| Search | About | Preferences | Interact | Help | |
| 150 million books. 1 search engine. | ||
› Find signed collectible books: 'American Roulette: How I Turned The Odds Upside Down, My Wild Twenty-Five-Year Ride Ripping Off The World's Casinos'
More editions of American Roulette: How I Turned The Odds Upside Down, My Wild Twenty-Five-Year Ride Ripping Off The World's Casinos:

› Find signed collectible books: 'At Home in the World'

› Find signed collectible books: 'Bill and Pete Go Down the Nile'
More editions of Bill and Pete Go Down the Nile:
› Find signed collectible books: 'The Catcher in the Rye'
Anyone who has read J.D. Salinger's New Yorker stories ? particularly A Perfect Day for Bananafish, Uncle Wiggily in Connecticut, The Laughing Man, and For Esme ? With Love and Squalor, will not be surprised by the fact that his first novel is fully of children. The hero-narrator of THE CATCHER IN THE RYE is an ancient child of sixteen, a native New Yorker named Holden Caulfield. Through circumstances that tend to preclude adult, secondhand description, he leaves his prep school in Pennsylvania and goes underground in New York City for three days. The boy himself is at once too simple and too complex for us to make any final comment about him or his story. Perhaps the safest thing we can say about Holden is that he was born in the world not just strongly attracted to beauty but, almost, hopelessly impaled on it. There are many voices in this novel: children's voices, adult voices, underground voices-but Holden's voice is the most eloquent of all. Transcending his own vernacular, yet remaining marvelously faithful to it, he issues a perfectly articulated cry of mixed pain and pleasure. However, like most lovers and clowns and poets of the higher orders, he keeps most of the pain to, and for, himself. The pleasure he gives away, or sets aside, with all his heart. It is there for the reader who can handle it to keep. [via]
More editions of The Catcher in the Rye:
› Find signed collectible books: 'The Catcher in the Rye: New Essays'
J. D. Salinger's novel, The Catcher in the Rye celebrated its fiftieth anniversary of publication in 2001. The Catcher in the Rye: New Essays presents a variety of new approaches to this extremely popular and intensely influential novel, ranging [via]
More editions of The Catcher in the Rye: New Essays:
› Find signed collectible books: 'The Catcher in the Rye'
Since his debut in 1951 as The Catcher in the Rye, Holden Caulfield has been synonymous with "cynical adolescent." Holden narrates the story of a couple of days in his sixteen-year-old life, just after he's been expelled from prep school, in a slang that sounds edgy even today and keeps this novel on banned book lists. It begins,
"If you really want to hear about it, the first thing you'll probably want to know is where I was born and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth. In the first place, that stuff bores me, and in the second place, my parents would have about two hemorrhages apiece if I told anything pretty personal about them."
His constant wry observations about what he encounters, from teachers to phonies (the two of course are not mutually exclusive) capture the essence of the eternal teenage experience of alienation. [via]
More editions of The Catcher in the Rye:

› Find signed collectible books: 'Dream Catcher : A Memoir'
More editions of Dream Catcher : A Memoir:
› Find signed collectible books: 'El Guardian Entre El Centeno/ The Catcher in the Rye'
Por expreso deseo del autor, no esta ermitido que la editorial aporte en su material promocional ningu tipo de texto adicional, informacio biograica, cita o resen relacionados con esta obra. El lector interesado podra no obstante, encontrar abundante informacio al respecto en internet. [via]
More editions of El Guardian Entre El Centeno/ The Catcher in the Rye:
› Find signed collectible books: 'Franny and Zooey'
The author writes: franny came out in the new yorker in 1955, and was swiftly followed, in 1957 by zooey. Both stories are early, critical entries in a narrative series i'm doing about a family of settlers in twentieth-century new york, the glasses. It is a long-term project, patently an ambiguous one, and there is a real-enough danger, i suppose that sooner or later i'll bog down, perhaps disappear entirely, in my own methods, locutions, and mannerisms. On the whole, though, i'm very hopeful. I love working on these glass stories, i've been waiting for them most of my life, and i think i have fairly decent, monomaniacal plans to finish them with due care and all-available skill [via]
More editions of Franny and Zooey:

› Find signed collectible books: 'In Search of J. D. Salinger'
Ian Hamilton wrote two books on J. D. Salinger. Only one, this one, was published. The first, called "J. D. Salinger: A Writing Life", despite undergoing many changes to accommodate Salinger was still victim of a legal ban. Salinger objected to the use of his letters, in the end to any use of them. The first book had to be shelved. With great enterprise and determination however, Ian Hamilton set to and wrote this book which is more, much more, than an emasculated version of the first. For someone whose guarding of his privacy became so fanatical it is perhaps surprising how much Ian Hamilton was able to disinter about his earlier life. Until Salinger retreated completely into his bolt-hole outside Cornish in New Hampshire many aspects of his life, though it required assiduousness on the biographer's part, could be pieced together. A surprising portrait emerges; although there were early signs of renunciation, there were moments when his behavior could almost be described as gregarious. The trail Hamilton follows is fascinating, and the story almost has the lineaments of a detective mystery with the denouement suitably being played out in Court. 'As highly readable and as literate an account of Salinger's work from a biographical perspective as we are likely to receive' - "The Listener". 'A sophisticated exploration of Salinger's life and writing and a sustained debate about the nature of literary biography, its ethical legitimacy, its aesthetic relevance to a serious reading of a writer's books' - Jonathan Raban, "Observer". 'Hamilton's book is as devious, as compelling, and in a covert way, as violent, as a story by Chandler' - Victoria Glendinning, "The Times". [via]

› Find signed collectible books: 'J.D. Salinger'
More editions of J.D. Salinger:
› Find signed collectible books: 'J. D. Salinger's the Catcher in the Rye'
Includes a brief biography of the author, thematic and structural analysis of the work, critical views, and an index of themes and ideas. [via]
More editions of J.D. Salinger's Catcher in the Rye:

› Find signed collectible books: 'J.D. Salinger's Franny and Zooey'
More editions of J.D. Salinger's Franny and Zooey:
› Find signed collectible books: 'J.D. Salinger's the Catcher in the Rye'
Plot synopsis of this classic is made meaningful with analysis and quotes by noted literary critics, summaries of the work's main themes and characters, a sketch of the author's life and times, a bibliography, suggested test questions, and ideas for essays and term papers. [via]
More editions of J.D. Salinger's the Catcher in the Rye:

› Find signed collectible books: 'Nine Stories'
In the J.D. Salinger benchmark "A Perfect Day for Bananafish," Seymour Glass floats his beach mate Sybil on a raft and tells her about these creatures' tragic flaw. Though they seem normal, if one swims into a hole filled with bananas, it will overeat until it's too fat to escape. Meanwhile, Seymour's wife, Muriel, is back at their Florida hotel, assuring her mother not to worry--Seymour hasn't lost control. Mention of a book he sent her from Germany and several references to his psychiatrist lead the reader to believe that World War II has undone him.
The war hangs over these wry stories of loss and occasionally unsuppressed rage. Salinger's children are fragile, odd, hypersmart, whereas his grown-ups (even the materially content) seem beaten down by circumstances--some neurasthenic, others (often female) deeply unsympathetic. The greatest piece in this disturbing book may be "The Laughing Man," which starts out as a man's recollection of the pleasures of storytelling and ends with the intersection between adult need and childish innocence. The narrator remembers how, at nine, he and his fellow Comanches would be picked up each afternoon by the Chief--a Staten Island law student paid to keep them busy. At the end of each day, the Chief winds them down with the saga of a hideously deformed, gentle, world-class criminal. With his stalwart companions, which include "a glib timber wolf" and "a lovable dwarf," the Laughing Man regularly crosses the Paris-China border in order to avoid capture by "the internationally famous detective" Marcel Dufarge and his daughter, "an exquisite girl, though something of a transvestite." The masked hero's luck comes to an end on the same day that things go awry between the Chief and his girlfriend, hardly a coincidence. "A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost. It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go straight to bed." [via]
More editions of Nine Stories:
› Find signed collectible books: 'Raise High the Roof Beam, Carpenters'
The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction. [via]
More editions of Raise High the Roof Beam, Carpenters:
› Find signed collectible books: 'Raise High the Roof Beam, Carpenters and Seymour'
The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction. [via]
More editions of Raise High the Roof Beam, Carpenters and Seymour:
› Find signed collectible books: 'Raise High the Roof beam, Carpenters And Seymour: An Introduction'
The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction. [via]
More editions of Raise High the Roof beam, Carpenters And Seymour: An Introduction:
› Find signed collectible books: 'Franny Y Zooey/ Franny and Zooey'
Franny se enfrenta al problema de los farsantes y la falsedad. El hecho mismo de que sea actriz profesional la obliga a plantearse la distincion entre autenticidad y falsedad y a verselas con la vanidad y el egotismo casi a diario, e incluso su intento de renuncia a su profesion esta abocado al fracaso si pretende mantenerse fiel a si misma. [via]
More editions of Franny Y Zooey/ Franny and Zooey:
› Find signed collectible books: 'El Guardian Entre el Centeno'
Por expreso deseo del autor, no esta ermitido que la editorial aporte en su material promocional ningu tipo de texto adicional, informacio biograica, cita o resen relacionados con esta obra. El lector interesado podra no obstante, encontrar abundante informacio al respecto en internet. [via]
More editions of El Guardian Entre el Centeno:
› Find signed collectible books: 'El Guardian Entre El Centeno/ The Catcher in the Rye'
More editions of El Guardian Entre El Centeno/ The Catcher in the Rye:
› Find signed collectible books: 'Nueve Cuentos / Nine Stories'
En estos nueve cuentos se observa claramente el caracter unitario del mundo creado por Salinger. El hecho de que el primero de los cuentos, Un dia perfecto para el pez platano, sea el tragico desenlace de Seymour (lo que vincula ya desde el principio este libro con LEVANTAD CARPINTEROS, LA VIGA DEL TEJADO..) da ya la medida del modo de operar de Salinger con sus historias, que a menudo tienen un gran componente autobiografico. [via]
More editions of Nueve Cuentos / Nine Stories:

› Find signed collectible books: 'Ardoise'
More editions of Ardoise:
› Find signed collectible books: 'Il Giovane Holden'
More editions of Il Giovane Holden:
› Find signed collectible books: 'A-Sun Wu: Un Itinerari Entre Mestissatge I Expressionisme Sala D'exposicions Del Govern, Del 22 De Maig Al 30 De Juny Del 2002'
The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction. [via]
More editions of A-Sun Wu: Un Itinerari Entre Mestissatge I Expressionisme Sala D'exposicions Del Govern, Del 22 De Maig Al 30 De Juny Del 2002:
