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› Find signed collectible books: 'Age and Guile Beat Youth, Innocence, and a Bad Haircut'
An anthology of twenty-five years of writing, collected for the first time, by the nation's best-selling satirist--author of Parliament of Whores--shows his transition from hippie to neo-conservative. 150,000 first printing. $150,000 ad/promo. Tour. [via]
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› Find signed collectible books: 'Age Like This 1920-1940: Collected Essays'
Considering that much of his life was spent in poverty and ill health, it is something of a miracle that in only forty-six years George Orwell managed to publish ten books and two collections of essays. Here, in four fat volumes, is the best selection of his non-fiction available, a trove of letters, essays, reviews, and journalism that is breathtaking in its scope and eclectic passions. Orwell had something to say about just about everyone and everything. His letters to such luminaries as Julian Symons, Anthony Powell, Arthur Koestler, and Cyril Connolly are poignant and personal. His essays, covering everything from "English Cooking" to "Literature and Totalitarianism," are memorable, and his books reviews (Hitler's Mein Kampf, Mumford's Herman Melville, Miller's Black Spring, Goldsmith's The Vicar of Wakefield to name just a few) are among the most lucid and intelligent ever written. From 1943 to l945, he wrote a regular column for the Tribune, a left wing weekly, entitled "As I Please." His observations about life in Britain during the war embraced everything from anti-American sentiment to the history of domestic appliances. [via]
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› Find signed collectible books: 'The Agenda: Inside the Clinton White House'
A no-holds-barred look inside the Clinton White House during the first one hundred days of his presidency. What emerges is a portrait of a man hampered by his struggle to do the right thing. Despite the defeat of the health care initiative and the bungling first steps of a naive administration, Woodward uncovers the essential decency of the man from Hope. [via]
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› Find signed collectible books: 'All the Trouble in the World'
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› Find signed collectible books: 'Among the Thugs'
A journalist who spent six years travelling with and gathering information on Britain's notorious soccer hooligans chronicles his extraordinary experiences with these dangerous, violent, and fiercely loyal fans. [via]

› Find signed collectible books: 'And So It Goes: Adventures in Television'
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› Find signed collectible books: 'Arco the Associated Press Guide to Newswriting'
This practical handbook is the ideal writing style guide for all reporters, writers, editors, and English and journalism students. It covers all the essentials of good news writing, according to the styles and guidelines set forth by the Associated Press -- with lively examples from today's newspapers. This authoritative guide includes:
Professional advice about crafting a good feature story
In-depth reviews of important principles in news writing
Expert guidance on writing concise, informative copy, source citations, and more.
Clear and instructive discussions of specialized styles. [via]
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› Find signed collectible books: 'The Art of Fact: A Historical Anthology of Literary Journalism'
Kevin Kerrane and Ben Yagoda, journalists and journalism teachers, saw a need for a textbook that celebrated and organized outstanding examples of literary journalism. In this compendious volume spanning 372 years, the editors focus on the evolution of New Journalism, a term which, we learn, "was originally coined by Matthew Arnold in 1887 to describe the style of Stead's Pall Mall Gazette: brash, vivid, personal, reform-minded, and--occasionally, from Arnold's conservative viewpoint--'featherbrained.'"
The editors position Daniel Defoe's The True and Genuine Account of the Life and Actions of the Late Jonathan Wild (1725) as the prototype for the true-crime narrative. The collection's first section, entitled "Pioneers," includes such staples as Boswell's Life of Samuel Johnson, Walt Whitman's Specimen Days, and Jack London's daring 1902 exposé of life among the city of London's impoverished East Enders. Brief introductions to each selection set the historical context and explain innovative aspects of the piece. The second section compares two distinctly contemporary journalistic points of view: the "I Am a Camera" school and the unabashedly subjective approach exemplified by Norman Mailer and Hunter S. Thompson, among others. "Style as Substance" makes up the lively and often moving third section.
Many rich voices describe all angles of the human experience in this impressive volume. Through author Piers Paul Read we crash-land with a Uruguayan rugby team in the Andes; Lillian Ross gives us a notoriously devastating portrait of Ernest Hemingway; Ted Conover assimilates into illegal Mexican culture and smuggles us back and forth across the border. The only anthology of its kind, The Art of Fact almost doubles as a travel book. [via]
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› Find signed collectible books: 'The Assassins' Gate: America in Iraq'
As the death toll mounts in the Iraq War, Americans are agonizing over how the mess started and what to do now. George Packer, a staff writer at The New Yorker, joins the debate with his thoughtful book The Assassins' Gate. Packer describes himself as an ambivalent pro-war liberal "who supported a war [in Iraq] by about the same margin that the voting public had supported Al Gore." He never believed the argument that Iraq should be invaded because of weapons of mass destruction. Instead, he saw the war as a way to get rid of Saddam Hussein and build democracy in Iraq, in the vein of the U.S. interventions in Haiti and Bosnia.
How did such lofty aims get so derailed? How did the U.S. get stuck in a quagmire in the Middle East? Packer traces the roots of the war back to a historic shift in U.S. policy that President Bush made immediately after 9/11. No longer would the U.S. be hamstrung by multilateralism or working through the UN. It would act unilaterally around the world--forging temporary coalitions with other nations where suitable--and defend its status as the sole superpower. But when it came to Iraq, even Bush administration officials were deeply divided. Packer takes readers inside the vicious bureaucratic warfare between the Pentagon and State Department that turned U.S. policy on Iraq into an incoherent mess. We see the consequences in the second half of The Assassins' Gate, which takes the reader to Iraq after the bombs have stopped dropping. Packer writes vividly about how the country deteriorated into chaos, with U.S. authorities in Iraq operating in crisis mode. The book fails to capture much of the debate about the war among Iraqis themselves--instead relying mostly on the views of one prominent Iraqi exile--but it is an insightful contribution to the debate about the decisions--and blunders--behind the war. --Alex Roslin [via]
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› Find signed collectible books: 'The Associated Press Guide to News Writing'
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› Find signed collectible books: 'At Home in the World : Collected Writings from the Wall Street Journal'
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› Find signed collectible books: 'Bait And Switch: The (Futile) Pursuit of the American Dream'
Questions for Barbara Ehrenreich
Through over three decades of journalism and activism and over a dozen books, Barbara Ehrenreich has been one of the most consistent and imaginative chroniclers of class in America, but it was her bestselling 2001 book, Nickel and Dimed, a undercover expose of the day-to-day struggles of the working poor, that has been the most influential work of her career. Now, with Bait and Switch, she has gone undercover again, this time as a middle-aged professional trying to get a white-collar job in corporate America. We asked her a few questions about what she found:
Amazon.com: Your previous book, Nickel and Dimed, became a blockbuster bestseller with a classic "there but for the grace of God go I" liberal message just when the general political mood of the country seemed to be going in a very different direction. Why do you think it struck such a chord? What sorts of reactions have you gotten to it over the past four years?
Barbara Ehrenreich: A lot of Nickel and Dimed readers are people who regularly inhabit the low-wage work world, and many of them write to tell me that the book affirmed their experience and made them feel less alone and ignored. Other readers though, are affluent people who write to say I opened their eyes to a world they'd been unaware of. For those people, I think one appealing feature of Nickel and Dimed is that it's a personal narrative that gives them a look at lives lived at the margins of their own. The most gratifying response has been from people who tell me the book inspired them to become activists for things like a living wage or affordable housing.
Amazon.com: At what point did you realize that your new book, Bait and Switch, in which you went undercover again, this time to tell a story of working in corporate America, was instead becoming one of not working in corporate America? Is that the story you expected to tell?
Ehrenreich: My initial aim was not "to tell a story of working in corporate America" but to try to understand the human underside of corporate America--the job insecurity, the constant layoffs and downsizings that now occur even in the best of times. I expected to get a job and hence an inside view, but I always knew that that would be very difficult. After about 4-5 months of job searching, I began to get seriously discouraged, but I also came to understand that a fruitless search is in fact a very common experience. After all, today 44 percent of the long-term unemployed are white collar folks--an unusually high percentage. It's their world I entered, and their story that I tell in Bait and Switch.
Amazon.com: For someone with a white-collar career, you didn't have much experience in corporate culture before you attempted to join it for this book. What surprised you the most about what you found?
Ehrenreich: What surprised me most, right from day one of my job search, was the surreal nature of the job searching business. For example, everyone, from corporations to career coaches, relies heavily on "personality tests" which have no scientific credibility or predictive value. One test revealed that I have a melancholy and envious nature and, for some reason, was unsuited to be a writer! And what does "personality" have to do with getting the job done, anyway? There's far less emphasis on skills and experience than on whether you have the prescribed upbeat and likeable persona. I kept wondering: Is this any way to run a business? I was also surprised--and disgusted--by the constant victim-blaming you encounter among coaches, at networking events for the unemployed, and in the business advice books. You're constantly told that whatever happens to you is the result of your attitude or even your "thought forms"--not a word about the corporate policies that lead to so much turmoil and misery.
Amazon.com: You seemed to make much closer ties with your fellow workers in Nickel and Dimed than you did on the white-collar job hunt. What was different this time?
Ehrenreich: You're right--there is a difference. But it's not so much a matter of personalities as it is about two different worlds. There's a lot of camaraderie in the blue-collar world I entered in Nickel and Dimed. People help each other and look out for each other; they laugh together--often at the managers. The white-collar world doesn't encourage camaraderie, far from it. There it's all about competition and fear--of losing one's job, for one thing. Other people are seen as sources of contacts or tips, at best; as competitors or rivals, at worst. And among the unemployed add shame and a sense of personal failure, the constant message that it's all your own fault. All this discourages any solidarity with others or real openness.
Amazon.com: God forbid anyone would come to your book as a guide for finding a white-collar job, but what advice would you give to someone in the shoes you put yourself in: a middle-aged professional woman, in fear of falling irrevocably out of touch with the world of the regularly employed?
Ehrenreich: You don't think I'd make a good career coach? OK, but I have three pieces of advice for the middle-aged, middle-class job seeker anyway:
One, be very careful how you spend your money and time. Since the mid-90s, a whole industry has sprung up to help--or, depending on your point of view, prey upon--white-collar job seekers. The "professionals" in this business are usually entirely unlicensed and unregulated. Also, watch out for events billed as "networking" opportunities that really have another agenda--like recruiting you into expensive coaching or proselytizing you into a particular religion.
Two, don't count on the internet job sites to find you a job or even an interview. On any of these sites, your resume will be competing with hundreds of thousands of others, and most large companies today don't even bother reading online resumes; they have computer programs scan them for keywords (and you won't know what those keywords are.)
Three, and most important: stop believing that it's your own fault. That's the first step to recognizing the common problems facing white-collar workers and responding to them. I'd be thrilled if this book, like Nickel and Dimed, also inspires readers to get involved and become active in efforts to make life a little easier for the growing numbers of people who are unemployed, underemployed, or anxiously employed. What could they do? Lobby for universal health insurance that's not tied to a job, for example. Fight for extended unemployment benefits. Raise their voices to complain about corporate tax breaks and subsidies that are justified in terms of "job creation" but often go to companies that are busy laying people off. One major reason job loss is so catastrophic is that we just don't have much of a safety net in this country. That has to change, and who's going to make it change, if not people like those I met in Bait and Switch? I've got a new website, barbaraehrenreich.com, and I'd like to hear from readers--both their stories and their ideas for how to take action.
Classic Ehrenreich ![]() Nickel and Dimed: On (Not) Getting By in America | ![]() Fear of Falling: The Inner Life of the Middle Class | ![]() Blood Rites: Origins and History of the Passions of War |
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› Find signed collectible books: 'Brave Men'
› Find signed collectible books: 'Chain Of Command: The Road From 9/11 To ABU Ghraib'
Seymour Hersh has been a legendary investigative reporter since 1969 when he broke the My Lai story in Vietnam. His considerable skill and well-placed sources inside the government, intelligence community, military, and the diplomatic corps have allowed him access to a wide range of information unavailable to most reporters. Chain of Command is packed with specific details and thoughtful analysis of events since the attacks of September 11, 2001, including intelligence failures prior to 9/11; postwar planning regarding Afghanistan and Iraq; the corruption of the Saudi family; Pakistan's nuclear program, which spread nuclear technology via the black market (and admitted as such); influence peddling at the highest levels; and the torture scandal at Abu Ghraib prison, among other topics. The book collects and elaborates on stories Hersh wrote for The New Yorker, and includes an introduction by the magazine's editor, David Remnick, on Hersh's background and his sources.
Part of Hersh's skill lies in uncovering official reports that have been buried because government or military leaders find them too revealing or embarrassing. Chain of Command is filled with such stories, particularly regarding the manner in which sensitive intelligence was gathered and disseminated within the Bush administration. Hersh details how serious decisions were made in secret by a small handful of people, often based on selective information. Part of the problem was, and remains, a lack of human intelligence in critical parts of the Middle East, but it also has much to do with the considerable infighting within the administration by those trying to make intelligence fit preconceived conclusions. A prime example of this is the story about the files that surfaced allegedly detailing how Iraq had purchased uranium from Niger in order to build nuclear weapons. Though the files were soon proven to be forgeries, the Bush administration still used them as evidence against Saddam Hussein and therefore part of the reason for invading Iraq. In these pages, Hersh offers readers a clearer understanding of what has happened since September 11, and what we might expect in the future. --Shawn Carkonen [via]
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› Find signed collectible books: 'Collected Essays, Journalism and Letters of George Orwell'
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› Find signed collectible books: 'Complicity'
Living for his vices, the greatest of which involves writing front-page bylines, journalist Cameron Colley receives information about a high-stakes conspiracy from an anonymous source, until the men he exposes suddenly begin to die. Reprint. NYT. [via]
› Find signed collectible books: 'Dateline'
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› Find signed collectible books: 'Dateline, Toronto: The Complete Toronto Star Dispatches, 1920-1924'
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› Find signed collectible books: 'Editor: An Inside Story of Newspapers'
In February 2002 Max Hastings retired from his career as a "Fleet Street" Editor. His is an illustrious career which started in 1985, when he was offered the editorship of a national institution - the Daily Telegraph - in a surprise move by its owners. This book tells the story of what happened to him, and to a great newspaper over the next decade. It's all here: the rows with prime ministers, the coverage of great events, the daily routine. Max Hastings describes his complex relationship with his proprietor, Conrad Black. He offers perspectives on the decline of John Major, the troubles of the Royal Family, and the difficulties of dealing with lawyers and celebrities, statesmen and stars. It is unblushing about the author's failures and embarassments as well as his successes. It is above all the story of the excitement and exhilaration of almost 10 years at the helm of one of the greatest newspapers in the world. [via]
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› Find signed collectible books: 'Feeding Frenzy'
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› Find signed collectible books: 'The Hacker Crackdown: Law and Disorder on the Electronic Frontier'
Bruce Sterling's classic work highlights the 1990 assault on hackers, when law-enforcement officials successfully arrested scores of suspected illicit hackers and other computer-based law-breakers. These raids became symbolic of the debate between fighting serious computer crime and protecting civil liberties. However, The Hacker Crackdown is about far more than a series of police sting operations. It's a lively tour of three cyberspace subcultures--the hacker underworld, the realm of the cybercops, and the idealistic culture of the cybercivil libertarians.
Sterling begins his story at the birth of cyberspace: the invention of the telephone. We meet the first hackers--teenage boys hired as telephone operators--who used their technical mastery, low threshold for boredom, and love of pranks to wreak havoc across the phone lines. From phone-related hi-jinks, Sterling takes us into the broader world of hacking and introduces many of the culprits--some who are fighting for a cause, some who are in it for kicks, and some who are traditional criminals after a fast buck. Sterling then details the triumphs and frustrations of the people forced to deal with the illicit hackers and tells how they developed their own subculture as cybercops. Sterling raises the ethical and legal issues of online law enforcement by questioning what rights are given to suspects and to those who have private e-mail stored on suspects' computers. Additionally, Sterling shows how the online civil liberties movement rose from seemingly unlikely places, such as the counterculture surrounding the Grateful Dead. The Hacker Crackdown informs you of the issues surrounding computer crime and the people on all sides of those issues. [via]
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› Find signed collectible books: 'How to Lose Friends & Alienate People'
In How to Lose Friends and Alienate People, Toby Young--columnist and former co-editor (with Julie Burchill and Cosmo Landesman) of The Modern Review--portrays himself as a man pulled to the New York media set by twin desires: to trade one-liners with modern day Dorothy Parkers and Robert Benchleys over very dry martinis, and to drink Cristal from a supermodel's cleavage in the back of a limo. In the event, neither is fulfilled and desire shows itself up to be the snake that eats its own tail--endless and ultimately encircling a big fat zero.
How to Lose... is Young's own telling of his disastrous five-year career in New York journalism, initiated when he is offered a job at Vanity Fair, Conde Nast's flagship star-fest. Young may have been hired for his snappy prose, but his real genius turns out to be antagonising the rich and famous. He is the British bulldog in the Armani-clad china shop of the politically correct glossy posse. He hires a strip-o-gram on bring-your-daughter-to-work day, commits the cardinal sin of asking celebs about their religion and sexual orientation, gets blasted on coke while trying to do a photo shoot and spends less time pulling up his chair to the modern day equivalent of the Algonquin table than trying to blag his way past "clipboard Nazis" barring his way into showbiz parties. Oh, and he gets sued by Tina Brown and Harold Evans. This is the place, he soon discovers, where greatness is measured not in your prose stylings, but how far up the guest list you are for Vanity Fair's Oscar party. But two things raise this particular loser's story above the crowd. First is his spot-on outsider's inside observations on phenomena such as the rigidly Austen-ite New York dating scene. Second, he has the columnist's knack of connecting everyday experience to social politics in order to grind both personal and political axes. In the adoration of the celebrity aristocracy by the masses, he sees the realisation of de Toqueville's warning of "the tyranny of the majority" and witnesses, for those lower down the food chain, the corruption of the "be all that you can be" meritocracy America promises. If these are soft targets, then the hilariously toe-curling experiences that lead him to take aim are well worth the price of a cocktail. --Fiona Buckland [via]
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› Find signed collectible books: 'How to Watch TV News'
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› Find signed collectible books: 'Imperium'
› Find signed collectible books: 'Into Thin Air: A Personal Account of the Mt. Everest Disaster'
Into Thin Air is a riveting first-hand account of a catastrophic expedition up Mount Everest. In March 1996, Outside magazine sent veteran journalist and seasoned climber Jon Krakauer on an expedition led by celebrated Everest guide Rob Hall. Despite the expertise of Hall and the other leaders, by the end of summit day eight people were dead. Krakauer's book is at once the story of the ill-fated adventure and an analysis of the factors leading up to its tragic end. Written within months of the events it chronicles, Into Thin Air clearly evokes the majestic Everest landscape. As the journey up the mountain progresses, Krakauer puts it in context by recalling the triumphs and perils of other Everest trips throughout history. The author's own anguish over what happened on the mountain is palpable as he leads readers to ponder timeless questions. [via]
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› Find signed collectible books: 'The Jungle'
Upton Sinclair's dramatic and deeply moving story exposed the brutal conditions in the Chicago stockyards at the turn of the nineteenth century and brought into sharp moral focus the apalling odds against which immigrants and other working people struggled for their share of the American dream. Denounced by the conservative press as an un-American libel on the meatpacking industry, the book was championed by more progressive thinkers, including then president Theodore Roosevelt, and was a major catalyst to the passing of the Pure Food and Meat Inspection act, which has tremendous impact to this day. [via]
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› Find signed collectible books: 'The Jungle'
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› Find signed collectible books: 'The Jungle'
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› Find signed collectible books: 'The Jungle'
With its high-interest adaptations of classic literature and plays, this series inspires reading success and further exploration for all students. These classics are skillfully adapted into concise, softcover books of 80-136 pages. Each retains the integrity and tone of the original book.
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› Find signed collectible books: 'The Jungle'
Practically alone among the American writers of his generation, wrote Edmund Wilson, [Sinclair] put to the American public the fundamental questions raised by capitalism in such a way that they could not escape them. When it was first published in 1906, The Jungle exposed the inhumane conditions of Chicagos stockyards and the laborers struggle against industry and wage slavery. It was an immediate bestseller and led to new regulations that forever changed workers rights and the meatpacking industry. A direct descendant of Dickenss Hard Times, it remains the most influential workingmans novel in American literature. [via]
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› Find signed collectible books: 'Killing Yourself to Live: 85% of a True Story'
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› Find signed collectible books: 'Live from the Battlefield: From Vietnam to Baghdad, 35 Years in the World's War Zones'
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› Find signed collectible books: 'Manufacturing Consent : The Political Economy of the Mass Media'
An absolutely brilliant analysis of the ways in which individuals and organizations of the media are influenced to shape the social agendas of knowledge and, therefore, belief. Contrary to the popular conception of members of the press as hard-bitten realists doggedly pursuing unpopular truths, Herman and Chomsky prove conclusively that the free-market economics model of media leads inevitably to normative and narrow reporting. Whether or not you've seen the eye-opening movie, buy this book, and you will be a far more knowledgeable person and much less prone to having your beliefs manipulated as easily as the press. [via]
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› Find signed collectible books: 'Manufacturing Consent: The Political Economy of the Mass Media'
An absolutely brilliant analysis of the ways in which individuals and organizations of the media are influenced to shape the social agendas of knowledge and, therefore, belief. Contrary to the popular conception of members of the press as hard-bitten realists doggedly pursuing unpopular truths, Herman and Chomsky prove conclusively that the free-market economics model of media leads inevitably to normative and narrow reporting. Whether or not you've seen the eye-opening movie, buy this book, and you will be a far more knowledgeable person and much less prone to having your beliefs manipulated as easily as the press. [via]
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› Find signed collectible books: 'Mencken Chrestomathy'
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› Find signed collectible books: 'Naked In Baghdad'
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› Find signed collectible books: 'Naked in Baghdad: The Iraq War As Seen by National Public Radio's Correspondent'
As National Public Radio's senior foreign correspondent, Anne Garrels has covered conflicts in Chechnya, Bosnia, Kosovo, Afghanistan, and elsewhere. She is renowned for direct, down-to-earth, insightful reportage, and for her independent take on what she sees. One of only sixteen un-embedded American journalists who stayed in Baghdad's now-legendary Palestine Hotel throughout the American invasion of Iraq, she was at the very center of the storm. Naked in Baghdad gives us the sights, sounds, and smells of our latest war with unparalleled vividness and immediacy. Garrels's narrative starts with several trips she made to Baghdad before the war, beginning in October 2002. At its heart is her evolving relationship with her Iraqi driver/minder, Amer, who becomes her friend and confidant, often serving as her eyes and ears among the populace and taking her where no other reporter was able to penetrate. Amer's own strong reactions and personal dilemma provide a trenchant counterpoint to daily events. The story is also punctuated by e-mail bulletins sent by Garrels's husband, Vint Lawrence, to their friends around the world, giving a private view of the rough-and-tumble, often dangerous life of a foreign correspondent, along with some much-needed comic relief. The result is enthralling, deeply personal, utterly authentic--an on-the-ground picture of the war in Iraq that no one else could have written. As Chicago Sun-Times critic Lloyd Sachs wrote about Garrels's work in Baghdad, "a few choice words, honestly delivered, are worth more than a thousand pictures . . . In your mind's eye, they carry lasting truth." [via]
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› Find signed collectible books: 'News Is a Verb: Journalism at the End of the Twentieth Century'
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› Find signed collectible books: 'The Paper: The Life and Death of the New York Herald Tribune'
Paper, The: The Life and Death of the New York Herald Tribune, by Kluger, Richard. 1st ed. 8vo. [via]
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› Find signed collectible books: 'Parliament of Whores'
If satirists are at their best when tussling with something they hate, then this is P.J. O'Rourke's masterpiece. He clearly hates government--and has hated it since before it was cool to do so--and for all the right reasons, too: it's clumsy, inefficient, hypocritical, greedy, and arrogant. In other words, it magnifies the faults of the poor saps who staff it. Parliament of Whores is the humorist's howl of bitter laughter at the entire bloated, numskulled mess. As befits an ex-editor of National Lampoon, nothing is out of bounds for O'Rourke. Speaking of the fabled "football"--that satchel that follows the president around 24/7--the author doubts there are really launch codes in there at all--nothing but "a copy of Penthouse and a pint bottle of Hiram Walker--a Penthouse from back in the seventies, when Penthouse was really dirty, I'll bet."
Parliament of Whores is perfect for anyone who longs to cultivate an entertaining brand of cynicism, to be "a lone voice--not crying in the wilderness, thank you, but chortling in the rec room." O'Rourke is a master at making you laugh in spite of the better angels of your nature, and the only negative thing to be said about this tour de force is that his flamethrower brand of satire leaves nothing in its wake--certainly not the suggestion of an improvement. --Michael Gerber [via]
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› Find signed collectible books: 'Parliament of Whores: A Lone Humorist Attempts to Explain the Entire U. S. Government'
If satirists are at their best when tussling with something they hate, then this is P.J. O'Rourke's masterpiece. He clearly hates government--and has hated it since before it was cool to do so--and for all the right reasons, too: it's clumsy, inefficient, hypocritical, greedy, and arrogant. In other words, it magnifies the faults of the poor saps who staff it. Parliament of Whores is the humorist's howl of bitter laughter at the entire bloated, numskulled mess. As befits an ex-editor of National Lampoon, nothing is out of bounds for O'Rourke. Speaking of the fabled "football"--that satchel that follows the president around 24/7--the author doubts there are really launch codes in there at all--nothing but "a copy of Penthouse and a pint bottle of Hiram Walker--a Penthouse from back in the seventies, when Penthouse was really dirty, I'll bet."
Parliament of Whores is perfect for anyone who longs to cultivate an entertaining brand of cynicism, to be "a lone voice--not crying in the wilderness, thank you, but chortling in the rec room." O'Rourke is a master at making you laugh in spite of the better angels of your nature, and the only negative thing to be said about this tour de force is that his flamethrower brand of satire leaves nothing in its wake--certainly not the suggestion of an improvement. --Michael Gerber [via]
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› Find signed collectible books: 'Pity the Nation: Lebanon at War'
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› Find signed collectible books: 'Pity the Nation: The Abduction of Lebanon'
Rarely have the horror and tragedy of war been so graphically--and brilliantly--portrayed as in Robert Fisk's epic account of the Lebanon conflict. A Critical scrutiny of a terrible war that has yet to be resolved. [via]
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› Find signed collectible books: 'Poison Penmanship: The Gentle Art of Muckraking'
Jessica Mitford was a member of one of Englands most legendary families (among her sisters were the novelist Nancy Mitford and the current Duchess of Devonshire) and one of the great muckraking journalists of modern times. Leaving England for America, she pursued a career as an investigative reporter and unrepentant gadfly, publicizing not only the misdeeds of, most famously, the funeral business (The American Way of Death, a bestseller) and the prison business (Kind and Usual Punishment), but also of writing schools and weight-loss programs. Mitfords diligence, unfailing skepticism, and acid pen made her one of the great chroniclers of the mischief people get up to in the pursuit of profit and the name of good. Poison Penmanship collects seventeen of Mitfords finest piecesabout everything from crummy spas to network-TV censorshipand fills them out with the story of how she got the scoop and, no less fascinating, how the story developed after publication. The book is a delight to read: few journalists have ever been as funny as Mitford, or as gifted at getting around in those dark, cobwebbed corners where modern America fashions its shiny promises. Its also an unequaled and necessary manual of the fine art of investigative reporting. [via]
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› Find signed collectible books: 'Republican Party Reptile: Essays and Outrages'
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› Find signed collectible books: 'A Secret Country: The Hidden Australia'
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› Find signed collectible books: 'Shooting History: A Personal Journey'
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› Find signed collectible books: 'Watchdogs of Democracy?: The Waning Washington Press Corps and How It Has Failed the Public'
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› Find signed collectible books: 'Witness to a Century: Encounters With the Noted, the Notorious and the Three Sob's'
"This extraordinary book . . . is a reminder . . . of the sins of suppression and untruth that have been and can be committed in the name of American journalism . . . One of the last first-person statements from a generation that included Hitler, Nehru, and Mao . . . and Seldes too." --Columbia Journalism Review [via]
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› Find signed collectible books: 'Algo supuestamente divertido que nunca volvere a hacer'
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› Find signed collectible books: 'Estupidos Hombres Blancos / Stupid White Men'
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› Find signed collectible books: 'Musica Para Camaleones'
La obra bucea con implacable lucidez en la poesia y el horror de la vida; es el esplendido resultado de una necesidad de comunicacion directa entre lector y materia narrativa. En palabras suyas: hacer del lector un observador o mejor aun, un testigo de una experiencia verdadera que, contada bajo tal optica, resultara mucho mas subyugante que si el autor la interepretase al modo clasico. [via]
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