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› Find signed collectible books: 'The Annotated Dracula'
The jacket is a little messed up but the book is great. Pages are all clean, no rips or writing. This is a must have book for Dracula fans, lots of great pictures and it even includes maps and calendars. Copyright 1975 by Leonard Wolf. Ships from GA [via]
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› Find signed collectible books: 'At Swim, Two Boys'
You may have read the hype. Irishman Jamie O'Neill was working as a London hospital porter when his 10-year labor of love, the 200,000-word manuscript of At Swim, Two Boys, written on a laptop during quiet patches at work, was suddenly snapped up for a hefty six-figure advance. For once, the book fully deserves the hype.
In the spring of 1915, Jim Mack and "the Doyler," two Dublin boys, make a pact to swim to an island in Dublin Bay the following Easter. By the time they do, Dublin has been consumed by the Easter Uprising, and the boys' friendship has blossomed into love--a love that will in time be overtaken by tragedy. O'Neill's prose, playing merrily with vocabulary, syntax, and idiom, has unsurprisingly drawn comparisons to James Joyce and Samuel Beckett, but in his creation of comic characters (such as Jim's pathetic but irrepressible father) and in the sheer scale of his work, Charles Dickens springs to mind first. But Dickens never wrote a love story between young men as achingly beautiful as this.
In the character of Anthony MacMurrough, who is haunted by voices as he pursues his illegal and dangerous desire for Dublin boys, O'Neill has created a complex and fascinating center to his novel, rescuing the love story from mawkishness, and allowing a serious meditation on history, politics, and desire. For as Ireland seeks its own future free of British government, so Jim, Doyle, and MacMurrough look back to Sparta to find a way to live. As Dr Scrotes, one of MacMurrough's voices, commands:
Help these boys build a nation of their own. Ransack the histories for clues to their past. Plunder the literature for words they can speak.In this massive, enthralling, and brilliant debut, Jamie O'Neill has indeed done just that: provided a nation for what Walt Whitman calls, in O'Neill's epigraph, "the love of comrades." --Alan Stewart, Amazon.co.uk [via]
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› Find signed collectible books: 'Bram Stoker's Dracula'
More editions of Bram Stoker's Dracula:
› Find signed collectible books: 'Bram Stoker's Dracula'
A novelisation of the film of the book. This novel is a great deal shorter than the original novel and it is much more direct and erotic. Fred Saberhagen is the author of the "Berserker" books. James Hart is the screenwriter of "Hook". [via]
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› Find signed collectible books: 'Bram Stoker's Dracula'
Not for the faint of heart! Award-winning artist Gary Blythe brilliantly captures the eerie mood of Bram Stoker's uneasy tale, expertly edited for today's reader.
Can there be a more terrifying tale than this? The story of the notorious vampire Count Dracula, lord of the undead, who rises from his coffin at night to suck the blood of the living is, undoubtedly, the stuff of nightmares. A lunatic asylum, a bleak Transylvanian castle, an ancient cemetary . . . these are the dark backgrounds to the even darker deeds portrayed in this most bloodcurdling of tales.
Narrated from several viewpoints, DRACULA is a complex story that many know, but few have actually read. Jan Needle's newly edited version makes the gripping events accessible to the twenty-first reader without losing the incomparably chilling atmosphere of Bram Stoker's original novel. [via]
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› Find signed collectible books: 'Classics of Horror: Dracula/Frankenstein/2 Books in 1'
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› Find signed collectible books: 'Dracula'
When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes horrifying discoveries about his client and his castle. Soon afterwards, a number of disturbing incidents unfold in England: an unmanned ship is wrecked at Whitby; strange puncture marks appear on a young woman's neck; and the inmate of a lunatic asylum raves about the imminent arrival of his 'Master'. In the ensuing battle of wits between the sinister Count Dracula and a determined group of adversaries, Bram Stoker created a masterpiece of the horror genre. [via]
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› Find signed collectible books: 'Dracula'
More editions of Dracula:
› Find signed collectible books: 'Dracula'
String garlic by the window and hang a cross around your neck! the most powerful vampire of all time returns in our stepping stone classic adaption of the original tale by bran stoker. Follow johnathan harker, mina harker, and dr. Abraham van helsing as they discover the true nature of evil. Their battle to destroy count dracula takes them from the crags of his castle to the streets of london... And back again [via]
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› Find signed collectible books: 'Dracula : Case Studies'
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› Find signed collectible books: 'Fairy And Folk Tales of the Irish Peasantry'
If you are a stranger, you will not readily get ghost and fairy legends, even in a western village. You must go adroitly to work, and make friends with the children, and the old men, with those who have not felt the pressure of mere daylight existence, and those with whom it is growing less, and will have altogether taken itself off one of these days. The old women are most learned, but will not so readily be got to talk, for the fairies are very secretive, and much resent being talked of; and are there not many stories of old women who were nearly pinched into their graves or numbed with fairy blasts?
At sea, when the nets are out and the pipes are lit, then will some ancient hoarder of tales become loquacious, telling his histories to the tune of the creaking of the boats. Holy-eve night, too, is a great time, and in old days many tales were to be heard at wakes. But the priest have set their faces against wakes.
In the Parochial Survey of Ireland it is recorded how the storytellers used to gather together of an evening, and if any had a different version from the others, they would all recite theirs and vote, and the man who had varied would have to abide by their verdict. In this way stories have been handed down with such accuracy, that the long tale of Dierdre was, in the earlier decades of this century, told almost word for word, as in the very ancient MSS. in the Royal Dublin Society. . . . [via]
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› Find signed collectible books: 'Fairy And Folk Tales Of The Irish Peasantry 1890'
This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages. [via]
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![A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra (051714641X) by [???] [???]: A Gothic Treasury of the Supernatural: The Castle of Otranto/Frankenstein/the Strange Case of Dr. Jekyll and Mr. Hyde/the Picture of Dorian Gray/Dra](http://ecx.images-amazon.com/images/P/051714641X.01._SL160_SCLZZZZZZZ__.jpg)
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› Find signed collectible books: 'Gulliver's Travels'
Michael Seidel is Jesse and George Siegel Professor in the Humanities at Columbia University. He has written widely on eighteenth-century literature. His books include Satiric Inheritance: Rabelais to Sterne (1979), Exile and the Narrative Imagination (1986), and Robinson Crusoe: Island Myths and the Novel (1991).
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› Find signed collectible books: 'Gulliver's Travels'
The voyages of an eighteenth-century Englishman carry him to such strange places as Lilliput, where people are six inches tall, and Brobdingnag, a land peopled by giants. [via]
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› Find signed collectible books: 'The Illustrated Dracula'
@BleedingGums A damsel is bleeding from her ears and eyes! Shes afraid of the sun! Like a ginger!
We must sort this out. She may be a vampire, but I cant tell the father. He wonders if her lady times are just out of control.
From Twitterature: The World's Greatest Books in Twenty Tweets or Less
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› Find signed collectible books: 'Irish Fairy and Folk Tales'
Gathered by the renowned Irish poet, playwright, and essayist William Butler Yeats, the sixty-five tales and poems in this delightful collection uniquely capture the rich heritage of the Celtic imagination. Filled with legends of village ghosts, fairies, demons, witches, priests, and saints, these stories evoke both tender pathos and lighthearted mirth and embody what Yeats describes as the very voice of the people, the very pulse of life.
The impact of these tales doesnt stop with Yeats, or Joyce, or Oscar Wilde, writes Paul Muldoon in his Foreword, for generations of readers in Ireland and throughout the world have found them flourishing like those persistent fairy thorns.
From the Trade Paperback edition. [via]
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› Find signed collectible books: 'Oscar Wilde's the Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Grey'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Gray'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'The Picture of Dorian Gray and Other Writings by Oscar Wilde'
A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden."
As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment." [via]
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› Find signed collectible books: 'Picture of Dorian Gray and Selected Stories'
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› Find signed collectible books: 'Les Voyages De Gulliver'
Gulliver est une figure légendaire. Le mot "Lilliputiens" est devenu un nom commun. Classique parmi les classiques, ce livre est un roman de genre : un héros embarqué sur un navire qui fait naufrage échoue sur une île... Dès lors, tout est possible, surtout les choses les plus extraordinaires. C'est une fabuleuse occasion pour un écrivain de déployer tous les trésors de son imagination, et Jonathan Swift n'en manque pas. Dans la première partie, son héros se retrouve prisonnier d'un peuple minuscule. Après avoir vécu moult péripéties, il rentre chez lui, mais le démon de l'aventure le pousse à repartir. Comme les naufrages étaient nombreux à l'époque (on est à l'aube du XVIIIe siècle), le voilà derechef poussé par les flots vers un autre pays surprenant. Mais, cette fois, c'est lui qui est nain parmi des géants. Ces deux histoires fabuleuses, qui ont fait le tour du monde dans bien des versions et adaptations, sont à découvrir absolument dans le texte intégral, plein de saveur, même si les archaïsmes abondent et peuvent déconcerter le jeune lecteur : tournures de langage, évocation des moeurs de l'époque, mots inusités aujourd'hui réclament un petit effort de lecture. Qui sera largement récompensé par le plaisir de suivre ces passionnantes aventures. --Pascale Wester [via]
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