nasar -dijo.>> Basado en un suceso real, la reconstruccion literaria, laberintica y polifonica del ineluctable y brutal asesinato de un hombre en una remota poblacion fluvial caribena significa la apuesta mas arriesgada de Gabriel Garcia Marquez hacia una novela total. Microcosmos tragico, explora el ancestral atavismo de la virgen en la cultura hispanica, donde se entretejen las ideas de la moral publica, el honor familiar y la conciencia de clase, al tiempo que elabora una magistral vuelta de tuerca sobre el indisoluble vinculo entre el amor y la muerte, lo que, junto con el resto de su obra, le valdria a Gabo recibir el Premio Nobel al ano siguiente de sus publicacion. [via]
More editions of Cronica De Una Muerte Anunciada/chronicle of a Death Foretold:
› Find signed collectible books: 'De Como Las Muchachas Garcia Perdieron el Acento/ How the Garcia Girls Lost their Accent'
Cuando las hermanas García Carla, Sandra, Yolanda y Sofía y sus padres huyen de la República Dominicana buscando refugio de la persecución política, encuentran un nuevo hogar en los Estados Unidos. Pero el Nueva York de los años sesenta es marcadamente diferente de la vida privilegiada, aunque conflictiva, que han dejado atrás. Bajo la presión de asimilarse a una nueva cultura, las muchachas García se alisan el pelo, abandonan la lengua española y se encuentran con muchachos sin una chaperona. Pero por más que intentan distanciarse de su isla natal, las hermanas no logran desprender el mundo antiguo del nuevo.
Lo que las hermanas han perdido para siempre y lo que logran encontrar se revela en esta novela magistral de una de las novelistas más celebradas de nuestros tiempos. [via]
More editions of De Como Las Muchachas Garcia Perdieron el Acento/ How the Garcia Girls Lost their Accent:
› Find signed collectible books: 'Del Amor Y Otros Demonios / of Love And Other Demons'
Set in the lush, coastal tropics of 18-century colonial Colombia, this is the story of Sierva Maria and the priest Cayetano Delaura, whose chaste love affair leads to their destruction.
More editions of Del Amor Y Otros Demonios / of Love And Other Demons:

› Find signed collectible books: 'En el Tiempo de las Mariposas'
More editions of En el Tiempo de las Mariposas:
› Find signed collectible books: 'En El Tiempo De Las Mariposas'
On a deserted mountain road in the Dominican Republic in 1960, three young women from a pious Catholic family were assassinated after visiting their husbands who had been jailed as suspected rebel leaders. The Mirabal sisters, thus martyred, became mythical figures in their country, where they are known as Las Mariposas (the butterflies). Three decades later, Julia Alvarez, daughter of the Dominican Republic and author of the acclaimed How the Garcia Girls Lost Their Accents, brings the Mirabal sisters back to life in this extraordinary novel. Each of the sisters speaks in her own voice, beginning as young girls in the 1940s, their stories vary from hair ribbons to gun-running to prison torture. Their story is framed by their surviving sister who tells her own tale of suffering and dedication to the memory of Las Mariposas. This inspired portrait of four women is a haunting statement about the human cost of political oppression, and is destined to take its place alongside Garcia Marquez's One Hundred Years of Solitude and Allende's The House of the Spirits as one of the great 20th-century Latin American novels. [via]
More editions of En El Tiempo De Las Mariposas:

› Find signed collectible books: 'Eva Luna'
More editions of Eva Luna:
› Find signed collectible books: 'Ficcionario'
Reading Jorge Luis Borges is an experience akin to having the top of one's head removed for repairs. First comes the unfamiliar breeze tickling your cerebral cortex; then disorientation, even mild discomfort; and finally, the sense that the world has been irrevocably altered--and in this case, rendered infinitely more complex. First published in 1945, his Ficciones compressed several centuries' worth of philosophy and poetry into 17 tiny, unclassifiable pieces of prose. He offered up diabolical tigers, imaginary encyclopedias, ontological detective stories, and scholarly commentaries on nonexistent books, and in the process exploded all previous notions of genre. Would any of David Foster Wallace's famous footnotes be possible without Borges? Or, for that matter, the syntactical games of Perec, the metafictional pastiche of Calvino? For good or for ill, the blind Argentinian paved the way for a generation's worth of postmodern monkey business--and fiction will never be simply "fiction" again.
Its enormous influence on writers aside, Ficciones has also--perhaps more importantly--changed the way that we read. Borges's Pierre Menard, for instance, undertakes the most audacious project imaginable: to create not a contemporary version of Cervantes's most famous work but the Quixote itself, word for word. This second text is "verbally identical" to the original, yet, because of its new associations, "infinitely richer"; every time we read, he suggests, we are in effect creating an entirely new text, simply by viewing it through the distorting lens of history. "A book is not an isolated being: it is a relationship, an axis of innumerable relationships," Borges once wrote in an essay about George Bernard Shaw. "All men who repeat one line of Shakespeare are William Shakespeare," he tells us in "Tlön, Uqbar, Orbis Tertius." In this spirit, Borges is not above impersonating, even quoting, himself.
It is hard, exactly, to say what all of this means, at least in any of the usual ways. Borges wrote not with an ideological agenda, but with a kind of radical philosophical playfulness. Labyrinths, libraries, lotteries, doubles, dreams, mirrors, heresiarchs: these are the tokens with which he plays his ontological games. In the end, ideas themselves are less important to him than their aesthetic and imaginative possibilities. Like the idealist philosophers of Tlön, Borges does not "seek for the truth or even for verisimilitude, but rather for the astounding"; for him as for them, "metaphysics is a branch of fantastic literature." --Mary Park [via]
More editions of Ficcionario:
› Find signed collectible books: 'Ficciones/ Fiction'
Reading Jorge Luis Borges is an experience akin to having the top of one's head removed for repairs. First comes the unfamiliar breeze tickling your cerebral cortex; then disorientation, even mild discomfort; and finally, the sense that the world has been irrevocably altered--and in this case, rendered infinitely more complex. First published in 1945, his Ficciones compressed several centuries' worth of philosophy and poetry into 17 tiny, unclassifiable pieces of prose. He offered up diabolical tigers, imaginary encyclopedias, ontological detective stories, and scholarly commentaries on nonexistent books, and in the process exploded all previous notions of genre. Would any of David Foster Wallace's famous footnotes be possible without Borges? Or, for that matter, the syntactical games of Perec, the metafictional pastiche of Calvino? For good or for ill, the blind Argentinian paved the way for a generation's worth of postmodern monkey business--and fiction will never be simply "fiction" again.
Its enormous influence on writers aside, Ficciones has also--perhaps more importantly--changed the way that we read. Borges's Pierre Menard, for instance, undertakes the most audacious project imaginable: to create not a contemporary version of Cervantes's most famous work but the Quixote itself, word for word. This second text is "verbally identical" to the original, yet, because of its new associations, "infinitely richer"; every time we read, he suggests, we are in effect creating an entirely new text, simply by viewing it through the distorting lens of history. "A book is not an isolated being: it is a relationship, an axis of innumerable relationships," Borges once wrote in an essay about George Bernard Shaw. "All men who repeat one line of Shakespeare are William Shakespeare," he tells us in "Tlön, Uqbar, Orbis Tertius." In this spirit, Borges is not above impersonating, even quoting, himself.
It is hard, exactly, to say what all of this means, at least in any of the usual ways. Borges wrote not with an ideological agenda, but with a kind of radical philosophical playfulness. Labyrinths, libraries, lotteries, doubles, dreams, mirrors, heresiarchs: these are the tokens with which he plays his ontological games. In the end, ideas themselves are less important to him than their aesthetic and imaginative possibilities. Like the idealist philosophers of Tlön, Borges does not "seek for the truth or even for verisimilitude, but rather for the astounding"; for him as for them, "metaphysics is a branch of fantastic literature." --Mary Park [via]
More editions of Ficciones/ Fiction:
› Find signed collectible books: 'Ficciones/ Fictions'
More editions of Ficciones/ Fictions:

› Find signed collectible books: 'General En Su Laberinto / the General in His Labyrinth'
This a one of the most important novels written by this author which everyone must read. [via]
More editions of General En Su Laberinto / the General in His Labyrinth:
› Find signed collectible books: 'La Hija de la Fortuna'
Eliza Sommers es una joven chilena que vive en Valparaiso en 1849, el ano que se descubre oro en California.
Su amante, Joaquin Andieta, parte hacia el norte decidido a encontrar fortuna, y ella decide seguirlo. El viaje infernal, escondida en la cala de un velero, y la busqueda de su amante en una tierra de hombres solos y prostitutas atraidos por la fiebre del oro, transforman a la joven inocente en una mujer fuera de lo comun. Eliza recibe ayuda y afecto de Tao Chi'en, un medico chino, quien la conducira de la mano en un itinerario memorable por los misterios y contradicciones de la condicion humana.
Hija de la fortuna es un retrato papitante de una epoca marcada por la violencia y la codicia en la cual los protagonistas rescatan el amor, la amistad, la compasion y el valor. En esta su mas ambiciosa novel, Isabel Allende presenta un universo fascinante, poblado de entranables personajes que, como tantos otros de la autora, se quedan para siempre en la memoria y el corazon de los lectores.
[via]More editions of La Hija de la Fortuna:
› Find signed collectible books: 'Hija de la fortuna / Daughter of Fortune'
Eliza Sommers es una joven chilena que vive en Valparaíso en 1849, el año en que se descubre oro en California. Su amante, Joaquín Andieta, parte hacia el norte decidido a encontrar fortuna, y ella decide seguirlo. El viaje infernal, escondida en la cala de un velero, y la búsqueda de su amante en una tierra de hombres solos y prostitutas atraídos por la fiebre del oro, transforman a la joven inocente en una mujer fuera de lo común. Eliza recibe ayuda y afecto de Tao Chi'en, un médico chino, quien la conducirá de la mano en un itinerario memorable por los misterios y contradicciónes de la condición humana. hija de la fortuna es un retrato palpitante de una época marcada por la violencia y la codicia en la cual los protagonistas rescatan el amor, la amistad, la compasión y el valor.
[via]More editions of Hija de la fortuna / Daughter of Fortune:
› Find signed collectible books: 'Jorge Luis Borges'
EN ESPANOL. In Spanish. Book Description: Barcelona, Emecé Editores/Alianza Editorial (El Libro de Bolsillo, 32w0), 1984 (12th printing). Binding is Paperback. Unites two Borges titles (with some modifications): "El Jardín de los Senderos que se Bifurcan" (1941) and "Artificios" (1944) 206p. [via]
More editions of Jorge Luis Borges:
› Find signed collectible books: 'Noticia De Un Secuestro / News of a Kidnapping'
The Nobel Prize-winning author of Love in the Time of Cholera and One Hundred Years of Solitude probes the 1990 kidnapping of journalists in Colombia by Pablo Escobar, the head of the Medellin drug cartel. [via]
More editions of Noticia De Un Secuestro / News of a Kidnapping:
› Find signed collectible books: 'Noticia De Un Secuestro / News of a Kidnapping'
More editions of Noticia De Un Secuestro / News of a Kidnapping:
› Find signed collectible books: 'El Otono Del Patriarca / The Autumn Of The Patriarch'
This one of the most important novels written by this author which everyone must read. [via]
More editions of El Otono Del Patriarca / The Autumn Of The Patriarch:
› Find signed collectible books: 'Venas Abiertas de America Latina'
Las Venas Abiertas de América Latina por Eduardo H. Galeano [via]
More editions of Venas Abiertas de America Latina:
› Find signed collectible books: 'Las venas abiertas de america latina/ The Open Veins of Latin America'
Las Venas Abiertas de América Latina por Eduardo H. Galeano [via]
More editions of Las venas abiertas de america latina/ The Open Veins of Latin America:
› Find signed collectible books: 'Vivir Para Contarla / Live to Tell'
Pocos libros han despertado tanta expectación en todo el mundo como la autobiografía de Gabriel García Márquez, autor de Cien años de soledad y ganador del Premio Nobel de Literatura. En sus memorias, García Márquez nos habla de su infancia y primera juventud en Colombia, ofreciéndonos una crónica de los años que modelaron su imaginación y que, andando el tiempo, cristalizarían en algunos de los relatos y novelas más importantes del siglo XX. En sus páginas el lector se encontrará con episodios como el conmovedor retrato de sus abuelos, con quienes se crió en su aldea natal de Aracataca, o la descripción del asesinato de un candidato presidencial en Bogotá, del que fue testigo ocular. García Márquez da cuenta de las gentes, los lugares y los sucesos que le sirvieron de acicate como periodista y como narrador. Desbordante de humor y sabiduría, el autor se adentra por igual en los misterios de la escritura y de la vida, brindándonos un relato apasionante de la búsqueda de sus orígenes que despierta ecos de los mejores momentos de la prosa de su ficción. Además de un escrito de extraordinario mérito literario, Vivir para contarla constituye una guía indispensable para entender el resto de su obra. [via]
More editions of Vivir Para Contarla / Live to Tell:
› Find signed collectible books: 'Vivir Para Contarla / Living to Tell the Tale'
Pocos libros han despertado tanta expectación en todo el mundo como la autobiografía de Gabriel García Márquez, autor de Cien años de soledad y ganador del Premio Nobel de Literatura. En sus memorias, García Márquez nos habla de su infancia y primera juventud en Colombia, ofreciéndonos una crónica de los años que modelaron su imaginación y que, andando el tiempo, cristalizarían en algunos de los relatos y novelas más importantes del siglo XX. En sus páginas el lector se encontrará con episodios como el conmovedor retrato de sus abuelos, con quienes se crió en su aldea natal de Aracataca, o la descripción del asesinato de un candidato presidencial en Bogotá, del que fue testigo ocular. García Márquez da cuenta de las gentes, los lugares y los sucesos que le sirvieron de acicate como periodista y como narrador. Desbordante de humor y sabiduría, el autor se adentra por igual en los misterios de la escritura y de la vida, brindándonos un relato apasionante de la búsqueda de sus orígenes que despierta ecos de los mejores momentos de la prosa de su ficción. Además de un escrito de extraordinario mérito literario, Vivir para contarla constituye una guía indispensable para entender el resto de su obra. [via]
More editions of Vivir Para Contarla / Living to Tell the Tale:
› Find signed collectible books: 'Fille Du Destin'
445pages. poche. Broché. [via]
More editions of Fille Du Destin:
