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› Find signed collectible books: 'American Sublime: Landscape Painting in the United States, 1820-1880'
The painters who came to be known as the Hudson River School--Thomas Cole, Asher B. Durand, Frederic Edwin Church, Jasper Cropsey, Sanford Robinson Gifford, and others--found inspiration in our young country's natural wonders and were the first to paint many of its still-wild vistas. As America was settled and the wilderness receded, their successors--most notably Albert Bierstadt and Thomas Moran--carried their quest for the sublime to the Far West, communicating its breathtaking grandeur in brilliant views of Rocky Mountain peaks, roaring waterfalls, and vast canyons. Within a single generation these artists established the dramatic approach to American landscape painting that is celebrated in this stirringly beautiful book. The freshness of their vision, the intensity of their invention, and the energy of their execution were all born of the urgency these artists sensed in the life of America itself.
Published to accompany a major transatlantic exhibition, American Sublime rejoices in America the Beautiful as seen in some of the country's most glorious landscape paintings. It contains a fully illustrated catalogue of all the paintings in the exhibition, with more than one hundred color plates, including three gatefolds. Biographies of the artists are included, and thoughtful and elegantly written essays cast new light on their ambitions and achievements. The lucid text places American landscape painting in the context of the international art world and of the European landscape tradition. And it explores ideas of national identity and empire in America, looking in particular at how these landscapes, whether real or imagined, reflect Americans' hopes and fears for their country.
As a tribute to some of our most important American artists and the land that inspired them, this stunningly illustrated book will have a deep and wide appeal.
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› Find signed collectible books: 'Andy Goldsworthy: A Collaboration With Nature'
Scottish artist Andy Goldsworthy uses a seemingly infinite array of purely natural materials, from snow and ice to leaves, stone, and twigs in the creation of his one-of-a-kind sculptures. Unlike such artists as Christo and Michael Hiezer, whose works leave definite marks on the landscape, Goldsworthy's approach is to interrupt, shape, or in some other way temporarily alter or work with nature to produce his fragile, mutable pieces. To create "Broken Icicle," for example, Goldsworthy was only able to work on the sculpture in the early morning, when temperatures were below freezing. As with most of his works, ultimately, the materials used to create this piece returned to their natural state, leaving no trace of the artwork's existence save for the stunning photos in this book. [via]
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› Find signed collectible books: 'Arch'
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› Find signed collectible books: 'The Art & Craft of Stonescaping: Setting & Stacking Stone'
This handsome book explores dry-stacked stonework, the perfect craft for any homeowner with a yard or garden. With a few basic tools, a pile of stone, and this book, anyone can create stone walls, benches, paths and patios, culverts, steps, and more. How-to color photos and fine illustrations depict every critical step, and a wealth of color photography offers plenty of inspiration. [via]
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› Find signed collectible books: 'Beningfield's Countryside'
Very Good [via]
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› Find signed collectible books: 'Better Homes and Gardens Water Gardens: How to Create Beautiful Fountains, Ponds and Streams'
Soothing, cooling water features are hot property with homeowners.
Inspiring: a variety of styles, shapes, and sizes of fountains, pools, ponds, streams, waterfalls.
Hardworking: how to create and maintain water gardens.
Practical: how to choose appropriate plants, stock fish, and enjoy water gardens year-round. [via]
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› Find signed collectible books: 'A Clearing in the Distance: Frederich Law Olmsted and America in the 19th Century'
Frederick Law Olmsted (1822-1903) is best remembered today as a landscape designer, well known for his plans for New York's Central Park and Prospect Park, the grounds of the U.S. Capitol in Washington, D.C., and the campus of Stanford University, among other noteworthy sites.
But, writes urban studies professor and accomplished author Witold Rybczynski, Olmsted was an American original, a 19th-century success story who packed many careers and wide learning and travel into a long life. He spent time in China and Europe, managed a California gold mine, edited The Nation, commanded a medical unit in the Civil War, and crisscrossed the United States many times over, writing long reports and articles all the while. (One series of reports urged, for instance, that the then-remote Yosemite region of California be made a national park.) Olmsted, Rybczynski suggests, changed the face of America: he had a vision of the American landscape as a reflection of the national character, with its broad vistas and open skies, and he was concerned to make America's urban spaces livable, bringing "trees and greenery into the congested grid of streets." At Olmsted's urging, many American and Canadian cities adopted his system of parks, broad avenues, and greenways, which encouraged the appreciation and preservation of nature; his influence is felt today in the so-called urban ecology movement, and in dozens of public spaces across the continent.
Rybczynski's fine and illuminating biography of Olmsted shows him to have been a man of many parts, an important historical figure whose legacy remains strong nearly a century after his death. --Gregory McNamee [via]
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› Find signed collectible books: 'A Clearing in the Distance: Frederick Law Olmsted and America in the Nineteenth Century'
Frederick Law Olmsted (1822-1903) is best remembered today as a landscape designer, well known for his plans for New York's Central Park and Prospect Park, the grounds of the U.S. Capitol in Washington, D.C., and the campus of Stanford University, among other noteworthy sites.
But, writes urban studies professor and accomplished author Witold Rybczynski, Olmsted was an American original, a 19th-century success story who packed many careers and wide learning and travel into a long life. He spent time in China and Europe, managed a California gold mine, edited The Nation, commanded a medical unit in the Civil War, and crisscrossed the United States many times over, writing long reports and articles all the while. (One series of reports urged, for instance, that the then-remote Yosemite region of California be made a national park.) Olmsted, Rybczynski suggests, changed the face of America: he had a vision of the American landscape as a reflection of the national character, with its broad vistas and open skies, and he was concerned to make America's urban spaces livable, bringing "trees and greenery into the congested grid of streets." At Olmsted's urging, many American and Canadian cities adopted his system of parks, broad avenues, and greenways, which encouraged the appreciation and preservation of nature; his influence is felt today in the so-called urban ecology movement, and in dozens of public spaces across the continent.
Rybczynski's fine and illuminating biography of Olmsted shows him to have been a man of many parts, an important historical figure whose legacy remains strong nearly a century after his death. --Gregory McNamee [via]
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› Find signed collectible books: 'Common Landscape of America, 1580 to 1845'
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› Find signed collectible books: 'Dakota: A Spiritual Geography'
After 20 years of living in the "Great American Outback," as Newsweek magazine once designated the Dakotas, poet Kathleen Norris (The Cloister Walk) came to understand the fascinating ways that people become metaphors for the land they inhabit. When trying to understand the polarizing contradictions that exist in the Dakotas between "hospitality and insularity, change and inertia, stability and instability.... between hope and despair, between open hearts and closed minds," Norris draws a map. "We are at the point of transition between east and west in the United States," she explains, "geographically and psychically isolated from either coast, and unlike either the Midwest or the desert west."
Like Terry Tempest Williams (Refuge), Norris understands how the boundary between inner and outer scenery begins to blur when one is fully present in the landscape of their lives. As a result, she offers the geography lesson we all longed for in school. This is a poetic, noble, and often funny (see her discussion on the foreign concept of tofu) tribute to Dakota, including its Native Americans, Benedictine monks, ministers and churchgoers, wind-weathered farmers, and all its plain folks who live such complicated and simple lives. --Gail Hudson [via]
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› Find signed collectible books: 'Design With Nature'
"In presenting us with a vision of organic exuberance and human delight, which ecology and ecological design promise to open up for us, McHarg revives the hope for a better world." --Lewis Mumford
". . . important to America and all the rest of the world in our struggle to design rational, wholesome, and productive landscapes." --Laurie Olin, Hanna Olin, Ltd.
"This century's most influential landscape architecture book." --Landscape Architecture
". . . an enduring contribution to the technical literature of landscape planning and to that unfortunately small collection of writings which speak with emotional eloquence of the importance of ecological principles in regional planning." --Landscape and Urban Planning
In the twenty-five years since it first took the academic world by storm, Design With Nature has done much to redefine the fields of landscape architecture, urban and regional planning, and ecological design. It has also left a permanent mark on the ongoing discussion of mankind's place in nature and nature's place in mankind within the physical sciences and humanities. Described by one enthusiastic reviewer as a "user's manual for our world," Design With Nature offers a practical blueprint for a new, healthier relationship between the built environment and nature. In so doing, it provides nothing less than the scientific, technical, and philosophical foundations for a mature civilization that will, as Lewis Mumford ecstatically put it in his Introduction to the 1969 edition, "replace the polluted, bulldozed, machine-dominated, dehumanized, explosion-threatened world that is even now disintegrating and disappearing before our eyes." [via]

› Find signed collectible books: 'Designs on the Land: Exploring America from the Air'
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› Find signed collectible books: 'Discovering the Vernacular Landscape'
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› Find signed collectible books: 'Earth from Above: 365 Days'
For a new perspective on Earth every day of the year, Earth From Above: 365 Days can't be beaten. Yann Arthus-Bertrand's aerial photographs taken from high vantages all over the world are startling and beautiful. The book's format, short and wide, makes it an ideal desk companion for anyone who loves outdoor photography, anthropology or ecology. From tropical atolls to the highest mountain peaks, Earth From Above offers a point of view previously enjoyed only by pilots and astronauts. --Therese Littleton [via]

› Find signed collectible books: 'English Landscapes'
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› Find signed collectible books: 'The Fauve Landscape'
This text is devoted to the colourful landscapes produced during the Fauvist period of 1904-1908. An essay on the emergence of the Fauve landscape is followed by four essays devoted to individual sites and such topics as Fauvism's impact on tourism and politics. Another essay concentrates on the critical landscape, in essence the critics' reception of these paintings. Matisse, Braque, Derain, Vlaminck, Dufy, Marquet, Manguin and Friesz are represented with examples of their works. [via]

› Find signed collectible books: 'A Field Guide To Getting Lost'
With such acclaimed books as River of Shadows and Wanderlust, activist and cultural historian Rebecca Solnit has emerged as one of the most original and penetrating writers at work today. Her brilliant new book, A Field Guide to Getting Lost, is about the stories we use to navigate our way through the world and the places we traverse, from wilderness to cities, in finding ourselves or losing ourselves. Written as a series of autobiographical essays, it draws on emblematic moments and relationships in Solnits own life to explore issues of uncertainty, trust, loss, memory, desire, and place. While deeply personal, Solnits book is not just a memoir, since her own stories link up with everything from the captivity narratives of early American immigrants to endangered species to the use of the color blue in Renaissance paintingnot to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery that only a writer of Solnits caliber and curiosity could produce, a book that will appeal not only to her growing legion of admirers but also to the readers of Anne Lamott, Diane Ackerman, and Annie Dillard. [via]
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› Find signed collectible books: 'Frederick Law Olmsted and the Boston Park System'
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![[???]: The Garden Book [???]: The Garden Book](http://ecx.images-amazon.com/images/P/071483985X.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'The Garden Book'
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› Find signed collectible books: 'Garden Book Midi'
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› Find signed collectible books: 'The Geography of Nowhere: The Rise and Decline of America's Man-Made Landscape'
An analysis of America's national landscape argues that much of what surrounds Americans is depressing, ugly, and unhealthy and traces America's evolution from a land of village commons to a man-made landscape that ignores nature and human needs. [via]
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› Find signed collectible books: 'Green Mars'
Kim Stanley Robinson has earned a reputation as the master of Mars fiction, writing books that are scientific, sociological and, best yet, fantastic. Green Mars continues the story of humans settling the planet in a process called "terraforming." In Red Mars, the initial work in the trilogy, the first 100 scientists chosen to explore the planet disintegrated in disagreement--in part because of pressures from forces on Earth. Some of the scientists formed a loose network underground. Green Mars, which won the 1994 Hugo Award, follows the development of the underground and the problems endemic to forming a new society. [via]
› Find signed collectible books: 'Home Ground: Language for an American Landscape'
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› Find signed collectible books: 'Home Landscaping: Southeast Region'
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› Find signed collectible books: 'The Hudson River School'
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› Find signed collectible books: 'Jane Austen's Mansfield Park'
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› Find signed collectible books: 'John Shaw's Landscape Photography'
From grand vistas to intimate woodland glades, landscapes are favorite photography subjects. Too often, however, photographer's visual experiences of the majestic outdoors aren't reflected in the pictures they make. Why? Because many people overlook the importance of good technique, believing that exotic locations and expensive lenses create fantastic pictures. As John Shaw, the famous nature photographer and best-selling author, demonstrates in this definitive book, expertise as a landscape photographer comes from mastering techniques and developing a personal response to nature, not from having a large budget for travel and equipement.
John Shaw's Landscape Photography teaches that producing good photographs means learning how to control the tools of photography: camera equipement, lenses, film, light, and exposure. The goal Shaw proposesis to make technical proficiency second nature, so that it doesn't intrude when it is time to compose great pictures. With lessons fully illustrated by 195 color photographs, including many before-and-after sequences, this beautiful book also covers all the basics of photographic design and composition that characterize brillian portraits of the landscape. [via]
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› Find signed collectible books: 'Landscape and Memory'
An extraordinary book that explores how the earth itself has shaped the Western imagination and how, as a result, our interaction with the environment is far richer and more complex than today's doomsayers would have us believe. [via]

› Find signed collectible books: 'Landscape Quilts'

› Find signed collectible books: 'Landscapes: Selected Writings of J. B. Jackson'
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› Find signed collectible books: 'Magnum Landscape'
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› Find signed collectible books: 'Magnum Landscape'
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› Find signed collectible books: 'The Making of the English Landscape'
First published in 1955, this is an account of man's effect on his landscape, from pre-history to the motorway age, by the founder of historical geography as a university discipline. It is here republished with new pictures and updated notes to supplement the original text. Former professor at Oxford and Leicester, W.G. Hoskins is acknowledged as a historian who can communicate with the general reader as well as with other historians. His previous books include "Provincial England", "Local History in England" and "The Age of Plunder". [via]
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› Find signed collectible books: 'Mansfield Park'
Mansfield Park is Austen's darkest and most complex novel. In contrast to the confident and vivacious heroines of Emma and Pride and Prejudice, its central character, Fanny Price, is a shy and vulnerable poor relation who finds the courage to stand up for her principles and desires. Fanny comes to live at Mansfield Park, the home of the wealthy Bertram family, and of Fanny's aunt, Lady Bertram. Though the family impresses upon Fanny her inferior status, she finds a friend in Edmund, the younger brother.Mansfield Park explores important issues such as slavery (the source of the Bertrams' wealth), the oppressive nature of idealized femininity, and women's education. This edition sheds light on these and other issues through its insightful introduction and wide-ranging appendices of contemporary documents. [via]
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› Find signed collectible books: 'The Necessity for Ruins, and Other Topics'
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› Find signed collectible books: 'Opening Spaces: Design As Landscape Architecture'
The art of designing both unites and divides landscape architecture and architecture. Despite having a long tradition, landscape architecture has lacked a concise presentation of the fundamental principles underlying its design and planning concepts. This much sought-after book has evolved out of more than twenty years of teaching experience. The authors distinguish between the variable factors such as climate, growth of vegetation etc., and the more abstract element of design. They describe the ideal design components and demonstrate the extent to which natural features such as surfaces, spaces, paths, borders, hard and soft materials shape the designs. This book reveals how concepts such as order and chaos, way and goal, intention and reaction form the basis for landscape design, just as they do in architecture. Hans Loidl has been Professor for Landscape Architecture in Berlin since 1982 and has headed his own atelier since 1984. Stefan Bernard works as a landscape architect and graphic designer. [via]
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› Find signed collectible books: 'Outside Lies Magic: Regaining History and Awareness in Everyday Places'
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› Find signed collectible books: 'Outside the Not So Big House: Creating the Landscape of Home'
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› Find signed collectible books: 'Photographing the Landscape: The Art of Seeing'
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![[???]: Reader's Digest Practical Guide to Home Landscaping [???]: Reader's Digest Practical Guide to Home Landscaping](http://ecx.images-amazon.com/images/P/0895778963.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'Readers Digest Practical Guide to Home Landscaping'
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› Find signed collectible books: 'Rockwell Kent's Forgotten Landscapes'
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› Find signed collectible books: 'A Sense of Place, a Sense of Time'
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› Find signed collectible books: 'Simple Garden Projects: A Collection of Original Designs to Build in Your Garden'
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› Find signed collectible books: 'The Solace of Open Spaces'
"Everything in nature invites us constantly to be what we are. We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still." Whether she's reflecting on nature's teachings, divulging her experiences as a cowpuncher, or painting vivid word portraits of the people she lives and works with, Gretel Ehrlich's observations are lyrical and funny, wise and authentic. After moving from the city to a vast new state, she writes of adjusting to cowboy life, boundless open spaces, and the almost incomprehensible harshness of a Wyoming winter:
"When it's fifty below, the mercury bottoms out and jiggles there as if laughing at those of us still above ground. Once I caught myself on tiptoes, peering down into the thermometer as if there were an extension inside inscribed with higher and higher declarations of physical misery: ninety below to the power of ten and so on."
After experiencing the isolated life of a sheep herder, she writes, "Keenly observed the world is transformed. The landscape is engorged with detail, every movement on it chillingly sharp. The air between people is charged. Days unfold, bathed in their own music. Nights become hallucinatory; dreams, prescient."
Ehrlich's gift is one of subtle precision. She writes beauty into the plainest of thoughts and meaning into the simplest of ideas: "True solace is finding none, which is to say, it is everywhere." --Kathryn True [via]
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› Find signed collectible books: 'Time'
Whether measured in minutes or eons, time is a good friend of British artist Andy Goldsworthy's. He spends long, solitary days outdoors in all kinds of weather, doing things like piecing together many, many yellow leaves to create a brilliant band of color at a river's edge in upstate New York or stacking small pieces of ice on the Nova Scotia coast to build a sculpture in the compact shape of an ancient stone monument. Threatened by a strong gust of wind, the incoming tide, or a sudden rise in temperature, these are fugitive works comfortably in synch with the natural rhythms of growth and decay.
Other works of his are longer-lasting. In walls made of stacked stones with hollowed-out oval "chambers" the size of his body--which he began building in 1999 in Lancashire, England--Goldsworthy makes reference not only to the shapes of graves in a nearby church but also to his personal history in the region and the enduring qualities of a rugged landscape.
Goldsworthy is the rare artist who can describe what he does in simple, concrete terms that nonetheless reveal his larger vision. Time is a very satisfying collection of 500 photographs, nearly all taken by him, that document the creation and subsequent mutations of his work. These evocative images are illuminated by excerpts from the diaries he kept as he created five projects in Europe and North America in the '90s. He discusses what it's like to explore an unfamiliar landscape, assess how the elements will work for and against him, and perform what are essentially a set of experiments. Success means making work that is, as he writes, "completely welded to its site." --Cathy Curtis [via]
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› Find signed collectible books: 'Unknown Terrain: The Landscapes of Andrew Wyeth'
Unknown Terrain: The Landscapes of Andrew Wyeth makes an irresistible case for ignoring both Wyeth's sentimental champions and his cynical detractors. It's easy to understand either pole of opinion about this very American painter, but harder to get to the essence of what makes him excite such vehemence. In the end, it may simply be that he is very, very good, and like all good painters, a little too complicated for most critics.
For one thing, while Wyeth does have a special sensitivity for suggestive narrative elements, he is also an abstract painter, with a powerful sense of gesture, stroke, and pattern. Some of his watercolors are as thrusting and liquid as Jackson Pollock's drips, and almost as nonobjective. Other compositions can be as fixed as Christina's World, the huge 1948 painting for which he is perhaps best known, but within the strictly ordered confines of tempera, a painstaking medium, he still handles the brush with bravura. The authors of Unknown Terrain make an attempt to elucidate Wyeth's relationship to this century, and they succeed admirably--with the help of nearly 200 reproductions. [via]
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› Find signed collectible books: 'Water Gardens'
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› Find signed collectible books: 'White Horses and Other Hill Figures'
This addition to the "Britain in Old Photographs" series brings together a collection of black-and-white pictures spanning the late 19th and early 20th centuries. Drawn from family albums, local collections and professional photographers, they show the way things were and how they have changed. Every photograph is captioned, providing names and dates where possible, revealing historical and anecdotal detail and giving life to the scenes and personalities captured through the camera lens. Bringing together all aspects of daily life - celebrations and disasters, work and leisure, people and buildings - the collection should inspire memories, as well as serve as an introduction to visitors. [via]
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› Find signed collectible books: 'Wolf Kahn'
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